Prints + Multiples 
26 February 2020
Chuck Close, Georgia Fingerprint I - Image 1 of 1
Prints + Multiples 
Chuck Close, Georgia Fingerprint I - Image 1 of 1
138

Chuck Close 1940–2021

Georgia Fingerprint I

1985
etching 41 h × 26 w in (104 × 66 cm)
estimate: $4,000–6,000
result: $4,063
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Signed, dated and numbered to lower edge ‘3/12 C. Close 1985’. This work is number 3 from the edition of 12 published by Pace Editions, New York.
provenance: James W. Hyams Collection
exhibited: Get Real: Photorealist Prints from the James W. Hyams Collection, 2004, University of Richmond Museum, Piedmont Arts, Martinsville, Virginia, University of Lynchburg, Virginia, Radford University, Virginia, and Rahr-West Art Museum, Manitowoc, Wisconsin. | Photorealist Prints from the James W. Hyams Collection, 2005-2006, Eleanor D. Wilson Museum at Hollins University, Virginia, and Portsmouth Art and Cultural Center, Virginia | Grand Opening, 2008, Taubman Museum of Art, Roanoke, Virginia | The First Generation: Photorealist Prints from the Collection of James W. Hyams, 2008, Allegheny Highlands Arts Center, Clifton Forge, Virgina | Collecting Prints: Selections from the Collection of James W. Hyams, 2016, Piedmont Arts, Martinsville, Virginia

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The James W. Hyams Collection

James W. Hyams started collecting art in 1967 when he was a student in college. The first work Hyams purchased—Vegetable Soup Can from Campbell’s Soup I by Andy Warhol—was paid for in installments and hung in his dorm room. A few years later, he purchased his second work by Warhol and from there collecting became a way of life. 

Over the years, Hyams has amassed a stunning collection of prints from 1960s to the present day. From Warhol to Hirst, or Lichtenstein to Doig, his collection is about as contemporary as it gets. Focusing on works that he likes by influential artists, his collection of more than 400 prints is an exceptional survey of the most important art movements of the second half of the 20th century and the start of the 21st century.  

Generous with his collection, Hyams has loaned many works to galleries and universities, sharing his collection with a public audience. Further, his pieces are proudly on display in his home, his acclaimed interior widely published. 

I don't buy pieces that I don't like. But I do have a purpose in my collection. I am interested in buying key artists from the period.

James W. Hyams

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