
I try to apply colors like words that shape poems, like notes that shape music.
Joan Miró
I try to apply colors like words that shape poems, like notes that shape music.
Joan Miró
In the 1970s, The Guggenheim began broadcasting a regularly scheduled radio show, Round and About the Guggenheim, on New York’s Public Radio, WNYC. A precursor to our modern day podcasts, the show was the creation of the museum’s head development officer, Mimi Poser, whose career at The Guggenheim would span nearly two decades. With Poser as moderator, the series covered a wide range of topics from artists and artworks, to special events, to museum practices with many episodes centering on the museum’s current exhibitions. Each episode provided an interview with artists and experts from across the industry, informing audiences of the inner workings of institutions as well as current trends and issues within the art world. It was Poser’s narration, guidance, and knowledge during these interviews that encouraged in listeners a greater appreciation for both the influential artists of the age as well as the art industry as a whole.
Joan Miró 1893–1983
Joan Miró was born in Barcelona, Spain in 1893. Although his parents wanted their son to be a businessman, Miró was drawn to art, and so he studied painting at Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. In 1920, Miró moved to Paris where he was quickly caught up in the fiercely cultural atmosphere. He struck up a friendship with fellow expat Pablo Picasso, who took Miró under his wing and introduced him to many of the artists and writers living in the city. Miró soon became friends with Ernest Hemmingway, who bought his masterpiece The Farm in 1921. Famed surrealist poet Andre Breton and Miró met in 1924 and Breton felt that Miró’s artwork “was the most surrealist of all.”
Despite his association with the Surrealist movement, Miró’s painting process was far from unconscious; rather, his work resulted from a precise methodology. Combining the formal elements of cubism with biomorphic forms, Miró created works that referenced his home country of Spain through abstraction. After the beginning of the Spanish Civil War, his work began to display sharply political messages. His mural, The Reaper, condemned Franco's regime and was shown at the Spanish Pavilion in the World’s Fair of 1937 in Paris. In 1939 when the Nazis arrived in Paris, Miró was forced to flee to the South of France. The first retrospective of Miró’s work in the United States was held at the Museum of Modern Art in New York in 1941. In 1958, Miró was commissioned to make two significant murals for UNESCO in Paris, for which he received the Guggenheim International Award. Inspired by the Paris student riots of 1968, Miró began to create bombastic paintings in which he would fling paint onto the canvas. During the 1970s, he became intrigued with the process of bookmaking, and he created over 250 illustrated artist’s books. Miró died in 1983, but he left behind a influential legacy and is one of the most well-known artists of the 20th century.
Auction Results Joan Miró
Untitled from Stephen Spender's Fraternity
estimate: $5,000–7,000
Miro Cartons exhibition poster for Galerie Maeght
estimate: $500–700
result: $438
Quiri Quibu John Brossa
estimate: $800–1,200
result: $1,625
Bronzes Exhibition, Hayward Gallery, London
estimate: $2,000–3,000
result: $2,750
Galathée
estimate: $18,000–24,000
result: $20,000
L'Aigrette Rouge
estimate: $12,000–18,000
result: $12,500
Maja Negra
estimate: $20,000–30,000
result: $16,250
Plate from Lithographs I
estimate: $2,000–3,000
result: $1,500
Miro à l'encre
estimate: $1,200–1,800
result: $2,375
Le Puisatier
estimate: $3,000–5,000
result: $4,063
Le Roi David (King David)
estimate: $3,000–5,000
result: $3,500
Le Grand Ordinateur
estimate: $7,000–9,000
result: $6,875
La Ruisselante Lunaire
estimate: $7,000–9,000
result: $9,375
Plate from Lithographs II
estimate: $2,000–3,000
result: $1,500
Le Chanteur and L'étoile Bleue
estimate: $2,000–3,000
result: $2,250
Untitled from Stephen Spender's "Fraternity"
estimate: $7,000–9,000
Trace Sur La Paroi I
estimate: $7,000–9,000
result: $7,800
L'Aigrette Rouge
estimate: $12,000–18,000
Galathée
estimate: $18,000–24,000
La Mangouste tapestry
estimate: $4,000–6,000
result: $8,750
Composition
estimate: $1,800–2,400
result: $3,750
Terres de Grand Feu
estimate: $1,500–2,500
result: $2,250
Ronde de Nuit from Derriere le Miroir
estimate: $3,000–5,000
Grans Rupestres XXI
estimate: $3,000–5,000
result: $6,875