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return to prices realized index > Rago Arts and Auction Center
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| Lot Number | Description | Estimate | Sale Price |
| 1 | Currier & Ives "Sunny Side - The Residence of the Late Washington Irving, Near Tarrytown, NY," hand-colored lithograph, 15" x 20", in a 19th Century frame | 300 - 500 | 705 |
| 2 | Currier & Ives " The Mill-Dam at Sleepy Hollow," hand-colored engraving, 14-1/2" x 20" | 500 - 800 | 881 |
| 3 | Currier & Ives "The Four Seasons of Life," three of the suite of four including "Childhood," "Youth" and Middle Age", 1868, hand-colored lithograph, 16" x 23", framed | 300 - 500 | 176 |
| 4 | Currier & Ives "Cares of a Family," 1856, hand-colored lithograph, 14-1/2" x 20", after a painting by A.F. Tait | 500 - 800 | 999 |
| 5 | John James Audubon (American, 1785-1851) "Savannah Finch," hand-colored engraving, 19-1/4" x 12-1/4" plate, No. 22, Plate C1X, engraved by R. Havel, London, 1831 | 1,200 - 1,800 | 2,233 |
| 6 | John James Audubon (American, 1785-1851) "Cat Bird," hand-colored engraving, 19-1/4" x 12-1/4" (plate), No. 26, Plate CXXVIII, engraved by R. Havel, London | 1,500 - 2,000 | 2,585 |
| 7 | John James Audubon (American, 1785-1851) "Bewick's Wren," hand-colored engraving, 19-1/4" x 12-1/4" (plate), No. 4, Plate XVIII, engraved by R. Havel | 800 - 1,200 | 1,645 |
| 8 | Francis Lee Jaques (American, 1887-1969) "Wood Warblers", watercolor on paper, 15" x 11-1/2" (sight), signed lower right recto | 1,000 - 2,000 | 1,763 |
| 9 | Various Artists (19th Century), Group of thirty 19th Century drawings, watercolor, ink and graphite on paper, ranging in size from 5-3/8 x 5-7/8 inches (sheet) to 14-3/4 x 9-5/8 inches, some are titled and dated, each is matted, Provenance: John E. Anderson Collection; Tyler School of Art, Temple University, Elkins Park, PA | 800 - 1,200 | 764 |
| 10 | Francis Lee Jaques (American, 1887-1969) "Thrushes and Warblers", watercolor on paper, 15" x 12" (sight), signed lower right recto | 2,000 - 3,000 | 7,050 |
| 11 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 771, 463, 549, 752, 695, 268, 157, 287, 597, I? (handwritten), 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 4,113 |
| 12 | Alfred Martinet (French, 1792-1875) "Vista do Rio de Janeiro," hand-colored engraving, 17" x 26", Publisher: Heaton e Rensburg, Rio de Janeiro | 2,500 - 3,000 | 2,703 |
| 13 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 770, 454, 550, 689, 724, 178, 363, 298, 611, 602, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 4,113 |
| 14 | Francis Lee Jaques (American, 1887-1969) Various Birds, watercolor on paper, 15" x 12" (sight), signed lower right recto | 2,000 - 3,000 | 1,880 |
| 15 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 759, 458, 553, 682, 702, 541, 168, 521, 586, 625 (handwritten and numbered IV), 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 2,938 |
| 16 | Francis Lee Jaques (American, 1887-1969) "Sparrows of the Salt Marshes", watercolor on paper, 14-1/2" x 11-1/2" (sight), signed lower right recto | 2,000 - 3,000 | 2,350 |
| 17 | American School (late 19th Century) Boy Smoking a Cigar, oil on canvas, 24" x 18" | 300 - 500 | 411 |
| 18 | American School (19th Century) Child Portrait, pastel on paper, 30" x 24", framed | 300 - 500 | 499 |
| 19 | George Essig (American, 1838-1926) Seascape, gouache on board, 17" x 24", signed lower left recto | 900 - 1,200 | 1,116 |
| 21 | Jonathan Trego (American, 1817-1901) Two portraits, ca. 1887, Samuel Atkinson (d. 1885) and Rebecca Eastburn Atkinson (1819-1894), oil on canvas, each measures 27" x 22", giltwood frames: 34" x 29", Exhibition: Mercer Museum; The Bucks County Historical Society | 1,200 - 1,800 | 1,175 |
| 23 | Charles Chapin (American 1830-1889) Along the Hudson, watercolor on paper, 22" x 30", signed lower right recto, framed | 1,200 - 1,800 | 881 |
| 25 | Adam Lehr (American, 1853-1924) Still Life, oil on canvas, 16" x 20", signed lower left recto, framed | 1,200 - 1,800 | 1,528 |
| 28 | John James Audubon (American, 1785-1851) "Pewee Flycatcher," hand-colored engraving, 19-1/4" x 12-1/4" (plate), No. 24, Plate CXX, engraved by R. Havel | 800 - 1,200 | 1,880 |
| 29 | John James Audubon (American, 1785-1851) "Barn Swallow," hand-colored engraving, 19-1/4" x 12-1/4" (plate), No. 35, Plate CLXXII, engraved by R. Havel, 1833 | 1,500 - 2,500 | 3,525 |
| 30 | John James Audubon (American, 1785-1851) "White Throated Sparrow," hand-colored engraving, 20-1/4" x 12-3/4" (plate), No. II, Plate VIII, engraved by W.H. Lizars, Edinburgh | 1,000 - 1,500 | 2,703 |
| 32 | William Hogarth (British, 1697-1764) "Analysis of Beauty", satyric engraving, 15" x 20", "Design Engraved and Pubished by Wm. Hogarth, March 3rd, 1753 according to lot of Parliament", minor foxing, framed | 100 - 200 | 118 |
| 34 | John James Audubon (American, 1785-1851), "Townsend's Rocky Mountain Hare," 1845, 26" x 20" (sheet), from The Viviparous Quadrupeds of North America, Imperial folio edition, Printer: J. T. Bowen, Philadelphia | 800 - 1,200 | 2,233 |
| 35 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 540, 462, 559, 707, 727, 543, 277, plate e (handwritten), 646, 627, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 2,703 |
| 36 | John James Audubon (American, 1785-1851), "Rocky Mountain Sheep," 1845, 26" x 20" (sheet), from The Viviparous Quadrupeds of North America, Imperial folio edition, Printer: J. T. Bowen, Philadelphia | 800 - 1,200 | 2,115 |
| 37 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 479, 198, 259, 743, 731, 271, 274, 63, 587, 580, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 4,113 |
| 38 | John James Audubon (American, 1785-1851), "Little Chief Hare," 1845, 26" x 20" (sheet), from The Viviparous Quadrupeds of North American, Imperial folio edition, Printer: J. T. Bowen, Philadelphia | 800 - 1,200 | 441 |
| 39 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 538, 457, 394, 715, 748, 180, 535, 395, 645, II (handwritten), 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 2,820 |
| 42 | Enrico Gamba (Italian, 1831-1883) Wedding Day, watercolor on paper, 19" x 14-1/2" (sight), signed lower left recto, framed | 800 - 1,200 | 3,055 |
| 44 | R. E. Dibold (European School, late 19th Century) Monk in his Study, oil on canvas, 14 x 10 inches, signed lower left recto | 300 - 500 | 411 |
| 46 | Friedrich Perlberg (German, 1848-1922) Knight and Monk before the Cathedral Door, 1882, watercolor on paper, 24" x 18", signed and dated "F. Perlberg / Munchen / 1882", lower right recto | 700 - 1,000 | 940 |
| 48 | European after Angelica Kaufmann (19th Century), Untitled, watercolor on paper, 5" x 3-1/2", framed | 300 - 500 | 176 |
| 49 | Giovanni Lanza (Italian, 1827-1889) (two works of art), Bay of Naples Landscape with Mt. Vesuvius, each 9-1/4" x 14", signed lower right recto | 800 - 1,200 | 6,463 |
| 51 | James Peel (British, 1811-1906) Country Landscape, watercolor on paper, 8" x 15", signed lower left recto, framed | 600 - 800 | 881 |
| 52 | Elizbeth Reid (American 20th Century) Rocky Coast, oil on canvas, 24" x 36", signed lower right recto | 400 - 600 | 529 |
| 53 | Coe Preval (French, late 19th-early 20th Century) "La Place Sainte-Radegonde a Poitiers," oil on panel, 13" x 16", signed lower left recto | 300 - 500 | 881 |
| 54 | Luigi Lucioni (American, 1900-1988) Still Life with Letter, oil on panel, 14" x 10", signed lower left recto | 6,000 - 9,000 | 7,050 |
| 55 | Edouard Leon Cortes (French, 1882-1969) "Le Pantheon," oil on canvas, 22" x 18 1/2", signed lower right recto, framed, Provenance: Wally Findlay Galleries, Chicago; Estate of Dorothy C. Woods | 15,000 - 25,000 | 17,625 |
| 56 | Michel Henry (French, b. 1928) "Fleurs de Septembre," oil on canvas, 40" x 29", signed lower left recto, framed, Provenance: Wally Findlay Galleries, Chicago; Estate of Dorothy Woods | 1,000 - 1,500 | 2,115 |
| 57 | Antoine Blanchard (French, 1910-1988), Parisian Street with Notre Dame Cathedral, oil on canvas, 20 x 24 inches, signed lower right recto | 3,000 - 5,000 | 4,113 |
| 59 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plates 764, 527, 517, 546, 742, 721, 441, 159, 279, 581, 599, 1887, eleven collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 3,408 |
| 60 | After Edwin H. Landseer (British, 19th Century), Shoeing of the Bay Mare, oil on canvas (lined), 36 x 28 inche | 300 - 500 | 235 |
| 61 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 780, 46, 257, 681, 739, 77, 303, 284, 573, 609, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 3,173 |
| 62 | Florence Tricher (American, 20th Century) Hydrangean and Daisies, oil on board, 12" x 16", signed lower right recto, framed | 300 - 500 | 764 |
| 63 | Georges Rouault (French 1871-1958), (two works of art), Le Cirque Series, 1933, lithograph, 12 x 8 inches, signed and dated in the plate; Verve magazine cover, lithograph, 14 x 10 inches, signed in the plate, each is framed | 200 - 400 | 206 |
| 65 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 779, 44 (handwritten), 548, 698, 750, 266, plate F, 282, 642 (handwritten), 619, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 3,055 |
| 66 | Carle Michel Boog (American, 1877-1967) Summer Garden with Sundial, watercolor on paper, 21" x 14", signed lower left recto | 600 - 900 | 353 |
| 67 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 777, 197, 258, 685, 701, 78, 165, 300, 629, 618, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 3,055 |
| 68 | Carle Michel Boog (American, 1877-1967) Harbor with Boats, watercolor on paper, 10" x 14", signed lower right recto | 600 - 900 | 411 |
| 70 | Carle Michel Boog (American, 1877-1967) Moorings in the Harbor, watercolor on paper, 14" x 20", signed lower right recto | 600 - 900 | 353 |
| 71 | George W. Drew (American, 1875-1968) Cottage Landscape, oil on canvas, 16" x 24", signed lower left recto, framed | 1,000 - 1,500 | 1,116 |
| 72 | Edgar Alwin Payne (American, 1883-1947), "Sierra Scene", oil on canvas, 20 x 16 inches, signed lower right recto, signed and titled on verso, framed | 10,000 - 15,000 | 32,313 |
| 73 | Andrew Schwartz (American 1867-1942) Landscape with Apple Trees, oil on canvas, 29" x 39", signed lower right recto, framed | 3,500 - 4,500 | 4,113 |
| 74 | Edgar Alwin Payne (American, 1883-1947), Untitled (Breton Boats), graphite on paper, 3-1/4 x 4 inches (sheet), framed: 8 x 9 inches | 800 - 1,200 | 1,116 |
| 75 | Henry Ryan MacGinnis (American, 1875-1962) "Mossy River," 1949, oil on canvas, 16" x 20", signed lower left recto, titled and dated on verso, framed, Provenance: Estate of Henry R. MacGinnis | 600 - 800 | 999 |
| 76 | Hyppolyte Francois Moreau, Untitled, white metal, 25 x 10 x 8 inches, inscribed "H MOREAU" | 600 - 800 | 881 |
| 78 | Harry Leith-Ross (American, 1886-1973), "No Gunning," watercolor on paper, 17 x 23 inches, signed "Leith-Ross" lower right recto | 3,000 - 5,000 | 3,290 |
| 79 | Carl E. Wallin (American, b. 1879) winter stream, oil on board, 16" x 20", signed lower left recto, framed | 400 - 600 | 588 |
| 80 | Max Kuehne (American 1880-1968) "View of Toledo," oil on panel, 6" x 6-3/4", signed lower left recto, framed, Provenance: Collection of Violette De Mazia (1989) | 1,500 - 2,000 | 2,938 |
| 81 | Max Kuehne (American, 1880-1968), Cadiz, oil on canvas, 14 x 17 inches, signed lower left recto, titled on verso, framed | 2,000 - 3,000 | 2,350 |
| 82 | Oscar F. Bluemner (American, 1867-1938), "Riegelsville (PA)", October 3, 1914, black crayon on paper, 5" x 7", signed with monogram "OFB" lower right recto, inscribed with color notations, framed, Provenance: the artist (until 1938); Robert Bluemner, New Hampshire (son of the artist); Private Collection (1968-present) | 600 - 900 | 1,116 |
| 83 | Junius Allen, N.A. (American, 1898-1962) The Upland Road, 1954, oil on canvas, 12" x 16", signed lower right recto, framed, Exhibition: Salmagundi Club, New York, 1954 | 600 - 800 | 3,819 |
| 84 | Frank F. English (American, 1854-1922) Wagon with Three-Horse Team, watercolor on paper, 18" x 28", signed "F.F. English" lower right recto, giltwood frame, Provenance: Private Collection, WA | 4,000 - 6,000 | 4,113 |
| 85 | John Folinsbee (American, 1893-1972) "Portrait of Marguerite," 1957, oil on canvas, 24" x 20", signed lower right recto, framed, Provenance: studio of John Folinsbee, New Hope, PA | 1,500 - 2,000 | 1,410 |
| 86 | Harry Leith-Ross (American, 1886-1973), "A Spring Morning," oil on Masonite, 15-1/2 x 34 inches, signed lower right recto, Provenance: Grand Central Art Gallery, New York (label on verso) | 35,000 - 55,000 | 38,188 |
| 87 | Anne A. Waldron (American, 20th Century) "September in the Mountains," watercolor on paper, 14" x 17", signed lower left recto, framed, Exhibition: The Pennsylvania Academy of Fine Arts, Watercolor Exhibition, 1925; Baltimore Watercolor Club, 1926 | 400 - 600 | 441 |
| 88 | Anne A. Waldron (American, 20th Century) Summer Landscape, oil on board, 12" x 15", signed lower left recto, framed | 400 - 600 | 764 |
| 90 | Arthur J. Albert (American, 1919-1987) Still Life with Books and Sheet Music, oil on panel, 16" x 12-1/4", signed "Albert" lower left recto | 400 - 600 | 558 |
| 91 | Abbott F. Graves (American, 1859-1936) Still Life with Sunflowers, watercolor on paper, 15-1/2" x 11-1/2", signed lower left recto | 3,000 - 5,000 | 2,938 |
| 92 | George Laurence Nelson (American, 1887-1978), Untitled, oil on canvas, 24 x 36 inches, signed "G. L. Nelson" lower right recto | 2,500 - 3,000 | 2,585 |
| 93 | Emilie Forester (American, 20th Century), Untitled, ca. 1923, oil on canvas, 14 x 14 inches, signed upper right recto, framed, Exhibition: "Annual Exhibition of the Society of Washington Artists", The Corcoran Gallery of Art, 1923 (label on verso) | 2,500 - 3,500 | 2,115 |
| 94 | Daniel Garber (American, 1880-1958), Ephemera related to the New Hope School artist: several brushes used by Garber; silver gelatin print of the artist (11 x 14 inches) signed by photographer Shewell Ellis and inscribed by Daniel Garber; MacBeth Gallery, N. Y. exhibition catalog, 1939, P.A.F.A. exhibition, 1945 and other catalogs; illustrated articles on the artist including The Literary Digest, 1932, Ladies Home Journal, 1926; letters to cousin Charles from the artist, handwriting Garber family tree, and more | 200 - 400 | 1,880 |
| 95 | Ben Badura (American, 1896-1986) Gold Leaf Frame 1-1/4" (width), with incised leaf-motif corner, 12" x 16", incised signature on verso "Frame by Badura, New Hope, J79", Badura label | 600 - 900 | 382 |
| 96 | Ben Badura (American, 1896-1986) Gold Leaf Frame, 1-1/2" (width), with incised leaf-motif corner, 11" x 14", incised signature on verso "Frame by Badura, New Hope, J79", Badura label | 600 - 900 | 940 |
| 97 | J. C. Magee (American, 1846-1924) Clam Boat on Delaware Bay, oil on board, 8" x 10", signed lower right recto, framed | 700 - 1,000 | 823 |
| 98 | George Sotter (American, 1878-1953) Mill-Spring Valley, oil on Masonite, 22 x 26 inches, signed lower right recto, titled on verso | 100,000 - 150,000 | 254,650 |
| 99 | Margaret Spencer (American, 1882-1966), The Biddle Sisters, oil on canvas mounted to board, 47 x 35 inches, signed lower left recto, Provenance: Collection of the artist, the daughter of Robert Spencer (New Hope Impressionist) | 1,000 - 1,500 | 940 |
| 101 | Hugh Breckenridge (American, 1870-1937) "Portrait of Mr. Herbert Welch", oil on canvas, 30" x 40", signed lower right recto, framed | 3,000 - 4,000 | 3,290 |
| 102 | Joseph Meierhans (American, 1890-1980) Abstract Landscape, oil on artist board, 16" x 20", signed lower right recto, framed | 2,000 - 3,000 | 1,880 |
| 103 | John C. Atherton (American, 1900-1952) Abstract Composition with Trees, 1952, oil on canvas, 27" x 38", signed and dated lower right recto, framed | 6,000 - 8,000 | 5,875 |
| 104 | Joseph Meierhans (American, 1890-1980) Abstract, oil on Masonite, 20" x 32", signed lower right recto, mounted in gilded frame made by the artist | 1,500 - 2,500 | 1,645 |
| 105 | Lewis Stone (American, 1902-1984), New Hope Modernist School, Untitled, oil on paper, 24 x 19 inches | 600 - 900 | 558 |
| 105A | Lewis Stone (American, 1902-1984), Untitled, watercolor on paper, 4" x 5", signed lower right recto, framed | 1,000 - 1,500 | 1,763 |
| 106 | Richard Christ (American, 1909-1985) Abstract, 1949, oil on Masonite, 12" x 30", signed lower center recto, framed, Exhibition: Bianco Gallery, Buckingham, PA | 800 - 1,200 | 2,350 |
| 107 | Richard Christ (American, 1909-1985) "Cobalt Center," oil on canvas, 24" x 50", signed lower right recto, framed, Exhibition: Bianco Gallery, Buckingham, PA | 2,000 - 3,000 | 2,233 |
| 108 | Walter Emerson Baum (American, 1884-1956), "Autumn", oil on canvas, 25 x 30 inches, signed "W. E. Baum" lower right recto, titled on verso, framed | 5,000 - 7,000 | 19,975 |
| 108A | Walter Emerson Baum (American, 1884-1956), Billy Schlichter's Barn, Temple Avenue and Main Street, Sellersville, PA (Sellersville Sledding), 1919, oil on canvas, 16 x 20 inches, signed "W. E. Baum" lower right recto, giltwood frame: 20-1/2 x 24-1/2 inches, Provenance: gift to Joseph Edward Hufnagle upon being elected Mayor of Sellersville in 1966 | 5,000 - 7,000 | 7,050 |
| 109 | Harry Leith-Ross (American, 1886-1973), Pear Blossoms (Bucks County), watercolor on paper, 16 x 26 inches, signed "Leith-Ross" lower left recto | 4,000 - 6,000 | 9,400 |
| 110 | Ben Badura (American, 1896-1986) Gold Leaf Frame, 3" scoop molding, 16" x 20", incised signature on verso "Frame by Badura, New Hope, J63" | 1,000 - 1,500 | 2,468 |
| 110A | Ben Badura (American, 1896-1986) Gold Leaf frame, 3" crown modeling and incised leaf-motif sprandrel, 36-1/2" x 31-1/2" (exterior), 27-1/2" x 22-1/2" (oval interior), incised signature on verso "B. Badura, New Hope,'65," incised initials "BB" | 2,500 - 3,500 | 4,994 |
| 111 | Antonio Martino (American, 1902-1993) "Winter Landscape - The Left Turn," 1929, oil on canvas, 36" x 40", signed lower left recto, framed | 15,000 - 25,000 | 22,325 |
| 112 | Walter Emerson Baum (American, 1884-1956), "Quakertown," oil on Masonite, 24 x 30 inches, signed "W. E. Baum" lower right recto, titled on verso, framed | 10,000 - 15,000 | 15,275 |
| 114 | Joseph E. Bolden (American, b. 1902), "Eine Kleine Nachtmusik," oil on board, 15 x 21-1/2 inches, signed "J. E. Bolden" lower right recto, titled left recto, also titled on verso "social study #432," Provenance: Estate of the artist | 500 - 800 | 529 |
| 115 | Floyd Berg (American, 20th Century) Winter Landscape, oil on board, 24" x 36", signed lower right recto, framed | 600 - 800 | 999 |
| 117 | Joseph E. Bolden (American, b. 1902), Untitled, 1944, gouache on board, 9 x 15 inches (sight), Provenance: Estate of the artist | 400 - 600 | 588 |
| 118 | Pavel Tchelitchew (Russian, 1898-1957), portrait of Monroe Wheeler, ca. 1937, ink wash on paper, 10 x 13 inches (sight) | 1,000 - 1,500 | 1,410 |
| 119 | Anthony Thomas Triano (American, b. 1928), Untitled, 1953, ink wash on paper, 6 x 3-1/2 inches, signed lower right recto, framed | 150 - 250 | 176 |
| 120 | Peggy Bacon (American, 1895-1987), Three on a Couch, pen and ink on paper, 7 x 8 inches, framed, Exhibtion: Kraushaar Gallery, New York, (label on verso) | 400 - 600 | 1,116 |
| 121 | Kyra Markham (American, 1891-1967), Building the Twelveth Night, 1934, lithograph, 14 x 12 inches, signed and dated lower right recto, numbered "3/4" | 300 - 500 | 646 |
| 122 | Myron Yates (American, 20th Century) A Surrealist's Mirror, 1940, oil on Masonite, 26" x 15", signed lower right recto, framed, Exhibition:The Butler Art Institute, Youngstown OH, 1941 New Year Show, (label on verso) | 500 - 700 | 470 |
| 123 | Joseph E. Bolden (American, b. 1902), folio of original illustrations, watercolors and drawings: pencil drawing of the Sesquicentennial Exhibition hall in construction and various Philadelphia scenes; illustrations for Jack & Jill Magazine, Strawbridge & Clothier, book jackets, Provenance: Estate of the artist | 200 - 400 | 235 |
| 124 | David Delong (American, mid-20th Century ), portfolio of thrity-six drawings, ca. 1956, charcoal, ink, and pencil on paper, most are signed and dated, accompanied by a solo exhibition poster for the artist, SAG, Inc. New York, 1962 | 250 - 450 | 147 |
| 125 | Joseph E. Bolden (American b. 1902) (two works of art), two original illustrations with print copy: from "The Philadelphia Record, Junior Weekly" May 27, 1928 "Comrades", pen and ink on paper, with artist's note "46 years ago - still in art school"; and "The Purple Tide," illustrated book jacket for Guide Books, colored pencil on board, Provenance: Estate of the artist | 300 - 500 | 294 |
| 127 | F. Cisar, Academic Sketchbook, 1906 with seven complete renderings in pencil and white chalk, signed "F. Cisar", 7 x 10 inches (page size) | 150 - 250 | 382 |
| 128 | Various Philadelphia artists: Folio of prints, original illustrations and drawings: three signed "(M.) Bomberg"; woodcut signed "Don Streeter" and dedicated to Joseph Bolden; four academic drawings signed "R. J. Hawley", two dated 1930 and 1931, each on Strathmore half sheets, 24 x 19 inches | 200 - 400 | 235 |
| 129 | Robert Krant (American, 1918-1996), Breaking Waves, cast bronze on alabaster base, 17 inches high, Provenance: Estate of the artist | 2,000 - 3,000 | 2,350 |
| 130 | Robert Krant (American, 1918-1996), Michelle's Rose, cast bronze, 17 inches high, Provenance: Estate of the artist | 2,000 - 3,000 | 2,115 |
| 131 | Robert Krant (American, 1918-1996), Jumpsuit, cast bronze on stepped wood base, 16-1/2 inches high, Provenance: Estate of the artist | 1,500 - 2,000 | 1,410 |
| 133 | Charles William Barlett (English, 1860-1940), "Taj- Mahal Twilight," woodcut in colors, 15-1/2" x 19-1/2", artist monogram in the plate | 300 - 500 | 646 |
| 134 | Hans Frank (Austrian, 1884-1948) Sailboats, 1932, woodcut in colors, 16" x 11-1/2", signed and dated lower right recto, framed | 200 - 400 | 353 |
| 137 | Doris Ulmann (American, 1882-1934), (three works of art), Wilma Creech, Pine Mountain, ca. 1920, platinum print, signed "Doris Ulmann" lower right margin; Barrel Maker, ca. 1920, platinum print; W.B. Stepen, Potter, Asheville NC, ca. 1930, platinum print, signed "Doris Ulmann" lower right margin, each measures 8 x 6 inches (sight), each is framed: 17-3/4 x 14-3/4 inches, Provenance: NYNEX Corporation (label on verso) | 1,800 - 2,400 | 2,468 |
| 138 | Julien Mandel (sixteen works of art), Untitled, silver gelatin emulsion prints, each measures 5-3/8 x 3-3/8 inches, some are stamped in the print "J. MANDEL", some have a four digit number printed in lower recto, each is matted: 12-1/2 x 9-1/2 inches | 800 - 1,200 | 881 |
| 139 | Frantisek Drtikol (Czechoslovakian, 1883-1961), Composition, 1925, platinum/palladium print on Arches Platine, 12-3/4 x 14-3/4 inches (sheet), written in pencil on the verso "Working Proof / Drtikol 4/96 Hunter", matted: 16 x 20 inches, working proof from an edition of 25 with 3 artist's proofs, Printer: Frank Hunter (1996), Publisher: James J. Kery, New York/Atlanta | 600 - 900 | 588 |
| 141 | Margaret Bourke-White (American, 1904-1971), Untitled (Silk Worms), ca. 1934, silver gelatin emulsion print, 13-1/4 x 10 inches (sheet), stamped on verso "PHOTO BY / MARGARET BOURKE-WHITE", handwritten in pencil on the verso "JG-S / 007 and 101", matted: 20 x 16 inches | 1,200 - 1,800 | 1,293 |
| 142 | Pettus Kaufman (20th Century) (two works of art), Untitled, silver gelatin emulsion print mounted to board, 9-3/4 x 13-1/4 inches (sheet), signed on the board "Pettus Kaufman"; Untitled, silver gelatin emulsion print mounted to board, 8-5/8 x 4-5/8 inches (sheet), signed on the board "Pettus Kaufman" | 800 - 1,200 | 705 |
| 144 | Gisele Freund (German, 1908-2001), Carmel, 1983, silver gelatin emulsion print, 7-7/8 x 10-5/8 inches (sheet), titled and dated on verso "Carmel / 1983", Gisele Freund stamp on verso, matted: 16 x 20 inches | 600 - 800 | 411 |
| 145 | Tina Modotti (Italian/American, 1896-1942), Untitled, silver gelatin emulsion print, 9 x 7 inches (sheet), written on verso "In Salubridad-Mexico City / Diego Rivera", framed: 21 x 23 inches | 2,000 - 3,000 | 2,703 |
| 146 | Weegee (Arthur Fellig) (American 1899-1968), Weegee's 1950's circus subjects inspired in him the same persistence and brilliance that he had applied to his tabloid news photography in the 1940s and before. The following three lots are from the collection of Suzanne and Hugh Johnston, documentary filmmakers, who met Weegee in 1956 and worked as colleagues in shooting experimental motion picture footage with Weegee's special lenses. Each image is accompanied by a copy of the memoir written by Suzanne Johnston, "As I Remember Weegee," the cover story for The Photo Review, Winter 1999. "Circus Horses," silver gelatin emulsion print, 6 x 7-1/2 inches, collection stamp and number, Provenance: the artist; Collection of Suzanne and Hugh Johnston | 1,200 - 1,500 | 1,175 |
| 147 | Weegee (Arthur Fellig) (American, 1899-1968), Circus Aerialist, silver gelatin print, 6 x 7-1/2 inches, collection stamp and number, Provenance: the artist; Collection of Suzanne and Hugh Johnston | 1,200 - 1,500 | 1,175 |
| 149 | Henri Oren (American, 1895-1953) Woodstock Landscape, oil on canvas, 15" x 18", Provenance: family of the artist, Exhibition: Fletcher Gallery, "Henri Oren - A Retrospective Exhibition", Woodtock, NY | 900 - 1,200 | 764 |
| 150 | Henri Oren (American, 1895-1953), Woodstock Landscape, oil on board, 10" x 12", Provenance: family of the artist, Exhibition: Fletcher Gallery, "Henri Oren - A Retrospective Exhibition", Woodstock, NY | 300 - 500 | 353 |
| 151 | Henri Oren (American, 1895-1953), Woodstock Landscape, oil on board, 12" x 16", Provenance: family of the artist, Exhibition: Fletcher Gallery, "Henri Oren - A Retrospective Exhibition", Woodstock, NY | 400 - 600 | 499 |
| 152 | Henri Oren (American, 1895-1953) "Low Tide", oil on board, 16" x 20", Provenance: family of the artist, Exhibition: Fletcher Gallery, "Henri Oren - A Retrospective Exhibition", Woodstock, NY | 600 - 900 | 764 |
| 153 | Gwen Sweet (American, 20th Century) Long Beach Island, NJ, 1977, oil on canvas mounted on board, 10 x 15-1/2 inches, signed lower right recto, signed and dated on verso | 300 - 500 | 176 |
| 154 | Andrew Winters (American, 20th Century), Untitled, oil on artist board, 9 x 12 inches, signed lower right recto, framed | 200 - 400 | 118 |
| 155 | Louis Agassiz Fuertes (American, 1874-1927) "Parula Warbler, Sennett's Warbler," watercolor on paper, 12" x 9" (sight), monogram lower right recto, Provenance: The Old Print Shop, New York, NY (sold for the National Audubon Society) | 1,200 - 1,500 | 1,645 |
| 156 | Louis Agassiz Fuertes (American, 1874-1927) "Black-Throated Blue Warbler, Cerulean Warbler," watercolor on paper, 13" x 9" (sight), monogram lower left recto, Provenance: The Old Print Shop, New York, NY (sold for the National Audubon Society) | 1,200 - 1,500 | 4,700 |
| 157 | Louis Agassiz Fuertes (American, 1874-1927) "Blackburnian Warbler, Prothonotary Warbler," watercolor on paper, 13" x 10" (sight), monogram lower right recto, Provenance: The Old Print Shop, New York, NY (sold for the National Audubon Society) | 1,200 - 1,500 | 3,525 |
| 158 | Robert Bruce Crane (American, 1857-1937), "November Morning," oil on canvas, 14 x 20 inches, signed lower right recto | 5,000 - 8,000 | 11,750 |
| 160 | Jerry Farnsworth (American, 1895-1983), "Artist at Rest," oil on canvas, 30 x 24 inches, signed lower center recto, titled verso on stretcher, Provenance: Grand Central Art Gallery, New York (label on verso) | 5,000 - 8,000 | 4,700 |
| 161 | Caesare A. Ricciardi (American, 1892-1973), Untitled (Bucks County Landscape), 1954, oil on canvas, 26 x 34 inches, signed lower left recto | 1,200 - 1,500 | 5,581 |
| 163 | John Northcote Nash (British, 1893-1977), "House of Reginald and Charity James, Bristol, England", ca. 1945/46, graphite and ink wash on paper, 13 x 16-3/4 inches (sight), signed "John Nash" lower right recto, framed: 19-1/2 x 23 inches, pinholes in the corners | 800 - 1,200 | 558 |
| 164 | Laszlo Neogrady (Hungarian, 1900-1962), Untitled, oil on canvas, 23-1/2 x 32 inches, signed "Neogrady" lower left recto | 1,500 - 2,500 | 4,406 |
| 166 | Prideaux John Selby (British, 1788-1867) "Red Breasted Merganser, Female", hand-colored etching, 11" x 16", signed in the plate, Plate LVIII | 800 - 1,200 | 470 |
| 168 | Louis Agassiz Fuertes (American, 1874-1927) "Kentucky Warbler, Connecticut Warbler," watercolor on paper, 13" x 9-1/2" (sight), monogram lower right recto, Provenance: The Old Print Shop, New York, NY (sold for the National Audubon Society) | 1,200 - 1,500 | 2,820 |
| 169 | Louis Agassiz Fuertes (American, 1874-1927) "Bay-breasted Warbler, Chestnut-sided Warbler," watercolor on paper, 13" x 10-1/2" (sight), monogram lower right recto, Provenance: The Old Print Shop, New York, NY (sold for the National Audubon Society) | 1,200 - 1,500 | 5,288 |
| 170 | Louis Agassiz Fuertes (American, 1874-1927) "Olive Warbler, Lucy's Warbler, Virginia's Warbler," watercolor on paper, 12-1/2" x 8-1/2" (sight), signed lower right recto | 1,200 - 1,500 | 5,581 |
| 171 | Tadashi Nakayama (Japanese, b. 1927), Untitled, 1964, woodcut in colors, 9 x 24 inches, signed and dated lower left recto, numbered "51/80" | 200 - 400 | 646 |
| 172 | Tadashi Nakayama (Japanese, b. 1927), Untitled, 1964, woodcut in colors, 14 x 5 inches, signed and dated lower left recto, numbered "23/80" | 200 - 400 | 411 |
| 173 | Tadashi Nakayama (Japanese, b. 1927), Untitled, 1963, woodcut in colors, 17 x 10 inches, signed and dated lower left recto, numbered "55/80" | 200 - 400 | 411 |
| 174 | Tadashi Nakayama (Japanese, b. 1927), Untitled, 1963, woodcut in colors, 17 x 10 inches, signed and dated 1963 lower left recto, numbered "46/80" | 200 - 400 | 441 |
| 175 | James Carlin (American, 1906-2005) Abstract with Figures, gouache on paper, 31" x 21", signed lower left recto, framed | 1,000 - 1,500 | 705 |
| 176 | Nicola Simbari (Italian, b.1927) Man on a Bicycle, lithograph in colors, 20" x 27", signed lower right recto, numbered "56/120", framed, Provenance: Estate of Dorothy C. Woods | 400 - 600 | 353 |
| 177 | Julius Bloch (American 1888-1966) "Alone," ca. 1930, oil on linen, 16" x 12", signed "J. Bloch", lower left recto, framed | 900 - 1,200 | 2,115 |
| 178 | Seymour Remenick (American, 1923-1999) Woman Preparing Food, 1962, oil on board, 9-1/2" x 7-1/8", signed lower right recto, framed, Provenance: Days Gallery, New York | 400 - 600 | 881 |
| 179 | Orland Campbell (American, 1890-1972) "Dawn and Morning Star - Trinidad," oil on Masonite, 24" x 32", signed on verso, framed | 700 - 1,000 | 705 |
| 180 | Ann Danish (nee Yealm) (American, 1891-1983) (two works of art) Untitled, oil on board, 16" x 24" and 18" x 24", each signed lower left recto, framed, Provenance: daughter of the artist | 300 - 500 | 353 |
| 180A | Ann Danish (nee Yealm) (American, 1891-1983) (two works of art) Untitled, oil on canvas, 18" x 24" and oil on board, 9" x 12", each signed lower left recto, framed, Provenance: daughter of the artist | 300 - 500 | 176 |
| 181 | Lon Megargee (American, 1883-1958), Wild Horses, woodcut, 9 x 10 inches, signed and titled lower right recto | 200 - 400 | 441 |
| 182 | Julius Delbos (American, 20th Century) Fishing Shacks along the River, watercolor on paper, 12" x 16", signed lower right recto, framed | 200 - 400 | 294 |
| 183 | William Gropper (American, 1897-1977), Untitled, chalk and gouache on paper, 10 x 13 inches, signed lower right recto, framed | 1,000 - 2,000 | 705 |
| 185 | David Burliuk (Russian/American, 1882-1967), Walk Along Country Road, watercolor on paper, 10 x 14 inches, signed lower left recto, framed | 1,200 - 1,800 | 2,585 |
| 186 | Gustav Nilson (Austrian/American, 1897-1988) Stone Barn in Winter Landscape, watercolor on paper, 7" x 10-1/2", signed lower left recto | 400 - 600 | 294 |
| 187 | Leon Dolice (American, 1892-1962) Manhattan at Night, pastel on paper, 12" x 18", signed lower left recto, framed | 600 - 800 | 823 |
| 189 | Edward Hopper (American, 1882-1967), Dancing Female Nude, pencil on paper, 4-3/4 x 3-3/4 inches, Provenance: the artist (until 1967); Jo Hopper (until 1968); Private Collection | 1,200 - 1,500 | 3,525 |
| 189A | Ludwig Bemelmans (Austrian/American, 1898-1962) "Danube," pencil and watercolor on paper, 10" x 7-1/2", signed lower right recto, framed | 1,000 - 1,500 | 1,763 |
| 189B | Ludwig Bemelmans (Austrian/American, 1898-1962) Untitled, pencil and watercolor on paper, 4-1/2" x 7-1/2", signed lower right recto, framed | 1,000 - 1,500 | 1,058 |
| 190 | Edward Hopper (American, 1882-1967), Reclining Man, 1901, pencil on paper, 8 x 7 inches, signed and dated lower right recto "E Hopper 1901", inscribed "J. Noel Paton, R.S.A.", Provenance: the artist (until 1967), Jo Hopper (until 1968); Private Collection | 2,300 - 2,800 | 4,113 |
| 191 | Edward Hopper (American, 1882-1967), Studies of Hands and Ears, charcoal on paper, 10-1/2 x 8 inches, Provenance: the artist (until 1967); Jo Hopper (until 1968); Private Collection | 2,200 - 2,600 | 2,468 |
| 192 | Oscar Florianus Bluemner (American, 1867-1938), View at Silver Lake (NJ), 1924, black crayon on paper, 5 x 6-7/8 inches, signed with monogram "OFB" lower right recto, dated "May 11, 1924", inscribed with color notations, Provenance: the artist (until 1938); Robert Bluemner (son of the artist); Private Collection (1968-2004) | 500 - 800 | 940 |
| 193 | Oscar Florianus Bluemner (American, 1867-1938), Bellmont Avenue, Silver Lake (NJ), 1925, black crayon on paper, 4-1/4 x 5-1/2 inches, dated "March 25, 1925", inscribed with notes on front and on verso, Provenance: the artist (until 1938); Robert Bleumner (son of the artist); Private Collection (1968-2004) | 500 - 800 | 705 |
| 194 | William S. Schwartz (American, 1896-1977), Lithograph No. 44, 15 x 9 inches, signed lower left recto, signed in the stone lower right recto, Provenance: Estate of the artist | 200 - 400 | 206 |
| 195 | Hendrik Glintenkamp (American, 1887-1946) (three works of art): Crucifix in apse, 1922, woodcut, 13-1/2 x 8-3/4 inches, signed in pencil, signed and dated in the block, inscribed; Mother and Child, 1921, woodcut 7-1/2 x 5-1/2 inches, signed and dated; Morgen, woodcut, 11 x 9 inches, signed in pencil, inscribed with a Christmas greeting, Provenance: Collection of Dr. and Mrs. John Weichsel, White Plains, NY | 400 - 600 | 235 |
| 198 | Charles C. Gruppe (American, b. 1928), Untitled, oil on canvas, 22 x 34 inches, signed lower left recto, framed | 500 - 700 | 529 |
| 199 | Walter Shirlaw (American) Five sketches, watercolor and one pencil drawing on paper, all signed, largest measures 11" x 15" | 400 - 600 | 823 |
| 200 | Delbert Gish (American, b. 1936) Still Life, oil on canvas, 35" x 35", signed lower right recto, framed | 700 - 900 | 588 |
| 202 | Junichi Dobashi (French/Japanese, 1909-1978), La Petit Village, 1955, oil on canvas, 36 x 28 inches, signed "Jun Dobashi" lower right recto, titled on verso "'55 @ Paris" | 800 - 1,200 | 1,058 |
| 203 | Junichi Dobashi (French/Japanese, 1909-1978), Untitled, oil on canvas, 20 x 23 inches, signed "Jun Dobashi" lower right recto, titled on verso "'59 @ Paris" | 800 - 1,200 | 823 |
| 203A | Junichi Dobashi (French/Japanese, 1909-1978), Chateau Dans La Fare, oil on canvas, 23 x 28 inches, signed "Jun Dobashi" lower left recto, titled on verso | 800 - 1,200 | 1,175 |
| 204 | Nuse (20th Century) Untitled, gouache on board, 21 X 29 inches, signed lower right recto | 300 - 500 | 206 |
| 205 | David Londono Manzur (Columbian, b. 1929), Untitled, 1961, oil on canvas, signed, 30" x 34", Provenance: the artist | 1,200 - 1,800 | 1,293 |
| 206 | Pablo Picasso (Spanish, 1881-1973), Joueur de Flute et Cavaliers, 1956, ceramic, 14-1/2 inch diameter, incised on the verso "MADOURA / PLEIN / FEU / EMPREINTE / ORIGINALE DE / PICASSO / R=A101" | 3,000 - 5,000 | 3,819 |
| 207 | Robert Richenburg (American, b. 1917), Untitled, 1960, acrylic on canvas, 90 x 79-3/4 inches, signed and dated "Richenburg 60" lower right recto, signed and dated "Robert Richenburg 1960" on verso, Provenance: the artist (label to Robert B. Mayer on verso); Collection of Mr. and Mrs. Robert B. Mayer, Chicago; Beasley School of Law, Temple University, Philadelphia | 800 - 1,200 | 15,275 |
| 208 | Pavlos Dionysopoulos (Greek, b. 1930), Goodyear, 1966, corrugated paper construction, 57 x 39 x 3 inches (irregular), very faintly titled, signed and dated "GOODYEAR / PAVLOS 1966" on verso, Provenance: Gallery Dayton's 12, Minneapolis (label on verso); Collection of Mr. and Mrs. Robert B. Mayer, Chicago (label on verso); Beasley School of Law, Temple University, Philadelphia | 6,000 - 8,000 | 4,700 |
| 209 | Robert Mallary (American, 1917-1997), Collage - 1960, July 1960, mixed media (sand, wood and paper), 56-3/4 x 47 x 5 inches (irregular), titled, signed and dated "COLLAGE - 1960 / ROBT. MALLARY / NEW YORK / JULY-1960" on verso, Provenance: Alan Stone Gallery, New York (written on verso); Collection of Mr. and Mrs. Robert B. Mayer, Chicago (label on verso) (aquired in 1963); Beasley School of Law, Temple University, Philadelphia, Exhibition: "New York Galleries Exhibition", Yale University Art Gallery, December 7, 1961-February 4, 1962 (42.MALLARY. Allan Stone Gallery) | 800 - 1,200 | 558 |
| 210 | Salvador Dali (Spanish, 1904-1989), five illustrations for La Divina Commedia (The Divine Comedy) by Dante Alighieri (missing two), 1954, 30 pages, copyright La Libreria dello Stato, Roma 1954, title page reads "DANTE ALIGHIERI / LA / DIVINA COMMEDIA / ILLUSTRAZIONI / DI / SALVADOR DALI / INTRODUZIONE E SOMMARI / DI / LUIGI PIETROBONO / LA LIBRERIA DELLO STATO - ROMA" | 600 - 800 | 382 |
| 211 | Salvador Dali (Spanish, 1904-1989) "The Cycles of Life" folio of three etchings in colors on Arches paper; "Vigor of Youth," 8" x 10"; "Ones Identity," 8 1/2" x 10 1/2" and "Reflections," 9 1/4" x 11 1/2"; each signed in pencil lower right recto, numbered "XIII/CCC" | 500 - 750 | 1,058 |
| 212 | Salvador Dali (Spanish, 1904-1989) "Naissance" from the suite "Papillons Anciennes," lithograph in colors on Arches paper 1977, 23" x 16", signed in pencil lower right recto, numbered "I-LXIX/CL" | 400 - 600 | 499 |
| 213 | Salvador Dali (Spanish, 1904-1989) "Renaissance," from the suite "Papillons Anciennes," lithograph in colors on Arches paper, 1977, 23" x 16", signed in pencil lower right recto, numbered "I-LXIX/CL" | 400 - 600 | 470 |
| 214 | Salvador Dali (Spanish, 1904-1989) "Courtier," from the suite "Papillons Anciennes," lithograph in colors on Arches paper, 1977, 23" x 16", signed in pencil lower right recto, numbered "I-LXIX/CL" | 400 - 600 | 529 |
| 215 | Salvador Dali (Spanish, 1904-1989) "Courtesan," from the suite "Papillons Anciennes," lithograph in colors on Arches paper, 1977, 23" x 16", signed in pencil lower right recto, numbered "I-LXIX/CL" | 400 - 600 | 499 |
| 216 | Franco Assetto (Italian, b. 1911) "Propositions Composee IV", 1961, mixed media on linen, 38" x 36", signed, titled and dated on verso, framed | 300 - 500 | 382 |
| 218 | John G. Walker (British, b. 1939), Drawing - January 1970, acrylic and crayon on paper, 30 x 40 inches (sheet), signed and dated lower right recto "John G. Walker 70", framed: 32 x 41-1/2 inches, Provenance: Nigel Greenwood Inc. Ltd., London (label on verso) | 400 - 600 | 2,350 |
| 219 | Beverly Pepper (American, b.1936) Sculptural Form, 1987, lithograph in colors, 24" x 16", signed and dated, numbered "83/175" | 400 - 600 | 411 |
| 220 | Diane Burko (American, b.1945), Giverny, 1989, oil on canvas, 65 x 92 inches, signed and dated "Diane Burko / Aut-October 1989" upper left verso, framed: 66 x 93-3/4 inches, Provenance: Marian Locks Gallery, Philadelphia (label on verso) | 3,000 - 5,000 | 19,975 |
| 222 | Edward Giobbi (American, b.1926), Voyage No. 5, 1963, oil on canvas, 41 inches (diameter), signed and dated "Giobbi 63" center right recto, titled "Voyage #5" on verso, framed: 42 inches (diameter), Provenance: The Contemporaries, New York (label on verso) | 200 - 400 | 1,175 |
| 223 | Harold Stevenson (American, b. 1929), The Eye of Jean Francois H, 1963, oil on canvas, 45-1/2 x 31-1/2 inches, signed and titled "Stevenson The Eye of Jean Francois H", Provenance: Feigen + Herbert Gallery, New York (label on verso #10305-D); Richard Feigen Gallery, Chicago (label on verso #2204-B), Collection of Mr. and Mrs. Robert B. Mayer, Chicago (label on verso) (aquired 1963); Beasley School of Law, Temple University, Philadelphia, Exhibition: Feigen Palmer Gallery, Los Angeles, Harold Stevenson Exhibit, January-February 1964 (label on verso #13) | 600 - 800 | 1,763 |
| 224 | John Held, Jr. (American, 1889-1958), Untitled, pen and ink on paper, 9 x 7-3/4 inches (sheet), signed "Held" lower right recto, matted: 19-1/4 x 14-1/4 inches | 600 - 800 | 529 |
| 225 | Amalio Garcia del Moral, Torero Gitano, oil on canvas, 91 x 51 inches, signed with artist signature device "G / M / Amalio" left center recto, titled and signed on verso "TORERO GITANO / POR AMALIO GARCIA DEL MORAL. / TERRAL, 3-B, SECTOR SUR. / SEVILLA. / ESPANA.", framed: 98-1/2 x 57-1/2 inches, Provenance: the artist, Spain; Collection of Mr. and Mrs. Robert B. Mayer, Chicago (label on verso #PS 656, aquired in 1970); Beasley School of Law, Temple University, Philadelphia | 800 - 1,200 | 558 |
| 226 | Douglas Ferrin (American, b. 1959) "Nude with Quilt', 1986, oil on linen, 54" x 46", framed Exhibition: Marian Locks Gallery, "Douglas Ferrin, Recent Paintings and Drawings", September 6-30, 1988, Philadelphia | 800 - 1,200 | 1,763 |
| 227 | Forrest Williams (20th Century), Untitled (triptych), 1994, three monotypes, 10 x 14-1/4 inches (sight), each signed and dated "Forrest Williams 3-94" lower right recto, framed: 16-3/4 x 20-3/4 inches | 600 - 800 | 441 |
| 228 | Douglas Ferrin (American, b. 1959) "Standing Nude", 1986, oil on linen, 49" x 42", framed, Exhibition: Marian Locks Gallery, "Douglas Ferrin, Recent Paintings and Drawings", September 6-30, 1988, Philadelphia | 800 - 1,200 | 1,293 |
| 229 | Sidney Goodman (American, b. 1936), Two Heads with Red (Double Self Portrait), 1989-1991, oil on canvas, 87 x 78-1/2 inches, signed and dated "GOODMAN 89-91" lower left recto, signed, dated and titled on stretcher, Provenance: Terry Dintenfass Gallery, New York (label on verso) | 8,000 - 12,000 | 11,163 |
| 230 | Ferjo (Fernando Oliveiro) (Brazilian, b. 1946) "Overhead Landscape", 1980, oil on canvas, 49" x 61", signed and dated lower right recto, framed, Exhibition: Marian Locks Gallery, "Fernando Oliveira Recent Paintings", November 29- December 29, 1980, Philadelphia | 1,000 - 2,000 | 2,350 |
| 231 | Lowell Nesbitt (American, 1933-1993), (two works of art), Fruit and Vegetables on Navajo Rug, 1988, oil on linen, 36 x 56 inches, titled, dated and signed on verso "FRUIT AND VEGETABLES ON NAVAJO RUG - '76 / 36" X 58" / L. NESBITT / copyright NEW YORK, 1988", framed: 37-1/2 x 59 inches; Pinapple [sic] and Fruit, 1978, oil on linen, 24 x 38 inches, titled, dated and signed on verso "PINAPPLE AND FRUIT - '78 / 24" X 38" / L. NESBITT", framed: 25-1/4 x 39-1/2 inches, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 800 - 1,200 | 4,113 |
| 232 | John Clem Clarke (American, b. 1936), Stuart - George Washington, 1969, oil on canvas, 90 x 60 inches, Provenance: Kornblee Gallery, New York | 800 - 1,200 | 1,763 |
| 234 | Joseph Moline Bofill (Spanish, b. 1942), Untitled, composite sculpture, 15 x 6 x 3 inches, ed. 682/990, signature tag | 300 - 500 | 382 |
| 235 | Robert Beck (American, b. 1951), Untitled, 1993, oil on board, 9 x 12 inches, signed "R. A. Beck '93" lower right recto, framed | 800 - 1,200 | 999 |
| 236 | Nancy Spero (American, b. 1926), Untitled, 1983, ink on paper, 9-7/8 x 7-7/8 inches (sheet), signed and dated "Spero 83" lower right recto | 800 - 1,200 | 764 |
| 237 | Leon Golub (American, 1922-2004), (three works of art), Flip Flop, lithograph in colors, 43-7/8 x 34-7/8 inches (sheet), titled, numbered and dated "FLIP FLOP 5/75 GOLUB" along lower margin; Wasted Youth II, lithograph in colors, 43-7/8 x 34-7/8 inches (sheet), titled, numbered and dated "WASTED YOUTH II 42/75 GOLUB" lower margin; Time-Split II, lithograph in colors, 44-1/8 x 33-3/8 inches (sheet), titled, numbered and dated " TIME-SPLIT II 44/75 GOLUB" lower margin, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 1,200 - 1,800 | 1,645 |
| 238 | Nancy Spero (American, b. 1926), Untitled, 1983, ink on paper, 8-1/8 x 10 inches (sheet), signed and dated "Spero 83" lower right recto | 800 - 1,200 | 705 |
| 239 | Robert Lostutter (American, b. 1939), WH 50, 1969-70, oil on canvas, 90 x 56 inches, , Provenance: Deson-Zaks Gallery, Inc., Chicago, Collection of Mr. and Mrs. Robert B. Mayer, Chicago (label on verso #PS 670) (aquired 1971); Beasley School of Law, Temple University, Philadelphia | 1,200 - 1,800 | 1,293 |
| 240 | Nancy Spero (American, b. 1926), Untitled, 1983, ink on paper with collage, 8 x 9-1/4 inches (sheet), signed and dated "Spero 83" lower right recto | 800 - 1,200 | 1,058 |
| 241 | Lowell Nesbitt (American, 1933-1993), Three Iris, 1989, oil on linen, 78 x 60 inches, titled, dated and signed on verso "THREE IRIS - '89 / 78" X 60" / L. NESBITT", framed: 79 x 61 inches, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 4,000 - 6,000 | 5,875 |
| 243 | Alice Neel (American, 1900-1984) Still Life with Table and Chairs, 1982, lithograph in colors on Arches, 34" x 26", signed and dated "Neel `82", numbered "57/175" | 700 - 900 | 999 |
| 244 | Richard Anuszkiewicz (American, b. 1930) Untitled, 1962, acrylic on canvas, 43" x 43", signed and dated on verso, framed, Exhibition: The Contemporaries Gallery, New York | 3,000 - 5,000 | 26,438 |
| 245 | Frank Stella (American, b. 1936) "Tomlinson Court Park," 1962, lithograph, 15-1/2" x 22", signed and dated "F. Stella '62", numbered "81/100", framed | 500 - 700 | 1,528 |
| 246 | John Joseph Formicola (American, b. 1941) "July", 1971, acrylic on canvas, 54" x 40", signed titled and dated on verso, framed | 700 - 900 | 411 |
| 247 | Lowell Nesbitt (American, 1933-1993), (two works of art), Yellow Rose, 1980, 22 x 24 inches, oil on linen, titled, dated and signed on verso "YELLOW ROSE - '80 / 22" X 24" / L. NESBITT / copyright NEW YORK", framed: 23-1/2 x 25-1/4 inches; Rose Garden - II, 1985, 16 x 26 inches, oil on linen, titled, dated and signed on verso "ROSE GARDEN - II - '85 / 16" X 26" / L. NESBITT / copyright NEW YORK", framed: 17-1/2 x 27-3/4 inches, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 800 - 1,200 | 999 |
| 248 | Elizabeth Osborne (American, b.1936), Cirrha, 1972, acrylic on canvas, 57 x 61 inches, framed: 58-1/4 x 62 inches, Provenance: Marian Locks Gallery, Philadelphia, Exhibition: "Hobson Pittman and His Students", Pennsylvania Academy of the Fine Arts, Philadelphia, January 20 - February 18, 1973 (label on verso) | 1,000 - 2,000 | 11,750 |
| 249 | Roy Dean De Forest (American, b. 1930), (two works of art), Moe Travels, 1993, lithograph in colors, 32 x 38 inches (sheet), numbered "38/105" lower left recto, titled, signed and dated "MOE TRAVELS Roy De Forest 93" lower right recto; Birdland, 1993, lithograph in colors, 32 x 38 inches (sheet), signed and dated "Roy De Forest 93" lower left recto, numbered "34/75" lower right recto, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 800 - 1,200 | 1,410 |
| 250 | Georg Baselitz (German, b. 1938), Head and Tear, 1986, color aquatint/etching and drypoint, 5-1/2 x 6-3/4 inches (sight), framed: 13-3/4 x 13 inches, accompanied by Parkett No. 11 Deluxe Edition (title page is signed by the artist) | 400 - 600 | 529 |
| 251 | Ed Paschke (American, 1939-2004), Execo, 1983, lithograph in colors, 34-1/4 x 24 inches (sheet), numbered, titled, signed and dated in pencil "22/40 Execo E. Paschke '83" along lower margin, blind stamp lower right recto, framed: 40 x 29-3/4 inches | 600 - 800 | 764 |
| 252 | Roy Dean De Forest (American, b. 1930), (two works of art), The Painter, 1993, lithograph in colors, 32 x 38 inches (sheet), signed and dated "Roy De Forest 93" lower left recto, numbered "34/75" lower right recto; Primitive Time, 1993, lithograph in colors, 32 x 38 inches (sheet), signed and dated "Roy De Forest 93" lower left recto, numbered "39/75" lower right recto, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 800 - 1,200 | 940 |
| 253 | Ferjo (Fernando Oliveira) (Brazilian, b. 1946), Madonna with Scarlet Macaw, 1988, oil on canvas, 60 x 40 inches, signed and dated "Ferjo 88" lower right recto, framed: 62 x 42 inches | 1,500 - 2,500 | 2,703 |
| 254 | Oli Sihvonen (American, 1921-1991) "Veronica II," 1961, oil on Masonite, 30" x 24", signed lower left recto, signed titled and dated on verso, framed | 2,500 - 3,500 | 3,055 |
| 257 | Auguste Herbin (French, 1882-1960) (two works of art) Untitled, 1959, lithographs in colors, 18-1/2" x 13-1/2" (plate), signed and dated lower right recto, numbered "110/150", and "100/150", each is framed, Provenance: Editions Denise Rene, Paris | 200 - 400 | 470 |
| 258 | Caroline McNairn (Scottish, 20th Century), Untitled Landscape, 1989, oil on canvas, 13-7/8 x 13-3/4 inches, framed: 20 x 20 inches, Provenance: 369 Gallery, Edinburgh, Scotland (label on verso) | 400 - 600 | 294 |
| 261 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 757, 483, 555, 690, 722, 175, 151, 519, 605, 596, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 4,406 |
| 262 | Arthur Siegel (American, 1913-1979), Lucidagram, 1970, silver gelatin emulsion print, 13-5/8 x 16-7/8 inches, signed and dated on verso "Arthur Siegel / 1970" | 600 - 800 | 558 |
| 263 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 477, 459, 491, 684, 725, 545, 308, 280, 612, 624, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 3,290 |
| 264 | Hector Garcia (American, 20th Century), Refugiado Guatemalteco, 1978, silver gelatin emulsion print, 9-7/8 x 7-7/8 inches, titled, signed and dated on verso "Refugiado Guatemalteco / Hector Garcia / vintage 78" | 300 - 500 | 1,116 |
| 265 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 476, 234, 391, 712, 780, 439, 356, plate G (handwritten), 578, 633, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 2,938 |
| 266 | Franco Fontana (Italian, 20th Century), (two works of art) Landscape, 1976, dye transfer print, 13 x 19-1/2 inches (sight), signed, titled, dated and numbered on verso, 6/15, framed: 21-1/2 x 27-1/2 inches, Los Angeles, 1979, dye transfer print, 13 x 19-1/2 inches (image), titled, numbered, signed and dated "Los Angeles 10/15 Franco Fontana '79" along lower margin, framed: 24 x 24-3/4 inches | 600 - 800 | 705 |
| 267 | Eadweard Muybridge (British/American, 1830-1904), Animal Locomotion plate nos. 776, 270, 249, 688, 741, 442, 536, 307, 585, 624, 1887, ten collotypes, each measures 19 x 24 inches (sheet), printed below each image "ANIMAL LOCOMOTION. PLATE # / Copyright 1887, by EADWEARD MUYBRIDGE. All rights reserved.", Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 2,500 - 5,000 | 2,938 |
| 268 | James H. Brown (American, 20th Century), Space Volume Photograph of Jack Kramer Tennis Champ, silver gelatin emulsion print, 10 x 12-1/4 inches (sight), titled on verso of mat, remnant of James Brown stamp on verso, matted: 24 x 20 inches | 800 - 1,200 | 1,116 |
| 269 | James H. Brown (American, 20th Century), Untitled, silver gelatin emulsion print with hand coloring, 19-3/4 x 15-3/4 inches (sheet) | 800 - 1,200 | 470 |
| 270 | Henry Moore (British, 1898-1986), Untitled, photograph of Henry Moore's 1960 sculpture "Two Piece Reclining Figure No. II", silver gelatin emulsion print, 8 x 10 inches (sheet), matted: 16 x 19-3/4 inches | 800 - 1,200 | 558 |
| 271 | Man Ray (American, 1890-1976), le Tour, 1981, wood and rubber foam in a glass case, 13-1/2 x 4 x 4 inches, metal plate on base reads "le Tour / es. no 34/99 / Man Ray", Publisher: Fausta Squatriti Editore, accompanied by photograph | 1,000 - 1,500 | 1,763 |
| 272 | Emil James Bisttram (American, 1895-1976), Astral Forces, charcoal on paper, 12-3/4 x 20-1/2 inches (sight), signed "BISTTRAM" lower right recto, matted: 24 x 30 inches, Provenance: Estate of the artist (label on verso #60 with Walt Wiggins' signature) | 1,200 - 1,800 | 1,116 |
| 273 | James Havard (American, b. 1937) "Pink Texas Longhorn", 1976, acrylic and graphite on canvas, 17" x 13", pencil signed, titled and dated, framed, Exhibition: Marian Locks Gallery, "James Havard - Recent Works," September 12 - October 3, 1977 | 2,000 - 3,000 | 2,350 |
| 274 | Ernst Fuchs (Austrian, b.1930), (two works of art), Untitled, etching and aquatint, 6-1/2 x 6-1/4 inches (image), numbered and signed "62/100 E Fuchs" lower margin, framed: 19-3/4 x 14-1/2 inches; Adams Traum, 1969, etching and aquatint, 15-1/4 x 11-3/8 inches (image), numbered and signed "59/200 Ernst Fuchs" lower margin, framed: 27-1/2 x 22 inches | 800 - 1,200 | 558 |
| 276 | Friedensreich Hundertwasser (Austrian, 1928-2000), Midori Box, ca. 1973, painted wood, 26-5/8 x 21-1/8 x 2-1/4 inches | 200 - 400 | 470 |
| 277 | Zao Wou-Ki (Chinese/French, b. 1921) Untitled, lithograph in colors, 17 x 23 inches, signed and dated lower right recto, numbered "34/95" | 1,000 - 1,500 | 1,528 |
| 278 | Kiyoshi Saito (Japanese, 1907-1992), Untitled, woodcut in colors, 10-1/2 x 15-1/2 inches, pencil signed and artist's mark lower right recto | 200 - 400 | 558 |
| 279 | Hans Bellmer (German, 1902-1975) (three works of art), Suspended Figure, etching, 15-1/4 x 11 inches (sheet), signed "Bellmer" lower right recto, water stain; Legs, engraving printed in black with beige tone plate, 21-1/4 x 14-3/4 inches (sheet), numbered "15/100" lower left recto, signed "Bellmer" lower right recto, water stain; Two Figures, etching printed in colors with beige tone plate, 17-5/8 x 12-1/4 inches (sheet), numbered "18/100" lower left recto, signed "Bellmer" lower right recto, water stain | 300 - 500 | 558 |
| 280 | Justin McCarthy (American, 1891-1977), King Siberian Tiger with Ringlings, oil on board, 23-1/2 x 20-1/4 inches, titled "KING / SIBERIAN / TIGER / WITH RINGLINGS" lower left recto, signed "J. MCCARTHY" lower right recto, Exhibition: Rosa Esman Gallery, "Outsiders, Art Beyond the Norms", January 11-February 12, 1986 | 2,000 - 3,000 | 1,175 |
| 282 | Friedensreich Hundertwasser (Austrian, 1928-2000), L'expulsion, 1967, lithograph in colors, 27-3/4 x 35 inches (sight), numbered, signed, and dated "85/154 Hundertwasser 656 Geneve 1967 [illegible]" lower recto, framed: 30-3/4 x 38 inches, Publisher: Galerie Krugier and Moos, Geneva | 3,000 - 5,000 | 4,113 |
| 284 | Justin McCarthy (American, 1891-1977), Blonde Head, oil on board, 24 x 24 inches, signed "J. MCCARTHY" lower left recto, Exhibition: Rosa Esman Gallery, "Outsiders, Art Beyond the Norms", January 11-February 12, 1986 (label on verso) | 2,000 - 3,000 | 1,175 |
| 285 | Various Artists (four works of art) Janis Provisor, "L," 1980, oil on canvas, 8-1/4" x 8-1/4", signed, titled and dated on verso; Barbara Schwartz (three works of art): Untitled, 1976, acrylic on plaster and wire mesh, 7 1/2" x 9" x 4", inscribed and dated on verso; Untitled, 1976, acrylic on plaster and wire mesh, 7-1/2" x 9" x 3-1/2", signed and dated on verso; Untitled, ca. 1976, wire mesh, 7-1/2" x 14" x 10-1/2", Provenance: Brutten Herrick Collection, Philadelphia | 200 - 400 | 206 |
| 288 | Stephen Antonakos (American, b. 1926), #10 Fragments of a Circle, 1977, colored pencil on paper, 14" x 11", signed, titled and dated, framed. Provenance: John Weber Gallery, New York; Brutten Herrick Collection, Philadelphia | 300 - 500 | 264 |
| 289 | John Joseph Formicola (American, b. 1941) "New York Times", 1965, oil on canvas, 24" x 27", signed titled and dated, framed | 200 - 400 | 705 |
| 290 | Various artists, (four works of art), Polakov, On a Clear Day (sketch), ca. 1940s-1950s, graphite and watercolor on paper, 14 x 16-3/4 inches (sheet), signed "Polakov"; Lisa Dinhofer, Picnic Details, 1995, etching, 7-3/8 x 10-5/8 inches (sheet), titled, numbered, signed and dated "Picnic Details AP Lisa Dinhofer 1995" lower margin; Unknown, etching, 8-3/4 x 11-3/4 inches (sheet), printed along the lower edge "Guercino Inv." lower left, "F. Bartolozzi Sculp." lower right; Leon Noel, L'Artiste Frederic Lemaitre, 1833, lithograph, 10-1/4 x 7 inches (sight), signed and dated "Leon Noel / 1833" left center recto, framed: 16 x 12 | 400 - 600 | 235 |
| 291 | Mark Kostabi (American, b.1960), Everyone I Meet Is My Editor, 1983, oil on canvas, 72 x 48 inches, signed and dated "KOSTABI 1983" lower right recto, signed "KOSTABI" on verso, framed: 72-1/2 x 48-3/4 inches | 4,000 - 6,000 | 11,163 |
| 292 | John J. Myers (20th Century), Gina Lollabrigida, oil on canvas, 30 x 20 inches, signed lower right recto | 300 - 500 | 206 |
| 295 | R. Montimo (American, 20th Century), Tereros, oil on canvas, 30 x 24 inches, signed and titled on verso | 400 - 600 | 235 |
| 296 | Friedensreich Hundertwasser (Austrian, 1928-2000), Blumenhaus, 1983, glazed ceramic, 9 x 7 x 7 inches, signed, dated, titled and numbered on the bottom "Hundertwasser / 1983 / 856 / BLUMENHAUS / 411/500 / Rosenthal / limitierte kunstreihen", accompanied by a wooden box | 1,000 - 1,500 | 2,350 |
| 298 | Martha Zelt (American, b. 1930) Untitled, 1980, collage on board, 32-1/2" x 41", framed, Exhibition: Marian Locks Gallery, "Martha Zelt - Recent Works," January 5-31, 1981 | 400 - 600 | 235 |
| 300 | Allen Koss (American, 1931-1998), The Medium is the Message, ca. 1973, oil on canvas, 16 x 15-1/8 inches, signed "Allen Koss" lower right recto, framed: 17 x 16 inches | 750 - 1,500 | 529 |
| 301 | John Clem Clarke (American, b. 1936), Washington Square, 1967, oil on linen, 54-1/2 x 48 inches, titled, signed and dated on verso "Washington Square / John Clem Clarke '67" on verso, framed: 55-1/2 x 49-1/2 inches, Provenance: Andrew Crispo Gallery, New York (label on verso #74-ACG-39) | 800 - 1,200 | 1,880 |
| 303 | Victor White (American, 1881-1954) Untitled, 1948, oil on canvas, 30 x 25 inches, signed lower left recto | 400 - 600 | 235 |
| 304 | Friedensreich Hundertwasser (Austrian, 1928-2000), Rain of Blood is Falling into the Garden, 1972, woodcut in colors, 15-1/4 x 19-3/8 inches (sight), signed, numbered and dated "Hundertwasser 475A / 184/200 [illegible] / 1972" upper right recto, framed: 20-1/2 x 26-1/4 inches | 4,000 - 6,000 | 3,055 |
| 306 | Katherine Porter (two works of art), Untitled, 1972, graphite and acrylic on graph paper, 17" x 22", signed and dated, framed; Untitled, 1971, acrylic on paper, 30" x 40", signed and dated, Provenance: Brutten Herrick Collection, Philadelphia | 800 - 1,200 | 1,293 |
| 307 | Donald Judd (American, 1928-1994), Untitled, aquatint, 35-1/4 x 24-1/2 inches (plate), 40-1/2 x 29-3/4 inches (sheet), 29/175, numbered "29/175" lower left recto, signed "Judd" lower right recto, Styria Studios blind stamp | 800 - 1,200 | 1,410 |
| 308 | Lowell Nesbitt (American, 1933-1993), Blue Iris, 1975, 60 x 53 inches, oil on linen, titled, dated and signed on verso "BLUE IRIS - '75 / 60" X 53" / L. NESBITT", framed: 61-1/4 x 54-1/4 inches, Provenance: Tyler School of Art, Temple University, Elkins Park, PA | 3,000 - 5,000 | 4,700 |
| 310 | Friedensreich Hundertwasser (Austrian, 1928-2000), Regentag on Waves of Love, 1970-71, screenprint with colors and metal additions, 18-1/2 x 25-3/4 inches (sight), 1060/3000, framed: 24 x 31 inches | 1,000 - 1,500 | 1,116 |
| 311 | Joan Miro (Spanish, 1893-1983), Deux Oiseaux Fabuleaux a Altomiro (two spreads), 1966, lithograph in colors, each measures 14-3/4 x 22 inches | 300 - 500 | 206 |
| 314 | Eugene Brands (Dutch, 1913-2002), Untitled, 1960, oil on paper laid on board, 18 x 22 inches, signed and dated lower right recto | 1,200 - 1,800 | 1,763 |
| 315 | Ben Shahn (American, 1898-1969), poster Frank Thompson (New Jersey Congressman from 1955-1980), screenprint in red and black on posterboard, 28 x 22 inches, signed in ink (This poster by Shahn was used during the 1968 relection campaign) | 300 - 500 | 411 |
| 316 | American School (20th Century), Untitled (industrial cityscape), watercolor on paper, 11 x 20 inches illegibly signed lower left recto | 300 - 500 | 264 |
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