The Preeminent Gallery for American Art

For more than fifty years, Spanierman Gallery cultivated a reputation as one of the country’s preeminent galleries dedicated to American Art. Founded by Ira Spanierman in 1961, the gallery initially offered a wide selection of material, including silver, arms and armor, Old Master, European and American art. Over time, Spanierman chose to focus exclusively on American art, a move that would establish the gallery as a tour-de-force in the field. Well-known for his outstanding ‘eye’ and dedication to connoisseurship, Spanierman was trusted by institutions and private collectors alike. The gallery was known to have sold to hundreds of museums across the United States and abroad while fostering the development of some of the country’s most prestigious private collections. 

In addition to its reputation as a dealer, Spanierman Gallery was esteemed in the industry for its dedication and support of art scholarship. As a young man starting off in the business, Ira Spanierman recalled researching and identifying paintings through tedious research at the Frick Art Reference Library. These hours of study left an indelible mark on Spanierman who would go on to publish catalogue raisonnés for artists such as Theodore Robinson, John Henry Twachtman, Willard Metcalf, and co-sponsor the catalogue on the work of Winslow Homer. 

When Spanierman Gallery closed in 2014 an impressive inventory remained. We are pleased to offer a selection of these works from the estates acquired by the gallery including those of Dora Maar, Solomon Ethe, Vaclav Vytlacil, John F. Carlson, Joseph Amar, James and Myron Lechay, Martha Walter, Mercedes Matter, Lamar Briggs, Sumiye Okoshi and Robert Emmett Owen.

Charles Warren Eaton 1857–1937

Charles Warren Eaton will be remembered as one of the chief members of the Tonalist movement, along with Henry Ward Ranger, Elliott Daingerfield and others who benefited from the lessons of French Barbizon painting and, more immediately, from the example of the poetic style of George Inness.

Born in Albany, Eaton showed little interest in art until his twenties when he came to New York City and began studying at the Art Students' League and the National Academy of Design. He readily absorbed the Barbizon work shown at the Academy as well as paintings by American landscapists. His studio mate, Leonard Ochtman, was a native Dutchman who no doubt stirred Eaton's interest in Europe. In 1886 he traveled with Ochtman to Grez, Paris, London and Holland. Eaton's first mature themes of the 1890s were those of bridges and the neighboring countryside executed in an atmospheric, mood-evoking style.

In 1899, George Inness, who had a studio in the same building as Eaton, purchased one of Eaton’s paintings. This initiated a relationship which would remain a source of pride to Eaton. Like Elliott Daingerfield, Eaton was one of a few younger artists who could claim Inness as a mentor, and he enjoyed the opportunity to observe Inness's personal and impassioned approach to landscape painting.

Around 1900, Eaton discovered the white pine forests of Connecticut near his summer haunts of Thompson and Colebrook. These were his most popular paintings at the National Academy's annuals and he was dubbed "The Pine Tree Painter." Tall, dark pines silhouetted against sunset and moonlit skies became a specialty and firmly established Eaton as an American Tonalist.
His mature works, around 1910 and thereafter, were a break from this Tonalist mode. His palette brightened considerably, due to a new interest in broad daylight. Heavier impasto and choppy brushwork also characterize this late work.

The artist died in New York City in 1937.

Auction Results Charles Warren Eaton