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Rago Arts and Auction Center
The Kenneth L. Freed Collection of Contemparary Art, November 2006
Please click on lot number to see image.
Prices include 20% buyer's premium
| Lot Number |
Description |
Estimate |
Sale Price |
| 1 |
Giovanni Battista Tiepolo (Italian, 1696-1770) The Holy Family in
Clouds, ca. 1731-34; Black chalk with light-brown and gray-brown wash on
paper (framed); 15 3/4" x 10 1/8" (sheet); Literature: Boerner, C. G., 65
Zeichnungen vor 1900 dabei die Schonsten Neuerwerbungen 1984, Neue
Lagerliste Nr. 81, Dusseldorf, 1984 (cat. no. 9); Provenance: Sotheby's
London, November 11, 1965, No. 30 (with illustration); Ars Libri, Ltd.,
Boston |
20,000 - 25,000 |
$12,000 |
| 2 |
Arthur Illies (German, 1870-1953) Mondaufgang, ca. 1905; Etching in
colors (framed); Signed and titled; 8" x 6 1/2" (sight); Provenance:
Eugene Galleries, Boston |
100 - 200 |
$120 |
| 4 |
George Hoyningen-Huene (Russian, 1900-1968) Portrait of Horst P.
Horst, Paris, 1930; Platinum print; Signed; 11" x 13 3/4" (sheet);
Provenance: Brent Sikkema Fine Art, New York |
400 - 600 |
$2,400 |
| 5 |
Herman Leonard (American, b. 1923) Three works of art: Clifford Brown,
1954; Selenium-toned silver gelatin emulsion print (framed); Signed,
dated, titled and numbered; 18" x 14" (sight); Fats Navarro, 1948;
Selenium-toned silver gelatin emulsion print (framed); Signed, dated,
titled and numbered; 13 5/6"" x 18 1/4" (sight); Charlie Parker -
Metronome All-Stars, 1949; Selenium-toned silver gelatin emulsion print
(framed); Signed, dated, titled and numbered; 21 1/4" x 17 3/8" (sight);
Provenance: Robert Klein Gallery, Boston |
600 - 800 |
$2,280 |
| 6 |
Carlo Mollino (Italian, 1905-1973) Mountain Resort Apartments, ca.
1950; Four Type C contact prints mounted on board; 8" x 10" (overall);
Provenance: Robert Miller Gallery, New York (label on verso) |
400 - 600 |
$1,920 |
| 7 |
William Klein (American, b. 1928) Moscow-Bikini, 1959; Silver gelatin
emulsion print (framed); 12 1/4" x 16 3/4" (sight); Provenance: Light, New
York |
800 - 1,200 |
$1,920 |
| 8 |
Ernest Boiceau (Swiss, 1881-1950) Interior Rendering, 1930; Watercolor
and graphite on paper (framed); 13 3/4" x 20 3/8" (sight); Provenance:
Barry Friedman Ltd., New York |
700 - 900 |
$420 |
| 9 |
Will Henry Stevens (American, 1881-1949) Spring - The Weeping Willow,
ca. 1940; Pastel on paper (framed); 15 1/2" x 19 3/4" (sight); Exhibition:
"The Natural Image: Plant Forms in American Modernism," Richard York
Gallery, New York, 1982 (cat. no. 51); Provenance: Richard York Gallery,
New York (label on verso) |
700 - 900 |
$4,800 |
| 10 |
Frederick Hammersley (American, b. 1919) Checkered Career (#28A),
1949; Lithograph (framed); 2 7/8" x 3" (sheet); Provenance: Kathleen
Shields Contemporary Art Projects, Albuquerque |
100 - 200 |
$1,140 |
| 11 |
Julius Shulman (American, b. 1910) Case Study House #23 (Triad), La
Jolla CA (Killingworth, Brady, and Smith), 1960; Silver gelatin emulsion
print (framed); 6 1/2" x 5" (sight); Provenance: Yancey Richardson
Gallery, New York |
600 - 800 |
$1,200 |
| 12 |
Jacques-Henri Lartigue (French, 1894-1986) Boyhood Photos of J.-H.
Lartigue: Family Albums of a Gilded Age, 1966; Offset lithographs bound in
a hardcover book; 9 1/4" x 12" (closed); Publisher: Ami Guichard;
Provenance: Pangloss Bookshop, Cambridge, MA |
100 - 200 |
$330 |
| 13 |
Morton Bartlett (American, 1909-1992) Five works of art: Untitled, ca.
1940-1960 (printed 2001); Silver gelatin emulsion print (framed); 3 1/2" x
2 1/4" (sight); Untitled, ca. 1940-1960 (printed 2001); Silver gelatin
emulsion print (framed); 4" x 3" (sight); Untitled, ca. 1940-1960 (printed
2001); Silver gelatin emulsion print (framed); 3 7/8" x 3 1/4" (sight);
Untitled, ca. 1940-1960 (printed 2001); Silver gelatin emulsion print
(framed); 3 1/4" x 4" (sight); Untitled, ca. 1940-1960 (printed 2001);
Silver gelatin emulsion print (framed); 4" x 3.25" (sight); Provenance:
James Cohan Gallery, New York (label on verso) |
1,000 - 1,500 |
$2,520 |
| 14 |
Jed Fielding (American, b. 1953) Six works of art: Cusco #89, 1975;
Silver gelatin emulsion print; Signed, dated and titled; 11" x 14"
(sheet); Naples #294, 1977; Silver gelatin emulsion print; Signed, dated
and titled; 11" x 14" (sheet); Lima #79, 1975; Silver gelatin emulsion
print (framed); 8 3/4" x 13" (sight); Indiana #22, 1978; Silver gelatin
emulsion print; Signed, dated and titled; 16" x 20" (sheet); Chicago #654,
1979; Silver gelatin emulsion print; Signed, dated and titled; 16" x 20"
(sheet); Naples #435, 1991; Silver gelatin emulsion print; Signed, dated
and titled; 16" x 20" (sheet); Provenance: the artist |
400 - 600 |
$1,080 |
| 15 |
Richard Hamilton (British, b. 1922) Five Tyres Remoulded, 1972; Relief
cast in white synthetic rubber with seven screenprints on Mylar; Signed
and numbered; 23 3/4" x 33 1/2"; Provenance: Gallery 2211, Los Angeles |
1,500 - 2,000 |
$5,100 |
| 16 |
Various Artists; Rubber Stamp Portfolio, 1976; Including prints by
Carl Andre, Richard Artschwager, Daniel Buren, Chuck Close, Barry Le Va,
Sol LeWitt, Sylvia Mangold, Robert Mangold, Agnes Martin, Don Nice, Myron
Stout, Tom Wesselmann and Joe Zucker; 8" x 8" (each), 11" x 11" (print by
Agnes Martin); Publisher: Parasol Press, Ltd., New York; Provenance:
Barbara Krakow Gallery, Boston |
300 - 500 |
$3,360 |
| 17 |
Richard Tuttle (American, b. 1941) Colored Line Series (14), 1969;
Colored pencil and violet felt-tip pen on paper (framed); 11 7/8" x 9"
(sheet); Provenance: Lawrence Markey, Inc., New York (label on verso) |
1,000 - 1,500 |
$7,800 |
| 18 |
Pino Pascali (Italian, 1935-1968) Personaggi (Characters), 1962-63;
Ink on acetate (framed); 7 3/4" x 10 3/8" (sight); Provenance: Esso
Gallery and Books, New York (label on verso) |
3,500 - 5,000 |
$2,640 |
| 19 |
Pino Pascali (Italian, 1935-1968) Uomini della Preistoria (Men of
Prehistory), 1963; Pastel on paper (framed); 8 3/8" x 10 11/16" (sight);
Provenance: Esso Gallery and Books, New York (label on verso) |
1,800 - 2,400 |
$2,400 |
| 20 |
Lee Lozano (American, 1930-1999) Untitled (Hygiene #4), ca. 1962; Oil
on canvas; 13 1/4" x 15 1/8"; Exhibition: University of North Carolina,
Greensboro (label on verso); Provenance: Barry Rosen & Jaap van Liere,
New York (label on verso); Susan Lorence, New York |
12,000 - 15,000 |
$27,000 |
| 21 |
Lee Lozano (American, 1930-1999) Untitled, ca. 1962; Graphite and
colored pencil on paper (framed); 9" x 9 1/2" (sheet); Provenance: Susan
Lorence, New York |
2,500 - 3,500 |
$10,800 |
| 22 |
Lee Lozano (American, 1930-1999) Untitled, ca. 1962; Graphite and
colored pencil on paper (framed); 9" x 9 1/2" (sheet); Provenance: Susan
Lorence, New York |
2,500 - 3,500 |
$19,200 |
| 23 |
Ree Morton (American, 1936-1977) Studies for Signs of Love: Settings,
1976; Oil on plywood; 13 1/2" x 18"; Exhibition: "Ree Morton: Drawings,
Signs and Beaux 1974-1976," Alexander and Bonin, New York, September 5 -
October 13, 2001; Provenance: Alexander and Bonin, New York (label on
verso) |
3,000 - 5,000 |
$8,400 |
| 24 |
Ree Morton (American, 1936-1977) Untitled (Cell Drawing with Pink),
1974; Watercolor, crayon and graphite on paper (framed); 22" x 30"
(sheet); Provenance: Alexander and Bonin, New York (label on verso) |
2,500 - 3,500 |
$9,600 |
| 25 |
Ree Morton (American, 1936-1977) Untitled, 1972; Pencil on paper
(framed); 23" x 29" (sheet); Exhibition: "Ree Morton Works from
1971-1974," Brooke Alexander, Inc., New York, May-June, 1993; "Ree Morton:
To Each Concrete Man," Douglas F. Cooley Memorial Art Gallery, Reed
College, Portland, August-October, 1994; Provenance: Alexander and Bonin,
New York |
1,200 - 1,800 |
$3,600 |
| 26 |
Sylvia Plimack Mangold (American, b. 1938) Mirrors, 1973; Pencil and
watercolor on paper (framed); Signed and dated; 25 3/4" x 21 1/4" (image);
Provenance: Brooke Alexander, New York (label on verso) |
6,000 - 8,000 |
$21,600 |
| 27 |
Robert Klein (American, 20th Century) Viareggio, Italy, 1978; Silver
gelatin emulsion print (framed); 12 1/2" x 18 3/4" (image), 16" x 20"
(sheet); Provenance: Robert Klein Photography, Allston, MA |
100 - 150 |
$1,320 |
| 28 |
Sheyla Baykal (American, 1944-1997) Untitled (Angels of Light), 1972;
Silver gelatin emulsion print; 10" x 8" (sheet); Provenance: Daniel Reich,
New York |
200 - 400 |
$420 |
| 29 |
Denny Moers (American, b. 1953) Enclove #3, 1979; Monoprint on
photograph; Signed, dated and titled; 16 3/4" x 15" (sheet); Provenance:
Thomas Segal Gallery, Boston |
100 - 150 |
$60 |
| 30 |
Robert Overby (American, 1935-1993) Moon Ass, 1975; Oil on plywood;
86" x 64" (irregular); Provenance: Fredericks Freiser Gallery, New York |
7,000 - 9,000 |
$13,200 |
| 31 |
Ketty La Rocca (Italian, 1938-1976) Una fotografia, 1974; Postcard,
pencil and ink on paper (framed); Signed and dated; 6" x 4" each (framed
together); Provenance: Esso Gallery and Books, New York (label on
verso) |
1,000 - 2,000 |
$4,800 |
| 32 |
Matt Mullican (American, b. 1951) Death's Cape Torn into Many Pieces,
1974-75; Ink, pencil and marker on paper (framed); Titled; 13 3/4" x 16
5/8" (sheet); Provenance: Janice Guy, New York |
600 - 800 |
$1,920 |
| 33 |
Robert Motherwell (American, 1915-1991) Cigarette Pack, 1979;
Gauloises cigarette pack in Plexibox; Signed; 3 3/8" x 2 3/4" x 1 3/8";
Provenance: the artist |
100 - 150 |
$1,920 |
| 34 |
Oli Sihvonen (American, 1921-1991) Addendum; Oil on canvas; 96" x 56";
Provenance: Estate of Oli Sihvonen (stamp on stretcher); Canfield Gallery,
Santa Fe |
4,000 - 6,000 |
$3,600 |
| 35 |
Jean-Baptiste Bottex (Haitian, 1918-1979); Untitled, 1977; Oil on
Masonite (framed); Signed; 24" x 32"; Provenance: Selden Rodman, Jacmel,
Haiti |
300 - 500 |
$570 |
| 36 |
Richard Basil Mock (American, 1944-2006) Kauai, Northern Island of
Hawaii (from Hawaiian Visions), 1979-83; Hand-colored woodcut (woodcut
printed in 1979, hand-colored in 1983) (framed); Signed dated and
numbered; 19 3/4" x 25 3/4" (sheet); Provenance: The Harcus Gallery,
Boston (label on verso) |
100 - 200 |
$330 |
| 37 |
Rene Ricard (American, b.1946) Male Portrait, 1971-72; Pencil and
watercolor on paper (framed); Signed, dated and inscribed; 13 1/2" x 8
1/2" (sight); Provenance: Gift of John Kearney |
100 - 200 |
$1,800 |
| 38 |
Florence Cowles Porter (American, 20th Century) Untitled (Flowers),
ca. 1978; Watercolor on paper (framed); Initialed; 12 1/4" x 10 1/4"
(sight) |
100 - 150 |
$240 |
| 39 |
Erik Gamble (Canadian, b. 1950) Tiger's Tooth, 1979; Acrylic on canvas
(framed); Signed, dated and titled; 65" x 92"; Provenance:
Cutler/Stavaridis Gallery, Boston |
600 - 800 |
$720 |
| 40 |
Joel Janowitz (American, b. 1945) Three works of art: Harabaje, 1977;
Watercolor on paper (framed); Signed and dated; 22" x 30" (sheet);
Shadowed Swimmers, 1975; Watercolor on paper (framed); 16 1/4" x 30"
(sheet); Balustrade/Landscape (Blue Boats), 1981; Monotype in colors;
Signed, dated, titled and numbered; 12" x 20 1/2" (sight); Provenance:
Harcus Krakow Gallery, Boston (labels on versos) |
300 - 500 |
$1,080 |
| 41 |
John Wesley (American, b. 1928) Rain with No Floor, 1979; Gouache on
paper (framed); Signed, dated and titled; 25 1/2" x 19 1/2" (sheet);
Provenance: Fredericks Freiser Gallery, New York |
3,000 - 4,000 |
$26,400 |
| 42 |
John Wesley (American, b. 1928) The Sea of Japan, 1979; Gouache on
paper (framed); Signed, dated and titled; 25 1/2" x 19 1/2" (sheet);
Provenance: Jessica Fredericks Gallery, New York (label on verso);
Fredericks Freiser Gallery, New York |
3,000 - 4,000 |
$39,000 |
| 43 |
Russell Hart (American, 20th Century) Clothes Line; Silver gelatin
emulsion print (framed); 11 3/4" x 17 1/2" (sight); Provenance: Robert
Klein Photography, Allston, MA |
100 - 150 |
$540 |
| 44 |
Jed Devine (American, b. 1944) Untitled (Arch Exterior), 1980;
Palladium print (framed); 7 1/2" x 9 1/2" (image); Provenance: Daniel
Wolf, New York |
100 - 150 |
$150 |
| 45 |
Pelle Cass (American, b. 1954) Small Purple Sidewalk, 1984; Oil on
black and white photograph (framed); 3/4" x 1" (sight); Provenance: Stux
Gallery, Boston and New York (label on verso) |
100 - 150 |
$360 |
| 46 |
Lilo Raymond (American, b. 1922) Two works of art: Oyster Shells,
1971; Silver gelatin emulsion print (framed); 9" x 13 1/4" (sight);
Provenance: Marcuse Pfeifer Gallery, New York; Portfolio of Six
Photographs, 1980; Silver gelatin emulsion prints (one is framed); Signed,
dated and numbered; 11" x 14" each (sheet); Publisher: Marcuse Pfeifer
Gallery, New York; Provenance: Robert Klein Gallery, Ltd., Boston |
800 - 1,000 |
$1,140 |
| 47 |
Pierre Apraxine (Belgian, 20th Century) Photographs from the
Collection of the Gilman Paper Company, White Oak Press, 1985; Accompanied
by a ca. 1903 hand-colored platinum print by H. A. Parker and a poster for
The Gallery of Photographic Arts featuring Martinique by Andre Kertesz;
Provenance: Robert Klein Gallery, Boston |
600 - 800 |
$960 |
| 48 |
Jaromir Funke (Czechoslovakian, 1896-1945) Fotografie, Prague: Odeon,
1970; Illustrated with 132 reproductions of Funke's photographs, Text by
Ludvik Soucek; Provenace: Ars Libri, Ltd., Boston |
100 - 150 |
$180 |
| 49 |
Larry Clark (American, b. 1943) Tulsa, 1st Edition, New York: Lustrum
Press, 1971; Provenance: Charles B. Wood III, Antiquarian Bookseller,
South Woodstock |
1,500 - 2,000 |
$1,560 |
| 50 |
Antonio Gaudi (Spanish, 1852-1926) Japanese Book, 1983; Provenance:
Rizzoli Bookstores, New York |
200 - 300 |
$150 |
| 51 |
Victor Horta (Belgian, 1861-1947) The Solvay House, 1980; Portfolio of
twenty-two photolithographs on paper; Accompanied by Yolande
Oostens-Wittamer's book of the same name; 25" x 18 3/4" each (sheet);
Publisher: Louvain-La-Neuve, Belgium; Provenance: Jaap Rietman, Inc., New
York |
50 - 100 |
$60 |
| 52 |
Keith Smith (American, 20th Century) Three works of art: His House,
1981); Hand-colored silver gelatin emulsion print mounted on Italian
decorative paper; Signed and dated; 8 5/8" x 10 1/2" (image); 17" x 14"
(sheet); Book 91, 1982; Handmade book; Signed, dated, titled and numbered;
10" x 14" (closed); A Variation of Victor, May 1976; Hand-colored
photo-etching; Signed, dated and titled; 18 3/4" x 15 3/4" (sheet);
Provenance: Vision Gallery, Boston |
200 - 400 |
$480 |
| 53 |
Christopher James (American, 20th Century) Two works of art:
Priscilla's Room, 1978; Hand-colored photograph with tinted enamel
(framed); Signed, dated, titled and numbered; 5" x 7 3/8" (sight);
Northfield Inn, 1977; Hand-colored photograph with tinted enamel (framed);
Signed, titled and dated; 5" x 7 1/8" (sight); Provenance: Harcus Krakow
Gallery, Boston |
100 - 300 |
$270 |
| 54 |
James Brown (American, b. 1951) Two works of art: Untitled, 1986;
Portfolio of seven hand-colored drypoint etchings (framed separately);
Signed, dated and numbered; 29 3/4" x 22" (sheet) each; Provenance:
Barbara Krakow Gallery, Boston; Self Portraits, 1983; Book of lithographs;
Signed and dated; 19" x 13 1/2" (closed); Publisher: Da Amelio Editore,
Naples; Provenance: Tony Shafrazi Gallery, New York |
1,000 - 2,000 |
$4,200 |
| 55 |
James Brown (American, b. 1951) Minotaur, 1982; Enamel on canvas;
Signed and dated; 96" x 66"; Provenance: Tony Shafrazi Gallery, New
York |
8,000 - 12,000 |
$33,000 |
| 57 |
John Walker (British, b. 1939) Untitled, 1988; Oil on canvas (framed);
Signed and dated; 24" x 20"; Provenance: The Alpha Gallery, Boston (label
on verso) |
1,800 - 2,400 |
$8,400 |
| 58 |
Nicholas Moufarrage (Egyptian, 1948-1985) Rice Pudding, 1982;
Embroidery with rice on wood frame; Signed and dated; 13" x 18";
Provenance: Horodner Romley Gallery, New York |
500 - 700 |
$1,920 |
| 59 |
Allyson Grey (American, 20th Century) Spectrums #77, 1982; Watercolor
on paper (framed); Signed and dated; 41 1/2" x 29 1/2" (sheet);
Provenance: Stux Gallery, Boston and New York (label on verso) |
250 - 350 |
$900 |
| 60 |
Dennis Kardon (American, b. 1950) Death Of Marat, 1981; Woodcut in
colors on mulberry wood paper; Signed, dated and numbered; 23 3/4" x 23
3/4" (sheet); Provenance: Magnuson Lee Gallery, Boston (label on verso) |
100 - 150 |
$540 |
| 61 |
David Kelley (American, b. 1959) Two works of art: Untitled, 1984; Oil
on Masonite (framed); 15 3/8" x 17 7/8"; Exhibition: "David Kelley,"
Victoria Munroe Gallery, New York, November 2-30, 1985; Provenance:
Victoria Munroe Gallery, New York; Legend, 1992; Colored pencil, pigment
and paint on canvas; Signed, dated and titled; 20 1/8" x 22 1/8";
Provenance: The Institute of Contemporary Art, Boston |
400 - 600 |
$450 |
| 62 |
Maggi Brown (American, 20th Century) Do Twelve For Natalie Series, No.
7, 1986; Mixed media on paper; Signed, dated and titled; 20 1/2" x 27"
(sheet); Provenance: Barbara Krakow Gallery, Boston (label on verso) |
200 - 400 |
$510 |
| 63 |
Sam Messer (American, b. 1955) Dwarf with Mermaid and Sedg, 1986;
Enamel on paper mounted on aluminum panel; Signed, dated and titled; 35" x
46"; Provenance: Nielsen Gallery, Boston (label on verso) |
600 - 800 |
$780 |
| 64 |
Robert Greene (American, b. 1953) Two works of art: Albert Elia, 1983;
Watercolor and pencil on paper (framed); Signed; 13 7/8" x 16 7/8"(sheet);
James Caravelli, 1983; Watercolor and pencil on paper (framed); Signed; 13
7/8" x 16 7/8" (sheet); Provenance: Richard Telles, Los Angeles |
600 - 800 |
$600 |
| 65 |
Gina Fiedel (American, 20th Century) Two works of art: Climbing Smoke,
1986; Oil on canvas; Signed, titled and dated; 84" x 66"; Literature:
"Fiedel's New Works expand Her Imagery," Boston Globe, March 6, 1986
(illustrated); Exhibition: "Boston Now: Painting," The Institute of
Contemporary Art, Boston, June 26-August 24, 1986; Provenance: Stux
Gallery, Boston and New York; Untitled, 1990; Oil on wood; Signed and
dated; 18" x 14 1/2"; Provenance: Zoe Gallery, Boston |
1,200 - 1,800 |
$4,200 |
| 67 |
Ralph Hamilton (American, 1946-2006) Nuclear Legs (Beautiful Legs IV),
1982; Oil and shellac primer on rag paper (framed); 30" x 30" (sight);
Provenance: Thomas Segal Gallery, Boston (label on verso) |
150 - 250 |
$780 |
| 69 |
Michael Rogovsky (American, b. 1949) Bathers, 1983; Oil on canvas;
Signed and dated; 52 1/2" x 48"; Provenance: Zoe Gallery, Boston (label on
verso) |
400 - 600 |
$1,920 |
| 70 |
William Ciccariello (American, 20th Century) Garden, 1983; Oil on
canvas (framed); Signed and dated; 60" x 48"; Provenance: Stavaridis
Gallery, Boston (label on verso) |
500 - 700 |
$780 |
| 71 |
Mary Anderson Armstrong (American, 20th Century) Where The Rose
Intrudes, 1981; Oil pastel on paper (framed); Signed; 38" x 25" (sheet);
Provenance: Impressions Gallery, Boston (label on verso) |
400 - 600 |
$240 |
| 72 |
Heidi Whitman (American, 20th Century) Sideslipping South of the
Border, 1981; Acrylic on paper (framed); Signed; 29 7/8" x 43 7/8"
(sheet); Provenance: The Alpha Gallery, Boston |
150 - 250 |
$300 |
| 73 |
Richard Sheehan (American, 1953-2006) Value Study #1, 1988; Oil on
canvas (framed); Signed, dated and titled; 16" x 12 1/4"; Provenance: The
Alpha Gallery, Boston (label on verso) |
500 - 700 |
$2,160 |
| 74 |
Donald McFadyen (Scottish, 1960-2005) Untitled, 1987; Oil on wood
(framed); 4" x 6 3/8"; Provenance: Dart Gallery, Chicago (label on
verso) |
400 - 600 |
$1,080 |
| 75 |
Joseph Raffael (American, b. 1933) Luxembourg Gardens: Summer, 1982;
Lithograph in colors (framed); Signed, dated and numbered; 40 3/4" x 29
5/8" (sheet); Provenance: The Harcus Gallery, Boston (label on verso) |
300 - 500 |
$780 |
| 76 |
Susan Shatter (American, b. 1943) Vertigo, 1983; Aquatint in colors
(framed); Signed, dated and numbered; 41" x 18 1/2" (sheet); Provenance:
The Harcus Gallery, Boston (label on verso) |
200 - 300 |
$660 |
| 77 |
Louisa Chase (American, b. 1951) Two works of art: Cloudburst, 1982;
Woodcut in colors on Okawara paper (framed); Signed, titled and numbered;
28 1/8" x 28" (sheet); Provenance: Magnuson Lee Gallery, Boston (label on
verso); Thicket, 1983; Woodcut in colors with watercolor on DPA oriental
paper (framed); Signed, dated, titled and numbered; 33" x 38 1/4" (sheet);
Printer: Diane Villani Editions, New York; Provenance: Barbara Krakow
Gallery, Boston |
500 - 700 |
$570 |
| 78 |
Louisa Chase (American, b. 1951) Two works of art: Woods, 1985;
Etching and aquatint in colors (framed); Signed, dated, titled and
numbered; 22 1/2" x 24 3/8" (sheet); Nightfall, 1985; Etching and aquatint
in colors (framed); Signed, dated, titled and numbered; 24 3/8" x 22 1/4"
(sight); Provenance: The Harcus Gallery, Boston (label on versos) |
500 - 700 |
$660 |
| 79 |
Robert Bordo (Canadian, b. 1949) Two works of art: Liberty Knoll #1,
1989; Oil and collage on wood; Signed, dated and titled; 16" X 36";
Provenance: Brooke Alexander, New York (label on verso); Castle, 1996;
Watercolor and pencil on paper (framed); 14" x 11" (sheet); Provenance:
Alexander and Bonin, New York (label on verso) |
1,200 - 1,800 |
$1,320 |
| 80 |
Donald Sultan (American, b. 1951) Warm And Cold, 1985; Portfolio of
nine lithographs and pochoirs on paper; Text by David Mamet; 21" x 17 1/2"
each (sheet); Publisher: Fawbush Editions/Solo Press, Inc.; Provenance:
Joe Fawbush Editions, New York |
800 - 1,200 |
$1,200 |
| 81 |
Not Vital (Swiss, b. 1948) Untitled, 1986-88; Porfolio of five mixed
media on paper; Text by Pier Paolo Pasolini; 19 1/4" x 24 1/2" each
(sheet); Publisher: Kaldeway Press, New York; Provenance: John Post Lee,
New York |
500 - 700 |
$1,020 |
| 82 |
John O'Reilly (American, b. 1930) Two works of art: Studio Trapeze,
1986; Polaroid collage (framed); 3 1/4" x 5" (sight); Holding a Mirror
Before Amor, 1985; Polaroid collage (framed); 3 1/4" x 3 1/2" (sight);
Provenance: Howard Yezerski Gallery, Boston |
1,000 - 1,500 |
$4,200 |
| 83 |
Roland Flexner (American, b. 1944) Three works of art: Untitled, 1989;
Graphite on paper (framed); 13 3/4" x 10 1/2" (sheet); Provenance: the
artist; Untitled, 1990; Graphite on paper (framed); 14" x 11" (sheet);
Provenance: the artist; Untitled, 2000; Ink on paper; Signed and dated; 6
3/4" x 5 1/2" (sheet); Provenance: Galerie Nathalie Obadia |
1,000 - 1,500 |
$720 |
| 84 |
Mel Kendrick (American, b. 1949) Cast Walnut with Silver, 1986; Cast
bronze with silver nitrate patina; 67 1/2" x 16" x 16"; Provenance:
Barbara Krakow Gallery, Boston |
2,000 - 4,000 |
$9,000 |
| 85 |
Mel Kendrick (American, b. 1944) Untitled, 1990; Portfolio of six
woodcuts on Sekishu paper; Signed, dated and numbered; 24" x 19" each
(sheet); Printer: Grenfell Press, Leslie Miller; Provenance: Editions
Ilene Kurtz, New York |
1,000 - 1,500 |
$4,800 |
| 86 |
Alan Saret (American, b. 1944) Scratch Entering, Amazed, 1983; Colored
pencil on paper (framed); 30" x 42 1/4" (sheet); Provenance: Damon Brandt,
New York |
1,000 - 1,500 |
$3,900 |
| 87 |
Joel Fisher (American, b. 1947) Untitled Apograph, 1982; Pencil, conte
crayon and found fiber on handmade paper (framed); 6" x 6" (sheet,
irregular); Provenance: Lawrence Markey, Inc., New York (label on
verso) |
300 - 500 |
$420 |
| 88 |
Alighiero Boetti (Italian, 1940-1994) Cieli ad alta quota, 1988; Ink
and watercolor on paper mounted on canvas; Signed and dated; 20 1/8" x 29
1/8"; Accompanied by a certificate from the Archivo Alighiero Boetti (no.
4333); Exhibition: "Alighiero Boetti," The Arts Club of Chicago, January
25 - April 6, 2002 (label on verso); Provenance: Sperone Westwater, New
York |
12,000 - 18,000 |
$54,000 |
| 89 |
Robin Winters (American, b. 1950) Two works of art: Untitled; 1989;
Two glass vases; Initialed and dated; 14 1/4" high; Untitled (#3), 1992;
Acrylic on canvas; Signed and dated; 19" X 13 1/2"; Provenance: Brooke
Alexander, New York |
1,500 - 2,500 |
$900 |
| 91 |
Michael Minelli (American, 20th Century) Untitled: Self Portrait 1
(Composite 7), 1999; Urethane resin and MDF pedestal; 48 3/4" x 8" x 8";
Provenance: Kohn Turner Gallery, Los Angeles |
500 - 700 |
$450 |
| 92 |
Efrain Almeida (Brizilian, b. 1964) O Apaixonado, 1997; Cedar wood and
oil; 12" x 3 1/4" x 6 1/4"; Provenance: Galeria Camargo Vilaca, Sao
Paulo |
600 - 800 |
$2,160 |
| 93 |
Scott Grodesky (American, b. 1968) Untitled (#1), 1994; Acrylic and
graphite on canvas; Signed and dated; 17" x 15"; Provenance: Mario Diacono
Gallery, Boston |
200 - 400 |
$420 |
| 94 |
Luigi Ontani (Italian, b. 1943) Two works of art: Narci
Froditotontano, 1996; Glazed ceramic; 3" x 17" x 11 1/4"; Provenance:
Sperone Westwater, New York; Shiva RAJante, 1993; Watercolor on black and
white photograph (framed); Signed and dated; 14 1/4" x 9 1/8" (sight);
Provenance: Gian Enzo Sperone, Rome (label on verso); Sperone Westwater,
New York (label on verso) |
2,000 - 3,000 |
$31,200 |
| 95 |
Jane Dickson (American, b. 1952) Live Girls XX, 1993; Oilstick on
sandpaper mounted on wood; Initialed, dated and titled; 11" x 9";
Provenance: Brooke Alexander, New York (label on verso) |
400 - 600 |
$840 |
| 96 |
Helen Sadler (American, 20th Century) Untitled (Beatles 003), 1997;
Egg tempera on Masonite; Initialed and titled; 4" x 4"; Provenance: Team
Gallery, New York |
150 - 200 |
$480 |
| 97 |
Elizabeth King (American, b. 1950) Plans for Movable Hand, 1991; Cut
paper (framed); 15 5/8" x 19 5/8" (sight); Provenance: Barbara Krakow
Gallery, Boston (label on verso) |
600 - 900 |
$360 |
| 98 |
Shirley Tse (Chinese/American, b. 1968) World Stories East, 2002;
Acupuncture model with corn cushions; 5 1/2" x 5" x 2"; Provenance: Murray
Guy, New York |
300 - 500 |
$960 |
| 99 |
Rona Pondick (American, b. 1952) Mouth #38, 1994; Mixed media on paper
(framed); Signed and dated; 17" x 13 1/2" (sheet); Provenance: Jessica
Fredericks Gallery, New York |
500 - 700 |
$1,560 |
| 100 |
Matthew Bede Murphy Nuture/Tourture, 2001; Iron-on, ink and acrylic on
canvas; Signed, dated and titled; 6" x 8"; Provenance: Palet, New York |
100 - 150 |
$84 |
| 101 |
Matthew Monahan (American, b. 1972) Untitled, 1998; Gouache on paper;
108" x 40 3/4" (sheet); Provenance: Anton Kern Gallery, New York |
900 - 1,200 |
$33,000 |
| 102 |
Colleen Kiely (American, 20th Century) Whatnots (Orange Giraffe with
Ribbon), 1999; Mixed media on three sheets of paper (framed); 64 1/8" x 19
1/4" (sheet); Exhibition: Boston Athenaeum, 1999; Provenance: Judy Ann
Goldman Fine Art, Boston (label on verso) |
600 - 800 |
$600 |
| 103 |
Martin Westwood (British, b. 1969) Sentiment, 1999; Graphite on paper
in chipboard frame (framed); 11 5/8" x 16 1/2" (sheet), 14 5/8" x 19 1/2"
(object); Provenance: Sandroni Rey, Los Angeles |
500 - 700 |
$300 |
| 104 |
Matthew Brown (American, b. 1954) Bird on Post, 1995; Oil and balsam
on wood panel; Signed and dated; 20" x 20 1/2"; Provenance: Kohn Turner
Gallery, Los Angeles (label on verso) |
700 - 900 |
$1,320 |
| 105 |
Peter Edlund (American, b. 1959) Homage To James Byrd (after J. J.
Audubon), 2001; Oil on canvas (framed); Signed, dated and titled; 40" x 27
5/8" (sight); Provenance: Judy Ann Goldman Fine Art, Boston (label on
verso) |
1,000 - 1,500 |
$1,800 |
| 108 |
Von Rolf Pollet; from the series Vier Tage, 2001; Acrylic on paper
(nine parts); Signed and dated; 24 3/4" x 17 3/8" each (sheet);
Provenance: Kunststiftung Poll, Berlin |
300 - 400 |
$2,280 |
| 109 |
Paul Lee (American, 20th Century) Three works of art: A Star is Born,
1998; Mixed media with FedEx box and tape; Signed, dated and titled; 6" x
6" x 2 1/2"; Untitled, 1998; Mixed media with FedEx box and tape; Signed
and dated; 6 1/4" x 6 1/8" x 1 1/2"; Untitled, 1998; Signed and dated;
Mixed media on paper; 12" x 9" (sheet); Provenance: the artist |
200 - 400 |
$150 |
| 110 |
Yunhee Min (Korean, b. 1964) Remake/Remodel (Eclipse), 1998; House
paint on cardboard box; 19 1/2" x 10 7/8" x 2"; Provenance: Post, Los
Angeles |
200 - 300 |
$180 |
| 111 |
John Bock (Swedish, b. 1965) Playboy Bunny, 2000; Mixed media on
board; Initialed and dated; 12" x 12" x 14"; Provenance: Anton Kern
Gallery, New York (label on verso) |
800 - 1,200 |
$7,800 |
| 112 |
John Hodany (American, b. 1974) Egg + Cheese I, 1998; Oil on wood;
Signed, dated and titled; 49 1/4" x 44 3/4" x 4 1/2"; Provenance: Lawrence
Rubin Greenberg Van Doren Fine Art, New York |
800 - 1,200 |
$480 |
| 113 |
Max Mohr (German, b. 1962) Untitled (d), 1996; Wood, prosthetic
material and synthetic fabric; 11 1/2" x 19 1/2" x 9 1/4"; Provenance: Max
Protetch, New York |
800 - 1,200 |
$780 |
| 114 |
Mike Lash (American, 20th Century) Jack as a Graven Image, 1995, Car
paint on Godiva Chocolatier box, Signed and dated; 6 7/8" x 11" x 2 1/2";
Provenance: Carl Hammer Gallery, Chicago (label on verso) |
100 - 150 |
$84 |
| 115 |
Daniel Wiener (American, b. 1954) Two works of art: Off the Lip, 1995;
Sculpey, wire and acrylic hydrocal; 9" x 32 1/2" x 15"; Tinker's Curse,
1995; Sculpey, wire and acrylic hydrocal; 13" x 7" x 10"; Provenance:
Bravin Post Lee, New York |
1,000 - 1,500 |
$600 |
| 117 |
Tony Feher (American, b. 1956) Two works of art: Untitled, 1992; Sand
mix, glass bottles with plastic caps and transmission fluid; 11" x 15" x
13"; Honcho Blue, 1999; Bar straws and polyester; 34" x 34"; Provenance:
D'Amelio Terras, New York |
2,500 - 3,500 |
$12,000 |
| 118 |
Tony Feher (American, b. 1956) Two works of art:
Untitled-Prologue-First Part-Second-Part-Epilogue, 1995; Four glass
bottles with marbles; 13 3/4" (clear bottles), 13 1/4" (green bottles);
Provenance: Richard Anderson, New York; Untitled, Oct. 1996, 1996; Bottle
label collage with staples (framed); 10" x 9 1/2" (irregular); Provenance:
D'Amelio Terras, New York (label on verso of collage) |
2,000 - 3,000 |
$10,800 |
| 119 |
Berend Strik (Dutch, b. 1960) Untitled, 1998; Embroidery and
photograph on canvas (framed); Signed and dated; 9 1/2" x 6 5/8";
Provenance: Richard Heller Gallery, Santa Monica (stamp on verso) |
400 - 600 |
$1,080 |
| 120 |
Pierre Jean Serres; Untitled, 1992; Xerox transfer on fabric with hand
embroidery; Signed and dated; 10" X 14"; Provenance: Brent Sikkema Fine
Art, New York |
200 - 400 |
$270 |
| 121 |
Corin Hewitt (American, b. 1971) Untitled (Hewi 25), 1995; Pastel,
ink, wax and thread on paper; 22" x 15" (sheet); Provenance: Barbara
Krakow Gallery, Boston (label on verso) |
200 - 400 |
$390 |
| 122 |
Holly Miller (American, 20th Century) Untitled, 1996; Embroidery on
paper; Signed and dated; 12" x 9" (sheet); Provenance: Gina Fiore, New
York |
100 - 200 |
$60 |
| 124 |
John Beech (British, b. 1964) Car-Mat Sleeve #12, 1994; Car-mat
rubber, glue and plywood; Signed, dated and titled; 10 3/8" x 10 1/2" x 1
3/4"; Provenance: Marge Goldwater, New York |
400 - 600 |
$1,020 |
| 125 |
Allyson Strafella (American, 20th Century) Five works of art: Untitled
#9, 1995; Chalkboard paint and blue chalk on paper; 11" x 8" (sheet,
irregular); Untitled, 1995; Typewriter Drawing (Lines & Zeros) on
carbon paper; 11" x 8 3/8" (sheet); Untitled, 1995; Typewriter drawing on
carbon paper; 10 3/4" x 8 1/2" (sheet); Untitled, 1996; Paper, chalkboard
paint, blue chalk and typewriter on paper (framed); 11" x 8 1/2";
Untitled, 1996; Red ink on paper; 4 1/4" x 5 1/2" (sheet); Provenance: the
artist |
300 - 500 |
$390 |
| 126 |
Stephen Dean (French, b. 1968) Two works of art: Untitled - N.Y. Times
Crossword, 1994; Watercolor on newsprint; 4 3/8" x 5 1/8" (irregular);
Untitled - N.Y. Times Crossword, 1994; Watercolor on newsprint (framed);
3" x 3 1/4" (irregular); Provenance: Olivier Renaud-Clement, New York |
200 - 400 |
$2,040 |
| 127 |
Stuart Arends (American, b. 1953) Drawing With 29 PQ's & 29 AB's,
1995; Watercolor and pencil on paper; Signed and titled; 5 7/8" x 39 1/2";
Provenance: Richard Levy Gallery, Albuquerque (label on verso) |
400 - 600 |
$1,200 |
| 128 |
Mungo Thomson (American, b. 1969) Star Map (Blue Grid Test), 1996;
Marker on map of homes of Hollywood celebrities (framed); Signed; 12" x 17
3/4"(sight); Provenance: Mungo Thomson, Los Angeles |
400 - 600 |
$1,920 |
| 129 |
Bruce Pearson (American, 20th Century) Break The Cycle, 1995; Acrylic
on paper; 8 3/4" x 10" (sheet); Provenance: Pierogi 2000, Brooklyn |
200 - 300 |
$1,020 |
| 130 |
Gary Gissler (American, b. 1955) Good, 1997; Pencil, gesso and tape on
panel; Signed and dated; 8" x 8"; Provenance: Linda Kirkland Gallery, New
York (label on verso) |
300 - 500 |
$1,200 |
| 132 |
Janet Cohen (American, 20th Century) Estimating Pitch Location:
Baltimore at New York, 1995; Pencil on paper (framed); Signed, dated and
titled; 13" x 9"(sheet); Provenance: Betsy Senior Gallery, New York (label
on verso) |
400 - 600 |
$780 |
| 134 |
Kim Jones (American, b. 1944) Three works of art: War Boards,
1994-1995; Pencil, gesso, white acrylic on wood (two parts); Signed and
dated; 16" x 25 1/4" (overall); Provenance: John Weber Gallery, New York
(label on verso); Untitled War Drawing, 1994-95; Graphite on paper
(framed); 25" x 38" (sheet); Provenance: Bernard Toale Gallery, Boston;
Untitled, 1957-58; Pencil on paper (framed); 8 1/2" x 10 7/8" (sheet);
Exhibition: Lorence Monk Gallery, New York (label on verso); Provenance:
Craig Cornelius Gallery, New York |
2,000 - 3,000 |
$6,600 |
| 135 |
Jacob El Hanani (American, b. 1947) Nisi, 1992; Ink on paper (framed);
12 1/2" x 9 1/2" (sheet); Provenance: Katie Block Fine Art, Boston |
700 - 900 |
$3,240 |
| 136 |
Patrick Carrara (American, 20th Century) Untitled, 1996; Graphite on
paper; Signed and dated; 11" x 11" (sheet); Provenance: Gina Fiore, New
York |
200 - 400 |
$120 |
| 137 |
Joana Rosa (Portuguese, 20th c.) Four works of art: Doodle Drawing 1,
1995; Pencil and ink on paper (framed); 34 1/2" x 24 1/2" (sheet);
Doodles-Drawing Secret VIII, 1995; Pencil, ink, White-out on vellum
(framed); 38 3/4" x 34 1/4" (sheet, irregular); Doodles Secret no. XI,
1995; Graphite, colored ink and White-out on vellum (framed); 40" x 39
1/2" (sheet); "Doodles - drawings" Doodle No XVIII, 1996; White-out and
graphite on vellum (framed); Signed, dated and titled; 21" x 35 1/2"
(sheet, irregular); Provenance: John Weber Gallery, New York |
2,000 - 4,000 |
$4,500 |
| 138 |
Simon Frost (British, b. 1962) Untitled # 13, 1996; Casein and
silverpoint on paper (framed); 39 3/4" x 30" (sheet); Provenance: Peter
Blum, New York (label on verso) |
1,500 - 2,500 |
$2,400 |
| 140 |
Heide Fasnacht (American, b. 1951) Bomb, 1997-98; Graphite on paper
(framed); 40" x 60 1/2" (sheet); Exhibition: "Blowup: Recent Sculpture
& Drawing by Heide Fasnacht," Curated by Susan Stoops, Worcester
Museum of Art, March 18, 2000 - June 11, 2000; Provenance: Bill Maynes
Gallery, New York |
1,000 - 1,500 |
$9,000 |
| 141 |
Kathy Prendergast (Irish, b. 1957) Worlds 4, 1998; Pencil on paper
(framed); 9 1/2" x 12 1/2" (sheet); Provenance: Robert Miller Gallery, New
York (label on verso) |
600 - 800 |
$2,520 |
| 142 |
Ewan Gibbs (British, b. 1973) Hotel Eden, 1997; Ink on paper (framed);
11 3/4" x 16 1/2" (sheet); Provenance: Maureen Paley Interim Art, London
(label on verso); Paul Morris Gallery, New York (label on verso) |
3,000 - 5,000 |
$10,200 |
| 142A |
Ewan Gibbs (British, b. 1973) Hotel Oriente, Barcelona, 2001; Ink on
paper (framed); Signed, dated and titled; 11 1/2" x 16 3/8" (sheet);
Provenance: Maureen Paley Interim Art, London (label on verso) |
3,000 - 5,000 |
$10,800 |
| 143 |
Robin Tewes (American, b. 1950) Speechless, 1996; Oil on panel;
Signed, dated and titled; 22 1/8" x 16 1/8"; Provenance: Bill Maynes
Gallery, New York (label on verso) |
900 - 1,200 |
$2,520 |
| 144 |
Bob Knox (American, b. 1953) Electragleam, 1997; Acrylic on canvas;
Signed, dated and titled; 36" x 27"; Provenance: Jack Shainman Gallery,
New York (label on verso) |
600 - 800 |
$3,240 |
| 145 |
Mirjam Kuitenbrouwer (Dutch, b. 1967) Serie, Intervallen, 1995-96;
Mixed media on board; Signed and dated; 8 1/4" x 18 5/8"; Provenance:
Wohnmaschine, Berlin |
200 - 400 |
$420 |
| 146 |
Damien Smith (Canadian, b. 1969) Four works of art: Hospital Room,
Toronto, 1997; Mechanical pencil on paper (framed); Signed and dated; 7
3/8" x 7 1/8" (image), 14 1/8" x 14 1/8" (sheet); Provenance: Paul Morris
Gallery, New York; Gymnasium, McGrath Elementary School, St. Louis, MO;
1996; Mechanical pencil on paper (framed); Signed and dated; 7 7/8" x 7
1/4" (image), 22 1/2" x 24 1/2" (sheet); Provenance: Paul Morris Gallery,
New York; outh Residence Complex, 1966, Guelph, Canada, 1998; Graphite on
paper (framed); Signed and dated; 5 3/4" x 7 5/8" (image), 22 3/4" x 30"
(sheet); Provenance: Paul Morris Gallery, New York (label on verso);
Lovell House, 1999; Graphite on paper (framed); Signed and dated; 5 3/4" x
8 1/2" (image), 22 1/2" x 30" (sheet); Provenance: Works on Paper, Inc |
1,200 - 1,800 |
$2,040 |
| 147 |
Andrew Grassie (Scottish, b. 1966) Arthur R. Rose Gallery, 1999;
Tempera on paper (framed); 8 1/2" x 10 1/2" (sight); Provenance: Paul
Morris Gallery, New York (label on verso) |
3,000 - 5,000 |
$20,400 |
| 148 |
Miles Coolidge (Canadian, b. 1963) Central Valley (Near Alpaugh 1),
1998; Type C-print; 10 1/4" x 137"; Provenance: Casey M. Kaplan, New
York |
900 - 1,200 |
$2,400 |
| 149 |
Petra Karadimas (German, b. 1967) Baustelle, 2001; Lambda C-print; 22
1/4" x 32 1/2"; Signed; Provenance: Loop, Berlin |
800 - 1,200 |
$600 |
| 150 |
Bernard Voita (Swiss, b. 1960) Untitled, 1995; Silver gelatin emulsion
print (framed); 8 3/4" x 10 1/2" (image); Exhibition: "Bernard Voita,
White Garden," Kunsthalle, Zurich, June 1997 (illustrated p. 29);
Provenance: CRG, New York (label on verso) |
600 - 900 |
$720 |
| 151 |
Merlin Carpenter (British, b. 1967) Tivoli, 1994; Iris print (framed);
11 1/2" x 17 1/4" (sight); Provenance: Petzel Borgmann Gallery, New York
(label on verso) |
200 - 400 |
$300 |
| 152 |
Oliver Boberg (German, b. 1965) Dach, 1997; Type C-Print; 23 1/2" x 34
1/2" (image), 33" x 44" (board); Provenance: Paul Morris Gallery, New
York |
1,200 - 1,800 |
$4,200 |
| 152A |
Oliver Boberg (German, b. 1965) Neubau, 2001; Type C-print (framed);
9" x 13 1/2" (image), 15 1/4" x 19 1/4" (sight); Provenance: Paul Morris
Gallery, New York |
3,000 - 4,000 |
$2,040 |
| 153 |
Amir Zaki (American, b. 1974) Untitled (Down_DT 24), 1999; Laser
direct Type C-print (framed); Signed, dated and numbered; 26" x 15"
(image); Provenance: Roberts & Tilton, Los Angeles (label on verso) |
1,200 - 1,500 |
$960 |
| 153A |
Amir Zaki (American, b. 1974) Untitled (Down_SM07), 1999; Laser direct
Type C-print; Signed, dated and numbered; 25 7/8 x 15 (image); Provenance:
Caren Golden, New York |
1,200 - 1,500 |
$1,200 |
| 155 |
Michael Ashkin (American, b. 1955) #31, 1996; Mixed media; Signed and
dated; 11" x 8 3/4" x 15" (including bracket); Provenance: Bronwyn Keenan
Gallery, New York |
500 - 700 |
$3,900 |
| 156 |
Stephen Shackelford (American, 20th Century) Untitled # 201 (Starbucks
Oasis); 1997; Mixed media; 10 5/8" high; Provenance: Post, Los Angeles |
100 - 150 |
$270 |
| 157 |
Barbara Broughel (American, 20th Century) Two works of art:
Headcounter, 1995; Mahogany, bamboo and carved porcelain; 32" x 26" x 5
3/4"; Study for Headcounter, 1994; Watercolor and pencil on paper; Signed;
14 " x 10" (sheet); Provenance: Frederieke Taylor Gallery, New York |
2,000 - 3,000 |
$1,560 |
| 158 |
Barbara Broughel (American, 20th Century) Humping Bee Killer, 2001;
Nihonga painting on silk mounted on paper; 21 1/2" x 17 1/2"; Provenance:
Frederieke Taylor Gallery, New York |
800 - 1,200 |
$570 |
| 159 |
Emmett McDermott (American, b. 1957) Self Portrait (One/Bee), ca.
1992; Acrylic on canvas; Signed and dated; 30" x 24"; Provenance: The
Institute of Contemporary Art, Boston |
700 - 900 |
$570 |
| 160 |
Phillipe Hernandez (American, 20th Century) God Dog;, 1996; Mixed
media on glass (framed); 15 1/4" x 19 1/4 "(sight); Provenance: Jack
Tilton Gallery, New York |
100 - 200 |
$150 |
| 161 |
Deborah Kass (American, b. 1952) Untitled (Nose), 1993; Silkscreen on
canvas; Signed and dated; 7 7/8" x 6"; Provenance: Bomb Magazine Benefit,
New York |
100 - 150 |
$1,020 |
| 162 |
Richard Woods (British, b. 1966) Untitled, 1995; Mixed media on paper;
Signed and dated; 8 7/8" x 11 3/4" (sheet); Provenance: Pierogi 2000,
Brooklyn |
100 - 150 |
$96 |
| 163 |
Jill Baroff (American, b. 1954) Bending The Bow (Dances), 1995;
Portfolio of eight ink drawings on silk tissue mounted on rag paper;
Signed, dated and titled; 26" x 20" each (sheet); Provenance: Stark
Gallery, New York |
1,000 - 1,500 |
$4,200 |
| 164 |
Susan Rothenberg (American, b. 1945) Mezzo-Fist #1, 1990; Mezzotint
with collage; Signed, dated and numbered; 31" X 22 3/8"(sheet); Publisher:
ULAE, New York; Provenance: Barbara Krakow Gallery, Boston |
800 - 1,200 |
$2,280 |
| 165 |
Jean-Michel Othoniel (French, b. 1964) Un fantome dans votre
bibliotheque, 1994-95; Letterpress book; 13 1/4" x 10 1/8"; Publisher:
Yvon Lambert, Paris; Provenance: Olivier Renaud-Clement, New York |
700 - 900 |
$540 |
| 166 |
Lizanne Merrill (American, 20th Century) Breasts, 1993;
Computer-enhanced photographic imagery on fabric pillow; 20" x 14 1/2" x
6"; Provenance: Rebecca Cooper Fine Art, New York |
100 - 150 |
$108 |
| 167 |
Ann Agee (American, b. 1959) Two works of art: Man in Cool Shirt
Taking Picture, 1995; Blue and white glazed porcelain; Signed and dated; 8
3/4" high; Woman with Pink Backpack, 1996; Glazed porcelain in colors;
Signed; 9" high; Provenance: Yoshii Gallery, New York (label on bases) |
500 - 700 |
$1,560 |
| 168 |
Ann Agee (American, b. 1959) Five works of art: Butt Plug (Flower
Style A), 1994; Porcelain; 2" high; Butt Plug (Flower Style C), 1994;
Porcelain; 4 1/2" high; Butt Plug (Flower Style D), 1994; Porcelain; 2
5/8" high; Butt Plug (Flower Style E), 1994; Porcelain; 3" high; Butt Plug
(Flower Style F), 1995; Porcelain; 3 1/2" high; Provenance: Yoshii
Gallery, New York |
500 - 700 |
$3,240 |
| 169 |
Charles LeDray (American, b. 1960) Fabric Bear, 1993; Fabric; Signed;
5 1/4" x 14" x 8"; Provenance: the artist |
5,000 - 7,000 |
$13,200 |
| 170 |
Charles LeDray (American, b. 1960) Mother of Pearl, 1996; Carved
oyster shell; Signed and dated; 5" x 4 3/4" x 1"; Provenance: Jay Gorney
Modern Art, New York |
1,000 - 1,500 |
$16,800 |
| 171 |
Charles LeDray (American, b. 1960) Untitled, 1995; Textile panels with
mixed media (two parts, framed together); 17" x 12" each; Provenance:
Thomas Healy Gallery, New York |
1,000 - 1,500 |
$13,200 |
| 172 |
Karen Yasinsky (American, b. 1965) Four works of art: Affectionately
Awkward, 1995; Mixed media on linen; Signed and dated; 22" x 20"; Full
Figures, 1995; Mixed media on paper; 26" x 20"; Red Heads, 1995; Mixed
media on paper (framed); 21 3/8" x 22 1/4" (sheet); Boy, 1995; Mixed media
on paper (framed); 15 1/4" x 15 1/8" (sheet); Provenance: Casey M. Kaplan,
New York (label on verso) |
700 - 900 |
$2,880 |
| 173 |
Suzanne Wright (American, 20th Century) Lesbian Butane Breast Tank,
1999; Cast polyurethane resin; 6 1/4" x 12" diameter; Provenance: Exit
Art, New York |
600 - 800 |
$420 |
| 174 |
Dawn Mellor (British, b. 1970) Three works of art: Swan Song, 1997;
Oil on board; Signed, dated and titled; 16 1/2" x 11 3/4"; Watch with
Mother, 1997, Oil on board, Signed, dated and titled; 11 5/8" x 8 1/4";
Hand Maidens, 1997; Oil on board; Signed, dated and titled; 16 3/4" x 11
3/4"; Provenance: Victoria Miro Gallery, London |
1,500 - 2,500 |
$1,200 |
| 175 |
John Hatfield (American, 20th Century) Box, 1994; Gouache on paper;
11" x 8 1/2"; Provenance: Judy Ann Goldman, Cambridge, MA |
100 - 150 |
$60 |
| 176 |
Fabrice Hybert (French, b. 1961) One Drawing from Hybert's Digest,
1996; Watercolor on paper (framed); 10 7/8" x 7 7/8" (sight); Provenance:
Jack Tilton Gallery, New York |
150 - 250 |
$480 |
| 177 |
Polly Horner (British, 20th Century) Four works of art: Tree Hands,
1995; Oil and pencil on paper (framed); 8 1/4" x 5 3/8" (sheet);
Provenance: Olivier Renaud-Clement, New York; Untitled (Red), 1996;
Gouache on paper; Signed and dated; 11 3/4" x 16 3/8" (sheet); Provenance:
Olivier Renaud-Clement, New York; Untitled (White), 1996; Gouache on
paper; Signed and dated; 11 3/4" x 16 3/8" (sheet); Provenance: Olivier
Renaud-Clement, New York; Towers, 1995; Gouache on paper; Signed, dated
and titled; 9 1/2" x 6 1/2" (sheet); Provenance: the artist |
400 - 600 |
$240 |
| 178 |
Paul Pagk (British, b. 1962) Jan 95, 1995; Oil on linen; Signed and
dated; 10 1/8" x 10"; Provenance: CRG Art Incorporated, New York |
300 - 500 |
$1,080 |
| 179 |
Andrew Moszynski (Argentinean, 20th Century) Untitled, 1995; Enamel on
styrene; 9 5/8" x 6"; Provenance: Pierogi 2000, Brooklyn |
100 - 150 |
$72 |
| 180 |
Takako Saito (Japanese, b. 1929) Little People, 1996; Ten drawings on
vellum with ink paint and carbon clips; Signed and dated; 5 1/4" x 8 1/8"
(sheet) each; Provenance: Gallery 2211, Los Angeles |
800 - 1,200 |
$480 |
| 181 |
Tam Ochiai (Japanese, b. 1967) Untitled, 1996; Ballpoint pen on paper;
8 1/2" x 11" (sheet); Provenance: Tomio Koyama Gallery, Tokyo; Hello,
1997; Acrylic, graphite and colored pencil on canvas; 12" x 9";
Provenance: Team Gallery, New York |
400 - 600 |
$1,680 |
| 182 |
Jonathan Seliger (American, b. 1955) Four works of art: Slot (Red,
Yellow, Blue), 1994; Oil, alkyd, acrylic and modeling paste on canvas and
acetate (envenlope); enamel on aluminum (shelf); 5" x 10 1/2" x 1" (with
shelf); Provenance: Pantheon Holdings, Inc., New York; The Truth and
Beauty Thing (Perfect World); 2001; Oil, alkyd, acrylic modeling paste and
wax on canvas (cup); lacquer, gel medium, acrylic on canvas (bag); Signed,
dated and titled; 15" x 9 1/4" x 3 1/4"; Exhibition: "Personal Shopper",
Angles Gallery, Santa Monica, May 19-June 23, 2001; Provenance: Angles
Gallery, Santa Monica; Matches (Cards Symbols), 1994; Oil, alkyd, acrylic
and modeling paste on canvas (matchbook); enamel on aluminum (shelf); 2
3/4" x 2 1/2" x 2 1/2" (with shelf); Provenance: Olivier Renaud-Clement,
New York; Hanes Label, 1994; Oil, alkyd, acrylic and modeling paste on
canvas with blue-headed pin; 1 3/8" x 1"; Provenance: Olivier
Renaud-Clement, New York |
1,200 - 1,800 |
$1,440 |
| 183 |
Andreas Ruthi (Swiss, b. 1956) Untitled (Giorgione; 2 Objects); 1997;
Oil on Masonite; Signed and dated; 11 3/4" x 15 3/4"; Provenance: Nicole
Klagsbrun, New York (label on verso) |
400 - 600 |
$1,320 |
| 184 |
George Fitzpatrick (American, b. 1947) Three works of art: St Francis
in Ecstasy, December 1991-#71, 1991; Ink and colored pencil on paper
(framed); 5 3/4" x 38" (sheet); Beggar Man, August 1992-#64, 1992; Ink and
colored pencil on paper (framed); 5 1/4" x 37 7/8" (sheet); A Gathering of
Shades, April 1992-#37, 1992; Ink and colored pencil on paper (framed); 5
3/8" x 37 7/8" (sheet); Provenance: Salander-O'Reilly Galleries, LLC, New
York |
1,500 - 2,500 |
$900 |
| 185 |
Jim Stroud (American, 20th Century) Elemental Grid, 1997, Charcoal and
graphite on paper (framed), 14 1/2" x 14" (sheet); Provenance: Barbara
Krakow Gallery, Boston (label on verso) |
200 - 400 |
$420 |
| 186 |
Ernesto Neto (Brazilian, b. 1964) Lagrimas, 1999; Ink on paper;
Signed, dated and titled; 25 3/4" x 37 3/4" (sheet); Provenance: Galeria
Camargo Vilaca, Sao Paulo |
1,000 - 1,500 |
$2,760 |
| 187 |
Jill Moser (American, b. 1956) Four works of art: Northfork Drawing
#14, 1996; Ink and casein on Saunders hp watercolor paper (framed); 30" x
22 1/4" (sheet); Exhibition: "Jill Moser: North Fork Drawings," Wynn
Kramarsky, New York, April 23 - May 18, 1996; Provenance: Miller Block
Gallery, Boston; Untitled #J11, 1995; Ink and casein on Japanese paper
(framed); Signed and dated; 7 7/8" x 5 3/4" (sheet); Exhibition: "Jill
Moser: North Fork Drawings," Wynn Kramarsky, New York, April 23 - May 18,
1996; Provenance: Miller Block Gallery, Boston; Untitled #J10, 1995; Ink
and casein on Japanese paper; Signed and dated; 8" x 5 3/4" (sheet);
Exhibition: "Jill Moser: North Fork Drawings," Wynn Kramarsky, New York,
April 23 - May 18, 1996; Provenance: Miller Block Gallery, Boston; Fixture
#1, 1998; Bulbs and wire; 4" x 12 1/4" x 3 1/2"; Provenance: the artist |
800 - 1,000 |
$900 |
| 188 |
Jill Moser (American, b. 1956) Two works of art: First Open, 1997; Oil
on canvas; Signed, dated and titled; 60" x 48"; Formentera, 1998; Oil on
canvas; Signed, titled and dated; 30 1/8" x 30 1/8"; Provenance: the
artist |
2,000 - 4,000 |
$4,800 |
| 189 |
Jo Sandman (American, 20th Century) Two works of art: Echoes From The
Garden, 1994; Plaster of Paris and rubber on museum board (framed);
Initialed and dated; 13 1/2" x 11 1/2" (sight); Echoes From The Garden,
1994; Plaster of Paris and rubber on museum board (framed); Initialed and
dated; 3 3/8" x 3 1/4" (image), 13 1/2" x 11 1/2" (sight); Exhibition: "Jo
Sandman / Ana Guerra: 2 in b + w," Andrea Marquit Fine Arts, Boston, March
3 - April 1, 1995 (no. 10); Provenance: Andrea Marquit Fine Arts,
Boston |
300 - 500 |
$240 |
| 190 |
Sam Reveles (American, b. 1958) VTMDAB, 1994; Oil on canvas; Signed,
dated and titled; 48" x 59"; Provenance: CRG Art Incorporated, New York |
1,000 - 1,500 |
$1,200 |
| 191 |
Wes Mills (American, b. 1960) Three works of art: Untitled, 1994;
Mixed media on panel; Signed and dated; 7" x 7 3/8"; Provenance: Laura
Carpenter Fine Art, Santa Fe (label on verso); Barbara Krakow Gallery,
Boston; Sitting And Waiting, 1994; Pencil, gesso and powder pigment on
paper (framed); Signed, dated and titled; 4 1/2" x 4 3/4" (sheet);
Provenance: Laura Carpenter Fine Art, Santa Fe (label on verso); No Title
III, 1995; Bronze; Signed and dated; 2 1/4" x 2 3/8" x 1 1/4"; Provenance:
Art Foundry, Inc., Santa Fe |
0 - 0 |
$3,120 |
| 192 |
Leone & Macdonald; Hillary Leone (American, b.1962) and Jennifer
MacDonald (American, b.1958) Two works of art: Capital I, 1992; Braille on
sandpaper; Signed, titled and numbered; 33" x 18"; Girls Lean Back
Everywhere, 1992; Branded homasote board; Signed, dated and titled; 71
3/4" X 47 7/8"; Provenance: Fawbush, New York |
1,200 - 1,800 |
$720 |
| 193 |
Eva Schlegel (Austrian, b. 1958) Untitled, 1995, Varnish and plaster
on wood (two parts), Signed and dated; 11" x 11" each: Provenance: Galerie
Krinzinger, Vienna |
800 - 1,200 |
$2,160 |
| 194 |
Alberto Rey (Cuban/American, 20th Century) Binary Forms: Wax III,
1990; Oil and paraffin wax on wood; Signed; 24" x 24"; Provenance: The
Harcus Gallery, Boston (label on verso) |
200 - 400 |
$900 |
| 196 |
Dove Bradshaw (American, b. 1949) Untitled (Carbon Removal), 1994;
Carbon paper (framed); 6 1/4" x 5 1/2" (sheet); Provenance: Barbara Krakow
Gallery, Boston (label on verso) |
300 - 500 |
$720 |
| 197 |
Jesse Sadia (American, 20th Century) Flowing River 7/7, 1993; Burnt
Mulberry paper (two parts); Signed, dated and numbered; 24" x 36";
Provenance: the artist |
150 - 300 |
$210 |
| 198 |
Fred Sandback (American, 1943-2003) Untitled (Study for Sculpture),
1993; Incised board; Signed and dated; 9 7/8" X 7 7/8"; Provenance:
Nolan/Eckman Gallery, New York (label on verso) |
1,200 - 1,800 |
$12,000 |
| 199 |
Rudolf De Crignis (Swiss, b. 1948) Drawing #95012, 1995; Pencil
(erased) on board; Signed and dated; 16" x 16"; Provenance: Pamela
Auchincloss Gallery, New York |
300 - 500 |
$900 |
| 200 |
Moshe Kupferman (Israeli, 1926-2003) Untitled, 1994; Mixed media on
paper; Signed and dated; 22 1/2" x 30 1/2" (sheet); Provenance: Kasumi
Sonoyama, New York |
700 - 900 |
$1,200 |
| 201 |
Douglas Kolk (American, b. 1963) Three works of art: Untitled, 1995;
Pen and marker on glossy paper; Signed and dated; 40" x 26" (sheet);
Untitled (We Hate Ya World), 1997; Pen and marker on paper; 46" x 35"
(sheet); Untitled (You Could Have Been KingBoy), 1997; Pen on paper; 46" x
35" (sheet); Provenance: David Zwirner, New York |
900 - 1,200 |
$4,500 |
| 202 |
Lily van der Stokker (Dutch, b. 1954) Three works of art: John (Design
for Wallpainting), 1992; Graphite and marker on paper (framed); 11 5/8" x
16 1/2"(sheet); New and Old (Design for Wallpainting), 1994; Marker on
paper (framed); 11 5/8" x 16 3/8" (sheet); He Wat (Design for
Wallpainting), 1998; Graphite, marker on paper; 8 1/4" x 11 3/4";
Provenance: Feature Inc., New York |
600 - 800 |
$6,600 |
| 203 |
Kathleen Schimert (American, b. 1963) Three works of art: Drawing for
a Film on Lake Erie, 1995; Ink and plastilina on paper; Signed and dated;
13" x 20" (sheet); Exhibition: "Kathleen Schimert: Love on Lake Erie", AC
Project Room (in collaboration with Janice Guy), New York, March 2 - April
13, 1996; Drawing for a Film on Lake Erie, 1995-96; Ink and plastilina on
paper (framed); 17" x 10 7/8"; Exhibition: "Kathleen Schimert: Love on
Lake Erie", AC Project Room (in collaboration with Janice Guy), New York,
March 2 - April 13, 1996; Drawing for a Film on Lake Erie #13 A/B,
1995-96; Ink and plastilina on paper (two parts, framed seperately); 11" x
17" (sheet) each; Exhibition: "Kathleen Schimert: Love on Lake Erie", AC
Project Room (in collaboration with Janice Guy), New York, March 2 - April
13, 1996; "Power of Suggestion: Narrative and Notation in Contemporary
Drawing", The Museum of Contemporary Art, Los Angeles, November 3, 1996 -
January 26, 1997; "Parallel Worlds", The Southeastern Center for
Contemporary Art, Winston-Salem, April 18 - July 5, 1998; Provenance: AC
Project Room, New York |
1,000 - 2,000 |
$3,360 |
| 204 |
Steve Gianakos (American, b. 1938) Two works of art: She Forgot What
She Had Wanted, 1992; Collage (framed); Signed and dated; 25 3/4" x 28"
(sheet); The Real Difficulty With Her Having a Normal Relationship, 1998;
Collage on paper; Signed and dated; 25 3/4" x 24 3/4" (sheet, irregular);
Provenance: Fredericks Freiser, New York |
1,500 - 2,500 |
$1,920 |
| 205 |
Carol Rama (Italian, b. 1918) Lingue (Tongues #2), 1996; Magic marker
on paper (framed); Signed and dated; 13 1/2" x 9 1/2" (sheet); Provenance:
Esso Gallery, New York (label on verso) |
600 - 900 |
$2,640 |
| 206 |
Lillian Hsu-Flanders (American, 20th Century) Herd, 1990; Charcoal on
paper (framed); 44" x 30"(sheet); Provenance: Katie Block Fine Art,
Boston |
300 - 500 |
$180 |
| 207 |
Eric Wolf (American, b. 1961) Four works of art: Upstate 5/2/93, 1993;
Ink on paper; Initialed and dated; 22" x 30"; Provenance: Pantheon
Holdings, Inc., New York; Paul Morris, New York (label on verso); View
East, 1993; Oil on canvas; Signed, dated and titled; 36" x 48";
Provenance: Pantheon Holdings, Inc., New York; Paul Morris, New York
(label on verso); Large Rock with a Pronounced Overhang and Perforations,
1997; Ink on paper; Signed, dated and titled; 30 1/4" x 22 1/2" (sheet);
Provenance: Jessica Fredericks Gallery, New York; Monet's Garden, 1999;
Ink on paper (framed); 43 1/2" x 36 3/4" (sheet, irregular); Provenance:
Fredericks Freiser Gallery, New York (label on verso) |
2,500 - 4,500 |
$4,200 |
| 208 |
James Watkinson (American, 20th Century) Two works of art: Lovers
Inside Dog Under Rain, 1996; Mixed media (framed); 3 3/4" x 6 1/4"
(sight); The Crossing, 1996, Drawing on book (framed), Initialed; 7 3/4" x
10 1/2"; Provenance: Susan Lorence, New York |
600 - 900 |
$900 |
| 209 |
Anonymous (Phillipino, 20th Century) Three works of art: Untitled
(Panuelo), 1996; Ink on handkerchief; 16 3/4" x 16 1/2"; Untitled
(Panuelo), 1996; Ink on handkerchief; 14 1/2" x 14 3/4"; Untitled
(Panuelo), 1996; Ink on handkerchief; 15 1/4" x 16"; Provenance: Craig
Cornelius Gallery, New York |
150 - 250 |
$120 |
| 210 |
Bahranasad (Iranian, b. 1951) Untitled; (Persian Style Drawing), ca.
1995; Ink and gold on paper (framed); 7 3/4" x 5 1/4" (sight); Provenance:
Sofa, Instanbul (label on verso) |
100 - 150 |
$330 |
| 211 |
Suzanne Mcclelland (American, b. 1953) Sold You To, 1996-97; Charcoal,
pastel, ink, acrylic polymer emulsion and gloss fixative on paper
(framed); 28 1/2" x 20" (sheet); Provenance: Galerie Lawrence Rubin AG,
Zurich (label on verso); Paul Kasmin Gallery, New York (label on verso) |
600 - 800 |
$1,560 |
| 212 |
Dean Snyder (American, b. 1948) Three works of art: Untitled, 1996;
Tatooed rawhide; Signed and dated; 16 5/8" x 13 1/4" x 1 1/2"; Untitled,
1996; Tatooed rawhide; Signed and dated; 16 1/2" x 13 1/4" x 1 1/2";
Untitled, 1996; Tatooed rawhide; Signed and dated; 16 1/2" x 13" x 1 1/2";
Provenance: Miller Block Gallery, Boston |
500 - 700 |
$300 |
| 213 |
Jiri David (Czech, b. 1956) Slavic Spittle, 1994; Mixed media on
canvas; Signed, dated and titled; 13 7/8" x 12 "; Provenance: Peresta
Olga, Prague |
150 - 250 |
$270 |
| 214 |
Judy Glantzman (American, b. 1956) Untitled, 1996; Ballpoint pen on
paper; Signed and dated; 8 1/2" x 8 1/2"(sight); Provenance: Exit Art
Raffle |
100 - 150 |
$60 |
| 215 |
Rick Shaefer (American, 20th Century) In the Catskills, 1994; Ink,
watercolor and pencil on graphite transfer prints on green-tinted charcoal
paper (framed); Signed and dated; 33 1/4" x 31 3/4" (image); Provenance:
Barbara Krakow Gallery, Boston (label on verso) |
900 - 1,200 |
$540 |
| 216 |
Marilla Palmer (American, b. 1955) Untitled, 1995; Mixed media on
paper; 9 1/2" x 6 1/2" (sheet); Provenance: Pierogi 2000, Brooklyn |
100 - 150 |
$150 |
| 217 |
Donna Moylan (American, b. 1953) Untitled, 1996; Watercolor, gouache
and collage on paper (framed); Signed and dated; 11 1/8" x 15" (sheet);
Provenance: Alexander and Bonin, New York |
250 - 350 |
$720 |
| 218 |
Manuel Esnoz (Argentinean, b. 1974) Three works of art: Untitled,
1997; Oil on canvas; Signed and dated; 29 7/8" x 38"; Untitled (Argyle
Socks), 2001; Oil on linen; Signed and dated; 63" x 78 3/4"; Crystal's
Edge, 2001; Watercolor and inkjet print transfer with acrylic medium on
canvas; Signed; 9 1/2" x 7"; Provenance: Kravets/Wehby Gallery, New
York |
1,800 - 2,400 |
$5,100 |
| 219 |
Eduard Resbier (Spanish, b. 1968) Untitled, 1997; Ink on paper;
Initialed and dated; 11 5/8" x 16 1/2" (sheet); Provenance: Galeria Emilio
Navarro, Madrid |
100 - 150 |
$108 |
| 220 |
Marco Arce (Mexican, b. 1968) Untitled 1.9, 1996; Oil on canvas; 6" x
3 7/8"; Provenance: Galeria Ramis Barquet, New York (label on verso) |
100 - 150 |
$270 |
| 221 |
Reed Danziger (American, b. 1966) Untitled, 1998; Oil, pencil and
shellac on paper; 28" x 28" (sheet); Provenance: Miller Block Gallery,
Boston |
500 - 700 |
$1,800 |
| 222 |
James Elaine (American, 20th Century) Untitled; Gouache on page from a
book; 15 3/4" x 12" (sheet); Provenance: Momenta, Brooklyn |
100 - 200 |
$150 |
| 223 |
Charles Kanwischer (American, 20th Century) Nightweed #5, 1997;
Graphite on paper; 60" x 48"; Provenance: Miller Block Gallery, Boston |
200 - 400 |
$210 |
| 225 |
Michael Byron (American, b. 1954) Two works of art: Untitled (Suite of
Four Drawings), 1993; Mixed media on paper; Signed and dated; 8 5/8" x 6
5/8" each (sheet); Provenance: Daniel Elias Editions, Lincoln, MA;
Kirchner Nude Girl, 1912, 1998; Oil on canvas; Signed, dated and titled;
24" x 18"; Accompanied by the book Mindfields: 100 Works on Paper, Lund,
Sweden: Anders Tornberg Gallery, 1994; Provenance: Baron/Boisante
Editions, New York |
1,500 - 2,500 |
$900 |
| 226 |
Joanne Greenbaum (American, b. 1953) Untitled, 1997; Oil on canvas;
Signed and dated; 55" x 50"; Provenance: D'Amelio Terras, New York (label
on verso) |
3,500 - 5,000 |
$2,160 |
| 229 |
Carl Ostendarp (American, b. 1961) Two works of art: Untitled, 1994;
Tempera and gouache on paper (framed); 22 3/4" x 30"(sheet); Provenance:
Jay Gorney Modern Art, New York (label on verso); Bardamu Gallery, New
York; Untitled (5 Hands), 1998; Acrylic on canvas; Signed and dated; 9" x
12"; Provenance: Galerie Bob Van Orsouw, Zurich (label on verso) |
600 - 800 |
$2,400 |
| 230 |
Kevin Rainey (Amerian, 20th Century) Sightseeing Glasses, 1994; First
surface mirrors in eyeglass frames; 2" x 5 1/4" x 6"; Provenance: Barbara
Krakow Gallery, Boston |
150 - 300 |
$210 |
| 231 |
Fabio Kacero (Argentinean, b. 1961) Untitled, 1998; Ink, film, plastic
and lucite; 2 3/4" x 2 3/4" x 5"; Provenance: Kravets/Wehby Gallery, New
York |
150 - 300 |
$480 |
| 232 |
Trevor Winkfield (British, b. 1944) The Net, 1995; Acrylic on linen;
Signed, dated and titled; 33 1/4" x 27 3/4"; Provenance: Tibor de Nagy
Gallery, New York (label on verso) |
1,500 - 2,000 |
$3,900 |
| 233 |
Giles Lyon (American, b. 1967) Untitled 9/20/93, 1993; Gouache on
paper; 12" x 9" (sheet); Provenance: Paul Morris, New York (label on
verso); Pantheon Holdings, Inc., New York |
150 - 250 |
$270 |
| 234 |
Sharon Louden (American, b. 1964) Drawings of Agents, 1996; Ink,
graphite and gel medium on vellum; 17" x 11"; Provenance: Gina Fiore Salon
of Fine Arts, New York |
150 - 250 |
$2,280 |
| 236 |
Charles Spurrier (American, b. 1958) Three works of art: Untitled,
1997; Tape, pigment, adhesive vinyl, plastic beads, oil paint, acrylic,
plastic and wood; 72" x 33"; Untitled, 2000; Tape, pigment and steel;
Signed and dated; 36" x 36"; How it Moves, 2001; Tape, pigment, adhesive
vinyl, acrylic and wood; Signed, dated and titled; 48" x 48"; Exhibition:
"Artist In Residence," Dartmouth College, February 2, 2002 - March 31,
2002; Provenance: Christopher Grimes Gallery, Santa Monica |
3,000 - 5,000 |
$1,800 |
| 237 |
Charles Spurrier (American, b. 1958) Two works of art: Untitled, 1995;
Tape, pigment, etching ink and steel (two panels); 63" x 63" each;
Provenance: Christopher Grimes Gallery, Santa Monica; Untitled, 1999;
Paper, tape and ink on paper; Signed and dated; 8 3/8" x 6 5/8" (sheet);
Provenance: Pierogi, Brooklyn |
2,000 - 3,000 |
$1,560 |
| 238 |
Santiago Hernandez (Cuban/American, b. 1961) Two works of art:
Reflector, 1996; Alkyd and oil on panel; Signed, dated and titled; 24" x
24"; Exhibition: "Lois Foster Exhibition of Boston Area Artists-Part Two:
Santiago Hernadez and Sheila Pepe," Rose Art Museum, Brandeis University,
Waltham, November 7 - December 15, 1996 (label on verso); Varadero, 2001;
Acrylic, alkyd and oil on wood panel; Signed, dated and titled; 30"
diameter; Provenance: Judy Ann Goldman Fine Art, Boston (label on
verso) |
1,000 - 1,500 |
$2,040 |
| 239 |
Lynne Woods Turner (American, b. 1951) Five works of art: Untitled,
1995; Pencil on Japanese laid paper; 6 5/8" x 9 5/8" (sheet); Untitled,
1995; Pencil on parchment (framed); Initialed; 8 3/4" x 6 3/8" (sheet);
Untitled, 1995; Pencil on parchment (framed); 8 1/2" x 6 1/2" (sheet);
Untitled, 1997, Pencil on parchment (framed), 11 5/8" x 11 3/8" (sight);
Untitled, 1999; Pencil on parchment paper (framed); Initialed; 11 5/8" x
11 1/2" (sight); Provenance: Susan Lorence, New York |
800 - 1,200 |
$3,480 |
| 240 |
Lino Fiorito (Italian, b. 1955) Two works of art: Untitled, 1994; Oil
on canvas; Signed, initialed and dated; 16" x 12"; Untitled, 1987-94; Oil
on canvas; Signed and dated; 14 1/4" x 9 1/2"; Provenance: the artist |
200 - 400 |
$1,140 |
| 241 |
Mary Beyt (American, b. 1959) Four works of art: Untitled (Blue),
1994; Oil on canvas; Signed and dated; 24" X 19 3/4"; Provenance: Pantheon
Holdings, Inc., New York; Untitled (Orange), 1995; Acrylic on paper;
Signed and dated; 9 3/4" x 10 1/2"; Provenance: Morris-Healy, Inc., New
York; Untitled, 1996; Ink on Dura-Lar (framed); 16 5/8" x 13 3/4" (sight);
Provenance: Morris Healy Gallery, New York (label on verso); Untitled,
1996; Ink on Dura-Lar (framed); 16 5/8" x 13 3/4" (sight); Provenance:
Morris Healy Gallery, New York (label on verso) |
1,200 - 1,800 |
$1,320 |
| 242 |
Daniel G. Verbis (Spanish, b. 1968) Two works of art: Series Luz-eros,
1995; Oil on canvas; 13 3/4" x 10 5/8"; Charco, 1992; Eighty drawings
(mostly ink on paper) in acetate sleeves in a book; 12 3/8" x 8 3/8" each;
Provenance: Galeria Emilio Navarro, Madrid |
1,200 - 1,500 |
$960 |
| 243 |
Matt Magee (French, b. 1961) Three works of art: Circle Cycle, 1997;
Oil on paper board (framed); Signed, dated and titled; 11 1/4" x 9 1/8";
Thought Form: Redcross, 1998, Oil on paper board (framed), 11" x 14"
(board); Seven Up, 1998; Oil on canvasboard (framed); 11 7/8" x 8 7/8";
Provenance: Bill Maynes Gallery, New York (label on verso) |
800 - 1,200 |
$1,320 |
| 244 |
Thomas Nozkowski (American, b. 1944) Two works of art: Untitled
(Z-30), 1988; Oil on paper (framed); 11 1/4" x 15" (sheet); Provenance:
Baumgartner Galleries, Inc., Washington, DC (label on verso); Untitled
(7-72), 1995; Oil on linen on panel (framed); Signed and dated; 15 3/4" x
20"; Exhibition: "An Autobiography: Paintings by Tom Nozkowski and
Photographs by Judy Linn," Samuel Dorsky Museum of Art, SUNY, New Paltz,
July 21 - September 30, 2001; Provenance: Max Protetch, New York |
5,000 - 7,000 |
$27,000 |
| 245 |
Thomas Nozkowski (American, b. 1944) Untitled (7-105), 1997; Oil on
canvasboard (framed); Signed and dated; 22" x 28"; Provenance: Max
Protetch, New York (label on verso) |
4,000 - 6,000 |
$28,800 |
| 246 |
Thomas Nozkowski (American, b. 1944) Untitled (8-15), 2001; Oil on
linen on panel (framed); Signed and dated; 22 1/8" x 28"; Provenance: Max
Protetch, New York (label on verso) |
5,000 - 7,000 |
$31,200 |
| 247 |
Randy Walz (American, 20th Century) Nomadic Life, 1993; Oil on canvas;
36" x 54"; Provenance: Pantheon Holdings, Inc., New York |
300 - 500 |
$360 |
| 248 |
David Patton (American, 20th Century) Three Deep Breaths and Two Stiff
Drinks, 1998; Oil, acrylic and mylar on birch plywood; Signed, dated and
titled; 8 1/8" x 8 1/8"; Provenance: Margo Leavin Gallery, Los Angeles
(label on verso) |
125 - 175 |
$270 |
| 249 |
Paul Henry Ramirez (American, b. 1963) Untitled (from Liquid Squeeze
Series), 1997; Acrylic on oval canvas; Signed; 24" x 20"; Provenance:
Caren Golden Fine Art, New York |
300 - 500 |
$7,200 |
| 250 |
David Reed (American, b. 1946) Study No.1 For Painting #330, 1994; Oil
and alkyd on paper mounted on foamcore; Signed, dated and titled; 5 1/8" x
22"; Provenance: Max Protetch, New York (label on verso) |
1,000 - 1,500 |
$8,400 |
| 251 |
David Reed (American, b. 1946) Study #18 after Domenico Fetti's
Adoring Angels for Las Vegas, 1996; Oil and alkyd on solid ground; Signed,
dated and titled; 13 1/8" x 22"; Exhibition: "Collectors Collect
Contempoaray," The Institute of Contemporary Art, Boston, March 30 - June
2, 1999; Provenance: Max Protetch, New York |
3,000 - 5,000 |
$12,000 |
| 252 |
Fabian Ugalde (Mexican, b. 1967) Nueve fracasos (Nine Failures),
1998-99; Vinyl ink on vinyl; Signed, dated and titled; 31 5/8" x 31 5/8";
Exhibition: "II Concurso de Pintura Johnnie Walker," Museo de Arte
Moderno, Mexico; Provenance: Galeria Enrique Guerrero, Horacio, Mexico
City |
500 - 700 |
$840 |
| 253 |
Michelle Fierro (American, b. 1967) Untitled, 1997; Mixed media on
paper (framed); 22" x 29 3/4"; Provenance: Bennett Roberts Fine Art, Los
Angeles |
400 - 600 |
$720 |
| 254 |
Fernanda Brunet (Mexican, b. 1964) Untitled, 1997; Oil on canvas;
Signed and dated; 20" diameter; Provenance: Arena Mexico, Guadalajara |
300 - 500 |
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