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Rago Arts and Auction Center Fine Art Auction, May 2006
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Prices include buyer's premium
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| Lot Number |
Description |
Estimate |
Sale Price |
| 500 |
Orrin Augustine White (American, 1883-1969); Sycamores, Santa Barbara; Oil on canvas (framed); Signed; 46" x 46"; Provenance: Private Collection; Exhibition: Chicago Galleries Association (label on verso) |
15,000 - 20,000 |
54000 |
| 501 |
Walter Russell (American, 1871-1963); Untitled (Landscape), 1907; Oil on artist board, (framed); Signed and dated; 16" x 13"; Provenance: the artist, by descent to the present owner |
2,000 - 3,000 |
2160 |
| 502 |
Walter Russell (American, 1871-1963); Untitled (Winter Scene); Oil on artist board (framed); Signed; 8" x 10"; Provenance: the artist, by descent to the present owner |
1,000 - 2,000 |
1140 |
| 503 |
Walter Russell (American, 1871-1963); Untitled (Autumn Landscape), 1913; Oil on board (framed); Signed and dated; 10" x 8"; Provenance: the artist, by descent to the present owner |
1,000 - 2,000 |
1020 |
| 504 |
Walter Russell (American 1871-1963); Untitled (Landscape); Oil on artist board (framed); 7" x 10"; Provenance: the artist, by descent to the present owner |
1,000 - 2,000 |
1560 |
| 506 |
Arthur Wesley Dow (American, 1857-1922); Untitled (Meadow at Sunset); Oil on board (framed); 11 1/2" x 17" |
4,000 - 6,000 |
4200 |
| 508 |
George William Sotter (American, 1879-1953); Jerico House, 1945, Oil on board (framed); Signed and dated; 22" x 26"; Provenance: the artist (George W. Sotter Studios label on verso); Private Collection, New Jersey |
125,000 - 175,000 |
120000 |
| 511 |
Walter E. Baum (American, 1884-1956); Medieval City; Oil on canvas (framed); Signed; 30" x 40"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum); Exhibition: National Academy of Design, 124th Fall Annual (label on verso) |
3,000 - 5,000 |
3240 |
| 514 |
Joseph Barrett (American, b. 1936); River Town, PA Side, 2005; Oil on canvas (framed); Signed; 24" x 22"; Provenance: the artist |
3,000 - 5,000 |
6000 |
| 515 |
Antonio P. Martino (American, 1902-1993); The Brook, 1925; Oil on canvas (framed); Signed and dated; 16" x 20"; Provenance: Private Collection |
3,000 - 5,000 |
9000 |
| 516 |
Beatrice Fenton (American, 1887-1983); Untitled (Child with a Flute Fountain), 1930; Cast bronze, Signed and dated; 28" x 18" x 16" |
3,000 - 5,000 |
7800 |
| 517 |
William W. H. Davis; History of Bucks County Pennsylvania, Volumes I, II and III, 2nd edition; Lewis Publishing Company, 1905; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
200 - 400 |
120 |
| 519 |
James Abbot McNeill Whistler (American, 1843-1903); La Salute: Dawn (from twenty-six etchings), 1879-1880; Etching on woven paper (framed); Signed on tab with butterfly cipher; 5" x 8"; Provenance: Private Collection |
7,000 - 9,000 |
5400 |
| 520 |
James McNeill Whistler (American, 1894-1903); Untitled (Billingsgate), 1859; Etching on paper; Signed and dated; 8 3/4" x 12 1/4" |
1,000 - 1,200 |
960 |
| 522 |
Neils Frederik Schiottz-Jensen (Danish, 1855-1941); Lonstrup, 1910; Oil on canvas (framed); Signed and dated; 15" x 24" |
2,500 - 3,500 |
2160 |
| 524 |
Unknown (American, 19th Century); Untitled (Steam Ship); Oil on cavnas (framed); 29" x 53" |
2,500 - 4,500 |
7200 |
| 525 |
Samuel Finley Morse Badger (American, 1873-1919); The Lottie R. Russell, 1905; Oil on canvas (framed); Signed; 23" x 37 1/4"; Provenance: Collection of a Coast Guard family, Southern New Jersey |
10,000 - 15,000 |
10200 |
| 526 |
Elaine de Kooning (American, 1920-1989); Basketball #11, 1981; Acrylic on canvas (framed); 40" x 30"; Provenance: Estate of the artist |
7,000 - 9,000 |
4200 |
| 529 |
Max Kuehne (American, 1880-1968); Alcantara Bridge, Toledo; Oil on canvas; Signed; 35" x 40 1/2"; Provenance: Estate of the artist |
2,500 - 3,500 |
1920 |
| 530 |
Max Kuehne (German/American, 1880-1968); Street Scene, Provincetown, Massachusettes; Oil on wood panel; Signed; 7 3/8" x 9 5/8"; Provenance: Estate of the artist |
1,500 - 2,000 |
1680 |
| 535 |
William S. Schwartz (American, 1896-1976); After the Dance, ca. 1945; Gouache on artist board; Signed; 28 ´" x 21" |
2,500 - 3,500 |
2160 |
| 536 |
Leandro Velasco (Columbian, b. 1933); Untitled (The Boudoir), 1977; Oil on canvas; Signed and dated; 60" x 40" |
2,000 - 3,000 |
1440 |
| 537 |
Robert (Bobby) Wicks (American, b. 1902); Esmiralda; Oil on Masonite (framed); Signed; 35" x 23 1/2"; Exhibition: "Dusty Glory: The Circus in American Art", Cahoon Museum of American Art, Cotuit, MA, June 14-July 30, 2005 (label on verso) |
1,200 - 1,800 |
1200 |
| 540 |
Thomas Sidney Moran (American, 19th Century); Brooklyn Bridge, ca. 1915; Oil on canvas; Signed; 13" x 20" |
2,000 - 3,000 |
3120 |
| 541 |
Lyonel Feininger (American, 1871-1956); Manhattan 2, 1951; Lithograph on paper (framed); Signed and numbered 5/25; 16" x 11 1/2"; Provenance: Private Collection |
1,200 - 1,800 |
1440 |
| 542 |
Oscar F. Bluemner (American, 1867-1938); Untitled (Rooftops at Edgewater, New Jersey), 1914; Pencil on paper (framed); Signed and dated; 7 1/2" x 4 7/8"; Provenance: the artist, by descent to his son Robert Bluemner, New Hampshire (until 1938); Private Collection (acquired 1968) |
1,500 - 2,500 |
900 |
| 543 |
Oscar F. Bluemner (American, 1867-1938); Untitled (Figures at Little Ferry, New Jersey), 1910, Pen and ink on paper (framed); Signed; 4 7/8" x 8"; Provenance: the artist, by descent to his son Robert Bluemner, New Hampshire (until 1938); Private Collection (acquired 1968) |
1,500 - 2,500 |
1080 |
| 544 |
Aaron Douglas (American, 1898-1979); Study for "Listen Lord", an illustration for, "God's Trombones", a book by James, Weldon Johnson, ca. 1927; Graphite and gouache on paper; Signed; 12 1/4" x 9"; Provenance: Evans-Tibbs Gallery, Washington D.C.; Private Collection, Chicago, (acquired ca. 1990 from the above); Literature: Reproductions of the completed "Listen Lord" illustration appear in the following: Bearden, Romare and Henderson, Harry. "A History of African American Artists from 1792 to the Present," New York: Pantheon Books, 1993, pg. 128.; Kirschke, Amy Helene. Aaron Douglas: Art, Race & the Harlem Renaissance, Jackson: University Press of Mississippi, 1995, plate 52 |
7,000 - 9,000 |
6600 |
| 545 |
Carl Holty (American, 1900-1973); Untitled, 1933; Graphite on paper; Signed and dated; 12" x 19" |
700 - 900 |
540 |
| 546 |
Leonard Baskin (American, 1922-2000); Street Scene, Paris, 1950; Etching and aquatint on paper (framed); Signed, dated and dedicated; 19 1/2" x 15 1/2"; Provenance: Private Collection |
400 - 600 |
1080 |
| 547 |
Leonard Baskin (American, 1922-2000); Wolf Robe Cheyenne, 1972; Lithograph on paper (framed); Signed and numbered; 35" x 25"; Provenance: Private Collection |
300 - 500 |
240 |
| 549 |
Leonard Baskin (American, 1922-2000) Three works of art: The Matchmaker; Etching (framed); 19 3/4" x 4 3/4" (sight); Signed and numbered; Untitled (Male Nude) (not pictured); Etching (framed); 9 3/4" x 6 1/4" (sight); Signed and numbered; Untitled (Portrait of a Man)(not pictured); Etching (framed); 7 1/2" x 9 1/2" (sight); Signed and numbered |
600 - 1,000 |
360 |
| 550 |
Edward Hopper (American, 1882-1967); The Ivory Booth, 1897; Pen and ink on paper (framed); Signed and dated; 10" x 7"; Provenance: the artist (until 1967) to his widow, Jo Hopper (until 1968); Private Collection |
5,000 - 7,000 |
5100 |
| 551 |
Edward Hopper (American, 1882-1967); Untitled (The Bengal Writer); Pen and ink on paper (framed); Signed; 8" x 5"; Provenance: the artist (until 1967) to his widow, Jo Hopper (until 1968); Private Collection |
4,000 - 6,000 |
3900 |
| 552 |
Ben Shahn (American, 1898-1969); Abandoned by Everybody, 1943; screenprint in colors (framed); Signed in the plate; edition of 60; 36" x 28" |
1,000 - 1,500 |
3900 |
| 553 |
Robert Henri (American, 1865-1929); Untitled (Two Figures); Black crayon drawing (framed); Signed; 11 1/8" x 8 1/2"; Provenance: Estate of the artist; Private Collection (aquired 1969) |
800 - 1,200 |
510 |
| 554 |
Robert Henri (American, 1865-1929); Untitled (Donkeys); Black crayon on paper (framed); Signed; 11 1/8" x 8 1/2"; Provenance: Estate of the artist; Private Collection (aquired 1969) |
800 - 1,200 |
480 |
| 555 |
Oscar F. Bluemner (American, 1867-1938); Untitled (View at Soho, Bloomfield, New Jersey), 1919; Black crayon and wash on paper (framed); Signed; 4 3/4" x 6 1/8"; Provenance: the artist (until 1938); by descent to his son Robert Bluemner, New Hampshire (until 1968); Private Collection (acquired 1968) |
1,500 - 2,500 |
900 |
| 556 |
Oscar F. Bluemner (American, 1867-1938); Untitled (View at Seacaucus, New Jersey), 1914; Pen and ink on paper (framed); Inscribed and dated; 5" x 7 3/4"; Provenance: the artist (until 1938); by descent to his son Robert Bluemner, New Hampshire (until 1968); Private Collection (acquired 1968) |
1,500 - 2,500 |
1320 |
| 557 |
Frank M. Armington (Canadian, 1876-1941); Le Repos, 1923; Etching on paper (framed); Signed, dated and numbered 25/30; 4 1/4" x 7" |
400 - 600 |
570 |
| 559 |
Mike Trovato (American b. 1956); Untitled (Station Crossing, New Hope, PA); Oil on canvas (framed); Signed; 24" x 30"; Provenance: the artist |
800 - 1,200 |
840 |
| 560 |
Artist Unknown (American, 20th Century); Untitled (Bucks County Landscape); Oil on canvas (framed); Monogrammed; 30" x 25" |
1,200 - 1,600 |
1680 |
| 561 |
Max Kuehne (American, 1880-1968); Untitled (House Along Aquetong Creek, New Hope); Watercolor on paper (framed); Signed; 15" x 19 3/4"; Provenance: Estate of the artist |
1,500 - 2,000 |
1440 |
| 563 |
Richard Crist (American, 1906-1985); Movement on White, 1957; Oil on Masonite (framed); Signed and dated; 38" x 50" |
1,200 - 1,800 |
1440 |
| 564 |
George S. Greene (American, b. 1908); Untitled; Oil on canvas; 64" x 47"; Provenance: the artist, by descent to the family of the artist; Exhibition: Bergeron Gallery, PA |
1,500 - 2,000 |
1200 |
| 566 |
Lloyd Raymond Ney (American, 1893-1964); New Hope, 1953; Watercolor on Arches paper; Signed and numbered #20; 11" x 14"; Provenance: the artist; by descent to the family of the artist |
2,000 - 3,000 |
2280 |
| 567 |
Lloyd Raymond Ney (American, 1893-1964); Untitled, 1945; Watercolor, pen and ink on paper; Signed and dated; 11 1/2" x 15 1/2"; Provenance: the artist; by descent to the family of the artist |
1,000 - 1,500 |
1080 |
| 569 |
Franz Jozef Ponstingl (American, 1927-1988); Untitled (Surreal Landscape), 1965; Oil on board (framed); Signed and dated; 42 1/2" x 54"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
1,000 - 1,500 |
2760 |
| 570 |
Franz Jozef Ponstingl (American, 1927-1988); Education; Oil on board (framed); Signed; 36" x 49"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
1,000 - 1,500 |
2040 |
| 571 |
Clarence Holbrook Carter (American, 1904-2000); Over and Above #11, 1964; Oil on canvas (framed); Signed and dated; 56" x 52"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
2,500 - 4,500 |
1500 |
| 572 |
Clarence Holbrook Carter (American, 1904-2000); Inferno from "The Transection" Series, 1971; Acrylic on Scintalla glass fiber paper (framed); Signed and dated; 22" x 30"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
2,000 - 4,000 |
1200 |
| 573 |
Bruce Braithwaite (American, 20th Century); Clearing Storm, New Mexico; Oil on paper mounted to gatorboard (framed); Signed; 22" x 34"; Provenance: Private Collection, Princeton, NJ |
1,000 - 1,500 |
960 |
| 574 |
Howard Russell Butler (American, 1856-1934); The Beachcombers, 1930; Watercolor on paper (framed); Signed; 13" x 19"; Provenance: Howard Russell Butler, Jr., Princeton, NJ; Private Collection, Princeton, NJ |
800 - 1,200 |
600 |
| 575 |
Jan Kagie (Dutch, 1885-1971); Untitled (Pine, on Dunes); Watercolor and gouache on board (framed); Signed; 20" x 29" |
800 - 1,200 |
600 |
| 577 |
Elaine de Kooning (American, 1920-1989); Untitled (Catskill Series: Rocks and Trees), 1965; Watercolor on paper (framed); Signed; 26" x 32"; Provenance: Estate of the artist; Exhibition: Graham Gallery, New York; Memorial Gallery, University of Rochester, NY |
3,000 - 4,000 |
3900 |
| 578 |
Elaine de Kooning (American, 1920-1989); Untitled (Calcoon Woods), ca. 1964; Oil on canvas (framed); 17 7/8" x 23 3/4"; Provenance: Estate of the artist |
2,000 - 3,000 |
1920 |
| 580 |
Manly MacDonald (Canadian, 1889-1971); A Branch of the Don, Winter, Thornhill; Oil on wood panel (framed); Signed; 8 1/2" x 10 1/2"; Provenance: Private Collection |
1,500 - 2,000 |
1800 |
| 581 |
Alexander Young Jackson (Canadian, 1882-1974); The Winter Pond, 1929; Oil on wood panel (framed); Signed; 8 1/4" x 10 1/2"; Provenance: Private Collection |
10,000 - 15,000 |
42000 |
| 586 |
Elizabeth Campbell Fisher-Clay (American, 1871-1959); Holy Week, Seville, Spain, 1907; Oil on canvas (framed); Signed and dated; 24" x 28" |
3,000 - 5,000 |
2400 |
| 587 |
Max Kuehne (German/American, 1880-1968); Untitled (Segovia and Aquaduct, Spain); Oil on wood panel; Signed; 6" x 8"; Provenance: Estate of the artist |
1,200 - 1,500 |
1080 |
| 588 |
Max Kuehne (German/American, 1880-1968); Untitled (City with Church Steeple); Oil on wood panel (framed); Signed; 7 1/2" x 9 3/8"; Provenance: Estate of the artist |
1,200 - 1,500 |
1200 |
| 592 |
Artist Unknown (Late 19th/Early 20th Century); Untitled (Orientalist Scene); Oil on board (framed); 7 5/6" x 9" |
600 - 900 |
900 |
| 596 |
Manner of Edmund Tarbell (American 1862-1938); Lady; Oil on canvas (framed); 32" x 43"; Provenance: Private Collection, New York |
2,500 - 4,500 |
1680 |
| 598 |
Currier & Ives (American 19th century); The Celebrated "Four in Hand" Stallion Team, 1875; Handcolored engraving (framed); 18" x 28"; Exhibition: Kennedy Rare Prints, New York |
900 - 1,200 |
1680 |
| 601 |
Artist Unknown (American, 19th Century); Untitled (Portrait of a Woman); Oil on canvas (framed); Signed and dated; 25 1/2" x 35 1/2"; Provenance: Collection of E. Baum (grandson of Walter E. Baum) |
800 - 1,200 |
480 |
| 602 |
Artist Unknown (American, 19th Century); Untitled (Portrait of a Woman); Oil on canvas (framed); 25 1/" x 35 1/2"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
1,000 - 1,500 |
600 |
| 603 |
Artist Unknown (American, 19th Century);Two works of art: Untitled (Portrait of a Lady) and (Portrait of a Gentleman) (not picture); Oil on canvas; Each 42 1/2" x 36" |
500 - 700 |
720 |
| 604 |
Artist Unknown (American, 19th Century); Untitled (Two Boys); Oil on cavnas; 50" x 40" |
2,500 - 3,500 |
4800 |
| 605 |
Lai Sung (Chinese, 1850-1885); Untitled (Portrait of Twins); Oil on canvas (framed); 23 1/2" x 18" |
1,000 - 1,500 |
2520 |
| 607 |
Sueo Serisawa (Japanese/American, 1910-2004); Untitled (Portrait); Oil on Masonite (framed); Signed and dated; 11"x 8"; Provenance: Private Collection |
1,000 - 1,500 |
600 |
| 609 |
Charles Sebree (American, 1914-1985); Untitled (Harlequin), ca. 1950; Oil on Masonite; Signed; 7 1/4" x 6 1/4" |
6,000 - 8,000 |
7200 |
| 610 |
Dana Bartlett (American, 1882-1957); Untitled (Interior); Oil on board (framed); Signed; 12" x 16" |
800 - 1,200 |
900 |
| 612 |
M. Desola Mendes (Spanish, 20th Century); Untitled (Still Life); Oil on canvas (framed); Signed; 16" x 20" |
400 - 600 |
840 |
| 613 |
Angelis Ortiz (Spanish, b. 1902); Untitled (Still Life); Oil on board (framed); Signed; 8 1/4" x 19 3/4" |
300 - 500 |
780 |
| 615 |
Ralph M. Rosenborg (American, 1913-1992); Untitled (Floral Study), 1976; Watercolor on paper (framed); Signed and dated; 15" x 11 1/2"; Provenance: Joseph H. Hirshhorn, New York (Gifts to the Hirshhorn Museum and Scuplture Garden, 1966); Private Collection |
400 - 600 |
450 |
| 616 |
Ralph M. Rosenborg (American, 1913-1992); Girl with Flowers, 1962; Oil on linen (framed); Signed and dated; 25" x 34"; Provenance: Joseph H. Hirshhorn, New York (Gifts to the Hirshhorn Museum and Scuplture Garden, 1966), Private Collection |
500 - 700 |
780 |
| 617 |
Vincent Gallo (American, b. 1961) Mute, 1986; Mixed media; 35 3/4" x 41 3/4" x 1 1/4"; Provenance: Annina Nosei Gallery, New York |
1,500 - 2,500 |
1080 |
| 618 |
Vincent Gallo (American, b. 1961) Guitar, Drum, Piano, 1985; Mixed media; 8" x 11" x 1 1/2"; Provenance: Annina Nosei Gallery, New York |
600 - 800 |
540 |
| 619 |
Odon Marffy (Hungarian, 1878-1959); Untitled (Still Life); Oil on canvas (framed); Signed; 22 1/2" x 24"; Provenance: Private Collection (acquired 1991); Exhibition: Qualitas Galeria, Budapest, 1991 (accompanied by exhibition catalog) |
5,000 - 7,000 |
10800 |
| 621 |
Max Kuehne (American, 1880-1968); Two works of art: Street in Marblehead; Etching (framed), Signed; 8 3/4" x 12"; . Studio Window, Rockport; Etching (framed); Signed; 8 1/4" x 11 1/2"; Provenance: Estate of the artist |
500 - 700 |
300 |
| 622 |
Frank Forrest Frederick (American, b. 1866); The Vineyard Shore; Oil on board (framed); Signed; 9" x 14" |
500 - 700 |
300 |
| 627 |
Gifford Beal (American, 1879-1956); Untitled (Rowboats, Central Park); Etching on paper; Signed; 7 7/8" x 9 7/8" |
400 - 600 |
240 |
| 628 |
Max Kuehne (German/American, 1880-1968); New York from Weehawken; Pencil on board; Signed; 9" x 12" |
800 - 1,200 |
1020 |
| 629 |
Max Kuehne (American, 1880-1968); Two works of art: New York, Midtown; Etching (framed); Signed; 7" x 8 7/16"; The Campus, Yale University; Etching (framed); Signed by Richard Kuehne; Provenance: Estate of the artist |
600 - 900 |
360 |
| 630 |
Hans Figura (Austrian, 1898-1978); Untitled (New York Skyline); Etching in colors on silk (framed); Signed; 10 1/4" x 16 1/4" |
300 - 500 |
660 |
| 631 |
Grace Van Sciver (American, 20th Century); Untitled (Philadelphia Skyline); Oil on canvas (framed); Signed; 20" x 24" |
400 - 600 |
390 |
| 632 |
Ralph Himmelberger (American, b. 1887); Three Works of Art: Untitled (Winter, Irvington, NJ); Oil on canvas (framed);, Signed; 22" x 30"; Exhibition: The Plainfield Art Association, NJ, ca. 1946 (1st Award Certificate); Clinton Ave. Irvington, NJ, Looking West After the Blizzard, 1949; Oil on canvasboard (framed); Signed and dated; 20" x 24"; Things You See at Night, 1945; Oil on Masonite; Signed and dated; 12" x 18"; Provenance: Collection of Vida Truesdell (acquired 1949) |
1,800 - 2,400 |
1080 |
| 633 |
Julie Herrman (American, 20th Century); Two works of art: The City of Janus and The Crooked Mile, ca. 1950; Watercolor on paper (framed), Each Signed; Each 23" x 19"; Provenance: Private Collection |
600 - 900 |
360 |
| 634 |
George Raab (American, 1866-1943); Untitled (Woodland Sunset), 1906; Oil on canvas (framed); Signed and dated; 16" x 20"; Provenance: Private Collection, Princeton, NJ |
1,000 - 1,500 |
840 |
| 638 |
Frederick Water Watts (British, 1800-1862); Untitled (Rural Landscape); Oil on canvas (framed); Signed; 24" x 36" |
1,000 - 1,500 |
1020 |
| 640 |
George Herbert McCord (American, 1848-1909), Untitled (Landscape); Oil on canvas; Signed; 12" x 18" |
1,000 - 1,500 |
600 |
| 641 |
Wesley Webber (American, 1841-1914); Untitled (Girl with Collie and Sheep); Oil on canvas (framed); Signed; 14" x 18"; Provenance: Private Collection |
1,000 - 1,500 |
1080 |
| 643 |
Frederic Taubes (American, 1900-1981); The Singers, ca. 1930; Oil on canvas; Signed; 20" x 18" |
800 - 1,200 |
1020 |
| 644 |
Anna Wood Brown (American, 1890-1920); Untitled (Portrait of a Woman); Oil on canvas (framed); Signed; 21 1/2" x 18" |
600 - 900 |
360 |
| 645 |
Wilma Maria Prezzi (American, 1915-2000);Two works of art: Untitled (Two Sailors and a Model) and Untitled (Trashmen); Watercolor on paper (framed); Each signed; 22" x 15" and 15" x 22" |
600 - 900 |
840 |
| 646 |
Alexandra Povorina (Russian, 1885-1963); Untitled (Secessionist Landscape), 1922; Oil on canvas (framed); Signed and dated; 23" x 26 1/2"; Provenance: Private Collection, NJ |
3,000 - 5,000 |
4500 |
| 648 |
Miron Sokole (Russian/American, 1901-1985) Cotton Seed, 1939; oil on canvas (framed); Signed and dated; 24" x 30"; Provenance: The Lokuta Collection (label on verso) |
800 - 1,000 |
1140 |
| 649 |
Hubert Fitzgerald, Jr. (American, 20th Century); Pittsburgh 6 a.m., ca. 1945; Oil on Masonite; Signed; 24" x 20" |
900 - 1,200 |
960 |
| 652 |
Reuben Nakian (American, 1897-1986); Untitled (Europa and the Bull); Gouache on paper; Signed; 10" x 15"; Provenance: Estate of Elaine de Kooning |
400 - 600 |
240 |
| 653 |
Clarence Holbrook Carter (American, 1904-2000); Idyll, 1945; Watercolor on paper (framed and matted with sheet aluminum); Signed and dated; 18" x 24"; Provenance: Collection of David E. Baum (grandson of Walter E. Baum) |
600 - 900 |
510 |
| 654 |
Lily Furedi (American, 1901-1969); Afternoon Nap; Watercolor on paper (framed); Signed ; 15 1/4" x 11 3/8" |
700 - 900 |
720 |
| 655 |
Erich Heckel (German, 1883-1970) Am Strand, 1923; woodcut; Signed; edition of 300; 19" x 11 1/2" (sight); Literature: Dube 336 |
1,500 - 2,500 |
1080 |
| 656 |
Benjamin Kopman (American, 1887-1966); Cafe Lovers, 1943; Watercolor on paper (framed); Signed; 22" x 16 1/2"; Poor People, 1952; Gouache on paper (framed); Signed; 15 1/2" x 13 1/2"; Provenance: Joseph H. Hirshhorn, New York (Gifts to the Hirshhorn Museum and Scuplture Garden, 1966), Private Collection; Exhibition: World House Galleries, New York, Jan- Feb, 1958 |
1,000 - 1,400 |
780 |
| 659 |
Henry Albert Botkin (American, 1896-1983); The Door, 1974; Mixed media on Masonite (framed); Signed and dated; 33" x 24" |
800 - 1,200 |
780 |
| 660 |
Jimmy C. Lueders (American, 1927-1995); Flower Composition, ca. 1970; Acrylic on canvas (framed); Signed; 50" x 50" |
1,000 - 2,000 |
2160 |
| 661 |
Charmion von Wiegand (American, 1899-1983); Untitled, ca. 1964; Gouache on paper; Signed; 12 1/2" x 9 3/4" |
1,000 - 1,500 |
1080 |
| 662 |
William Ronald (Canadian, b. 1926); For Ronald, Princeton, 1963; Watercolor on paper (framed); Signed and dated; 18" x 24"; Provenance: Private Collection |
1,000 - 1,500 |
960 |
| 664 |
after Pierre-Auguste Cot (French; 1837-1883); The Storm; Oil on canvas (framed); 24" x 36" |
400 - 600 |
240 |
| 665 |
Artist Unknown (European, 19th Century); Untitled (Portrait of a Renaissance Gentleman); Oil on canvas (framed); 23" x 18 |
600 - 900 |
360 |
| 666 |
Artist Unknown (20th Century), Three Neoclassical Architectural Lunettes, Oil on canvas (framed); Each 15"x 26" (sight), 21" x 34" including frame |
600 - 900 |
600 |
| 667 |
Boris Blai (American, 1893-1985); Untitled (Head of a Girl); Bronze on black granite base; Priesmann Bauer & Co., Munich foundry stampm; 11" x 6" x 8 1/2" |
500 - 700 |
780 |
| 669 |
Artist Unknown (Austrian, 20th Century) Untitled (Bull); Enameled cast bronze, Geschulzt stamp; 6 1/4" x 11 1/4" x 3 1/2" |
900 - 1,200 |
2640 |
| 670 |
Ando Hiroshige (Japanese, 1797-1858); Two Works of Art: Untitled (View of Tsachiyama) and Untitled (Landscape), ca. 1940; Woodblock prints in colors (framed); Signed and sealed; 8 1/2" x 13 3/8"; Provenance: Estate of a Royal Navy officer, by descnet to his family |
800 - 1,200 |
540 |
| 671 |
Ando Hiroshige (Japanese, 1797-1858); Sunamura Moto-Hachiman, 1956, Woodblock print in colors (framed); Signed and sealed; 13 3/8" x 8 1/2"; Untitled (Women with Umbrellas), ca. 1840; Color Woodblock print in colors (framed); Signed and sealed; 8 1/2" x 13 5/8"; Provenance: Estate of a Royal Navy office, by descent to his family |
800 - 1,200 |
540 |
| 674 |
Hans Figura (Austrian, 1898-1978);Two works of art: Untitled (Two Alpine Scenes); Color etching on silk (framed); Signed; 17 1/2" x 14" |
400 - 600 |
240 |
| 675 |
Margaret Patterson (American, 1868-1950); Caphi North Shore Landscape; Watercolor on paper (framed); Signed; 7" x 9 3/4" |
1,500 - 2,500 |
2040 |
| 676 |
Heinz Balmer (German, 1903-1964); Kraling Munchea, 1923; Oil on canvas (framed); Signed and dated; 29" x 40" |
400 - 600 |
390 |
| 677 |
Karl Prinz (Austrian, 1875-1944); Untitled (Alpine Sunset); Oil on wood panel (framed); Signed; 21" x 28" |
1,000 - 1,500 |
1440 |
| 678 |
Alexander Oscar Levy (German/American, 1881-1947); Moonrise, Hemlock Lake, N.Y., 1918; Oil on panel (framed); Signed and dated; 14" x 11" |
1,000 - 1,500 |
1020 |
| 679 |
Mary Lewis (American, 1872-1953); Untitled, ca. 1910; Oil on panel; 14 1/4" x 7 3/8" |
1,500 - 2,000 |
2160 |
| 680 |
Henry White Taylor (American, 1899-1943); Spring Soil, 1934; Oil on Masonite (hand carved frame); Signed; 24" x 60" |
5,000 - 7,000 |
3000 |
| 681 |
Nicholas Takis (American, 1903-1965); Untitled (Still Life); Oil on canvas (framed); Signed; 24" x 36" |
700 - 900 |
720 |
| 683 |
Unknown (Japanese, 19th Century); Two works of art: Untitled (Geishas); Woodblock prints in colors (framed); Signed and sealed; 13 3/8" x 8 1/2" and 8 1/2" x 11 1/2"; Provenance: Estate of a Royal Navy officer, by descent to his family |
600 - 900 |
480 |
| 685 |
Arthur B. Davies (American, 1862-1928); Untitled (Winter Landscape); Pastel on gray paper (framed); Signed; 6 1/2" x 10 3/4"; Exhibition: Art Books and Prints, New York, (label on verso) |
1,000 - 1,500 |
600 |
| 686 |
Two Works of Art: George Baxter (British, 1804-1967); Indian Settlement, 1950; Four color lithograph (framed); 3 3/4" x 2 1/4"; Artist Unknown (20th century), Untitled (Pastoral Landscape); Watercolor on paper (framed); Signed; 5" x 10" |
200 - 300 |
240 |
| 687 |
Charles Grant Davidson (American, 1865-1945); Untitled (Landscape); Watercolor on paper (framed); Signed; 12" x 15" |
300 - 500 |
330 |
| 688 |
Emil Ganso (American, 1895-1941); Evening in Woodstock, 1936; Woodcut on paper; Signed and dated; 8" x 10" |
400 - 600 |
720 |
| 689 |
Arnold Belkin (American, 20th Century); Untitled (Reclining Nude); Oil on canvas; Signed; 28" x 38" |
1,000 - 1,500 |
960 |
| 690 |
Norman Ackroyd (British, b. 1938); Two Works of Art: Study of Hills and Water, 1977; Aquatint on paper |
400 - 0 |
600 |
| 691 |
Norman Ackroyd (British, b. 1938); Four Works of Art: Seascape, 1975 (not pictured); A Gentle Rainstorm, 1974 |
400 - 0 |
450 |
| 692 |
Andrew Masullo (American, b. 1957) Two Works of Art: 1048: Das Einziges Kind, 1985; Mixed Media; Signed and dated with printed text; 6" x 4 3/4" x 1 3/4"; 785, 1983-85 (not pictured); Mixed media; 8" x 10"; Signed; Provenance: White Columns, New York |
600 - 800 |
780 |
| 694 |
Two Works of Art: Frank Benson (American, 1862-1951); Untitled (not picutred) (Ducks in Flight); Lithograph (framed); Signed; 11 1/2" x 15 1/2"; Leon Dolice (American, 1892-1960); Old New York; Etching on paper (framed); Signed; 9 3/4" x 7" |
700 - 1,000 |
1320 |
| 695 |
Harry G. Berman (American, 1900-1932); Untitled (Two Nudes); Oil on canvas (framed); Signed and dated; 30" x 40" |
600 - 800 |
600 |
| 698 |
W. McEwan (American, 20th Century); One Day Sale; Crayon and pencil on paper (framed); Signed; 13" x 9" |
300 - 500 |
180 |
| 703 |
H. C. Harris (American, 19th Century); Untitled (Seascape), 1888; Oil on canvas (framed); Signed and dated; 28" x 30" |
500 - 700 |
720 |
| 709 |
Jon Whitcomb (American, 1906-1988); Untitled (Three Women), ca. 1950; Pencil and gouache on paper (framed); Signed; 13" x 19" |
400 - 600 |
420 |
| 710 |
Jan Nosek (American, 1876-1966); Five Works of Art: Untitled (Landscapes); Four oil on illustration board, one watercolor on paper, Each signed; Largest 11" x 16"; Provenance: Estate of the artist; Private Collection |
500 - 700 |
960 |
| 711 |
Jan Nosek (American, 1876-1966) Five Works of Art: Untitled (Women); four oil on illustration board, one pastel on board; Each signed; Largest 23" x 18"; Provenance: Estate of the artist; Private Collection |
500 - 700 |
660 |
| 712 |
Frank T. Merrill (American, b. 1848); Honor Bright (Four Illustrations), ca. 1920; Mixed media on board (framed); Signed; 18" x 12 1/2"; Accompanied by a copy of the book "Honor Bright" by Laura E. Richards, The Page Company, Boston, 1920 |
500 - 700 |
300 |
| 715 |
Paul Jenkins (American, b. 1923); Light Graphic, 1973; Lithograph in colors (framed); Signed; 40" x 54" |
600 - 700 |
900 |
| 718 |
Mary Ellis Robins (American, 1860-1949); Untitled (Paris Rooftops); Watercolor on paper (framed); Signed; 14" x 9 3/4" |
400 - 600 |
240 |
| 720 |
Artist Unknown (American, 19th Century);Two works of art: Mr. Richard B. Field (not pictured) and Maragetta B. Miller (Wife of Richard B. Field); Pair of oval portraits, 1859; Oil on canvas (framed); Each 24" x 20" |
600 - 900 |
360 |
| 721 |
Artist Unknown (American, 19th Century); Untitled (Portrait of Brother and Sister); Oil on canvas; 40" x 50" |
700 - 900 |
720 |
| 722 |
Liberato Cardella (Italian/American, 1831-1852); Untitled (Sheep in a Meadow); Watercolor on paper (framed); Signed; 10 1/2"x 22 1/2" |
400 - 600 |
240 |
| 727 |
Priscilla Warren Roberts (American, 1916-2001); The Castle; Oil on Masonite (framed); Signed; 16"x 20"; Exhibition: Grand Central Gallery, New York (label on verso) |
1,200 - 1,500 |
720 |
| 728 |
Joseph Dawley (American, b. 1936) Three Works of Art: Steeple Study, watercolor; Signed; 10" x 12" (framed); Three Animate Alligators (not pictured); sepia wash on gessoed board; Signed; 10" x 13" (framed); Portrait (not pictured); sepia wash on gessoed board; Signed; 7" x 7" (framed) |
400 - 600 |
390 |
| 729 |
Unknown (European, 19th Century); Untitled (Woodsman with Spaniel); Oil on canvas (framed); 22 1/2" x 16 1/2" |
400 - 600 |
240 |
| 731 |
Thomas Rowe (American, 1923-2004); The Clergyman (Andrew Wyeth), 1990; Oil on canvas (framed); Signed; 30" x 41" |
600 - 800 |
480 |
| 732 |
Harry Gottlieb (American, 1895-1993); Three Works of Art: J.W.O. Picnic, 1963 (not pictured); Color woodblock print on paper (framed); Signed and dated; 13 1/2" x 18 1/2"; Untitled (Man in a Chair), 1933 (not pictured); Pen and ink on paper (framed); Signed and dated; 11 1/2" x 8"; Untitled (Seascape); Screenprint in colors (framed); Signed and numbered 56/93; 11 1/4" x 18" |
500 - 700 |
300 |
| 735 |
Wolf (European, 20th Century); Paris, 1961; Oil on canvas (framed); Signed and dated; 16" x 32" |
400 - 600 |
240 |
| 736 |
B.A.C. Caron (French, 20th Century); Nice-La Ruhl, 1955; Watercolor and gouache on paper (framed); Signed and dated; 18" x 22" |
400 - 600 |
450 |
| 737 |
Louis Lozowick (American, 1892-1973); Untitled (Banana Cart), 1965; Etching; Numbered 1/20; 7 1/2" x 14" |
400 - 600 |
720 |
| 738 |
Cardwell S. Higgins (American, 1902-1983); Untitled (Ten Portraits of Political Figures), ca. 1920; Charcoal and pencil on illustration board; Each signed; Each 22" x 15" |
300 - 500 |
180 |
| 739 |
Joseph Dawley (American, b. 1936); Three Works of Art: Untitled; Pencil drawings on paper (framed); Signed; 10" x 12", 10" x 13" and 7" x 7" |
400 - 600 |
270 |
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