Designs for the City
Cityscape is the last great series designed by Paul Evans. While Evans’ early work relies on decoration, Cityscape flattens the decorative elements and focuses on the play of light over pure form. A relentless designer, the series displays a proliferation of works and endless variations within the simplified structure of the panels. It achieves something rare in the world of craft by being in dialog with the avant-garde of interior design. Still chic today, these works add contrast and light to any interior.
“Out of a new technology… comes a
startling, unique furniture concept.”
Directional advertisement, 1970
Born in Trenton, New Jersey in 1931, Paul Evans exhibited talent for design at an early age. He studied woodworking in high school and briefly attended the Philadelphia Textile Institute. Evans was awarded the Aileen O. Webb Scholarship in 1950 and studied at the prestigious Rochester Institute of Technology’s School for American Craftsmen. He would continue his studies at Cranbrook in 1952 with a focus on metalwork. In 1953 he took a position as the metal craftsman at the living museum, Old Sturbridge Village. Feeling that his creativity was being stifled, Evans left the museum in 1955 to find a more stimulating environment. He opened a showroom with fellow designer Phillip Lloyd Powell and the two began a decade-long collaboration.
Evans’ experiments with welded and enameled sculpture in the early 1960s caught the eye of the Directional furniture company. Directional was looking for handmade furniture with distinctive character and Evans’ new American craft designs were a perfect fit. In 1971, Evans developed the brass and chrome Cityscape line for Directional marking a departure from his earlier sculptural works. In the 1980s, working with his son Keith, an electrical engineer, he continued to experiment with new materials and design increasing minimal forms with kinetic elements. Together, they formed Zoom, Inc. in 1983 and began a relationship with the Design Institute of America. In 1987, just one day after his retirement, Evans suffered his third heart attack and died.
Evans is now internationally recognized as one of the great studio furniture makers of the 20th century. In his finest work, such as Argente and Sculpted Front, he deploys his training in welding, metallurgy, and jewelry design to sculpt brutal and beautiful furniture in metal—work that prefigured the art furniture movement today.
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