162
162
1978-88
silk tapestry 72 h × 100 w in (183 × 254 cm)
silk tapestry 72 h × 100 w in (183 × 254 cm)
estimate: $3,000–5,000
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This work is from the edition of 25.
provenance: James W. Hyams Collection
The James W. Hyams Collection
James W. Hyams started collecting art in 1967 when he was a student in college. The first work Hyams purchased—Vegetable Soup Can from Campbell’s Soup I by Andy Warhol—was paid for in installments and hung in his dorm room. A few years later, he purchased his second work by Warhol and from there collecting became a way of life.
Over the years, Hyams has amassed a stunning collection of prints from 1960s to the present day. From Warhol to Hirst, or Lichtenstein to Doig, his collection is about as contemporary as it gets. Focusing on works that he likes by influential artists, his collection of more than 400 prints is an exceptional survey of the most important art movements of the second half of the 20th century and the start of the 21st century.
Generous with his collection, Hyams has loaned many works to galleries and universities, sharing his collection with a public audience. Further, his pieces are proudly on display in his home, his acclaimed interior widely published.
I don't buy pieces that I don't like. But I do have a purpose in my collection. I am interested in buying key artists from the period.
James W. Hyams
Larry Rivers 1923–2002
Born Yitzroch Loiza Grossberg in 1923, Larry Rivers paved the way for the birth of Pop Art through his innovative marrying of Abstract Expressionism, Nouveau Réalisme and the iconic imagery of commercial advertising. Esteemed for his contributions by critics and contemporaries, Rivers occupies a singular place in the history of contemporary art as evinced in a statement by Andy Warhol, proclaiming “Larry’s painting style was unique - it wasn’t Abstract Expressionism and it wasn’t Pop, it fell into the period in between. But his personality was very Pop.”
From a young age, Rivers displayed a prodigious talent for the creative, especially in the form of jazz, and it was from his early band, Larry Rivers and the Mudcats, that at the age of 17, he chose his new moniker. Though he attended the prestigious Julliard School of Music, he ultimately decided to focus his efforts on the visual arts and began studying under the tutelage of Hans Hofmann. His early work was heavily influenced by the Abstract Expressionist movement, but he soon evolved into a versatile artist.
Merging his passion for painting with his love for music, literature, poetry and popular culture, his works were ceaseless explorations of media and themes. He was continuously pushing the boundaries of traditional art, drawing influence from many of his contemporaries in the New York and Paris art scenes such as Yves Tinguely and Niki de Saint Phalle, Jackson Pollock, Helen Frankenthaler and Willem de Kooning. Outside of the world of visual art, Rivers established close relationships with poets John Ashbery and Frank O’Hara and it was his relationship with the latter that would inspire some of his most iconic works.
Over the course of his career, Rivers evaded categorization. At times he was a filmmaker, a musician, an actor, a poet, and even a nightclub MC. He was also, though, a charismatic teacher and mentor with a profound desire to nurture the talents of younger artists and further the possibilities of what art could accomplish. The immense popularity Rivers enjoyed during his career still continues to today and his highly sought-after works can now be found in the collections of institutions worldwide such as the Solomon R. Guggenheim Museum, New York, Centre Georges Pompidou, Paris, and The Museum of Modern Art, New York.
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