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return to prices realized index > Rago Arts and Auction Center
Please click on lot number to see image. |
| Lot | Description | Estimate | Hammer Price | Sale Price |
| 1 | Richard Pettibone (American, b. 1938) Andy Warhol Soup Can, 1965, 1968; Acrylic and silkscreen on canvas (framed); Signed, dated and titled; 5 1/4" x 4 3/8"; Provenance: Private Collection | 40,000 - 60,000 | 60,000 | 72,000 |
| 2 | Richard Pettibone (American, b. 1938) Andy Warhol, Two Elvis, 1964, 1975; Gold acrylic and silkscreen on canvas (framed); Signed, dated and titled; 8 3/8" x 8 3/8"; Provenance: Private Collection, New York | 60,000 - 80,000 | 50,000 | 60,000 |
| 4 | Richard Pettibone (American, b. 1938) Monet Hay Stacks, 1891, 1970; Acrylic and silkscreen on canvas (framed); Signed, dated and titled; 5 3/8" x 8 3/16"; Provenance: O.K. Harris Gallery, New York; Private Collection, New York | 15,000 - 30,000 | 10,000 | 12,000 |
| 6 | Louise Nevelson (American, 1899-1988) Cat, 1940s; Bronze with wood base; Signed; 7" x 9 1/2" x 5 3/4", 8 1/4" x 10" x 6 3/8" (with base); Provenance: Estate of Mary Roebling, Trenton, New Jersey (acquired 1963); Private Collection, New Jersey | 7,000 - 9,000 | 16,000 | 19,200 |
| 7 | Roy Lichtenstein (American, 1923-1997) Cherokee Brave, 1952; Oil on canvas; Signed, dated and titled; 20 1/8" x 16 1/8"; Provenance: Private Collection, Los Angeles; Note: This work will be included in the catalogue raisonn‚ being prepared by the Roy Lichtenstein Foundation. | 20,000 - 30,000 | 100,000 | 120,000 |
| 8 | Nobu Fukui (Japanese/American, b. 1942) Untitled, No. 3, ca. 1964-65; Oil on canvas (framed); 32" x 39 3/4"; Provenance: Collection of Larry Aldrich, New York (label on verso); Private Collection | 1,000 - 1,500 | 1,300 | 1,560 |
| 9 | Jack Youngerman (American, b. 1926) Untitled, 1968; Ink on paper (framed); Signed and dated; 29" x 23" (sheet); Provenance: Betty Parsons Gallery, New York (gallery stamp on verso); Private Collection, Boston | 1,000 - 1,500 | 1,800 | 2,160 |
| 11 | Alexander Liberman (American, 1912-1999) Two works of art: Untitled, 1975; Acrylic on paper; Signed and dated; 40" x 25"; Untitled, 1975; Acrylic on paper; Signed and dated; 40" x 25"; Provenance: Private Collection | 1,500 - 2,000 | 1,200 | 1,440 |
| 12 | William T. Wiley (American, b. 1937) Repeat Performance, 1976; Ink on paper (framed); Signed, dated and titled; 14" x 20" (sheet); Provenance: Private Collection | 1,000 - 1,500 | 1,500 | 1,800 |
| 13 | Gene Davis (American, 1920-1985) Untitled, 1972; Colored pencil on paper (framed); Signed and dated; 19 3/4" x 25 1/2" (sheet); Provenance: Estate of Carl M. Allen, Ohio | 1,500 - 2,000 | 2,800 | 3,360 |
| 14 | Carlo Battaglia (Italian, 1933-2005) Oceania, 1979; Pastel on paper; 39 1/2" x 28" (sheet); Provenance: Adler/Castillo Gallery, New York (label on verso); Private Collection, New York | 1,200 - 1,800 | 3,750 | 4,500 |
| 15 | Gerard Garouste (French, b. 1946) Two Men in Forest, 1978; Mixed media on paper (framed); Signed and dated; 13 3/4" x 9 1/2" (sheet); Provenance: Private Collection, New York | 1,500 - 2,500 | 1,700 | 2,040 |
| 16 | Louis Pons (French, b. 1927) Eloge de la liberte, 1974; Mixed media; Signed, dated and titled; 32 1/4" x 22 1/2" x 6 1/2"; Provenance: Private Collection | 300 - 500 | 1,700 | 2,040 |
| 17 | Komar and Melamid (Russian, b. 1943 & 1945) Earthquake (from Magic Weapons Series), 1977-78; Mixed media with collage; Signed; 30" x 40"; Provenance: Ronald Feldman Fine Arts, Inc., New York; Private Collection: New Jersey | 2,500 - 4,500 | 6,500 | 7,800 |
| 18 | Wolf Kahn (American, b. 1927) Tree Levels, 1990; Pastel on paper (framed); Signed; 13 3/8" x 16 1/2" (sight); Provenance: Beadleston Gallery, New York (label on verso); Grace Borgenicht Gallery, New York; Private Collection | 2,000 - 3,000 | 4,250 | 5,100 |
| 19 | Beverly Pepper (American, b. 1924) Untitled #3, 1992; Monoprint (diptych, framed together); Signed; 13 1/2" x 19" (sheet); Provenance: Van Straaten Gallery, Chicago (label on verso); Riverhouse Editions, Colorado; Private Collection | 800 - 1,000 | 400 | 480 |
| 20 | Beverly Pepper (American, b. 1924) Vittorio Plaza II, 1987; Cast iron and wood; 28" x 14" x 15 1/2"; Provenance: Private Collection, New York | 6,000 - 8,000 | 5,500 | 6,600 |
| 21 | Ross Bleckner (American, b. 1949) Study: Entrance, 1986; Oil on canvas; Signed, dated and titled; 26" x 26"; Provenance: Mary Boone Gallery, New York (label on verso); Private Collection, New York | 4,000 - 6,000 | 14,000 | 16,800 |
| 22 | Richard Artschwager (American, b. 1923) blp, 1989; Acrylic on wood; 12" x 6" diameter; Provenance: The artist; Private Collection, New York | 20,000 - 25,000 | 16,000 | 19,200 |
| 23 | John Walker (British, b. 1939) Untitled, 1987; Mixed media on paper; Signed and dated; 30 1/4" x 22 1/2"; Provenance: Private Collection, Germany; Private Collection, New York | 700 - 900 | 850 | 1,020 |
| 24 | Kevin Larmon (American, b. 1955) Breathe, 1987; Oil on canvas; Signed, dated and titled; 18" x 15"; Provenance: Curt Marcus Gallery, New York (label on verso); Private Collection, New York | 700 - 900 | 950 | 1,140 |
| 25 | Richard A. Sheehan (American, 20th C.) Tanks at Dorchester Bay #2; Oil on canvas (framed); Signed and titled (verso); 16" x 18"; Provenance: Collection of Kevin and Leslie Bowen, Massachusetts | 1,000 - 1,500 | 500 | 600 |
| 26 | Peter Schuyff (Dutch, b. 1958) Untitled, 1986; Acrylic on linen; Signed and dated; 75" x 75"; Provenance: Pat Hearn Gallery, New York (label on verso); Private Collection, New York | 1,800 - 2,400 | 6,500 | 7,800 |
| 27 | Jacob El Hanani (Israeli/American, b. 1947) Untitled, 1981; Ink and gesso on canvas; Signed and dated; 15" x 15"; Provenance: Private Collection, New York | 800 - 1,200 | 2,000 | 2,400 |
| 28 | Martin Wong (American, 1946-1999) Statue of Liberty, ca., 1997; Oil on linen; 60" x 60"; Provenance: Baumgarther Galleries, Washington, D.C.; Private Collection, Michigan | 6,000 - 8,000 | 8,500 | 10,200 |
| 29 | Martin Wong (American, 1946-1999) Inside the Statue of Liberty, ca. 1997; Oil on canvas; 62" x 62"; Provenance: The artisti; Private Collection, New York | 6,000 - 8,000 | 7,500 | 9,000 |
| 30 | Elaine de Kooning (American, 1919-1989) Untitled, 1981; Watercolor and collage on paper (framed); Signed and dated; 14 1/4" x 10 3/4" (sheet); Provenance: Private Collection, Princeton | 1,500 - 2,000 | 6,500 | 7,800 |
| 31 | Hans-Peter Feldmann (German, b. 1941) Untitled, Painted plaster with wood base; 16" high, base measures 47 1/2" high; Provenance: Private Collection | 3,500 - 4,500 | 5,000 | 6,000 |
| 32 | Gary Stephan (American, b. 1942) Untitled, 1985; Oil on linen; 32" x 32"; Signed and dated; Provenance: Mary Boone Gallery, New York (label on verso); Private Collection, New York | 1,000 - 1,500 | 2,000 | 2,400 |
| 33 | Frank Gillette (American, b. 1941) Three works of art: Untitled (#9), 1988; Mixed media on canvas; Signed and dated; 16" x 32"; Untitled, 1988; Mixed media on canvas; Signed and dated; 14" x 28 1/8"; Untitled, 1989; Mixed media on paper (framed); 24" x 19" (sheet); Provenance: Private Collection, New York | 800 - 1,200 | 550 | 660 |
| 34 | Terry Adkins (American, b. 1953) Mvet Lunar Diptych, 1989; Polychromed wood; 38 1/2" x 20" x 3" each; Provenance: Private Collection, Michigan | 1,200 - 1,800 | 1,900 | 2,280 |
| 35 | Willy Heeks (American, b. 1951) Two works of art: Field, 1989; Oil on canvas; Signed, dated and titled; 80" x 70"; Untitled, 1988; Mixed media on paper (framed); Signed and dated; 18" x 22 1/2" (sheet); Provenance: Private Collection, New York | 800 - 1,000 | 2,600 | 3,120 |
| 36 | Carol Hepper (American, b. 1953) Portland Plumbing #3, 1994; Copper; Signed, dated and titled; 16 1/2" high; Provenance: Private Collection, New Jersey | 1,200 - 1,800 | 3,750 | 4,500 |
| 38 | Suzanne McClelland (American, b. 1959) Two works of art: We, 1992-93; Mixed media on paper (three parts framed separately); 29 3/4" x 22" (sheet) each; Provenance: 303 Gallery, New York (label on versos); Sure, 1994; Mixed media on sandpaper (framed); 9" x 11" (sheet); Provenance: L.A. Louver, Inc., Venice, CA (label on verso); Paul Kasmin Gallery, New York (label on verso); Private Collection, New York | 1,800 - 2,400 | 1,600 | 1,920 |
| 39 | Peter Schuyff (Dutch, b. 1958) XIII, PK92, 1988-92; Watercolor on paper; Signed and titled; 5 1/2" x 4" (image), 12 1/4" x 9" (sheet); Provenance: Private Collection, New York | 600 - 800 | 600 | 720 |
| 40 | Matthew Weinstein (American, b. 1964) Orange Vein, 1994; Mixed media on foam core; Signed, dated and titled; 18" x 15"; Provenance: Morris Healy Gallery, New York (label on verso); Private Collection, New York | 700 - 900 | 475 | 570 |
| 41 | Mary Bauermeister (German, b. 1934) Eternal Horizon, 1964-1990; Mixed media; Signed, dated and titled; 6" x 6" x 4 1/4"; Provenance: Private Collection, New York | 1,200 - 1,800 | 1,600 | 1,920 |
| 42 | Gary Stephan (American, b. 1942) Receiver, 1988-1992; Acrylic on canvas; Signed and dated; 20" x 16"; Provenance: Private Collection, New York | 800 - 1,200 | 1,200 | 1,440 |
| 43 | Aaron Fink (American, b. 1955) Two works of art: Red Hat, 1991; Mixed media on paper (framed); Signed and dated; 18" x 24" (sheet); Untitled, 1988; Oil on canvas; Signed and dated; 100" x 76"; Provenance: Private Collection, New York | 1,000 - 1,500 | 4,000 | 4,800 |
| 44 | George Stoll (American, b. 1954) Untitled #5, 1997; Wood, enamel, silk chiffon, copper, alkyd and acrylic; 7 1/2" x 7 1/2" x 3/8" (installed); Provenance: Private Collection | 1,200 - 1,500 | 1,000 | 1,200 |
| 45 | George Stoll (American, b. 1954) Arby's, 1993; Oil and alkyd on canvas; Signed, dated and titled; 18" x 18"; Provenance: Private Collection | 1,000 - 1,500 | 1,400 | 1,680 |
| 46 | George Stoll (American, b. 1954) Untitled (Diptych), 1993; Graphite and colored pencil on paper (two parts, framed separately); 14" x 16 3/4" (sheet) each; Provenance: Private Collection | 2,000 - 2,500 | 1,500 | 1,800 |
| 47 | Olav Christopher Jenssen (Norwegian, b. 1954) Love Letter Headings for Bronte Sisters #023, 1994; Oil and acrylic on wood; Signed, dated and titled; 12 5/8" x 9 5/8"; Provenance: Private Collection | 1,000 - 1,500 | 900 | 1,080 |
| 48 | Martin Mull (American, b. 1943) 1957, 1994; Oil on linen; 50" x 60"; Literature: Mull, Martin. Martin Mull: Paintings, Drawings, and Words. Boston: Journey Editions, 1995; Provenance: David Beitzel Gallery, New York (label on verso); Private Collection, San Antonio | 5,000 - 7,000 | 4,500 | 5,400 |
| 49 | Martin Mull (American, b. 1943) Two works of art: Oracle, 1995; Oil on linen (framed); Signed and dated; 72" x 60"; Exhibitions: "Martin Mull: 20/20", February 4 - March 29, 1998, Greenville County Museum of Art, Greenville, SC traveled to Arizona State University Art Museum, Tempe, Arizona, May 30 - September 13, 1998 (labels on verso); Study for Walk in the Park V, 1994; Watercolor on paper (framed); Signed and dated; 17 1/2" x 13 3/4" (sheet); Povenance: Private Collection, New York | 5,000 - 7,000 | 4,500 | 5,400 |
| 51 | Michael Rees (American, 20th C.) Untitled, 1993; Arcylic emulsion on plastic composites and rubber; 14" x 74" x 36 1/4"; Provenance: Basilico Fine Arts, New York (label on verso); Private Collection | 600 - 900 | 500 | 600 |
| 52 | Saint Clair Cemin (American, b. 1951) Untitled, 1998; Steel; Signed, dated and numbered 2/3; 17 1/4" high; Provenance: Private Collection, New York | 6,000 - 8,000 | 5,000 | 6,000 |
| 53 | Philip Akkerman (Dutch, b. 1957) Self-portrait No 69, 1995; Oil on board; Signed and dated; 19 3/4" x 17"; Provenance: Private Collection, New York | 2,000 - 3,000 | 3,500 | 4,200 |
| 54 | Philip Akkerman (Dutch, b. 1957) Self-portrait No 113, 1995; Watercolor on paper; Signed and dated; 19 3/4" x 17" (sheet); Provenance: Private Collection, New York | 1,200 - 1,800 | 1,200 | 1,440 |
| 55 | Saint Clair Cemin (American, b. 1951) Untitled, 1999; Bronze; Signed, dated and numbered 2/5; 6" high; Provenance: Private Collection, New York | 3,000 - 5,000 | 3,000 | 3,600 |
| 56 | Bert de Beul (Belgian, b. 1961) o.T., 1999; Oil on canvas; Signed and dated; 24 1/2" x 29"; Provenance: Private Collection | 2,000 - 3,000 | 2,400 | 2,880 |
| 57 | Julian Lethbridge (American, b. 1947) Untitled, 1990; Graphite and acrylic on paper (framed); Signed and dated; 13 1/2" x 10" (sheet, irregular); Provenance: Paula Cooper Gallery, New York (label on verso); Private Collection, New York | 800 - 1,000 | 2,500 | 3,000 |
| 58 | Greg O'Halloran (American, 20th C.) Ring in the New, 1993; Mixed media (two parts); Signed, titled and dated; 15 1/2" high; Provenance: Private Collection | 300 - 500 | 325 | 390 |
| 61 | Stephen Mueller (American, b. 1947) Malas, 1999; Acrylic on canvas; 34" x 34"; Signed, dated and titled; Provenance: Bill Maynes Gallery, New York (stamp on verso); Private Collection, Michigan | 2,000 - 2,500 | 1,300 | 1,560 |
| 63 | Charlotta Westergren (Swedish, b. 1969) Anemonella Thalictroides, 2003; Oil and car enamel on aluminum; Signed and dated; 20" x 20"; Provenance: Mary Goodman Gallery, Los Angeles (label on verso); Private Collection, New York | 2,000 - 3,000 | 1,200 | 1,440 |
| 66 | Eric Heist (American, 20th C.) Travel Agents, 2003-04; Graphite on paper (framed); Signed and dated; 21 5/8" x 29 1/2" (sight); Provenance: Private Collection | 600 - 800 | 475 | 570 |
| 67 | Delia Brown (American, b. 1969) Study for Portrait with Pablo & Chiquita 2, 2001; Acrylic on board (framed); 11" x 14"; Provenance: Margo Leavin Gallery, Los Angeles (label on verso); Private Collection, Florida | 2,000 - 4,000 | 1,100 | 1,320 |
| 68 | Delia Brown (American, b. 1969) Study for Portrait with Pablo & Chiquita 3, 2001; Acrylic on board (framed); 11 1/4" x 11"; Provenance: Margo Leavin Gallery, Los Angeles (label on verso); Private Collection, Florida | 2,000 - 4,000 | 1,000 | 1,200 |
| 69 | Helen Garber (American, b. 1976) Chops, 1999; Oil on panel (framed); Signed; 48" x 36"; Provenance: Bronwyn Keenan Gallery, New York; Private Collection, Florida | 2,000 - 3,000 | 2,000 | 2,400 |
| 71 | Helen Garber (American, b. 1976) Dan, 2000; Oil on panel (framed); Signed; 48" x 36"; Provenance: Bronwyn Keenan Gallery, New York; Private Collection, Florida | 2,000 - 3,000 | 1,200 | 1,440 |
| 72 | David Nicholson (Canadian, b. 1970) Three works of art: Untitled, 2006; Graphite on paper (framed); Signed and dated; 16 3/8" x 22" (sight); Untitled, 2006; Graphite on paper (framed); Signed and dated; 16 3/8" x 22" (sight); : Untitled, 2006; Graphite on paper (framed); Signed and dated; 16 3/8" x 22" (sight); Provenance: The artist; Private Collection, Florida | 800 - 1,200 | 500 | 600 |
| 74 | Rob Fischer (American, b. 1968) Untitled, 2004; Graphite on paper (framed); 29 3/8" x 45 1/4" (sight); Provenance: The artist; Private Collection, Florida | 2,000 - 3,000 | 1,000 | 1,200 |
| 75 | Christine Frerichs (American, 20th C.) Untitled, 2005; Graphite on paper; Signed and dated; 22 1/4" x 30" (sheet); Provenance: Private Collection | 300 - 500 | 200 | 240 |
| 76 | David Deutsch (American, b. 1943) Untitled, 1999; Oil on linen; Signed and dated; 19" x 32"; Provenance: Gorney Bravin + Lee, New York (label on verso); Susanne Hilberry Gallery, Michigan (label on verso); Private Collection, Michigan | 3,500 - 4,500 | 2,600 | 3,120 |
| 77 | Damien Smith (Canadian, b. 1969) Lovell House, 1999; Graphite on paper (framed); Signed and dated; 22 1/2" x 30" (sheet); Provenance: Lucas Schoormans, New York (label on verso); Kenneth L. Freed Collection, Boston; Private Collection | 600 - 800 | 800 | 960 |
| 78 | George Rush (American, b. 1970) Morning, 2000; Oil on canvas; Signed, dated and titled; 60" x 72"; Provenance: Kevin Bruk Gallery, Miami; Private Collection, Florida | 2,500 - 4,500 | 3,500 | 4,200 |
| 79 | George Rush (American, b. 1970) May Day, 2000; Oil on canvas; Signed, dated and titled; 64 3/4" x 69 1/2"; Provenance: Kevin Bruk Gallery, Miami; Private Collection, Florida | 2,500 - 4,500 | 2,000 | 2,400 |
| 80 | Edward del Rosario (American, b. 1970) Offspring Series 1, 2005; Oil on linen; Signed and dated; 12" x 12"; Provenance: Richard Heller Gallery, Santa Monica (label on verso); Private Collection, New York | 1,800 - 2,400 | 1,800 | 2,160 |
| 81 | Joseph Hart (American, b. 1976) Three Ghosts, 2005; Mixed media on paper (framed); Signed; 10" x 14"; Provenance: Sara Nightingale Gallery, New York; Private Collection, New York | 300 - 400 | 375 | 450 |
| 82 | Marcel Dzama (Canadian, b. 1974) Untitled, 1999; Ink, rootbeer and paint on paper (framed); Signed; 12 1/2" x 10" (sheet); Provenance: Private Collection, San Francisco | 1,500 - 2,000 | 2,300 | 2,760 |
| 83 | Marcel Dzama (Canadian, b. 1974) Untitled, 1999; Ink, rootbeer and paint on paper (framed); Signed; 12 1/2" x 10" (sheet); Provenance: Private Collection, San Francisco | 1,500 - 2,000 | 2,000 | 2,400 |
| 85 | Hope Atherton (American, b. 1974) Untitled (Two Unicorns from Tree), 2001; Pastel and watercolor on paper (framed); Signed and dated; 30" x 22 1/2" (sheet); Provenance: Elizabeth Dee Gallery, New York; Private Collection, Florida | 1,000 - 1,500 | 850 | 1,020 |
| 86 | Seth Adelsberger (American, b. 1979) Three works of art: Untitled (Pink and Green), 2005; Mixed media on paper (framed); 29" x 22" (sheet); Sub-Human, 2005; Mixed media on paper (framed); 16 1/2" x 24" (sheet); Untitled (Small Skull Drawing), 2005; Mixed media on paper (framed); 10 5/8" x 13 5/8" (sight); Provenance: Sara Nightingale Gallery, New York; Private Collection, New York | 2,200 - 2,800 | 1,200 | 1,440 |
| 87 | Craig Kucia (American, b. 1975) Untitled, 1999; Oil, acrylic and graphite on canvas; Signed and dated; 47 3/4" x 48"; Provenance: Kevin Bruk Gallery, Miami; Private Collection, Florida | 2,000 - 3,000 | 1,600 | 1,920 |
| 88 | Craig Kucia (American, b. 1975) Untitled, 1999; Acrylic and graphite on canvas; Signed and dated; 47" x 47"; Provenance: Kevin Bruk Gallery, Miami; Private Collection, Florida | 2,000 - 3,000 | 1,000 | 1,200 |
| 90 | John Beech (British, b. 1964) Two works of art: Dumpster Drawing #47, 2002; Enamel and polyurethane on black and white photograph mounted on aluminum panel; Signed and dated; 15 3/8" x 19 3/8"; Dumpster Drawing #46, 2002; Enamel and polyurethane on black and white photograph mounted on aluminum panel; Signed and dated; 15 7/8" x 19 7/8"; Provenance: Peter Blum, New York (label on verso); Private Collection, Michigan | 1,500 - 2,000 | 3,250 | 3,900 |
| 92 | Tim Lokiec (American, b. 1977) Prom Car Crash, 2003; Oil on canvas; Signed and dated; 20" x 16"; Provenance: Danese Gallery, New York; Private Collection, Michigan | 1,000 - 1,500 | 2,300 | 2,760 |
| 93 | Lucky DeBellevue (American, 20th C.) Untitled, 2001; Chenille stems; 14" high; Provenance: The artist; Private Collection, New York | 800 - 1,000 | 400 | 480 |
| 95 | Torben Giehler (German, b. 1973) Untitled, 2001; Felt pen and pencil on paper; Signed and dated; 23 1/4" x 29" (sheet); Provenance: Arndt and Partner, Berlin; Private Collection | 800 - 1,000 | 450 | 540 |
| 96 | Herbert Hamak (German, b. 1952) S.T.Blue, HO81N, 2000; Pigment and binding agent on canvas; Signed, dated and titled; 15 1/2" x 8 1/4" x 3 3/4"; Provenance: Studio La Citta, Verona, Italy; Private Collection | 1,800 - 2,400 | 5,500 | 6,600 |
| 97 | Chakaia Booker (American, b. 1953) Untitled; Rubber, wood and screws; 10" high; Provenance: The artist; Vera List, New York; Estate of Vera List, New York; Private Collection, New York | 800 - 1,200 | 1,600 | 1,920 |
| 98 | Julian Laverdiere (American, b. 1971) Elixir of Life Reliquary, 2000; Giant-sized patent medicine bottle encapsulated in reliquary on cenotaph; 90" x 48" x 48"; Provenance: Andrew Kreps Gallery, New York; Private Collection, Michigan | 3,000 - 5,000 | 2,100 | 2,520 |
| 99 | Jay Davis (American, b. 1975) Untitled (Perpendicular Lines, 2 Types of Rock, Globules), 2000; Acrylic on vinyl; Signed, dated and titled; 48" x 60"; Provenance: Elizabeth Dee Gallery, New Yor; Private Collection, Florida | 4,000 - 6,000 | 2,000 | 2,400 |
| 100 | Will Duty (American, b. 1970) Untitled, 2005; Graphite on paper (framed); 14 1/2" x 14 1/2" (sheet); Provenance: Jeff Bailey Gallery, New York; Private Collection | 700 - 900 | 500 | 600 |
| 101 | Barry LeVa (American, b. 1941) Plan View for Double-Tiered Sculpture, 2002; Ink on paper (framed); Signed and dated; 22 1/2" x 30" (sheet); Exhibition: "Accumulated Vision: Barry LeVa," Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 15 - April 3, 2005; Provenance: Danese Gallery, New York (label on verso); Private Collection, Michigan | 5,000 - 7,000 | 6,000 | 7,200 |
| 102 | Betsy Kaufman (American, 20th C.) Deep Green, 1999; Oil on canvas; Signed, dated and titled; 80" x 80"; Provenance: Leslie Tonkonow Gallery, New York; Private Collection, Michigan | 2,800 - 3,200 | 2,100 | 2,520 |
| 103 | Teo Gonzalez (Spanish, b. 1964) 4th Lemon, 1998; Acrylic on linen on wood panel; Signed, dated and titled; 12" x 12"; Provenance: The artist; Private Collection, New York | 1,800 - 2,400 | 1,900 | 2,280 |
| 104 | Susie Rosmarin (American, 20th C.) Painting #246, 2002; Acrylic on canvas; Signed and dated; 50" x 50"; Provenance: Danese, New York (label on verso); Private Collection, Michigan | 4,000 - 6,000 | 3,250 | 3,900 |
| 105 | Joe Fyfe (American, 20th C.) A Sock Pulled Off, 2002; Acrylic on linen; Signed, dated, titled and inscribed; 76" x 36"; Provenance: James Graham Contemporary, New York (label on verso); Private Collection, Michigan | 2,000 - 2,500 | 1,700 | 2,040 |
| 106 | Andre Razo (American, 20th C.) Untitled, 2000; Acrylic on canvas; 54" x 54"; Provenance: Bronwyn Keenan Gallery, New York; Private Collection, Michigan | 800 - 1,000 | 550 | 660 |
| 107 | Katharina Grosse (German, b. 1961) Untitled; Acrylic on paper (framed); 40" x 26 1/4" (sheet); Provenance: Christopher Grimes Gallery, Los Angeles; Private Collection, Michigan | 3,000 - 5,000 | 2,600 | 3,120 |
| 108 | Meredith Danluck (American, 20th C.) Lara Croft's Mountain Villa, 2000; Mixed media; 48" x 48" x 2 3/4"; Provenance: Andrew Kreps Gallery, New York; Private Collection, Michigan | 1,500 - 2,000 | 1,100 | 1,320 |
| 110 | Warren Isensee (American, b. 1956) Tumbleweed, 2001; Oil on canvas; Signed, dated and titled; 62" x 62"; Provenance: Massimo Audiello Gallery, New York; Private Collection, Michigan | 2,000 - 2,500 | 1,400 | 1,680 |
| 112 | Andy Warhol (American, 1928-1987) Jackie II, 1966; Screenprint in colors (framed), Stamped Andy Warhol on verso; 24" x 30" (sheet); Printer: KMF, Inc.; Publisher: Original Editions, New York; Literature: F. & S. II.14; Provenance: Estate of Carl M. Allen, Ohio | 6,000 - 8,000 | 22,500 | 27,000 |
| 113 | Andy Warhol (American, 1928-1987) Electric Chair, 1971; Screenprint in colors (framed); Signed, dated and numbered 84/250; 35 1/4" x 47 3/4" (sheet); Printer: Silkprint Kettner, Zurich; Publisher: Bruno Bischofberger; Literature: F. & S. II.78; Provenance: Estate of Carl M. Allen, Ohio | 5,000 - 7,000 | 18,000 | 21,600 |
| 114 | Andy Warhol (American, 1928-1987) Electric Chair, 1971; Screenprint in colors (framed); Signed, dated and numbered 84/250; 35 1/4" x 47 3/4" (sheet); Printer: Silkprint Kettner, Zurich; Publisher: Bruno Bischofberger; Literature: F. & S. II.79; Provenance: Estate of Carl M. Allen, Ohio | 5,000 - 7,000 | 15,000 | 18,000 |
| 115 | Various Artists (20th C.) Six prints from Ten Works by Ten Painters, 1964; Frank Stella (American, b. 1936) Untitled; Lithograph in colors (Five are framed); 23 1/2" x 19 1/2" (sight); Ad Reinhardt (American, 1913-1967) Untitled; Lithograph in colors (framed); 23 1/2" x 19 1/2" (sight); Larry Poons (American, b. 1937) Untitled; Lithograph in colors (framed); 16" x 16" (sheet); Stuart Davis (American, 1894-1964) Untitled; Lithograph in colors (framed); 23 1/2" x 19 1/2" (sight); Ellsworth Kelly (American, b. 1923) Untitled; Lithograph in colors (framed); 23 1/2" x 19 1/2" (sight); Robert Indiana (American, b. 1928) Untitled; Lithograph in colors (framed); 23 1/2" x 19 1/2" (sight); From the edition of 500; Publisher: Wadsworth Atheneum, Hartford, CT; Provenance: Private Collection, Los Angeles | 3,000 - 5,000 | 3,500 | 4,200 |
| 116 | New York Collection for Stockholm, 1973; Portfolio of 30 prints in original wood box; Each numbered 121/300 and signed as appropriate; 12" x 9" (sheet) each; Publisher: Experiments in Art and Technology; Provenance: Private Collection, New York | 7,000 - 9,000 | 20,000 | 24,000 |
| 118 | Roy Lichtenstein (American, 1923-1997) Set of ten plates in original cellophane wrapper, 1969; Screenprint in colors on paper plates; 10" diameter; Stamped with copyright; Publisher: Bert Stern for On 1st Inc., New York; Literature: Corlett III.45.; Provenance: Private Collection, New York | 2,000 - 3,000 | 4,250 | 5,100 |
| 119 | Richard Pettibone (American, b. 1938) Andy Warhol, Cow Wallpaper, ca. 1971; Screenprint in colors (framed); Signed and dated; 26 3/8" x 20 3/4" (sheet); Publisher: The artist; Provenance: Private Collection | 4,000 - 6,000 | 6,500 | 7,800 |
| 120 | Fred Sandback (American, 1943-2003) Two works of art: Untitled, 1975; Lithograph in colors (framed); Signed and dated (from the unnumbered edition of approximately 300); 16 1/4" x 19 7/8" (sight); Publisher: Griffelkunstvereiningung, Hamburg; Parallels, 1972; Lithograph in colors (framed); Signed, dated and numbered 125/180; 16 1/2" x 19 7/8" (sight); Publisher: Kunstmarkt-mappe, Cologne; Literature: Jahn 2; Provenance: Private Collection, Pennsylvania | 1,200 - 1,800 | 2,600 | 3,120 |
| 121 | Robert Mangold (American, b. 1937) Multiple Panel Painting, 1973-1976; Nine screenprints in colors (framed separately); One signed and numbered 293/300; 12" x 24" (sheet) each; Publisher: Parasol Press, New York and Edition Domberger, Stuttgart; Provenance: Estate of Carl M. Allen, Ohio | 700 - 900 | 2,600 | 3,120 |
| 122 | Chuck Close (American, b. 1940) Keith/Four Times, 1975; Lithograph in colors (framed); Signed, dated, titled and numbered A.P.III; 30" x 88" (sheet); Printer: Landfall Press, Chicago; Publisher: Parasol Press, New York; Provenance: Private Collection, New Jersey | 4,000 - 6,000 | 15,000 | 18,000 |
| 125 | Robert Rauschenberg (American, b. 1925) Support, 1973; Screenprint in colors (framed); Signed, dated and numbered 1/250; 29 3/4" x 21" (sight); Printer: Styria Studio, New York; Publisher: Pan American Development Foundation; Provenance: Staempfli Gallery, Inc., New York (label on verso); Private Collection, New York | 600 - 800 | 1,500 | 1,800 |
| 126 | Ed Ruscha (American, b. 1937) 1984, 1967; Lithograph with handcoloring; Signed, dated and numbered 11/60; 14 1/8" x 18" (image), 20" x 25" (sheet); Printer: Charles Ritt (for Gemini G.E.L.); Publisher: Gemini G.E.L., Los Angeles; Literature: Engberg 6; Provenance: Private Collection, New York | 4,000 - 6,000 | 7,000 | 8,400 |
| 127 | Ed Ruscha (American, b. 1937) Records, 1971; Offset printing on 100 lb. Lithofect paper; One of 2,000 copies; 7" x 5 1/2" (closed); Printer: G. R. Huttner Lithography, Burbank, CA; Publisher: Heavy Industry Publications, Hollywood, CA; Literature: Engberg B15; Provenance: Estate of Carl M. Allen, Ohio | 1,200 - 1,800 | 1,500 | 1,800 |
| 128 | Ed Ruscha (American, b. 1937) Royal Road Test, 1967; Collaboration with Mason Williams and Patrick Blackwell; Black offset printing on 80 lb. Prentice Gloss Text paper with spiral binding; Third edition (1971), one of 2000 copies; 9 1/2" x 6 3/8" (closed); Printer: G. R. Huttner Lithography, Burbank, CA; Publisher: The artist; Literature: Engberg B6; Provenance: Estate of Carl M. Allen, Ohio | 400 - 600 | 750 | 900 |
| 129 | Johnny Friedlaender (German, 1912-1992) Three works of art: Untitled; Color etching with aquatint (framed); Signed and numbered 42/95; 7 7/8" x 5 7/8" (image), 9 1/8" x 6 3/4" (sight); Untitled; Color etching with aquatint (framed); Signed and numbered 75/95; 7 7/8" x 5 7/8" (image), 9 1/8" x 6 3/4" (sight); Untitled; Color etching with aquatint (framed); Signed and numbered 25/95; 30" x 22 1/4" (sheet); Provenance: Private Collection, Princeton | 600 - 800 | 475 | 570 |
| 130 | Janette Lam (American, 20th C.) Two works of art: Untitled; Mixed media on paper (framed); 5 3/8" x 4 1/8" (sheet); Untitled; Mixed media on paper (framed); Signed; 5 3/8" x 6 1/2" (sight); Provenance: Private Collection | 100 - 200 | 60 | 72 |
| 131 | Franz Erhard Walter (German, b. 1939) Two works of art: Untited, 1969-1973; Mixed media on paper (framed); Signed and dated; 11 3/4" x 8 1/4" (sheet); Untitled, 1968-1971; Mixed media on paper (framed); Signed and dated; 11 3/4" x 8 1/4" (sheet); Provenance: Brutten Herrick Collection, Philadelphia; Private Collection | 1,200 - 1,800 | 1,700 | 2,040 |
| 134 | Bruce Guldner Conner (American, b. 1933) Diary II; Mixed media on paper (framed); Signed and titled; 22" x 26 1/4" (sheet); Provenance: Private Collection, New York | 1,800 - 2,400 | 2,100 | 2,520 |
| 135 | Ed Shostak (American, b. 1942) Two works of art: Working Study For Wall Piece I, 1975; Mixed media (framed); Signed and dated; 27 1/2" diameter; Working Study For Wall Piece II, 1975; Mixed media (framed); Signed and dated; 34" x 34" (irregular); Provenance: Holly Solomon Gallery, New York (label on verso); Private Collection, Los Angeles | 700 - 900 | 550 | 660 |
| 136 | Alexander Calder (American, 1898-1976) Balloons; Lithograph in colors; Signed and numbered "EA"; 39 1/4" x 27 3/4" (sight); Provenance: Staempfli Gallery, Inc., NY (label on verso), Private Collection, New York | 1,000 - 1,500 | 1,700 | 2,040 |
| 137 | Red Grooms (American, b. 1937) Two works of art: Mango, Mango, 1973; Screenprint in colors; From an edition of 250; Signed and dated; 40" x 28 1/2" (sight); Publisher: Kitty Meyers, New York; Enamel pendant, 1973; Signed and dated; 3" x 2"; Provenance: Staempfli Gallery, Inc., NY (label on verso of print); Private Collection, New York | 1,000 - 1,500 | 750 | 900 |
| 138 | Claudio Bravo (Chilean, b. 1936) Fur Coat, Front and Back, 1976; Two lithographs; Each signed, dated and numbered 42/75; 28" x 21" (sight) each; Provenance: Staempfli Gallery, Inc., New York (label on verso), Private Collection, New York | 700 - 900 | 1,300 | 1,560 |
| 139 | Todd Watts (American, b. 1949) Portfolio of ten photographs: The Artists Triptych, 1978; On the Subject of Voyeurism: Triptych, 1978; We All Knew Each Other: Triptych, 1978; The Destruction of Dresden, 1978; Selenium toned gelatin silver prints on Kodabromide paper; Each signed and numbered 10/45 (from an edition of 50); 19 1/2" x 15 1/2" (image), 29" x 24" (sheet); Publisher: Parasol Press, Inc., New York; Provenance: Private Collection, New York | 800 - 1,000 | 500 | 600 |
| 142 | Sol LeWitt (American, 1928-2007) Untitled, 1991; Ink drawing on postcard (framed); Signed and dated; 4" x 6" (card), 13 1/2" x 15 3/8" (with frame); Provenance: Private Collection | 300 - 500 | 900 | 1,080 |
| 143 | Artist Unknown (20th C.) Six works of art: Wall Street; Mixed media (framed separately); 10" x 8" (sheet) each; Provenance: Private Collection | 100 - 200 | 225 | 270 |
| 144 | Ellsworth Kelly (American, b. 1923) Black/Green, 1970; Lithograph in colors (framed); Signed and numbered 38/75; 15 1/2" x 11 1/4" (image), 22 1/2" x 18 3/8" (sight); Publisher: Gemini G.E.L., Los Angeles; Literature: Axsom 68, Gemini 237; Provenance: Private Collection, Texas | 3,000 - 5,000 | 2,500 | 3,000 |
| 145 | Gene Davis (American, 1920-1985) Black Watch Series II, 1974; Screenprint in colors (framed); Signed, dated and numbered 33/150; 72" x 45" (sheet); Publisher: Pace Editions, Inc., New York; Provenance: Estate of Carl M. Allen, Ohio | 1,000 - 1,500 | 2,200 | 2,640 |
| 146 | Weegee (Arthur Fellig) (American, 1899-1968) Circus Horses, 1950s; Gelatin silver print; Stamped "Credit Photo by Weegee the Famous"; 7 3/8" x 8 1/4" (sheet); Provenance: Collection of Suzanne and Hugh Johnston, Princeton | 1,200 - 1,500 | 2,800 | 3,360 |
| 147 | Weegee (Arthur Fellig) (American, 1899-1968) Tightrope Walker, 1950s; Gelatin silver print; Stamped "Credit Photo by Weegee the Famous"; 8" x 8 1/8" (sheet); Provenance: Collection of Suzanne and Hugh Johnston, Princeton | 1,200 - 1,500 | 1,100 | 1,320 |
| 148 | Weegee (Arthur Fellig) (American, 1899-1968) Bus, 1950s; Gelatin silver print; Stamped "Credit Photo by Weegee the Famous"; 10" x 8 1/8" (sheet); Provenance: Collection of Suzanne and Hugh Johnston, Princeton | 1,200 - 1,500 | 1,400 | 1,680 |
| 149 | Weegee (Arthur Fellig) (American, 1899-1968) Cat in Bottle, 1950s; Gelatin silver print; Stamped "Credit Photo by Weegee the Famous"; 10" x 7 1/8" (sheet); Provenance: Collection of Suzanne and Hugh Johnston, Princeton | 1,200 - 1,500 | 2,100 | 2,520 |
| 150 | Weegee (Arthur Fellig) (American, 1899-1968) Untitled; Color positive; 8" x 10" (sheet); Provenance: Estate of Joshua P. Smith, Washington, D.C. | 1,200 - 1,800 | 1,200 | 1,440 |
| 151 | William Klein (American, b. 1928) Actors' Union Praesidium, Moscow, 1960; Gelatin silver print; Signed, dated and titled; 15 7/8" x 19 7/8" (sheet); Provenance: Estate of Joshua P. Smith, Washington, D.C. | 1,000 - 1,500 | 800 | 960 |
| 152 | Willy Ronis (French, b. 1910) Les Amoureux de la Bastille (Colonne de la Bastille, Paris), 1957; Gelatin silver print (printed 1986)(framed); Signed and inscribed with date and title; 10 1/4" x 14 1/2" (sight); Provenance: The Witkin Gallery, Inc., New York; Private Collection, New York | 1,500 - 2,500 | 3,000 | 3,600 |
| 153 | Thurston Hopkins (British, b. 1913) London Bridge; Gelatin silver print (framed); Signed with studio stamp; 16" x 12" (sheet); Provenance: Private Collection, New York | 1,000 - 1,500 | 500 | 600 |
| 154 | Horst P. Horst (German/American, 1906-1999) Horst and Gertrude Stein, 1946; Platinum palladium print (framed); Signed; Edition 9/10; 15 3/8" x 14 3/8" (image), 19 3/4" x 15 3/4" (sheet); Provenance: Holly Solomon Gallery, New York (label on verso); Private Collection, Los Angeles | 1,500 - 2,000 | 4,500 | 5,400 |
| 155 | Horst P. Horst (German/American, 1906-1999) Edith Sitwell, New York, 1948; Platinum palladium print (framed); Signed; Edition 4/10; 17 5/8" x 14 1/4" (image) 19 3/4" x 15 3/4" (sheet); Provenance: Holly Solomon Gallery, New York (label on verso); Private Collection, Los Angeles | 1,500 - 2,000 | 4,500 | 5,400 |
| 156 | Princess Winifred (American, 20th Century) Asylum Manuscripts, 1940s; Pencil and type on brown paper towels (37 sheets); 9 1/2" x 9 3/4" (sheet) each; Provenance: Private Collection, Florida | 1,200 - 1,800 | 1,000 | 1,200 |
| 157 | Clara Estelle Sipprell (Canadian/American, 1885-1975) Glass Boy and Bird, 1930s; Gelatin silver print; Signed; 7 1/2" x 9 1/4" (sheet); Provenance: Estate of Joshua P. Smith, Washington, D.C. | 600 - 800 | 700 | 840 |
| 158 | Edith Tudor-Hart (Austrian, 1908-1978) Upton Primary School, ca. 1950; Gelatin silver print; Signed and titled; 11 1/4" x 9 1/2" (sheet); Provenance: Estate of Joshua P. Smith, Washington, D.C. | 200 - 300 | 350 | 420 |
| 159 | Milton Avery (American, 1893-1965) Helen and Lily, 1941; Drypoint (framed); Signed, dated and numbered 22/60; 6 3/4" x 5 3/4" (image), 8 1/8" x 6 3/4" (sight); Literature: Lunn 23; Provenance: The Alpha Gallery, Boston (label on verso); Private Collection, Massachusetts | 1,500 - 2,000 | 1,900 | 2,280 |
| 160 | Henry Moore (British, 1898-1986) Eight Reclining Figures, 1967; Lithograph in colors (framed); Signed, dated and numbered 77/125; 13" x 11 3/8" (sight); Printer: J. E. Wolfensberger, Zurich; Publisher: Philadelphia Museum of Art; Literature: Cramer 97; Provenance: Private Collection, Pennsylvania | 1,000 - 1,500 | 2,400 | 2,880 |
| 161 | Joaquin Ferrer (Cuban, b. 1929) Untitled; Screenprint in colors; Signed and numbered 80/100; 45 1/2" x 13 1/2" (sheet); Provenance: Private Collection | 100 - 200 | 175 | 210 |
| 162 | Ed Ruscha (American, b. 1937) Twentysix Gasoline Stations, 1962; Offset printing on paper; Third edition (1969), one of 3,000 copies; 7" x 5 1/2" (closed); Printer: The Cunningham Press, Alhambra, CA; Publisher: The artist; Literature: Engberg B1; Provenance: Estate of Carl M. Allen, Ohio | 800 - 1,200 | 1,400 | 1,680 |
| 163 | Ed Ruscha (American, b. 1937) Various Small Fires and Milk, 1964; Offset printing with yellow varnish tint overprint on 100 lb. white Vicksburg Vellum text paper; Second edition (1970), one of 3,000 copies; 7" x 5 1/2" (closed); Printer: Anderson, Ritchie & Simon, Los Angeles; Publisher: The artist; Literature: Engberg B2; Provenance: Estate of Carl M. Allen, Ohio | 1,000 - 2,000 | 1,400 | 1,680 |
| 164 | Ed Ruscha (American, b. 1937) Some Los Angeles Apartments, 1965; Offset printing on 100 lb. white Vicksburg Vellum text paper; Second edition (1970), one of 3,000 copies; 7" x 5 1/2" (closed); Printer: Anderson, Ritchie & Simon, Los Angeles; Publisher: The artist; Literature: Engberg B3; Provenance: Estate of Carl M. Allen, Ohio | 800 - 1,200 | 400 | 480 |
| 165 | Ed Ruscha (American, b. 1937) Every Building on the Sunset Strip, 1966; Offset print on paper and with original silver Mylar slipcase; First edition, one of 1,000 copies; 7 1/4" x 6" (closed); Printer: Dick de Rusha, Los Angeles; Publisher: The artist; Literature: Engberg B4; Provenance: Estate of Carl M. Allen, Ohio | 1,200 - 1,800 | 1,400 | 1,680 |
| 166 | Ed Ruscha (American, b. 1937) Thirtyfour Parking Lots in Los Angeles, 1967; Offset printing on paper; First edition, one of 2,413 copies; 10" x 8" (closed); Printer: Blair Litho, Los Angeles; Publisher: The artist; Literature: Engberg B5; Provenance: Estate of Carl M. Allen, Ohio | 1,200 - 1,800 | 1,400 | 1,680 |
| 167 | Ed Ruscha (American, b. 1937) Nine Swimming Pools and a Broken Glass, 1968; Four color offset printing on paper; First edition, one of 2,400 copies; 7" x 5 1/2" (closed); Printer: Blair Litho, Los Angeles; Publisher: The artist; Literature: Engberg B8; Provenance: Estate of Carl M. Allen, Ohio | 700 - 900 | 850 | 1,020 |
| 168 | Ed Ruscha (American, b. 1937) Crackers, 1969; Offset printing on 60 lb. Lithosheen Gloss paper; One of 5,000 copies; 8 3/4" x 6" (closed); Printer: G. R. Huttner Lithography, Burbank, CA; Publisher: Heavy Industry Publications, Hollywood, CA; Literature: Engberg B10; Provenance: Estate of Carl M. Allen, Ohio | 1,200 - 1,800 | 700 | 840 |
| 169 | Ed Ruscha (American, b. 1937) Real Estate Opportunities, 1970; Offset printing on 80 lb. white Vicksburg Vellum paper; One of 4,000 copies; 7" x 5 1/2" (closed); Printer: G. R. Huttner Lithography, Burbank, CA; Publisher: The artist; Literature: Engberg B12; Provenance: Estate of Carl M. Allen, Ohio | 1,200 - 1,800 | 1,200 | 1,440 |
| 170 | Ed Ruscha (American, b. 1937) A Few Palm Trees, 1971; Offset printing on white 80 lb. Vicksburg Vellum text paper; One of 3,900; 7" x 5 1/2" (closed); Printer: G. R. Huttner Lithography, Burbank, CA; Publisher: Heavy Industry Publications, Hollywood, CA; Literature: Engberg B13; Provenance: Private Collection, New Jersey | 1,000 - 1,500 | 1,700 | 2,040 |
| 171 | Andy Warhol (American, 1928-1987) Two books: The Philosophy of Andy Warhol, 1975; First Edition; Signed; 8 1/2" x 5 1/2"; Publisher: Harcourt Brace Jovanovich, New York; Andy Warhol's Index Book, 1967; Book with flexidisc and pop ups; 11" x 8 1/2"; Provenance: Estate of Carl M. Allen, Ohio | 600 - 900 | 600 | 720 |
| 172 | Aspen Magazine Five volumes: Aspen 3, December 1966, Designed by Andy Warhol and David Dalton; 9 1/2" x 12 1/2" x 3/4", Publisher: Roaring Fork Press, New York; Aspen 5 + 6 (In 28 Sections); Fall & Winter 1967, Edited by Brian O'Doherty, 8 1/4" x 8 1/4" x 2 1/8", Publsher: Roaring Fork Press, New York; Aspen 7 (British Box in 15 Sections); Spring & Summer 1970, Edited by Mario Amaya, 10" x 9 1/2" x 1 1/4", Publisher: Roaring Fork Press, New York; Aspen 8 (In 14 Sections); Fall-Winter 1970-1971, Edited by Dan Graham, 11 1/4" x 11 1/4", Publisher: Aspen Communications Inc., New York; Aspen 9 (In 13 Sections); Winter-Spring 1971, Edited by Angus and Hetty MacLise, 13" x 9 1/2", Publisher: Roaring Fork Press, New York; Provenance: Estate of Carl M. Allen, Ohio | 600 - 900 | 1,200 | 1,440 |
| 173 | Art books: Josef Albers (German, 1888-1976) Embossed Linear Constructions, 1969, Portfolio of 8 embossings, 6 1/2" x 9 1/2"; K. G. Pontus Hulten, The Machine, 1968, In original cardboard box, 9 5/8" x 8 1/2", (12" x 9" x 7/8" box), Publisher: The Museum of Modern Art, Printer: Stenstrom & Bartelson, Sweden; Robert Mangold (American, b. 1937) The Oberlin Window, May 22 - August 1, 1992, The Allen Memorial Art Museum, Oberlin, OH, Signed and dated, 11" x 11"; Publisher: Emerson Press, Cleveland, OH; Jesus Rafael Soto (Venezuelan, 1923-2005) Soto: October - November 1969; Marlborough-Gerson Gallery Inc., New York, 11 3/4" x 8 3/8"; John Baldessari (American, b. 1931) Throwing Three Balls in the Air to Get a Straight Line; (Best of Thirty-six Attempts), 1973, Publisher: Giampaolo Prearo/ Galeria Toselli, Milan; Warja Honegger-Lavater (Swiss, 1913-2007) Le Petit Chaperon Rouge (Little Red Riding Hood), 1965, Accordian folded book in original plexiglass case, 6 5/8" x 4 5/8" x 1 1/8" (in case), Publisher: Adrien Maeght, Paris; Printer: Ateliers Arte, Paris; Provenance: Estate of Carl M. Allen, Ohio | 700 - 900 | 375 | 450 |
| 174 | Hans-Peter Feldmann (German, b. 1941) Untitled; Buttons on mat board (6 parts); 12 1/4" x 7 1/2" (sheet) each; Provenance: Private Collection | 200 - 300 | 1,300 | 1,560 |
| 175 | Sarenco (20th C.) Hommage to Dada, 1986; Fifteen C-prints (photographed by Maurizio Brenzoni); Each signed, dated, titled and numbered 2/3; 17 3/4" x 12" (largest), 11 3/4" x 12 1/2" (smallest); Provenance: Private Collection | 300 - 500 | 250 | 300 |
| 177 | Thomas Lanigan-Schmidt (American, b. 1948) Three works of art: Untitled, ca. 1970's; Mixed media; 10 1/2" high; The Bardot Look, 1986; Mixed media; 11" x 8 3/4"; Provenance: Holly Solomon Gallery, New York (label on verso); The Otokos, 1976; Mixed media; 10 5/8" x 8 3/4"; Provenance: Holly Solomon Gallery, New York (label on verso); Private Collection, Los Angeles | 800 - 1,000 | 600 | 720 |
| 178 | Robert Kushner (American, b. 1949) Two works of art: Untitled; Mixed media on paper (framed); Signed; 23 3/4" x 19" (sheet); Untitled, ca. 1973; Mixed media on paper (framed); 18" x 23 3/4" (sheet); Provenance: Private Collection, Los Angeles | 700 - 900 | 700 | 840 |
| 179 | Frank Viner (American, 20th C.) Untitled, 1974; Ink on fabric; Signed and dated; 40" x 34"; Provenance: Private Collection | 100 - 200 | 50 | 60 |
| 180 | Robert Kushner (American, b. 1949) Six works of art: More Borscht; Screenprint in colors; Signed, titled and numbered A.P.2; 22" x 60" (sheet); Shower; Screenprint in colors; Signed, titled and numbered 1/20; 22 1/2" x 15 1/8" (sheet); Nursery; Screenprint in colors; Signed, titled and numbered A.P. 2; 60" x 22 1/2" (sheet); New Baby; Screenprint in colors; Signed, titled and numbered A.P. 1; 22 1/2" x 30" (sheet); National Treasure; Screenprint in colors; Signed, titled and numbered A.P.1; 67 1/2" x 30 1/4" (sheet); More and More Borscht; Screenprint in colors; Signed, titled and numbered A.P. 2; 22" x 61" (sheet); Provenance: Private Collection, Los Angeles | 800 - 1,000 | 700 | 840 |
| 181 | Robert Kushner (American, b. 1949) Five works of art: Cupids Doing Deskwork; Screenprint in colors; Signed, titled and numbered A.P. 9; 30 1/4" x 22 1/2" (sheet); Cupids Making Borscht; Screenprint in colors; Signed, titled, and numbered A.P.1; 22 1/2" x 60 1/2" (sheet); Cupids with Fans; Screenprint in colors; Signed, titled and numbered A.P. 1; 22 1/2" x 91 1/2" (sheet); Fandango; Screenprint in colors; Signed, titled and numbered AP 2; 67 1/2" x 30" (sheet); Gardening, Screenprint in colors; Signed, titled and numbered A.P.2; 90" x 22 1/2" (sheet); Provenance: Private Collection, Los Angeles | 800 - 1,000 | 700 | 840 |
| 182 | Robert Gober (American, b. 1954) Hanging Man/Sleeping Man, 1989; Screenprints in colors in bound book; 9 7/8" x 25 1/2" (closed); Provenance: Private Collection, New York | 1,500 - 2,000 | 3,000 | 3,600 |
| 183 | Howard Hodgkin (British, b. 1932) Red Bermudas, 1982; Offset lithograph in colors (framed); Signed, dated and numbered 146 (from an edition of 150); 16 1/4" x 17" (sheet); Publisher: Bernard Jacobson, London; Provenance: Private Collection, New Jersey | 800 - 1,000 | 1,200 | 1,440 |
| 185 | Robert Mangold (American, b. 1937) Curved Plane/Figure 1, 1994; Etching and aquatint in colors on two sheets (framed); Signed and numbered 24/50; 43" x 29" (sheet) each; Publisher: Pace Editions, Inc., New York; Provenance: Estate of Carl M. Allen, Ohio | 1,800 - 2,400 | 5,500 | 6,600 |
| 186 | Robert Mangold (American, b. 1937) Untitled, 1984; Lithograph in colors; Signed, dated and numbered 23/50; 23 1/2" x 22 1/2" (sheet); Provenance: Private Collection, New York | 800 - 1,000 | 700 | 840 |
| 187 | Helen Frankenthaler (American, b. 1928) Soho Dreams, 1987; Etching, aquatint and drypoint in colors; Signed, dated and numbered 53/71; 19 3/4" x 22 3/4" (sight); Publisher: 2RC Edizioni d'Arte, Rome; Literature: Harrison 124; Provenance: Staempfli Gallery, Inc., New York (label on verso), Private Collection, New York | 1,500 - 2,000 | 3,750 | 4,500 |
| 188 | Helen Frankenthaler (American, b. 1928) Spring Veil, 1987; Aquatint with drypoint in colors; Signed, dated and numbered 12/51; 17 1/4" x 25 3/4" (sheet); Publisher: 2RC Edizioni d'Arte, Rome; Literature: Harrison 125; Provenance: Staempfli Gallery, Inc., New York (label on verso), Private Collection, New York | 1,500 - 2,000 | 4,500 | 5,400 |
| 189 | Francesco Clemente (Italian, b. 1952) I, 1982; Woodcut in colors (framed); Signed and numbered 44/100; 14 1/8" x 20" (image); 15 7/8" x 21 3/8" (sight); Publisher: Crown Point Press, San Francisco; Provenance: Barbara Krakow Gallery, Boston (Gift of Paul S. Grand for the benefit of Ellarslie); The Trenton City Museum, Trenton, NJ | 2,000 - 2,500 | 1,700 | 2,040 |
| 190 | Francesco Clemente (Italian, b. 1952) Conception, 1988; Etching and aquatint in colors; Signed and numbered 19/55; 38 1/4" x 29" (sight); Publisher: 2RC Editions, Rome; Provenance: Staempfli Gallery, Inc., NY (label on verso); Private Collection, New York | 1,200 - 1,800 | 1,600 | 1,920 |
| 191 | William Wegman (American, b. 1943) Three works of art: Menu, 1983; Lithograph in colors; Signed, dated, titled and numbered 11/24; 31 1/4" x 24 1/2"; Missing Dog, 1983; Lithograph in colors; Signed, dated, titled and numbered 9/22; 20 1/8" x 16 1/3"; Card With Flowers, 1983; Lithograph in colors; Signed, dated, titled and numbered 12/28; 25" x 34" (sheet); Accompanied by signed Man's Best Friend Calendar, 2000; Provenance: Private Collection, Los Angeles | 700 - 900 | 800 | 960 |
| 192 | Nicholas Africano (American, b. 1948) Untitled, 1986 ; Screenprint in colors; Signed , dated and numbered; 2/60; 29 3/4" x 40" (sheet); Untitled (Opera Ballet); Screenprint in colors; Signed and number A.P.4 blind stamped "Commissioned by Merrill Lynch "; 28" x 36 1/4" (sheet); Untitled, 1986; Mixed media print; Signed, dated and numbered A.C. 2/46; 40 1/4" x 29 1/2"; Provenance: Private Collection, Los Angeles | 700 - 900 | 750 | 900 |
| 193 | Victor Pasmore (British, 1908-1998) Two works of art: Blue Ocean, 1992; Etching and aquatint in colors; Signed, dated and numbered 87/90; 19 3/4" x 23 3/4" (sight); Composition, 1992; Etching and aquatint in colors; Signed, dated and numbered 81/90; 19" x 38" (sight); Publisher: 2RC Edizioni d'Arte, Rome; Provenance: Staempfli Gallery, Inc., New York (label on verso), Private Collection, New York | 1,200 - 1,800 | 2,600 | 3,120 |
| 194 | Frederick Hundertwasser (Austrian, 1928-2000) Homo Humus Come Va - 10002 Nights, 1984; Lithograph in colors with screenprint, embossing and metallic foil; Numbered 7760/10002; 27 3/8" x 19 5/8" (sheet); Provenance: Private Collection, Virginia | 800 - 1,200 | 1,300 | 1,560 |
| 196 | Jack Pierson (American, b. 1960) See you in Showbiz, 1993; Lithograph (framed); Signed and numbered 96/100; 20" x 16" (sheet); Provenance: Private Collection, New Jersey | 300 - 600 | 425 | 510 |
| 197 | Jim Dine (American, b. 1935) A Heart on the Rue de Grenelle, 1981; Etching and aquatint in colors with handcoloring (framed); Signed, dated, and numbered 26/36; 32" x 26" (image), 37 3/4" x 28 3/4" (sight); Publisher: Pace Editions, New York; Literature: D'Oench & Feinberg 91; Provenance: (Gift of Paul S. Grand for the benefit of Ellarslie); The Trenton City Museum, Trenton, NJ | 5,000 - 7,000 | 10,000 | 12,000 |
| 199 | Donald Baechler (American, b. 1956) Flowers, 1993; Screenprint in colors (framed); Signed, dated and numbered 88/250; 37" x 27" (sheet); Publisher: Brooklyn Academy of Music, Brooklyn; Provenance: Private Collection, New York | 700 - 900 | 1,000 | 1,200 |
| 200 | Donald Baechler (American, b. 1956) Untitled from Fruit, 1990; Lithograph in colors (framed); Signed, dated and numbered 16/35; 36" x 27 3/4" (sheet) irregular; Publisher: AC&T Corporation, Tokyo; Provenance: Private Collection, New York | 600 - 800 | 950 | 1,140 |
| 201 | William Clift (American, b. 1944) Two works of art: Old Greening Apple Tree, Hudson River, NY, 1986; Gelatin silver contact print (framed); Signed, dated and titled; 8" x 9 5/8" (sheet); Apple Blossoms, Velarde, New Mexico, 1973; Gelatin silver print (framed); Signed, dated and titled; 8" x 11 7/8" (sheet); Provenance: Private Collection, New York | 1,000 - 1,500 | 1,500 | 1,800 |
| 202 | Naomi Savage (American, 1927-2005) The Right of First Refusal, 1950-83; Gelatin silver print with hand additions; Signed, dated and titled; 8 3/8" x 8 1/2" (sheet); Provenance: Private Collection | 200 - 400 | 350 | 420 |
| 203 | David Hockney (British, b. 1937) James, 1980; Lithograph (framed); Signed and numbered 31/100; 24" x 20" (sheet); Publisher: Gemini G.E.L., Los Angeles; Provenance: Private Collection, New Jersey | 800 - 1,000 | 2,100 | 2,520 |
| 204 | Steven Assael (American, b. 1957) Two works of art: Tatiana, 1992; Ballpoint pen on paper; Signed and dated; 14" x 9 5/8" (sheet); Tara, 1992; Ballpoint pen on paper; Signed and dated; 14" x 10" (sheet); Staempfli Gallery, Inc., NY (label on verso), Private Collection, New York | 700 - 900 | 1,500 | 1,800 |
| 206 | Judy Coleman (American, b. 1944) Three works of art: Woman on Fire, 1983; Gelatin silver print; Signed, dated and numbered 4/15; 49 1/2" x 41 3/4" (sheet); Two Hands on Back, 1985; Gelatin silver print; Signed, dated and numbered 1/5; 54" x 45 1/2" (sheet); Crossed Glass, 1985; Gelatin silver print; Edition 4/5; 43 1/2" x 64 1/2" (sheet); Provenance: Estate of Joshua P. Smith, Washington D.C. | 400 - 600 | 300 | 360 |
| 207 | Spencer Tunick (American, b. 1967) Untitled, 1994; Gelatin silver print (framed); Signed, dated and titled; 19 1/8" x 23 7/8" (sheet); Provenance: Private Collection, New York | 1,500 - 2,000 | 1,200 | 1,440 |
| 208 | Lucien Clergue (French, b. 1934) Nu Aux Etoiles, Port Lobos; Cibachrome (framed); Signed; 13" x 18 1/2" (sight); Provenance: Private Collection, New York | 800 - 1,000 | 950 | 1,140 |
| 209 | Keith Carter (American, b. 1948) One Eye Boy, 1994; Gelatin silver print (framed); Edition 1/5; 10 3/8" x 10 3/8" (sight); Provenance: Vision Gallery, San Francisco; Private Collection | 800 - 1,200 | 700 | 840 |
| 210 | William Eggleston (American, b. 1939) Untitled (Poinsettias), 1980; C-Print; Signed, dated and numbered 1/7; 19 7/8" x 24" (sheet); Provenance: Private Collection, New York | 2,000 - 3,000 | 1,700 | 2,040 |
| 211 | William Eggleston (American, b. 1939) Two works of art: Untitled (Cat); C-print (framed); Signed; 12" x 17" (sheet); Untitled (Dog); C-print (framed); Signed; 12" x 17" (sheet); Provenance: Private Collection, New York | 2,000 - 3,000 | 2,700 | 3,240 |
| 212 | William Eggleston (American, b. 1939) Two works of art: Untitled (Yearbook); C-Print (framed); Signed; 12" x 17" (sheet); Untitled (Fountain); C-Print (framed); 12" x 17" (sheet); Provenance: Private Collection, New York | 2,000 - 3,000 | 1,700 | 2,040 |
| 213 | Richard Kern (American, b. 1954) Masha with Gun, 1991; Gelatin silver print (framed); Signed, dated, titled and numbered 3/10; 18 1/2" x 12 1/4" (sight); Provenance: Feature, Inc., New York (label on verso); Private Collection, New York | 800 - 1,000 | 1,500 | 1,800 |
| 214 | Cindy Sherman (American, b. 1954) Mother Embracing Children, 1976-89; Gelatin silver print (framed); Signed, dated and numbered 155/200; 10" x 8" (sheet); Provenance: Vera List, New York; Private Collection, New York | 900 - 1,200 | 1,000 | 1,200 |
| 215 | Cindy Sherman (American, b. 1954) Lucille Ball, 1975-2001; C-Print (framed); Signed and dated; 12" x 9 1/2" (sheet); Provenance: Metro Pictures, New York (label on verso); Private Collection, New York | 3,000 - 4,000 | 5,250 | 6,300 |
| 216 | Nan Goldin (American, b. 1953) Alf and Fritz, 1998; Two C-prints; Each signed, dated, titled and numbered 28/60; 15 3/4" x 19 3/4" (sheet); Publisher: Edition Schellmann, Munich and New York; Provenance: Private Collection, San Francisco | 2,200 - 2,800 | 2,900 | 3,480 |
| 217 | Pepe Smit (Dutch, b. 1963) Untitled, 1993; Screenprint on box with screenprinted puzzle inside; Signed, dated and numbered 15/30; 11" x 8" x 1 1/4"; Provenance: Private Collection | 100 - 200 | 50 | 60 |
| 218 | Nan Goldin (American, b. 1953) Joey Dressed for Wigstock, New York City, 1991; Cibachrome (framed); Signed, dated, titled and numbered 7/25; 16" x 20" (sheet); Provenance: Private Collection, New York | 5,000 - 7,000 | 6,500 | 7,800 |
| 219 | Keith Boadwee (American, 20th C.) California Dreamin, 1992; Duraflex print (framed); Signed, dated, titled and numbered 2/5; 23 1/2" x 29 1/2" (sight); Provenance: Kim Light Gallery, Los Angeles (label on verso); Private Collection | 400 - 600 | 500 | 600 |
| 220 | Erika Rothenberg (American, b. 1950) Flag Burning Kit, 1992; Mixed media; Signed and dated; 14 3/4" x 9 3/4" x 2"; Provenance: Private Collection | 300 - 500 | 375 | 450 |
| 221 | Robert Indiana (American, b. 1928) Two works of art: Love from The Book of Love, 1996; Screenprint in colors (framed); Signed, dated and numbered 109/200; 18 1/4" x 18" (image), 21 1/6" x 19 1/2" (sight); Publisher: American Images Editions, New York; The American Four, 1970; Screenprint in colors (framed); Signed, dated, titled and numbered 57/200; 24" x 24" (image), 25 3/4" x 25 3/4" (sight); Publisher: Museum of Modern Art, New York; Provenance: Private Collection, Texas | 1,500 - 2,000 | 3,250 | 3,900 |
| 222 | William Christenberry (American, b. 1936) Untitled, 1984; Four Polaroid transfers; Signed, dated, titled (Sequence 1-4) and numbered 3/10; 33 3/4" x 22" (sheet, irregular) each; Provenance: Private Collection, New York | 2,000 - 3,000 | 2,300 | 2,760 |
| 223 | William Christenberry (American, b. 1936) Untitled, 1983; Three Holograms in glass sandwich; 15 3/4" x 11 3/4" (each); Provenance: Private Collection, New York | 1,200 - 1,800 | 600 | 720 |
| 224 | Robert Rauschenberg (American, b. 1925) Tag, 1997; Screenprint in colors with offset lithograph and embossing (framed); Signed, dated and numbered 477/500; 18 1/2" x 15 3/4" (sheet); Publisher: Solomon R. Guggenheim Museum, New York; Provenance: Private Collection, New York | 600 - 800 | 1,400 | 1,680 |
| 225 | Whitney Biennial Print Portfolio in Seoul: A Benefit Print Portfolio for the National Museum of Contemporary Art, 1993; Fourteen prints: Alan Rath (American, b. 1959) Untitlted, 1994; Screenprint in colors; Signed and numbered PP 5/10; 19 1/2" x 25" (sheet); Merce Cunningham (American, b. 1919) Untitled, 1994; Screenprint in colors; Signed; 19 1/2" x 25" Allen Ginsberg (American, 1926-1997) Mother Ghost, 1994; Intaglio; Signed, dated, titled and numbered PP 5/10; 19 «" x 25" (sheet); Jonas Mekas (Lithuanian, b. 1922) Untitled, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 19 1/2" x 25" (sheet); Kiki Smith (American, b. 1954) Untitled, 1994; Photo sceenprint and silks on paper; Signed, dated and numbered PP 5/10; 19 1/2" x 25" (sheet); Byron Kim (American, b. 1961) Manebyong, 1994; Screenprint on hand-made paper; Signed, dated and numbered PP 5; 24" x 18"; Alison Saar (American, b. 1956) Lazarus, 1994; Screenprint in colors; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2"; Hilary Leone (American, b. 1962) and Jen MacDonald (American, b. 1958) Chromosomes, 1994; Lithograph and screenprint in colors on paper; Signed, titled and numbered PP 5/10; 19 1/2" x 49 1/2" (sheet); Lorna Simpson (American, b. 1960) Van Der Zee Prop Vase, 1994; Photo screenprint in colors on paper; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2" (sheet); Izhar Patkin (Israeli, b. 1955) Untitled, 1994; Offset lithograph in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); William Wegman (American, b. 1943) Me, 1994; Screenprint in colors; Signed, dated, titled and numbered PP 5/10; 25" x 19 1/2" (sheet); Garry Simmons (American, b. 1964) Untitled (Lineup Wall Chart), 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; Nam June Paik (Korean, 1932-2006) Untitled, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); Robert Longo (American, b. 1953) Body Hammers, 38 Special, 1994; Screenprint in colors; Signed, dated and numbered PP 5/10; 25" x 19 1/2" (sheet); Provenance: Private Collection, Los Angeles (original catalogue included) | 2,500 - 3,500 | 3,250 | 3,900 |
| 227 | John Dugdale (American, b. 1960) Leggett Road, Stone Ridge, NY, 1992; Cyanotype contact print (framed); Signed, dated, titled and numbered 4/6; 9 3/8" x 7 1/4" (sight); Provenance: Wessel O'Connor Gallery, New York (label on verso); Private Collection | 2,000 - 3,000 | 1,700 | 2,040 |
| 228 | Michael Kenna (British, b. 1953) The Rouge, Study 47 Dearborn, Michigan, 1994-95; Sepia-toned gelatin silver print (framed); Signed, dated and numbered 10/45; 8" x 7 3/8" (image); Provenance: Stephen Wirtz Gallery, San Francisco (label on verso); Private Collection | 1,500 - 2,000 | 1,100 | 1,320 |
| 229 | Michael Kenna (British, b. 1953) The Rouge, Study 90 Dearborn, Michigan, 1994-95; Sepia-toned gelatin silver print (framed); Signed, dated and numbered 9/45; 8" x 7 3/8" (image); Provenance: Stephen Wirtz Gallery, San Francisco (label on verso); Private Collection | 1,500 - 2,000 | 950 | 1,140 |
| 230 | Jenny Holzer (American, b. 1950) Truisms 4, 1994 (English); 3-color electronic LED; Edition 9/100; 5" x 4" x 1 1/4"; Provenance: Ronald Feldman Fine Arts, New York (accompanied by letter of authenticity from the gallery); Private Collection, New York | 1,500 - 2,000 | 4,250 | 5,100 |
| 231 | Jody Zellen (American, 20th C.) Untitled (Photo Blind), 1992; C-print on vertical blind; 84" x 78"; Provenance: Private Collection | 600 - 800 | 500 | 600 |
| 232 | Jenny Holzer (American, b. 1950) Selection from the Living Series, 1980-82; Enamel on aluminum; Edition 2/5; 21 1/4" x 23 3/8"; Provenance: Rhona Hoffman Gallery, Chicago (label on verso); Private Collection, New York | 2,000 - 3,000 | 10,000 | 12,000 |
| 234 | Matthew Antezzo (American, b. 1962) Untitled (Installation Photograph); Gelatin silver print (framed) and plaque; 6 1/2" x 9 1/2" (sight); Provenance: Private Collection | 200 - 300 | 100 | 120 |
| 235 | Thomas Ruff (German, b. 1958) Hauser, 1989; C-print; Signed and numbered 6/12; 11 3/8" x 15" (image), 17 5/8" x 21 3/4" (sheet); Provenance: Private Collection, San Francisco | 2,000 - 3,000 | 2,200 | 2,640 |
| 236 | Thomas Ruff (German, b. 1958) After Blossfeldt, 1994; C-print; Signed, dated and numbered 22/35; 9" x 9 1/2" (sheet); Provenance: Estate of Joshua P. Smith, Washington, D.C. | 1,000 - 1,500 | 900 | 1,080 |
| 237 | John Baldessari (American, b. 1931) Figure (with Vertical Lines), 1999; Gelatin silver print; Signed and numbered 4/25; 21 1/4" x 18 5/8" (image) 24" x 20" (sheet); Provenance: Private Collection, San Francisco | 1,500 - 2,000 | 5,000 | 6,000 |
| 238 | Gert Rappenecker (German, 20th C.) Untitled; Gelatin silver print (framed); 13 1/2" x 17" (sight); Provenance: Private Collection | 200 - 400 | 850 | 1,020 |
| 239 | Vija Celmins ((Latvian/American, b. 1938) Comet (from Skowhegen Suite), 1992; Linocut (framed); Signed and numbered 24/80; 14 1/4" x 16 5/8" (image), 20 1/2" x 22 3/4" (sheet); Publisher: Oberon Press, New York; Provenance: Private Collection, San Francisco | 4,000 - 6,000 | 6,000 | 7,200 |
| 240 | Pat Steir (American, b. 1940) Composition in Yellow, 1999; Screenprint and lithograph in colors; Signed and numbered 5/35; 19 1/2" x 19 1/2" (image), 28" x 28" (sheet); Publisher: Landfall Press, Chicago (stamp on verso); Provenance: Private Collection, New Jersey | 600 - 1,200 | 650 | 780 |
| 241 | Fred Tomaselli (American, b. 1956) After Echolocation #2, 2000; Iris print; Signed and numbered 16/100; 18 1/4" x 15" (sheet); Provenance: Dinaburg Arts, New York; Private Collection | 600 - 800 | 800 | 960 |
| 242 | Sol LeWitt (American, 1928-2007) Parallel Curves, 2000; Lithograph and aquatint in colors; Signed and numbered A.P. 5/12; 30 1/2" x 30 1/2" (image), 36"x 36" (sheet); Publisher: Landfall Press, Chicago; Provenance: Private Collection, New Jersey | 1,800 - 2,600 | 2,600 | 3,120 |
| 243 | Sol LeWitt (American, 1928-2007) Untitled; Lithograph in colors (framed); Signed and numbered 361/500; 19 7/8" x 20" (sheet); Provenance: Private Collection, Massachusetts | 600 - 800 | 1,300 | 1,560 |
| 245 | Nam June Paik (Korean, 1932-2006) N.Y. + Paris = Art, 1999; Lithograph in colors; Signed, dated and numbered AP 3/10; 22 1/2" x 30" (sheet); Provenance: Private Collection, Los Angeles | 700 - 900 | 850 | 1,020 |
| 246 | Jim Dine (American, b. 1935) Sun's Night Glow, 2000; Lithograph in colors; Signed, dated and numbered A.P. 5/10; 40" x 55" (sheet); Publisher: Landfall Press, Chicago (stamp on verso); Provenance: Private Collection, New Jersey | 3,000 - 4,000 | 3,250 | 3,900 |
| 247 | Christo (American, b. 1935) Wrapped Champagne Bottle: Project for Happy Anniversary, 2000; Lithograph with collage; Signed and numbered 5/12; 21 1/2" x 16 1/2" (sheet); Publisher: Landfall Press, Chicago (stamp on verso); Provenance: Private Collection, New Jersey | 3,000 - 4,000 | 4,750 | 5,700 |
| 248 | Chiho Aoshima (Japanese, b. 1974) Japanese Apricot 2, 2005; Offset lithograph in colors; Signed, dated and numbered 18/300; 30 5/8" x 21 5/8" (sheet); Publisher: Kaikai Kiki, Co., Tokyo and New York; Provenance: Private Collection, New York | 800 - 1,000 | 1,300 | 1,560 |
| 250 | Jeff Koons (American, b. 1955) Balloon Dog, 2002; Metallized porcelain; Numbered 636/2300; 10 1/8" diameter; Publisher: Museum of Contemporary Arts, Los Angeles; Provenance: Private Collection, New Jersey | 2,500 - 3,500 | 2,500 | 3,000 |
| 251 | Jeff Koons (American, b. 1955) Puppy, 1998; Porcelain; Signed and numbered 1044/3000; Provenance: Private Collection, New York | 1,500 - 2,000 | 4,750 | 5,700 |
| 252 | Kara Walker (American, b. 1969) Do Just So, 1997; Etching with aquatint (framed); Signed, dated, titled and numbered P.P.1; 8 1/2" x 8" (sight); Publisher: Landfall Press, Chicago; Provenance: Private Collection, New Jersey | 1,200 - 1,800 | 3,000 | 3,600 |
| 253 | H.C. Westermann (American, 1922-1981) Untitled, 1972/2000; Two-color photogravure; Numbered A.P.5; 14 3/4" x 20 1/8" (image), 21" x 26 1/4" (sheet); Publisher: Landfall Press, Chicago (stamp on verso); Provenance: Private Collection, New Jersey | 600 - 1,200 | 850 | 1,020 |
| 254 | Marcel Dzama (Canadian, b. 1974) Citizens of Regimentation, 2004; Portfolio of five screenprints in colors; Each signed, dated, titled and numbered 22/26; 22" x 20 1/4" (sheet) each; Provenance: Estate of Joshua P. Smith, Washington, D.C. | 2,500 - 3,500 | 5,500 | 6,600 |
| 255 | Nicholas Kahn (American, b. 1964) / Richard Selesnick (British, b. 1964) Wollotrager (Wool Traders), 2000; Three Iris prints on wax paper adhered togehter (framed); 29 1/2" x 66" (sight); Exhibition: "Referencing the Past: Six Contemporary Artists: Kahn/Selesnick, John O'Reilly, George Condo, David McGee, and Laurie Hogan," Addison Gallery of American Art, Phillips Academy, Andover, September 1999 - January 2000; Provenance: Private Collection, New York | 1,500 - 2,000 | 800 | 960 |
| 256 | Malerie Marder (American, b. 1971) Four works of art: Untitled, 1998; Selenium-toned gelatin silver print mounted on aluminum frame; Signed and numbered 1/8; 22 5/8" x 17 1/2" (sheet); Untitled, 1998; Selenium-toned gelatin silver print mounted on aluminum frame; Signed and numbered 1/8; 17 1/2" x 22 1/2" (sheet); Untitled, 1998; Selenium-toned gelatin silver print mounted on aluminum frame; Signed and numbered 1/8; 17 3/4" x 22 5/8" (sheet); Untitled, 1998; Selenium-toned gelatin silver print mounted on aluminum frame; Signed and numbered 6/8; 22 1/2" x 17 1/2" (sheet); Provenance: Lawrence Rubin - Greenberg Van Doren Fine Art, New York (label on versos); Private Collection, Florida | 2,500 - 4,500 | 2,000 | 2,400 |
| 259 | Brian McKee (American, b. 1977) Palace, Kabul, Afghanistan #48, from the Detritus Series, 2003; C-Print (framed); 17 3/4" x 22 1/4" (sight); Provenance: Eikon, Vienna; Private Collection | 1,200 - 1,800 | 2,000 | 2,400 |
| 260 | Jennifer Bolande (American, b. 1957) Globe, St. Mark's Place, NYC, 2001; Digital C-print mounted on Plexiglas (framed); 15" x 12" (image), 18" x 15" (sight); Provenance: Alexander and Bonin, New York (label on verso); Private Collection, New York | 300 - 500 | 700 | 840 |
| 261 | Julie Becker (American, b. 1972) Three works of art: Optional Entrance, 1996-97; Cibachrome mounted on aluminum frame; Numbered 2/3; 39 3/4" x 27 1/2"; 1 of 12 Profiles, 1996-97; Cibachrome mounted on aluminum frame; Numbered 2/3; 39 3/4" x 27 1/2"; Meeting with Voxx, 1996-97; Cibachrome mounted on aluminum; Numbered 2/3; 39 3/4" x 27 1/2"; Provenance: Regen Projects, Los Angeles (label on versos); Private Collection, Florida | 3,000 - 5,000 | 2,000 | 2,400 |
| 262 | Oliver Boberg (German, b. 1965) Garteneingang, 2001; C-Print (framed); Signed, dated, titled and numbered 7/30; 13" x 11 1/2" (sheet); Provenance: Museum of Contemporary Photography, Chicago; Private Collection | 700 - 900 | 650 | 780 |