Prints + Multiples 
26 February 2020
Prints + Multiples 
111

Jim Dine b.1935

Fortress of the Heart

1981-82
lithograph in colors 36 h × 60 w in (91 × 152 cm)
estimate: $5,000–7,000
result: $7,500
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Signed, dated and inscribed to lower right ‘P/P Jim Dine 1982’. This work is a printer's proof apart from the numbered edition of 22 printed by Topaz Editions & Derriere L’Etoile Studios and published by Pace Editions, New York.
provenance: James W. Hyams Collection
exhibited: Collecting Prints: Selections from the Collection of James W. Hyams, 2016, Piedmont Arts, Martinsville, Virginia
literature: D'Oench/Feinberg 111

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The James W. Hyams Collection

James W. Hyams started collecting art in 1967 when he was a student in college. The first work Hyams purchased—Vegetable Soup Can from Campbell’s Soup I by Andy Warhol—was paid for in installments and hung in his dorm room. A few years later, he purchased his second work by Warhol and from there collecting became a way of life. 

Over the years, Hyams has amassed a stunning collection of prints from 1960s to the present day. From Warhol to Hirst, or Lichtenstein to Doig, his collection is about as contemporary as it gets. Focusing on works that he likes by influential artists, his collection of more than 400 prints is an exceptional survey of the most important art movements of the second half of the 20th century and the start of the 21st century.  

Generous with his collection, Hyams has loaned many works to galleries and universities, sharing his collection with a public audience. Further, his pieces are proudly on display in his home, his acclaimed interior widely published. 

I don't buy pieces that I don't like. But I do have a purpose in my collection. I am interested in buying key artists from the period.

James W. Hyams

Jim Dine b. 1935

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For nearly six decades, American artist Jim Dine has evoked the power of symbolism, familiarity, and the search for self through a variety of mediums. A seeming critique on modern society, Dine places personal possessions and regular objects at the focal point of his prints, drawings, paintings, and sculptures. His evolving imagery includes reoccurring themes such as heart shapes, bathrobes, tools, and the human body for which he is best known.

Dine was born in Cincinnati, Ohio in 1935. His grandfather owned a hardware store where he worked throughout his youth later influencing his interest in ordinary objects. “I grew up with tools…I’ve always been enchanted by these objects made by anonymous hands,” he has stated. From 1953-1957 Dine studied poetry at the University of Cincinnati and later the School of the Boston Museum of Fine Arts. After receiving his BFA from the Ohio University in Athens, GA, he moved to New York in 1958.

Dine began participating in stage performances, later known as “Happenings”, alongside artists such as Claes Oldenburg, Robert Whitman, and John Cage. The performances helped to launch his career and his first solo exhibition was held in New York at the Reuben Gallery in 1960. While frequently associated with Pop Art that developed at this time, the artist does not identify with a specific movement. In 1966 he remarked, "Pop is concerned with exteriors…I'm concerned with interiors." He continued to develop his body of work expanding upon his iconic themes with series of flowers, trees, and the Venus di Milo.

His work has been exhibited internationally and been the focus of major retrospectives at New York’s Whitney Museum of American Art (1970), the Solomon R. Guggenheim Museum in New York (1999), and the National Gallery of Art in Washington, D.C. (2004). Dine’s work is included in prestigious collections around the world including The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, Spain, and the Walker Art Center in Minneapolis, MN.

Jim Dine lives and works between New York, Paris, and Walla Walla, WA.

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