Harry Bertoia 1915–1978

Harry Bertoia was a true Renaissance man well-versed in the language of art and design. Born in San Lorenzo, Italy in 1915, Bertoia relocated to the United States at the age of fifteen and enrolled at Cass Technical High School in Detroit to study hand-made jewelry. In 1937, Bertoia was awarded a scholarship to attend the Cranbrook Academy of Art in Bloomfield Hills, Michigan where he studied under the direction of Maija Grotell and Walter Gropius. Bertoia was drawn to the mostly empty metal shop, and after two years in the program, Bertoia was invited to head the department.

At Cranbrook, Bertoia was introduced to a number of designers whose names would become synonymous with mid-century modern design. Here he met Eero Saarinen, with whom he would collaborate on numerous architectural projects, and Charles and Ray Eames with whom, for a short period during the war, he would work for at the Molded Plywood Division of Evans Products in California. In 1950, Bertoia moved east to Pennsylvania to open his own studio and to work with Florence Knoll designing chairs. Bertoia designed five chairs out of wire that would become icons of the period, all of them popular and all still in production today.

The success of his chair designs for Knoll afforded Bertoia the means to pursue his artistic career and by the mid-1950s he was dedicated exclusively to his art. Using traditional materials in non-traditional ways, Bertoia created organic sculptural works uniting sound, form and motion. From sculptures sold to private buyers to large-scale installations in the public realm, Bertoia developed an artistic language that is at once recognizable but also uniquely his own.

Today Bertoia’s works can be found in various private and numerous public collections, including: The Art Institute of Chicago, Denver Art Museum, Milwaukee Art Museum, Smithsonian Institution, Washington D.C., Museum of Modern Art, New York, Musée des Arts Décoratifs, Paris, Museum of Fine Arts, Houston and the Whitney Museum of American Art, New York.

Auction Results Harry Bertoia

HARRY BERTOIA, Untitled (Early Welded Form) | ragoarts.com

Harry Bertoia

Untitled (Early Welded Form)
estimate: $30,000–50,000
result: $37,500

HARRY BERTOIA, Untitled (Kinetic Form) | ragoarts.com

Harry Bertoia

Untitled (Kinetic Form)
estimate: $100,000–150,000
result: $150,000

HARRY BERTOIA, Untitled (Landscape) | ragoarts.com

Harry Bertoia

Untitled (Landscape)
estimate: $15,000–20,000

HARRY BERTOIA, Untitled (Sonambient) | ragoarts.com

Harry Bertoia

Untitled (Sonambient)
estimate: $25,000–35,000
result: $25,000

HARRY BERTOIA, brooch | ragoarts.com

Harry Bertoia

brooch
estimate: $5,000–7,000
result: $5,000

HARRY BERTOIA, hair pin | ragoarts.com

Harry Bertoia

hair pin
estimate: $2,000–3,000
result: $3,250

HARRY BERTOIA, Untitled (Sonambient) | ragoarts.com

Harry Bertoia

Untitled (Sonambient)
estimate: $20,000–30,000
result: $56,250

HARRY BERTOIA, Untitled (Directly Formed Bronze) | ragoarts.com

Harry Bertoia

Untitled (Directly Formed Bronze)
estimate: $3,000–5,000
result: $3,250

HARRY BERTOIA, Untitled (Melt Pressed Bronze) | ragoarts.com

Harry Bertoia

Untitled (Melt Pressed Bronze)
estimate: $1,000–1,500
result: $4,063

HARRY BERTOIA, Untitled (Monotype) | ragoarts.com

Harry Bertoia

Untitled (Monotype)
estimate: $1,000–1,500
result: $1,063

HARRY BERTOIA, Untitled (Monotype) | ragoarts.com

Harry Bertoia

Untitled (Monotype)
estimate: $2,000–3,000
result: $3,500

HARRY BERTOIA, Untitled (Gong) | ragoarts.com

Harry Bertoia

Untitled (Gong)
estimate: $20,000–30,000

HARRY BERTOIA, Untitled (Welded Form) | ragoarts.com

Harry Bertoia

Untitled (Welded Form)
estimate: $3,000–5,000
result: $3,250

HARRY BERTOIA, Untitled (Welded Form) | ragoarts.com

Harry Bertoia

Untitled (Welded Form)
estimate: $2,000–3,000
result: $7,500

HARRY BERTOIA, Untitled (Monotype) | ragoarts.com

Harry Bertoia

Untitled (Monotype)
estimate: $1,000–1,500
result: $2,125

HARRY BERTOIA, Untitled (Monotype) | ragoarts.com

Harry Bertoia

Untitled (Monotype)
estimate: $1,000–1,500
result: $2,000

HARRY BERTOIA, Untitled (Monotype) | ragoarts.com

Harry Bertoia

Untitled (Monotype)
estimate: $1,000–1,500
result: $1,000

HARRY BERTOIA, Untitled | ragoarts.com

Harry Bertoia

Untitled
estimate: $2,000–3,000
result: $1,750

HARRY BERTOIA, Untitled | ragoarts.com

Harry Bertoia

Untitled
estimate: $2,000–3,000
result: $1,750

HARRY BERTOIA, Untitled | ragoarts.com

Harry Bertoia

Untitled
estimate: $1,000–2,000
result: $1,625

HARRY BERTOIA, Untitled (Wire Form) | ragoarts.com

Harry Bertoia

Untitled (Wire Form)
estimate: $20,000–30,000
result: $35,000

HARRY BERTOIA, Untitled (Welded Form) | ragoarts.com

Harry Bertoia

Untitled (Welded Form)
estimate: $5,000–7,000
result: $6,875

HARRY BERTOIA, Untitled (Multi-Plane Construction) | ragoarts.com

Harry Bertoia

Untitled (Multi-Plane Construction)
estimate: $30,000–50,000
result: $52,500

HARRY BERTOIA, Untitled (Sonambient) | ragoarts.com

Harry Bertoia

Untitled (Sonambient)
estimate: $50,000–70,000
result: $81,250