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In a kind of dance ritual, Disler raged across huge unrolled streams of paper or canvas, hurtling figures onto the white surface with all his might, so that his entire body followed the movement of the brush, every stroke, every line surging forth from his painterly rhythms. He created sequences of red pictures and black pictures, all of which took possession of space like tidal waves.

Doris von Draetln, "Martin Disler", Artforum, January 1989, p. 180