HARRY BERTOIA (1915 - 1978) Untitled sculpture (Tree), Bally, PA, 1960s; Brass over steel; Unmarked; 10" x 13 1/2" x 5 1/2"; Provenance: The Estate of John J. Slocum, Harold Brown Villa, Newport RI; Certificate of authenticity from Val Bertoia available; Mr. Slocum was appointed by President Reagan to the Presidential Cultural Property Advisory Committee, and was also a Trustee Emeritus of the Archaeological Institute of America. He was a professional investment advisor as owner of Slocum, Gordon & Co, and a respected scholar/collector whose medieval crusader coins were sold in a single-owner sale at SothebyÕs, London in 1997. He donated what's considered to be the definitive James Joyce collection to the Beinecke Rare Book Library at Yale in 1951, as well as an Ezra Pound collection in 1983. This sculpture sat on John Slocum's desk in his Bellevue Ave. home from when it was first purchased until his estate was liquidated in 2018.
Harry Bertoia 1915–1978
Harry Bertoia was a true Renaissance man well-versed in the language of art and design. Born in San Lorenzo, Italy in 1915, Bertoia relocated to the United States at the age of fifteen and enrolled at Cass Technical High School in Detroit to study hand-made jewelry. In 1937, Bertoia was awarded a scholarship to attend the Cranbrook Academy of Art in Bloomfield Hills, Michigan where he was drawn to the mostly empty metal shop and, after two years in the program, was invited to head the department.
At Cranbrook, Bertoia was introduced to a number of designers whose names would become synonymous with mid-century modern design. Here he met Eero Saarinen, with whom he would collaborate on numerous architectural projects, and Charles and Ray Eames with whom, for a short period during the war, he would work for at the Molded Plywood Division of Evans Products in California. In 1950, Bertoia moved east to Pennsylvania to open his own studio and to work with Florence Knoll designing chairs. Bertoia designed five chairs out of wire that would become icons of the period, all of them popular and all still in production today.
The success of his chair designs for Knoll afforded Bertoia the means to pursue his artistic career and by the mid-1950s he was dedicated exclusively to his art. Using traditional materials in non-traditional ways, Bertoia created organic sculptural works uniting sound, form and motion. From sculptures sold to private buyers to large-scale installations in the public realm, Bertoia developed an artistic language that is at once recognizable but also uniquely his own.
Today Bertoia’s works can be found in various private and numerous public collections, including: The Art Institute of Chicago, Denver Art Museum, Milwaukee Art Museum, Smithsonian Institution, Washington D.C., Museum of Modern Art, New York, Musée des Arts Décoratifs, Paris, Museum of Fine Arts, Houston and the Whitney Museum of American Art, New York.
Auction Results Harry Bertoia
