| |
return to prices realized index >
Rago Arts and Auction Center
Prices Realized: Sollo:Rago Modern Auction, October 2004
Please click on lot number to see image.
Prices include buyer's premium
Download PDF:
10.04 Modern Prices Realized (pdf)
| Lot Number | Description | Estimate |
Sale Price |
| 1 |
GEORGE NAKASHIMA Exceptional and very rare coffee table with free-edge solid rosewood top on plank leg base. (From the original owner, provenance available.) 14" x 83 3/4" x 27 1/4" |
20,000 |
15,275 |
| 2 |
GEORGE NAKASHIMA Walnut wall-hanging cabinet with pinned and dovetailed case construction, and free-edge top over three grass cloth-lined spindled sliding doors concealing three shelves and four small drawers. Minor fraying to cloth on one door. (Acquired from family of the original owner, provenance available). Marked with original owner's name on back. 18 1/4" x 104 1/4" x 19" |
10,000 |
49,938 |
| 3 |
GEORGE NAKASHIMA Walnut armrocker, 1975, with hickory spindled back back, and saddle seat. (From the original owner, provenance available.) Signed and dated and marked with owner's name. 35 1/2" x 24 1/2" x 16 1/2" |
2,000 |
4,113 |
| 4 |
GEORGE NAKASHIMA Fine walnut dresser with expressive graining to dovetailed case, and two lined spindled sliding doors concealing eight drawers, on plank legs. (Refinished by the Nakashima studio.) Unmarked. 31 1/2" x 60" x 20" |
10,000 |
14,100 |
| 5 |
GEORGE NAKASHIMA Fine Conoid end table with excellent free-edge Persian walnut top on cross-legged base. (From family of the original owner). Marked with original owner's name. 21" x 35 1/4" x 26 1/2" |
7,000 |
15,275 |
| 6 |
GEORGE NAKASHIMA Fine walnut Conoid end table, its free-edge top with expressive graining and natural occlusions, on cross-legged base. (From estate of the original owner, provenance available). Marked with owner's name. 20 3/4" x 22 1/4" x 36" |
7,000 |
11,750 |
| 7 |
GEORGE NAKASHIMA Fine walnut Conoid end table with free-edge top and single rosewood butterly key, on cross-legged base. (From estate of the original owner, provenance available). Marked with owner's name. 20 3/4" x 26" x 35 1/2" |
7,000 |
10,575 |
| 8 |
GEORGE NAKASHIMA Walnut bench with rectangular top on plank base with stretcher. (From family of the original owner, provenance available.) Some minor roughness to base. Unmarked. 20" x 59" x 22" |
6,000 |
4,700 |
| 10 |
GEORGE NAKASHIMA Pair of walnut New sidechairs with spindle backs and saddle seats, 1980. Signed George Nakashima, and original owner's name. 35 1/2" x 18 1/2" x 16 1/2" |
1,200 |
4,113 |
| 11 |
GEORGE NAKASHIMA Side table with freeform top on Minguren base, 1980. Signed George Nakashima and original owner's name. 27 1/2" x 41 1/2" x 25 1/2" |
6,000 |
9,400 |
| 12 |
GEORGE NAKASHIMA Walnut coffee table with freeform top on plank leg opposite two flaring ones. Good natural shapes and sap lines on sides. Refinished by the Nakashima Studios. (Consigned by original owner, provenance available.) Unmarked. 15 1/2" x 90 1/2" x 23" |
12,000 |
14,100 |
| 13 |
GEORGE NAKASHIMA Fine cherry wall-hanging cabinet with dovetailed and pinned construction, free-edge top overhanging one end, and two sliding doors concealing two shelves. (From the original owner, purchased in 1963, provenance available). Marked with owner's name. 15" x 71" x 14" |
6,000 |
8,225 |
| 14 |
GEORGE NAKASHIMA Cross-Legged dining table, its top with two bookmatched free-edge planks joined by three butterfly keys. Some chips along edges of top, the largest 2 1/4". Unmarked. 29" x 76" x 45" |
8,000 |
9,988 |
| 16 |
GEORGE NAKASHIMA Fine coffee table with free-edge top and natural occlusions, on slab base. (From the original owner, provenance available, accompanied by a copy of the original drawing). Marked with owner's name. 13" x 46" x 24 1/2" |
8,000 |
9,988 |
| 17 |
GEORGE NAKASHIMA Minguren II walnut coffee table with excellent freeform top with large butterfly joint on plank base with stretcher, 1983. (From family of original owner). Some roughness to front of base, ring stain to top. 15 1/2" x 67" x 29" |
12,000 |
12,925 |
| 18 |
GEORGE NAKASHIMA Walnut coffee table with excellent freeform top with a single butterfly joint, on plank base with two flaring legs. Original owner's name on bottom. 14" x 67" x 24". |
10,000 |
8,813 |
| 19 |
GEORGE NAKASHIMA Walnut side table with three tapered legs mortised through a three-sided top. Original owner's name on bottom. 21" x 27" x 21 1/2" |
2,000 |
2,233 |
| 20 |
GEORGE NAKASHIMA Six Grass-seat chairs with arched backs supported by pairs of spindles. (From the original owner, provenance available. Accompanied by copy of the original drawing). New grass, done by Nakashima Studio. Unmarked. 27" x 23" x 18 1/2" |
4,500 |
16,450 |
| 21 |
GEORGE NAKASHIMA Five walnut "Mira" chairs and a Captain's chair, with spindled backs on tapering dowel legs. (From family of the original owner. Provenance available). Crack to one arm of Captain's chair. Unmarked. Mira chairs: 27" x 20" x 16 1/2", Captain's chair: 28" x 24" x 17 1/2" |
2,000 |
3,055 |
| 22 |
GEORGE NAKASHIMA Walnut dining table with circular top on four flaring dowel legs. (From the original owner.) Marked with owner's name on underside of top. 29" x 54" dia. |
4,000 |
4,406 |
| 23 |
GEORGE NAKASHIMA Walnut ottoman on tapering dowel legs, no cushion. Marked with original owner's name on base. 10 1/2" x 24" sq. |
1,000 |
1,998 |
| 24 |
GEORGE NAKASHIMA Walnut side table with free-form top on three tapering dowel legs. Unmarked. 17" x 19" x 17" |
900 |
1,293 |
| 25 |
GEORGE NAKASHIMA Six walnut Mira chairs, each with spindled back and spade-shaped seat on three tapering dowel legs. Minor split to one seat, some wear to finish overall. Unmarked. 26 1/2" x 17" x 16 1/2" |
2,500 |
3,055 |
| 26 |
GEORGE NAKASHIMA Pair of walnut Grass-seat chairs with arched backs supported by pairs of spindles. One re-woven seat. (From the family of the original owner, provenance available.) Unmarked. 26 1/2" x 18 1/2" x 18 1/2" |
800 |
2,468 |
| 26A |
GEORGE NAKASHIMA Grass-seat chair with arched back supported by pairs of spindles. Unmarked. 27 1/2" x 23 1/2" x 18" |
400 |
1,528 |
| 27 |
TOMMI PARZINGER Exceptional, custom-designed dining table, its flaring top with inlaid butterfly design, on flared leg base with stretcher. Includes two 18" leaves. Unmarked. Closed: 29 1/2" x 70 1/2" x 40" |
4,500 |
3,819 |
| 28 |
TOMMI PARZINGER Pair of fine floor lamps, each with ecru silk shade and two sockets, on etched brass and fluted enameled wood shaft. Each marked "Parzinger Originals/6362". 69 1/2" x 10 1/2" sq. |
5,000 |
7,050 |
| 29 |
TOMMI PARZINGER Fine and rare daybed with eight loose cushions upholstered in butter yellow embossed silk fabric on dark-stained wood frame with etched brass details. (An extremely rare Parzinger form.) Unmarked. 32 1/2" x 65" x 27 1/2" |
4,000 |
4,700 |
| 30 |
PARZINGER ORIGINALS Queen-size four-poster bed, its tall tapering posts with floriform finials, covered in dark brown lacquer finish. Branded "Parzinger Originals". 82" x 64" x 81" |
2,500 |
6,463 |
| 31 |
WILLIAM PAULMAN Two-piece chair, each component with channeled taupe silk upholstery on dark brown lacquered bases. Unmarked. Each piece: 34 1/2" x 20" x 20" |
1,500 |
5,288 |
| 32 |
JAMES MONT Pair of armchairs in the Chinese style, upholstered in finely-woven brushed tan fabric on dark-stained wood bases. Unmarked. 34" x 31" x 29" |
1,500 |
3,408 |
| 33 |
JAMES MONT Two-door cabinet with black lacquered case, and patchwork wood-veneer door fronts with large etched brass pulls. No interior shelves. Unmarked. 40" x 39 3/4" x 17" |
900 |
1,293 |
| 34 |
JAMES MONT Pair of Chinese-style chairs upholstered in gold textured fabric on wood frame with red, black and gold finish. Unmarked. 38 1/2" x 24" x 25" |
1,500 |
999 |
| 35 |
JAMES MONT Pair of carved wood lamp bases depicting Asian deities covered in patinated gold and silver leaf. Small nick to nose of one, and a few shallow flakes. Unmarked. Wood only: 26 1/2" x 9 1/4" |
900 |
999 |
| 36 |
JAMES MONT Daybed with slatted frame and cushions upholstered in finely woven brushed tan fabric, on bracket feet. Unmarked. 24" x 76 1/2" x 30 1/2" |
2,000 |
2,233 |
| 37 |
JAMES MONT Book-matched three-drawer dressers in gray limed oak finish, with porthole pulls. Refinished. Marked "James Mont Design". Each dresser: 32 1/2" x 48 1/2" x 20 1/2" |
2,000 |
2,115 |
| 39 |
JAMES MONT Coffee table with broad circular top on two open curved legs, in black laquered finish. Unmarked. 17" x 36" dia. |
1,200 |
1,058 |
| 40 |
EDWARD WORMLEY/DUNBAR China cabinet with two bi-fold doors over a single drawer with contrasting finish, on post legs with stretcher. (A nice Dunbar design.) Dunbar metal tag. 72" x 36" x 15" |
1,500 |
1,763 |
| 41 |
EDWARD WORMLEY/DUNBAR Eight armchairs with single broad vertical backslats and upholstered seats. Brass "D" tags. 33" x 23 1/2" x 20" |
2,500 |
2,820 |
| 42 |
ERNST SCHWADRON Lounge chair upholstered in ivory chenille on dark wood cabriole legs. Unmarked. on 29" x 26" x 31" |
800 |
764 |
| 43 |
MARIO PAPPERZINI/SALTERINI Latticed daybed with silver leaf finish, ball finials and diamond-shaped stretcher, upholstered in yellow striped fabric. Unmarked. 30" x 77 1/2" x 30" |
2,000 |
3,290 |
| 44 |
ERNST SCHWADRON Large Macassar ebony sideboard with four doors concealing shelves and two drawers with brass pulls, on pedestal base. Unmarked. 35 1/2" x 98 1/2" 20 1/2" |
2,000 |
4,700 |
| 45 |
JULES LELEU (Attr.) Rosewood and amboyna sideboard with three cabinet doors enclosing interior shelves, the center door with clear glass pane, the doors at either end with horizontal brass scroll pulls. Unmarked. 38 1/4" x 78 1/2" x 20 1/2" |
3,000 |
2,585 |
| 46 |
DESNY (France) Fine satinwood veneer buffet with beveled black glass insert to top, over center display cabinet with two sliding glass doors and illuminated interior, flanked by cabinets with chrome hardware concealing shelves and a single drawer. Bears stamp mark "Desny/France". 30" x 83" x 22 1/4" |
8,000 |
8,813 |
| 47 |
JEAN ROYERE "Polar Bear" chair fully-reupholstered in hand-stitched alpaca fabric on low wood legs. (A classic Royere design, oversized and extremely comfortable, in great condition.) Unmarked. 31" x 34" x 35" |
9,500 |
19,975 |
| 48 |
RUSSEL WRIGHT/HEYWOOD-WAKEFIELD Early and rare asymmetric server in burlwood veneer and black lacquer finish, with horizontal pulls to single drawer and two-door cabinet concealing two small adjustable shelves. Unmarked. 42" x 45" x 16 1/2" |
4,000 |
3,525 |
| 49 |
JACQUES ADNET Rosewood wardrobe with single drawer and three cabinet doors, all with glass and brass pulls, four original shelves, and original keys. Marked J. Adnet. 63" x 49" x 19" |
2,500 |
2,820 |
| 50 |
STYLE OF EMILE-JACQUES RUHLMANN Fine Brazilian rosewood pedestal dining table with radiating grain pattern to ivory-inlaid top, on four curved supports and stepped base. Unmarked. 30" x 72" dia. |
3,500 |
7,050 |
| 51 |
WARREN McARTHUR Fine Old Point Comfort club chair on tubular aluminum frame with taupe fabric upholstery. Remnant of decal. 23 1/2" x 30" x 33 1/4" |
5,000 |
5,875 |
| 52 |
WARREN/ALBERT CHASE McARTHUR Monumental Art Deco wrought-iron fern stand for the lobby of the Arizona Biltmore Hotel, c. 1928. Scattered oxidation to finish. Unmarked. 6' x 30" dia. |
3,500 |
2,350 |
| 53 |
WARREN/ALBERT CHASE McARTHUR Monumental Art Deco wrought-iron fern stand, en suite with preceding. Scattered oxidation to finish. Unmarked. 6' x 30" dia. |
3,500 |
2,350 |
| 54 |
WARREN/ALBERT CHASE McARTHUR Two pieces of Art Deco wrought-iron railing designed for the Arizona Biltmore Hotel, with repeating triangular motif. Unmarked. 36 1/2" x 14' and 36 1/2" x 10' 2" |
1,000 |
3,173 |
| 55 |
WARREN/ALBERT CHASE McARTHUR Two pieces of Art Deco wrought-iron railing, en suite with preceding. Unmarked. |
1,000 |
3,173 |
| 56 |
STYLE OF WILHELM HUNT DIEDERICH Large clip-corner mesh fireplace screen with applied decoration of four seagulls flying over a fish and stylized waves. Overpainted. Unmarked. 41" x 47 1/2" x 12 1/2" |
2,500 |
6,463 |
| 57 |
ROBERT WINTHROP CHANLER (American, 1872-1930) Fine Art Deco three-panel folding screen, 1928, dramatically-painted with two zebras on one side in black and tan on ivory ground, the back decorated with diagonal stripes in black with silver foil. (Broadway composer Kay Swift and her husband James P. Warburg commissioned Chanler to execute this piece for their New York home. A recently-released biography on Kay Swift, titled "Fine and Dandy: The Life and Work of Kay Swift" is included with this lot and contains a photo of the screen shown in a 1970s interior. This piece descended through Ms. Swift's family). Signed and dated on front, lower right. Each panel: 78" x 21 3/4" |
10,000 |
11,163 |
| 58 |
BAGUES Pair of floor lamps, each with black fabric rectangular shade over a two-socket, faux-bamboo metal shaft with tripod base. Unmarked. 70" x 16" |
800 |
2,820 |
| 59 |
JACQUES ADNET Floor lamp with conical black shade over a two-socket brass base, the shaft covered in stitched black leather. Unmarked. 66" x 10" |
2,000 |
2,115 |
| 60 |
DESNY (France) Rare table lamp with seven plate glass discs mounted on a nickel-plated brass housing. Bottom disk cracked. Stamped "Desny Paris/Made in France/Depose". 6 3/4" x 4 1/2" |
5,000 |
9,400 |
| 61 |
GILBERT WATROUS/HEIFETZ Floor lamp, its single arm with perforated white enameled metal shade magnetically-balanced on black enameled steel base. (A very rare mid-century lamp, purchased by the consignor from the opening night party at 50/50 in the early 1980s.) Unmarked. 31" x 46" |
4,000 |
3,525 |
| 62 |
ITALIAN Enameled metal floor lamp with three fixtures on gooseneck shafts in red, blue and gray. Unmarked. 74" h |
800 |
1,116 |
| 63 |
BARBINI Chrome and black enameled floor lamp with three sockets, topped by Barbini purple scavo glass bell-shaped shade. A couple of small chips to rim of shade. Etched "Barbini" with manufacturer's label. 59 1/2" x 15" dia. |
3,000 |
4,994 |
| 64 |
BARBINI Fine and unusual table lamp, its geometric scavo glass shade on black metal base. Shade etched "Barbini/Murano". 11 1/4" x 9" x 6 1/2" |
1,000 |
4,113 |
| 65 |
MURANO Fine chandelier with eight adjustable sockets surrounded by cattails and leaves of white and clear glass, on polished brass frame. Unmarked. Frame: 32" h |
1,200 |
1,528 |
| 67 |
FORTUNY "Umbrella" floor lamp with pivoting tan shade, its interior with polished chrome reflector and single socket, on adjustable-height tripod base of black enameled metal. Unmarked. 70" x 37" |
800 |
1,763 |
| 68 |
HAGENAUER Fine and large polished chrome sculpture of a man's head in profile with stylized features and locks of hair, mounted on a flat rectangular base. Stamped WHW/Hagenauer Wien/Made in Austria. 21" x 16 3/4" |
2,500 |
4,700 |
| 69 |
HAGENAUER Fine and large polished chrome sculpture of a woman's head in profile with stylized features and locks of hair, wearing a beaded choker and mounted on a flat rectangular base. Stamped WHW/Hagenauer Wien/Made in Austria. 21" x 17" |
2,500 |
11,163 |
| 70 |
HAGENAUER Chrome-plated figurine of a leaping horse mounted on an ebonized circular base. Stamped "Made in Vienna/Austria/WHW". 8 3/4" h |
1,500 |
2,938 |
| 72 |
SECESSIONIST Silver-plated oval box with brass-washed highlights, its hinged lid embossed with a medallion of stylized fruit and flowers. 3/4" dent along bottom edge of back. Stamped "W&G". 3" x 4 3/4" x 4" |
400 |
235 |
| 73 |
1939 NEW YORK WORLD'S FAIR Trylon and perisphere sculpture from the 1939 New York World's Fair, in amber bakelite mounted on wood base. Unmarked. 17 1/4" x 13" x 6" |
1,200 |
1,410 |
| 74 |
TOMMI PARZINGER Pair of urn-shaped lidded table lamps in polished chrome, each with oval cut-out to back, and single socket. Unmarked. 24 1/2" x 6 1/4" |
2,500 |
2,468 |
| 76 |
GIO PONTI/RICHARD GINORI Fine and rare flaring urn, "L'Architetto", printed-and-filled with a classical rendering of an architect on one side, and a draped urn on the other, in caramel tones on raspberry ground. (This piece, from Ponti's celebrated line of majolica ware, is part of the "Classical Conversation" series. Ref.: "Gio Ponti Le Maioliche" by Manna Loris, Milan, 2000). Four hairlines from rim, restoration to a few chips on rim and to drill hole on bottom. Marked "Ginori/1030-330/E/Gio Ponti". 13 1/2" x 11" |
9,000 |
12,925 |
| 81 |
PETER VOULKOS Unusual stoneware plate incised with three stylized birds in flight, in leathery matte brown glazes against a light gray ground. A few hairlines, some restored. Incised "Voulkos". 10 3/4" dia. |
4,000 |
7,638 |
| 83 |
ROBERTSON (Trenton, NJ) Three wrought-iron tile-top tables, each decorated with primitive hunting scenes in black against a mottled blue-gray ground. (A very cool suite of tables). Tiles stamped ROBERTSTON, also artist-signed. Square table: 18 1/2" x 12 3/4" sq. |
600 |
1,410 |
| 84 |
GEORGE NELSON/HERMAN MILLER Vintage "Marshmallow" sofa with eighteen circular cushions upholstered in original forest green naugahyde mounted on tubular steel frame. (An iconic mid-century design by Nelson after he felt the need to push the envelope of his already-radical furniture). Circular Herman Miller tag, and factory paper label. 31 1/2" x 51" x 30" |
15,000 |
17,625 |
| 85 |
ISAMU NOGUCHI/HERMAN MILLER Very rare "Rudder" stool, model no. IN-22, in birch with two tubular steel legs. Unmarked. 17" x 20 1/2" |
15,000 |
24,675 |
| 86 |
GEORGE NELSON/HERMAN MILLER Fine "Thin Edge" walnut veneer credenza with cabinet flanking two cream-colored sliding doors conealing three shelves on tapering aluminum legs. Unmarked. 33 1/4" x 67 1/4" x 12" |
1,500 |
4,113 |
| 87 |
GEORGE NELSON/HERMAN MILLER "Thin Edge" chest with five graduated-size drawers with white enameled metal pulls, on tapering wood legs. Circular Herman Miller tag. 39 3/4" x 40" x 20" |
1,500 |
2,820 |
| 88 |
GEORGE NELSON/HERMAN MILLER Fine "Thin Edge" walnut ten-drawer double-chest with brushed metal pulls on tapering legs. (Purchased in 1959, and accompanied by copy of the original invoice). Unmarked. 33 1/2" x 67 1/4" x 19 1/4" |
2,500 |
4,406 |
| 89 |
GEORGE NELSON/HERMAN MILLER "Thin Edge" walnut nightstand with single drawer and lower shelf on tapering brushed metal legs. (Purchased in 1960, and accompanied by original invoice). Unmarked. 23 1/2" x 18" x 19 1/4" |
600 |
1,528 |
| 90 |
GEORGE NELSON/HERMAN MILLER Rare "Thin Edge" walnut full-size bed with woven cane panel to back, and light gray fabric cover over padded spring supports, on tubular white enameled metal frame. (Purchased in 1959 and accompanied by the original invoice, this piece is in great condition and rare in this size). Herman Miller foil label. 34 1/2" x 53" x 79 1/2" |
3,500 |
10,575 |
| 91 |
CHARLES EAMES/HERMAN MILLER Rare dowel-leg table with square wood veneer top. Unmarked. 15 1/2" x 21 1/2" x 18" |
3,000 |
3,173 |
| 92 |
CHARLES EAMES/HERMAN MILLER "ESU" desk with rectangular top over bank of three drawers in black and white laminate with birch fronts, on angle-iron legs. Early Herman Miller label. 29" x 60" x 24" |
2,500 |
4,113 |
| 93 |
CHARLES EAMES/HERMAN MILLER Bent plywood child's stool. (A very early Eames design, it was never a commercial success and its production was very limited). Unmarked. 9" x 12" x 10" |
1,500 |
1,880 |
| 94 |
VLADIMIR KAGAN Extremely rare rocker no. 175SS with ottoman, 1958, both on highly-polished stainless steel frames and upholstered in high-grade elephant gray leather. (One of only a handful ever built.) Unmarked. Rocker: 39" x 25 1/2" x 41" |
10,000 |
22,325 |
| 95 |
VLADIMIR KAGAN Fine and unusual drop-leaf, gate-leg dining table with oblong top on seven-legged wood base. (A fine example of Kagan's organic design). Unmarked. Fully-extended: 29 1/2" x 66 1/2" x 42" |
3,000 |
5,288 |
| 96 |
VLADIMIR KAGAN Four dining chairs, one arm- and three side-, each upholstered in taupe and tan mini-check fabric, on dark-stained sculpted wood base. Unmarked. Side chairs: 34" x 18 1/2" x 21" |
2,000 |
1,880 |
| 97 |
VLADIMIR KAGAN Fine and large chest with eight graduated drawers on sculpted whalebone base. Unmarked. 32" x 84" x 20" |
3,000 |
9,400 |
| 98 |
VLADIMIR KAGAN Three-piece "Omnibus" sofa suite consisting of an armless sofa with asymmetrical back, a corner sofa, and an ottoman, all upholstered in light gray wool on lucite plank bases, with plexiglass light box. Unmarked. Largest piece: 29 1/2" x 77" x 33 1/2" |
3,000 |
7,050 |
| 99 |
VLADIMIR KAGAN Fine 100B loveseat upholstered in gray and white nubby wool fabric, on short faceted wood legs. Unmarked. 36" x 58" x 33" |
3,000 |
2,233 |
| 100 |
GILBERT ROHDE/HERMAN MILLER Fine East India laurel sideboard, its three doors with chrome and black enameled wood pulls concealing drawers and single shelf, on black plinth base. Unmarked. 30" x 48" x 16 1/4" |
2,500 |
7,050 |
| 101 |
GILBERT ROHDE/HERMAN MILLER Fine two-door dresser with vertical semi-circular pulls and three horizontal chrome bands, concealing six drawers, accompanied by a free-standing circular mirror on square base. Unmarked. Chest: 44" x 35 1/2" x 20" |
2,500 |
7,638 |
| 102 |
GILBERT ROHDE/HERMAN MILLER Vanity with tall rectangular mirror and demi-lune case en suite with preceding, its single cabinet door with horizontal chrome bands concealing two attached drawers, opposite three pivoting drawers, all with vertical semi-circular chrome pulls. Unmarked. 69" x 47" x 17" |
1,500 |
4,406 |
| 103 |
GILBERT ROHDE/HERMAN MILLER Two occasional tables with glass tops supported by a vertical chrome bar. (Glass top to smaller one has been replaced). Unmarked. Circular table: 19 3/4" x 24 3/4" dia. |
1,200 |
2,938 |
| 104 |
GILBERT ROHDE/HERMAN MILLER Full-size bed with horizontal chrome bands to footboard. Unmarked. 32" x 56 1/4" x 79 1/2", inside width: 54" |
600 |
1,293 |
| 105 |
GILBERT ROHDE/HERMAN MILLER East India laurel bookcase with single shelf over two-door cabinet with brushed chrome and black enameled wood pulls, on plinth base. Herman Miller metal tag, and stenciled nos. 39" x 31 1/2" x 12 1/2" |
1,500 |
2,468 |
| 106 |
GILBERT ROHDE/HERMAN MILLER East India laurel utility chest en suite with preceding, with open cubicle over two-door cabinet with converging semi-circular brushed chrome pulls, on plinth base. A few minor veneer chips, missing ebonized wood handles. Unmarked. 30" x 24" x 16" |
900 |
999 |
| 107 |
GILBERT ROHDE/HERMAN MILLER East India laurel single-pedestal desk en suite with preceding, with two drawers over cabinet door concealing three additional drawers, with chrome pulls on tubular metal frame. Unmarked. 29" x 44" x 23" |
1,200 |
5,875 |
| 108 |
GILBERT ROHDE/HERMAN MILLER Pair of book-matched East India laurel bookcases, each with three shelves and single cabinet door with horizontal black enameled wood pull, on plinth base. Marked with Herman Miller metal tag. Each unit: 39" x 32" x 12 1/2" |
1,500 |
5,288 |
| 109 |
GILBERT ROHDE/HERMAN MILLER Pair of East India laurel sofa end tables, each with open storage cubicle, and single drawer with horizontal black enameled wood pull over two shelves. Unmarked. 19 1/4" x 14" x 33 1/2" |
1,500 |
6,463 |
| 110 |
GILBERT ROHDE/HERMAN MILLER Pair of lounge chairs upholstered in taupe chenille on ebonized wood frames. Missing button on one. Unmarked. 29" x 29" x 25" |
1,500 |
2,938 |
| 111 |
GILBERT ROHDE (Attr.) Lounge chair on bent brushed steel frame upholstered in charcoal gray fabric. Unmarked. 32" x 26 1/2" x 31 1/2" |
1,200 |
5,288 |
| 112 |
GILBERT ROHDE/HERMAN MILLER Fine extension dining table with broad oval top in contrasting veneers on curved plank base with double-stretcher. Includes one 12" leaf. Unmarked. Closed: 29" x 60" x 42" |
1,500 |
2,585 |
| 113 |
GILBERT ROHDE/HERMAN MILLER Six dining chairs, two arm- and four side-, each with ivory vinyl upholstery and hemispherical stretcher. Unmarked. Armchairs: 31 3/4" x 23 1/2" x 17 1/4" |
600 |
1,410 |
| 114 |
GILBERT ROHDE/HERMAN MILLER East India laurel coffee table with rectangular top on aluminum legs with tubular feet. Marked with Flint & Company retailer's tag and stenciled numbers. 18" x 32 1/2" x 14" |
600 |
2,233 |
| 115 |
NORMAN BEL GEDDES/MEDALLIC ART COMPANY Important silver-plated bronze medallion minted in 1933 with relief decoration and the phrases "Commemorating the Twenty-fifth Anniversary of General Motors 1908-1933" on one side, "To the Advancement of Motor Transportation" on the other, with "Norman Bel Geddes/copyright/1933". Dia.: 3" |
1,500 |
1,763 |
| 116 |
EDWARD WORMLEY/DUNBAR Fine floating-back sofa fully-upholstered in woven black and gray fabric on ebonized wood base with cross-stretcher. Yellow Dunbar tag. 28" x 90 1/2" x 28" |
3,500 |
4,113 |
| 117 |
EDWARD WORMLEY/DUNBAR Two-piece "Gondola" sofa with tufted yellow, orange and green embroidered floral upholstery, on walnut frame. Some fading to upholstery. Unmarked. Each section: 29 1/2" x 60 1/2" x 32 1/2" |
3,000 |
1,763 |
| 118 |
EDWARD WORMLEY/DUNBAR Mahogany coffee table with partial plank top and brass rods to one end over lower shelf. Yellow Dunbar tag. 15" x 66" x 17" |
1,000 |
1,175 |
| 119 |
EDWARD WORMLEY/DUNBAR Walnut occasional table (no. 4856) with inset birch burl panel to circular top, brass handle and tripod base. Green Dunbar metal tag, also with paper factory tag. 27" x 25" |
600 |
2,115 |
| 120 |
EDWARD WORMLEY/DUNBAR Coffee table with circular marble top on three-legged base with brass-capped feet. Brass Dunbar tag. 12" x 38" dia. |
1,200 |
1,528 |
| 121 |
EDWARD WORMLEY/DUNBAR Pair of armchairs with yellow and umber printed velvet upholstery on ebonized wood frames. Brass "D" tag. 29 1/2" x 27" x 23" |
2,000 |
2,115 |
| 124 |
TOMMI PARZINGER/PARZINGER ORIGINALS Four-drawer chest with etched brass pulls and ivory lacquered finish. One unfinished side. Marked "Parzinger Originals". 29" x 42 1/4" x 18 1/2" |
2,000 |
1,880 |
| 125 |
TOMMI PARZINGER/PARZINGER ORIGINALS Four-drawer chest, en suite with preceding. A few shallow scratches to top, unfinished sides. Unmarked. 29" x 42 1/4" x 18 1/2" |
2,000 |
1,880 |
| 126 |
TOMMI PARZINGER/PARZINGER ORIGINALS Four-drawer chest, en suite with preceding. Some minor chipping/light stains to finish, one unfinished side. Marked "Parzinger Originals". 29" x 42 1/4" x 18 1/2" |
2,000 |
1,880 |
| 127 |
TOMMI PARZINGER/PARZINGER ORIGINALS Two-door chest with brass studs to front and sides and brass ring pulls on a white lacquer finish, interior drawer, and dark brown-lacquered trestle base. Some minor chipping to lacquer. Marked "Parzinger Originals". 29 1/2" x 33" x 18" |
1,000 |
4,994 |
| 128 |
TOMMI PARZINGER/PARZINGER ORIGINALS Two-door chest identical to preceding. Some minor chipping to lacquer. Marked "Parzinger Originals". 29 1/2" x 33" x 18" |
1,000 |
4,700 |
| 129 |
TOMMI PARZINGER/CHARAK Two-piece bleached mahogany breakfront, the top with three etched glass doors and nine interior shelves, the bottom with three inlaid cabinet doors concealing four additional shelves and five drawers. Stenciled "Charak Modern". 74 3/4" x 60 1/4" x 16 1/4" |
2,000 |
2,350 |
| 130 |
TOMMI PARZINGER/CHARAK MODERN Pair of four-drawer chests with embossed ivory leather fronts, and brass pulls with berry and leaf design, on trestle base. Stenciled "Charak Modern". 34" x 36" x 17 1/4" |
3,500 |
4,994 |
| 131 |
TOMMI PARZINGER Armchair upholstered in striped silk on dark-stained wood base. Unmarked. 29" x 27" x 29 1/2" |
1,500 |
2,115 |
| 140 |
FRANK LLOYD WRIGHT Eight-drawer dresser with overhanging brass pulls, on plinth base, c. 1955. (Originally from the John L. Rayward residence, "Tirrana", in New Canaan, CT). Unmarked. 27 1/2" x 48" x 22 1/2" |
3,000 |
2,938 |
| 141 |
FRANK LLOYD WRIGHT Two four-drawer chests, en suite with preceding. (Originally from the John L. Rayward residence, "Tirrana", in New Canaan, CT). Unmarked. 28 1/2" x 36" x 18" and 27 1/2" x 24" x 22 1/2" |
3,000 |
2,938 |
| 142 |
FRANK LLOYD WRIGHT/HENREDON Rare rectangular wall-hanging mirror in the Taliesin pattern. Stenciled 2002. 19 1/2" x 15 1/2" |
800 |
2,350 |
| 143 |
FRANK LLOYD WRIGHT/HENREDON Unusual two-door cabinet in the Taliesin pattern with concentric squares to door fronts, and single interior shelf, on raised base with stretchers. Possible repair along edge of one door, and some roughness to base. Stenciled 2005 with red FLW chop mark. 26 1/2" x 34 1/2 x 20 1/2" |
2,000 |
3,055 |
| 149 |
STYLE OF JAMES MONT Large iron table with inset marble top in brown and gray, on trestle base with bronze patina. Unmarked. 28 1/4" x 79" x 35 1/2" |
2,500 |
5,875 |
| 150 |
STYLE OF GIO PONTI Dining table, its boat-shaped top inset with plate glass on sculpted wood base with cross-stretcher and brass-capped feet. Unmarked. 30 3/4" x 87" x 34 1/2" |
2,000 |
3,819 |
| 151 |
NEW HOPE SCHOOL Large contoured sofa with sculptural wood frame, upholstered in green woven fabric (some wear). Unmarked. 28" x 107" x 31" |
2,000 |
2,115 |
| 152 |
JACQUES ADNET Brass valet with faux-bamboo uprights, ball feet, and brown stitched leather details. Unmarked. 44 1/2" x 18 1/2" |
1,500 |
1,645 |
| 153 |
GUERMONPREZ (France) Walnut cabinet with brass pulls on two sliding doors, one ebonized, over an open shelf and three blind drawers on ebonized trestle base. Scratch to one side of case. Unmarked. 59" x 63 1/2" x 15 1/2" |
800 |
2,233 |
| 154 |
MARCO ZANUSO Pair of "Lady" armchairs upholstered in deep red brushed fabric on flaring brass legs. Unmarked. 31" x 31" x 29 1/2" |
1,500 |
2,938 |
| 155 |
MARCO ZANUSO Rare "Triennale" sofa upholstered in black brushed fabric, on purple enameled metal legs. Unmarked. 32" x 71 1/2" x 30" |
2,000 |
2,350 |
| 156 |
STUDIO BBPR/OLIVETTI Single-pedestal desk with clip-corner top and three drawers on enameled metal trestle base. Unmarked. 30 1/2" x 62 1/2" x 31 1/2" |
2,500 |
3,055 |
| 157 |
UBALD KLUG/DE SEDE "Terrazza" modular book-matched lounge sofa with two layered elements fully-upholstered in moss green leather. (Imported by Stendig, these sofas can be used individually or in conjunction with additional elements to create customized seating environments). Some tears/repairs, and stains, to upholstery. Unarked. Each unit: 27 1/2" x 33 1/2" x 59 1/2" |
2,000 |
4,113 |
| 158 |
UBALD KLUG/DE SEDE "Terrazza" modular lounge sofa, like preceding, upholstered in chocolate brown leather. (Imported by STENDIG, these sofas can be used individually or in conjunction with additional elements to create customized seating environments). Stendig paper label. Each unit: 27 1/2" x 33 1/2" x 59 1/2" |
3,000 |
4,113 |
| 159 |
GIO PONTI/VENINI Fine, large and rare illuminated wall mirror, c. 1938, of scalloped form with "braided" clear glass border and two crossed horn fixtures in brass. (Ref: "I Vetri Venini" by Franco Deboni, pub. by Umberto Allemandi, also illustrated on p. 44F of Venini's "Catalogo Blu" included in Deboni's book.) Unmarked. 21 1/4" x 19 1/2" |
6,000 |
7,050 |
| 160 |
OSVALDO BORSANI/TECNO S.P.A. Convertible sofa with blue and yellow woven upholstery on adjustable black enameled steel base. (This design was awarded the Diploma of Honor at the 10th Triennale given in Milan, Italy, in 1954). Petrified foam, stains to upholstery). Tecno decal. 31" x 74" x 30" |
3,000 |
3,819 |
| 161 |
TOMMI PARZINGER Fine polished brass six-arm chandelier with candlestick fixtures topped by white linen shades and draped with original strands of lucite beads, complete with hanging chain. Unmarked. Fixture only: 38 1/2" x 29" |
4,000 |
8,225 |
| 163 |
PHILIP JOHNSON/RICHARD KELLY/EDISON PRICE, INC. Floor lamp with a conical ivory-enameled aluminum shade on four legs buttressing a cylindrical spotlight. Unmarked. 41 1/2" x 25" |
8,000 |
9,988 |
| 164 |
GINO SARFATTI/ARTELUCE "Triennale" three-arm floor lamp with enameled metal shades and handles in red, chartreuse, and dark green, on polished brass frame. Minor bend to one arm. Unmarked. 62" x 38" |
1,500 |
4,406 |
| 165 |
GINO SARFATTI Polished chrome floor lamp, its three adjustable arms with black enameled shades and handles, on tripod base. Unmarked. Approx. 80" x 45" |
2,000 |
4,700 |
| 166 |
GINO SARFATTI/ARTELUCE "Triennale" three-arm floor lamp with white enameled metal shades, and black leather-wrapped handles and shaft on tripod base. Unmarked. Approx. 59" x 43" |
2,000 |
5,288 |
| 168 |
ARREDOLUCE Table lamp with brushed chrome shade and chrome ball reflector sitting on a bulbous orange enameled base. Short scratch to enamel. Stamped "Arredoluce/Monza/Made in Italy". 22 1/2" x 14" |
2,000 |
3,055 |
| 169 |
FONTANA ARTE (Attr.) Large chandelier in polished chrome with twelve sockets and fourteen semi-circular plate glass panels. Unmarked. Approx. 40" x 22" |
1,500 |
2,820 |
| 171 |
INGEBORG LUNDIN/ORREFORS Ariel "Faces" vase of clear and shaded green cased glass. Etched "Orrefors/Ariel No. 503-G/Ingeborg Lundin". 7" x 5 1/4" |
1,500 |
1,880 |
| 172 |
PETER VOULKOS Massive stoneware plaque, 1979, its incised and gouged concave surface with multiple protrusions, covered in buff glaze with random patches of blue to exterior and bottom. (Descended through the family of the original owner, who acquired the piece directly from Voulkos). Signed "Voulkos 79" and tagged C1V.14. 4 1/2" x 22 1/2" |
15,000 |
14,100 |
| 173 |
RICHARD DeVORE (American, b. 1933) "Torso" porcelain vessel with irregular rim. Provenance: Thomas Segal Gallery, Boston Exhibition: Boston Museum of Fine Arts, "Directions in Contemporary American Ceramics," 1985. Accompanied by a copy of an article featuring the collector. Unmarked. 14" x 16" x 9" |
3,500 |
8,813 |
| 174 |
LUCIE RIE (Austrian, 1902-1995) Ceramic vase of baluster form with flaring rim under a glossy white glaze. Artist's cipher. 11 3/4" |
1,000 |
5,875 |
| 175 |
ROBERT TURNER (American, b. 1913) Untitled stoneware vessel, 1981, wheel-thrown and hand-built and covered in mahogany speckled matte glaze. Provenance: Thomas Segal Gallery, Boston Exhibition: Boston Museum of Fine Arts, "Directions in Contemporary American Ceramics," 1985. Accompanied by a copy of an article featuring the collector. Incised Turner. 14". |
2,000 |
10,575 |
| 176 |
TOSHIKO TAKAEZU Unusual double-vessel of hand-thrown stoneware, each part with three small openings, painted with random celadon and indigo brushstrokes. Incised TT. 7 3/4" x 10 3/4" |
2,500 |
6,463 |
| 177 |
PAUL SOLDNER (American, b. 1921) Untitled ceramic vessel, 1981, raku-fired with slip and calligraphic decoration. Exhibition: The Thomas Segal Gallery, Boston, "Paul Soldner - Recent Ceramics," 1982, with exhibition card bearing a photo of the vessel. Artist cipher in glaze, 81-1-6189. 17 1/2" |
2,500 |
4,113 |
| 179 |
CLYDE BURT Large spherical stoneware vase decorated in cuerda seca with an abstract design and covered in sienna, celadon and ivory matte glazes. Incised CB. 15" x 13" |
400 |
2,468 |
| 180 |
PETER VOULKOS Ridged and flattened stoneware vase painted with two faces in brown and green on speckled gray ground. Signed "Voulkos". 12 1/4" x 7 1/2" |
3,000 |
4,406 |
| 182 |
NATZLER Coupe covered in a fine teal and oxblood glossy glaze, with melt fissures. Natzler in ink. 3 3/4" x 5 1/2" |
3,000 |
3,819 |
| 183 |
SCHEIER Fine and large stoneware footed vessel, early 1950s, its exterior incised with overlapping primitive fish and faces, covered in olive green and rich mahogany glossy glazes. (Accompanied by letter of provenance containing a handwritten note about the piece from Edwin Scheier). Incised "Scheier". 9" x 8" |
1,500 |
2,585 |
| 184 |
NATZLER Coupe covered in a fine raspberry copper-reduction glaze with melt fissures. 1/4" chip to rim, 1/8" manufacturing flake to base. Natzler in ink. 5" x 6 1/4" |
4,000 |
4,113 |
| 185 |
NATZLER Small dish covered in a frothy uranium red glaze. Natzler, in ink. 1" x 5" |
1,000 |
1,528 |
| 186 |
NATZLER Exceptional and large shallow bowl covered in a superior chartreuse and brown volcanic glaze. A couple of small touched-up chips at rim. Natzler in ink. 2 1/2" x 11 1/2" |
3,000 |
3,055 |
| 187 |
NATZLER Shallow bowl covered in a good umber volcanic glaze with chartreuse and powder blue pooling to interior. Two stabilized tight hairlines from rim. Natzler in ink. 2 1/4" x 7 3/4" |
3,000 |
2,938 |
| 191 |
OTTO HEINO Stoneware tile, 1997, incised and painted with bamboo stalks in white and umber on a mottled navy blue ground. Signed "Otto 97" along one edge. 8 1/2" sq. |
400 |
235 |
| 192 |
GIO PONTI/RICHARD GINORI Fine spherical vase depicting planet Earth in beiges and mottled plum glaze. Marked "Ginori/377-118G/Made in Italy". 9 1/2" x 8" |
2,000 |
9,988 |
| 194 |
MICHAEL CARDEW Large stoneware cider jug incised with fish and covered in dark and medium brown glazes. (A well-documented example of Cardew's work). Some wear to glaze around rim and hole. Stamped MC/WP or PW? 17 1/2" x 11" |
1,200 |
1,410 |
| 195 |
RICHARD NOTKIN Bisque-fired red clay teapot with dice finial, and oil-theme feet: oil drums, peanut, and walnut, 1991. Incised "Notkin/1991". 4 1/4" x 8" |
1,500 |
2,350 |
| 196 |
The following six lots represent limited-run productions of works by Albert Paley and are from the Peter Joseph Estate. ALBERT PALEY Thirteen "Vulcan" tall candlesticks of forged and fabricated steel, 1994: four pairs with brass elements, and five singles with dark brown patina and rust-colored flashes. Stamped "Albert Paley/1994". 20 1/4" h |
4,000 |
10,575 |
| 197 |
ALBERT PALEY Three pairs of "Sunrise" tall candlesticks, 1993, of forged and fabricated steel with brass inserts. (Designed by Paley for the American Ballet Theater.) Stamped and numbered marks. 21 1/2" h |
3,000 |
7,050 |
| 198 |
ALBERT PALEY Pair of "Vulcan" tall candlesticks, 1994, of forged and fabricated steel with dark brown patina and rust-colored flashes. Stamped "Albert Paley/1994". 20 1/4" h |
1,000 |
3,290 |
| 199 |
ALBERT PALEY Approximately 150 small- and medium-sized paperweights of forged and fabricated steel with rust-colored flashes, 1994. (Designed for the American Ballet Theater.) Stamped marks. Approx. 8 1/4" and 9" dia. |
4,000 |
7,050 |
| 200 |
ALBERT PALEY Approximately 40 forged and fabricated steel medallions in three sizes, with rust-colored flashes. Some damaged or incomplete. (These medallions were utilized as door handles in New York gallery owner Peter Joseph's Rosecliff offices.) Dia.: 6 1/4" to 11 1/4" |
3,500 |
3,819 |
| 201 |
ALBERT PALEY Twenty-two "Tuft" candlesticks of forged and fabricated steel, 1993, with either rust-colored or black patinas. Some damaged. Stamped marks. 8 3/4" h |
4,500 |
5,581 |
| 202 |
PETER SHIRE Post-Modern single-pedestal desk with trapezoidal black lacquered top on enameled steel base in yellow, pink and blue. (Acquired by the consignor from the artist in 1979). Unmarked. 30" x 81 1/2" x 28" |
1,500 |
1,880 |
| 203 |
ETTORE SOTTSASS/MEMPHIS Queen-size bed of black laminate and enameled steel with spindled headboard and arched footboard, each side with attached red laminate night table and gooseneck reading lamp. A few minor chips to finish. Unmarked. 62 1/2" x 70 1/2" x 88", inside width: 60" |
2,000 |
5,875 |
| 204 |
ETTORE SOTTSASS/MEMPHIS "Crazy Horse" table with square laminated top in red with black trim, on white enameled iron or steel base. Unmarked. 29" x 40" sq. |
1,000 |
1,175 |
| 205 |
RON ARAD/ONE OFF, LTD "Rover" chair, its salvaged Rover car seat with headrest covered in black leather and mounted on tubular steel scaffolding frame. Unmarked. 38 1/2" x 26 1/2" x 35 1/2" |
1,200 |
3,819 |
| 206 |
PHILIPPE STARCK/ALEPH/DRIADE "M Serie Lang" dining table, its circular dyed-mahogany veneer top with chrome inlay, on three sharply-tapered cast aluminum legs. Two missing rubber feet. Unmarked. 29 1/2" x 51" dia. |
2,500 |
1,469 |
| 209 |
RODOLFO DORDONI/MOROSO Pair of "Waiting Tub" chairs with foam-covered steel frame and ochre fabric upholstery, on sculpted base. Paper factory labels. 29" x 30" x 28" |
800 |
705 |
| 210 |
RODOLFO DORDONI/MOROSO Pair of "Waiting Tub" chairs like preceding, upholstered in burnt-orange fabric. Paper factory labels. 29" x 30" x 28" |
800 |
823 |
| 211 |
MICHELE DE LUCCHI/MEMPHIS "Oceanic" lamp, 1981, of pink, yellow and black and white enameled metal. Unmarked. 29 1/2" h |
600 |
470 |
| 212 |
GAETANO PESCE Post-modern storage unit custom-designed for the Chiat/Day Advertising agency in New York, 1991, with two banks of thirteen numbered "mailbox" compartments with hinged fronts in polychromed wood, on ebonized frame with open back. Unmarked. 65 3/4" x 24 1/4" x 14 3/4" |
1,500 |
2,350 |
| 213 |
GAETANO PESCE/ZANI & ZANI Three "Vesuvio" espresso coffee-makers of resin and enameled cast aluminum, 1988-89, in their original boxes. Damaged boxes, one missing underplate for pot. Marked on base. 14 1/2" x 6 1/2" |
600 |
588 |
| 214 |
PAUL EVANS Monumental wall collage, 1974, with a complex arrangement of applied sculptural elements covered in blue, yellow and terra cotta patinas with gilded highlights, placed within a grid-form framework of welded steel. (The largest and finest example of these that we've ever enountered). Signed "Paul Evans/74" on bottom. 48 1/2" x 59 3/4" |
6,000 |
35,250 |
| 215 |
PAUL EVANS Deep-relief buffet, 1966, with three slate pieces to top and riveted metal patchwork to case, its four doors with relief decoration covered in gold and dark green patinas, concealing single interior shelf. (Back of piece has been modified to accommodate built-in audio components). Welded signature and date, "Paul Evans/66". 31" x 96" x 21" |
6,000 |
6,463 |
| 216 |
PAUL EVANS Monumental Sculpted Bronze wall collage entirely composed of bronze and polished brass relief forms. Unmarked. 6' x 6' |
3,000 |
11,163 |
| 217 |
PAUL EVANS Wall-hanging Sculpted Bronze disc bar, 1969, with two semi-circular doors concealing a drawer, a cabinet door, and two adjustable shelves. (A classic Evans design). Marked "PE 69" on bottom. 6' x 6' x 16" |
2,500 |
8,225 |
| 218 |
The following three lots are from the personal collection of Paul Evans and were used in the artist's home. A photograph of the pieces in situ is illustrated. PAUL EVANS Unique dining table executed in the Queen Anne style with rectangular rosewood top on Sculpted Bronze base with cabriole legs. (This piece was the only one of its kind ever produced). Unmarked. 31" x 103" x 55" |
4,000 |
7,638 |
| 219 |
PAUL EVANS Six Sculpted Bronze dining side chairs (five shown), each upholstered in dark green crushed velvet. Unmarked. 32 3/4" x 21 1/2" x 22 3/4" |
1,200 |
7,638 |
| 220 |
PAUL EVANS Four Sculpted Bronze dining chairs, two arm- and two side-, upholstered in light beige suede. Paul Evans, Inc. paper tags. Armchairs: 37" x 24" x 20 1/2", side chairs: 32 3/4" x 21 1/2" x 22 3/4" |
900 |
4,700 |
| 221 |
PAUL EVANS Fine custom-designed extension dining table in patchwork olive burl veneer, with polished chrome to base. Includes two 15" leaves. Unmarked. Closed: 29 1/4" x 78 1/4" x 40" |
1,500 |
7,050 |
| 222 |
PAUL EVANS Fine custom-designed sideboard in patchwork olive burl veneer and polished chrome, with four doors concealing a single fitted drawer and four adjustable shelves. Unmarked. 32 1/4" x 80 3/4" x 22" |
1,500 |
4,406 |
| 223 |
PAUL EVANS Pole lamp of welded and patinated steel with three sockets. Unmarked. 93" |
900 |
823 |
| 224 |
PAUL EVANS Pole lamp of welded and patinated steel, its vertical support with three sockets, its crossbar covered in gold leaf mounted with three single-socket fixtures, and original hook (not shown). Unmarked. 93" x 105" |
900 |
2,115 |
| 225 |
PAUL EVANS Fine hammered sterling silver footed bowl with applied ribbon-like design around base. Stamped "P. Evans/Sterling". 3 1/4" x 6" |
2,000 |
5,875 |
| 226 |
PAUL EVANS Freeform ashtray of sculpted pewter. (A very rare form). Unmarked. 2" x 8 1/2" |
400 |
4,113 |
| 227 |
PAUL EVANS/PHILLIP LLOYD POWELL/RAYMOR Pair of tapering walnut candlesticks with pewter inlay. Small chip to top of one. Unmarked. 13 1/4" x 3" |
500 |
1,880 |
| 228 |
Phil Powell's work was never confined by corporate sponsorship. It was instead a product of his own boundless creativity. He was one of the few mid-century designers who was governed only by the need to create. PHILlIP LLOYD POWELL Fine custom-designed walnut dining table, early 1960s, its top with two free-form edges, natural occlusions, and two lapis-inlaid ovals, on chip-carved pedestal base with gold and silver leaf patchwork finish, and cylindrical feet. (Can be combined with lots 229 and 230 to form one large dining table. From estate of the original owner). Unmarked. 28 1/4" x 46 3/4" x 35 3/4" |
2,000 |
4,113 |
| 229 |
PHILLIP LLOYD POWELL Fine custom-designed walnut dining table, early 1960s, with single lapis-inlaid oval to top, en suite with preceding. Unmarked. 28 1/4" x 46 1/4" x 35 3/4" |
2,000 |
4,113 |
| 230 |
PHILLIP LLOYD POWELL Fine custom-designed walnut dining table, early 1960s, en suite with preceding. Unmarked. 28 1/4" x 47 1/4" x 35 1/2" |
2,000 |
4,113 |
| 231 |
PHILLIP LLOYD POWELL Fine and unusual architectural coffee table with inset plate glass top over sculptural walnut panel, mounted through open sides covered in gold leaf with red veining. (From estate of the original owner). 1 1/2" chip to edge of glass. Unmarked. 17" x 52" x 13 1/2" |
3,000 |
8,813 |
| 232 |
PHILLIP LLOYD POWELL Custom-designed wall-hanging cabinet of trapezoidal form with single concave door, piano hinge hardware, and figural carved wood pull, its exterior covered in gold and silver leaf patchwork finish with red veining, its interior in antique red with shelves. (From estate of the original owner). Unmarked. 47 1/2" x 30" x 24" |
4,000 |
1,763 |
| 233 |
PHILLIP LLOYD POWELL Custom-designed wall-hanging cabinet, en suite with preceding. (From estate of the original owner). Unmarked. 47 1/2" x 30" x 24" |
4,000 |
1,763 |
| 234 |
PHILLIP LLOYD POWELL Mirror-backed buffet covered in silver leaf with inset white marble top and four cabinet doors with spherical pulls, on faceted plinth base. Minor scratches to finish. Printed and signed "Phil Powell/c. 1975". 33" x 61 1/2" x 21 1/2" |
2,000 |
3,173 |
| 235 |
PHILLIP LLOYD POWELL Fine walnut table/bench with tapering dowel legs mortised through the top. Unmarked. 12" x 84" x 16" |
2,000 |
1,880 |
| 236 |
PHILLIP LLOYD POWELL Fine walnut sofa with three spindle-back seats with webbed supports and fabric-upholstered cushions, flanking a slate-top and a travertine-top table, all resting on a sculpted base with dowel legs. (The configuration of seats and tables is interchangeable). Unmarked. 30" x 10' x 35" |
2,500 |
4,700 |
| 237 |
PHILLIP LLOYD POWELL Accent table, its oval walnut top with small ebony center, on conical chip-carved pedestal base covered in gold leaf with red veining. (From estate of the original owner). Unmarked. 13 3/4" x 14" x 11" |
600 |
4,113 |
| 238 |
PHILLIP LLOYD POWELL Walnut occasional table, c. 1955, with triangular top on three tapering legs. Some stains to top. Unmarked. 19 1/2" x 36 1/2" x 27 1/2" |
600 |
529 |
| 239 |
PHILLIP LLOYD POWELL Walnut end table with triangular beveled top on three tapering dowel legs. Unmarked. 19 1/2" x 29 1/2" x 20 1/2" |
600 |
353 |
| 240 |
PHILLIP LLOYD POWELL Fine walnut single-pedestal desk, its free-form top with tear-shaped inlay, over bank of three drawers with recessed pulls on tapering dowel-leg frame. (From family of the original owners). Unmarked. 29" x 60" x 29" |
2,500 |
2,468 |
| 241 |
In the late 1940s, Phil Powell launched his career by designing a series of lamps that, while inspired by Nakashima and Esherick, defined his own unique vision of organic design. Lots 241 through 244 are among the very first pieces of furniture he sold. PHILLIP LLOYD POWELL Tripod table lamp base of ebonized wood with sharply tapered legs. Unmarked. Wood only: 24" x 11 1/4" |
1,200 |
2,350 |
| 242 |
PHILLIP LLOYD POWELL Walnut hanging light fixture with two sockets and ivory silk drum shade dropping from a fin-shaped walnut ceiling plate. Unmarked. Shade: 18" dia., wall-mounting plank: 18 3/4" x 5 1/4" |
600 |
705 |
| 243 |
PHILLIP LLOYD POWELL Tall and elegant laminated walnut corseted lamp base with two sockets. Original finish. Unmarked. Wood only: 29 1/2" x 7" |
800 |
1,528 |
| 244 |
PHILLIP LLOYD POWELL Walnut freeform table lamp base with single-socket brass shaft. Minor chip to edge of wood. Unmarked. 21 1/2" x 16 1/2" |
600 |
2,350 |
| 245 |
PHILLIP LLOYD POWELL Fine and early walnut wall unit with four floor-to-ceiling posts, a shelf unit concealed by three sliding doors, and slate-topped cabinet with inlaid details. Unmarked. 94" x 75" x 18" |
2,000 |
3,173 |
| 247 |
PHILLIP LLOYD POWELL Ebonized wooden long bench with three fabric-upholstered cushions and black-enameled metal legs. Unmarked. 17" x 73" x 24 1/2" |
1,000 |
2,468 |
| 249 |
TAPIO WIRKKALA/ASKO Fine coffee table with rectangular laminated plywood top on angular black iron frame with stretcher. One missing rubber foot. Marked with brass plaque, "Tapio Wirkkala/Asko/Made in Finland/3/60". 16" x 49" x 24 1/2" |
1,500 |
3,819 |
| 250 |
VERNER PANTON "Heart" chair upholstered in royal blue fabric on swiveling polished chrome star base. Unmarked. 35" x 40" x 26" |
2,500 |
3,290 |
| 251 |
GIANFRANCO FRATTINI/BERNINI Rosewood storage unit with two banks of five drawers with recessed oval pulls, on metal base with cylindrical feet. Unmarked. 24 1/2" x 43 1/4" x 23 1/2" |
1,400 |
2,703 |
| 252 |
CRAFT ASSOCIATES Sofa and matching armchair with exposed teak frames and ivory fabric upholstery on tapering dowel legs. Some soiling and stains to fabric. Unmarked. Sofa: 29 1/2" x 99" x 30 1/2", chair: 31" x 32 3/4" x 30" |
1,500 |
1,410 |
| 253 |
FINN JUHL/NIELS VODDER Fine and early "Chieftain" chair in teak re-upholstered in black leather. (Without question, one of the finest examples of modern design ever produced. Purchased by the consignor in 1957.) Branded mark, "Niels Vodder/Cabinet Maker/Copenhagen, Denmark". 36 3/4" x 40 1/2" x 29 1/2" |
9,000 |
16,450 |
| 254 |
FINN JUHL/NIELS VODDER Fine No. 45 settee in teak with brown vinyl upholstery on sculpted frame. Branded mark. 32" x 46" x 28" |
3,500 |
8,225 |
| 254A |
FINN JUHL/NIELS VODDER Fine No. 45 settee, en suite with preceding. Branded mark. 32" x 46" x 28" |
3,500 |
8,225 |
| 255 |
FINN JUHL/NIELS VODDER Fine No. 45 armchair in teak upholstered in burnt-orange chevron patterned velvet. Unmarked. 33 1/4" x 27" x 27 1/2" |
1,500 |
2,703 |
| 256 |
FINN JUHL/NIELS VODDER Pair of No. 53 Easy chairs in teak, upholstered in green fabric, with horn-shaped arms and brass hardware. Minor pull to fabric on seat of one chair. Branded mark. 29 1/4" x 28" x 25 1/2" |
2,000 |
2,350 |
| 257 |
FINN JUHL Pair of Easy chairs with diamond-pattern upholstery in pink on ivory and blue on ivory, and teak dowel-leg frame with X-shaped cross-stretcher. Some fading and soiling to fabric. 33" x 25 1/2" x 26 1/2" |
1,500 |
1,175 |
| 258 |
AXEL LARSSON Fine high-back lounge chair, 1937, with sculpted wood frame and reddish-brown leather webbing. (Exhibited in the Swedish Pavillion at the 1939 New York World's Fair). Missing pillow headrest. Branded SMF monogram with "Made in Sweden", also bears 1939 World's Fair Customs tag. 40" x 26" x 29" |
2,500 |
7,050 |
| 259 |
LUXUS (Sweden) Fine teak tripod floor lamp with black enameled metal conical shade. Black Luxus label. 56 1/4" x 16 3/4" x 16" |
600 |
3,173 |
| 262 |
BOCH FRERES Large spherical crackleware vase decorated in cuerda seca with stylized penguins in black and mint on a white ground. Stamped "Made in Belgium/Boch Fes./Alfred/976". 14 1/2" x 13 1/2" |
2,000 |
9,400 |
| 263 |
BOCH FRERES Pair of cylindrical crackleware vases decorated in cuerda seca with stylized penguins in black and mint on a white ground. One has 6" T-shaped crack (in as-is condition). Stamped "Made in Belgium/Boch Fes./Alfred/976". 15 1/4" x 5 1/4" |
2,500 |
4,406 |
| 264 |
CHARLES CATTEAU/BOCH FRERES Large ovoid vase enamel-decorated in cuerda seca with vertical panels of yellow stylized buds and green leaves, outlined in cobalt on a white crackled ground. Blue Boch Freres ink stamp, also marked D.952/Ch. Catteau and impressed 975/K. 12" x 7 3/4" |
800 |
881 |
| 268 |
CHARLES HARDER Red clay plate painted in the Mexican style with indigo horses and cactus plants, 1928. Glaze flaking around rim, and some abrasion to surface. Incised "C. Harder/1928". 8" dia. |
850 |
940 |
| 269 |
HENRY VARNUM POOR Two pitchers, one incised with daisies on an ivory ground, 1926; the other with yellow and white stripes. Both marked. 7 3/4" and 6 1/4" |
400 |
235 |
| 270 |
JAMES/NAN McKINNELL Large covered stoneware urn with hollow finial on lid and prunts on shoulder, covered in blue-green and brown striped glaze. Incised "McKinnell". 16 1/4" x 10 1/2" |
400 |
235 |
| 274 |
EDRIS ECKHARDT Seven earthenware figures in polychrome glaze depicting scenes from "Alice in Wonderland" for the Federal Art Project, Cleveland, Ohio, 1937-1941. Restoration to a couple of pieces, a few small chips. Marked "Edris Eckhardt/Edition of 50/Federal Art Project/Cleveland, Ohio" with dates. Largest: 6 1/2" x 4 1/2" |
3,500 |
3,525 |
| 276 |
REED & BARTON Fine 68-piece sterling silver flatware service in the "Diamond" pattern: 12 dinner knives, 8 cheese/butter knives, 12 salad/dessert forks, 12 dinner forks, 12 teaspoons, 6 soup spoons, and 6 serving utensils. Stamped "Reed & Barton/Sterling". |
3,000 |
2,468 |
| 277 |
Donald Drumm's unusual cement and metal sculptures are known throughout the United States and abroad. A native of Warren, Ohio, Drumm is the product of several generations of metal workers. He earned his BFA and MA at Kent State University, where some of his large sculptures can be seen. His work is also featured at Ohio's Bowling Green University, where he constructed a ten-story cut-concrete sculpture for the Library. Drumm and his wife own the Donald Drumm Studios and Gallery in Akron, where he produces both artistic and utilitarian wares. DONALD DRUMM (Ohio, 1935- ) Skeletal wall-hanging sculpture in cast aluminum. Signed, verso. 30" x 18" |
1,500 |
1,116 |
| 280 |
WAYLANDE GREGORY Pastel drawing of a male torso in blue, charcoal, white and tan. (This drawing was a study for a large metal sculpture executed by Gregory). Some tears and losses to paper. Framed, signed "Waylande Gregory" lower right. Sight: 29 1/4" x 24 1/4" |
800 |
470 |
| 281 |
BARRY BROTHERS Three-panel lucite mural, 1989, painted with a stylized view of the New York City skyline. Each panel: 83" x 41" |
1,500 |
2,468 |
| 282 |
BERNARD "BEN" BADURA/J. SHARP Large Badura gilded frame surrounding an oil on canvas portrait by J. Sharp, 1944, of a young woman in a red dress. A few minor losses along edges of frame. Carved notation, "Frame by Badura/New Hope, PA" on back of frame, painting signed "J. Sharp/44" in the composition. Sight: 29 1/2" x 23 1/2" |
1,500 |
1,175 |
| 283 |
RICHARD CRIST (New Hope, PA, 1909-1985) Oil on board painting, 1946, untitled abstraction in the style of Kandinsky, in limed oak frame. Marked "CSRi/46", verso. Sight: 19 1/2" x 23 1/4" |
900 |
1,763 |
| 291 |
SALVADOR DALI French room-size art rug, "Alice in Wonderland", with two female figures in long flowing gowns jumping rope, one with floral bouquets as head and hands, in brown, green and shades of blue on an ivory ground. Some minor soiling. Woven monogram with crown, also remnant of paper label on reverse. 6' x 9' |
2,000 |
4,700 |
| 292 |
VLADIMIR KAGAN Model #175D armchair and ottoman on sculpted cherry frames with cherry-red boucle upholstery. Unmarked. Chair: 37" x 33" x 37" |
3,500 |
9,400 |
| 293 |
KAGAN/DREYFUSS High-back armchair, 1952-53, with tan cashmere upholstery on sculpted cherry frame. Unmarked. 36" x 29 1/2" x 32" |
3,000 |
7,050 |
| 294 |
KAGAN/DREYFUSS Office chair on sculpted frame with oatmeal-colored leather upholstery, on swivel base with casters. (Kagan was able to adapt his organic design style to many standard forms, as evidenced by this rare desk chair). Unmarked. 34" x 26" x 28" |
3,500 |
6,463 |
| 296 |
VLADIMIR KAGAN/JACK LENOR LARSEN Pair of mini-crescent lounge chairs upholstered in Larsen coral and red velvet patterned upholstery, on circular swivel bases. Unmarked. 29 1/2" x 29 1/2" x 29 1/2" |
2,500 |
3,055 |
| 297 |
VLADIMIR KAGAN Unique dining table, its circular top covered in lacquered goatskin on three-legged sculpted walnut base. (The only one of its kind ever produced). Metal tag, "Kagan New York Collection". 27 1/2" x 42" dia. |
3,500 |
5,875 |
| 298 |
VLADIMIR KAGAN Three "101" armchairs upholstered in ivory chenille on walnut frames, en suite with preceding. Unmarked. 37" x 24" x 21" |
2,000 |
1,410 |
| 299 |
KAGAN/DREYFUSS Pair of library chairs, 1952-53, upholstered in dark green leather on sculpted walnut frames. Unmarked. 30" x 24" x 24" |
4,000 |
7,050 |
| 300 |
VLADIMIR KAGAN Mini-150BC loveseat upholstered in ecru ultrasuede on tapering ebonized wood legs. (Accompanied by a photocopy sketch for the piece, signed and dated by Kagan). Unmarked. 29 1/2" x 54" x 35" |
3,500 |
4,113 |
| 301 |
VLADIMIR KAGAN Lounge chair with low rounded armrests and square-pillow ottoman, each on a cross-shaped lucite base and upholstered in red crushed velvet. Unmarked. Chair: 42" x 28" |
1,500 |
3,055 |
| 302 |
VLADIMIR KAGAN/DREYFUSS Exceptional, early and rare "Moon" sofa, fully-upholstered in its groovy original stretch jersey printed with wave pattern in black, ochre, and umber, on ball casters. (The first of these we've ever offered, from the original owner). A few small tears to upholstery. Kagan-Dreyfuss factory tag. Approx.: 24 3/4" x 115" x 90" |
6,000 |
11,163 |
| 303 |
VLADIMIR KAGAN Chaise lounge with low rounded armrests, upholstered in brown and beige fabric on sculptural walnut base. (A nice example of Kagan's early organic design). Some petrification to foam and wear to feet. Unmarked. 32 1/4" x 54" x 26 3/4" |
3,000 |
7,638 |
| 304 |
VLADIMIR KAGAN Six dining side chairs with shield-shaped backs upholstered in rust-colored velvet, on sculpted walnut frames. Marked "Kagan/Dreyfuss New York, Vladimir Kagan Design". 36 1/2" x 18 1/2" x 21 1/2" |
2,500 |
5,288 |
| 305 |
VLADIMIR KAGAN Walnut daybed with drop-in bolster upholstered in blue Modern fabric, on lucite plank legs. Unmarked. 31" x 82 1/2" x 32 1/2" |
2,000 |
4,113 |
| 306 |
VLADIMIR KAGAN Crescent-shaped "Floating sofa" upholstered in ivory fabric, on sculpted ebonized wooden base. Unmarked. 29 1/2" x 75" x 39" |
7,000 |
10,575 |
| 307 |
VLADIMIR KAGAN/JACK LENOR LARSEN Two Omnibus armless sofas upholstered in original Larsen taupe velvet, on lucite plank legs. Vladimir Kagan Designs Inc., labels. Each frame (approx.): 27" x 59" x 33" |
1,000 |
1,763 |
| 309 |
VLADIMIR KAGAN/JACK LENOR LARSEN Crescent-shaped sofa upholstered in original Larsen taupe velvet, on two lucite plank supports. Vladimir Kagan Designs Inc., factory tag. Approx.: 30 1/2" x 88" x 35" |
1,500 |
881 |
| 310 |
VLADIMIR KAGAN/JACK LENOR LARSEN Crescent-shaped sofa, identical to preceding. Vladimir Kagan Designs Inc., factory tag. Approx.: 30 1/2" x 88" x 35" |
1,500 |
881 |
| 311 |
WILHELM HUNT DIEDERICH Fine and rare bronze sculpture of a stag and hound, in black patina, mounted on a green and white marble base. (From New York estate of the original owner, this piece was acquired directly from the artist and has descended through the owner's family. It is accompanied by a black and white photograph showing the sculpture in-situ.) Replaced marble base. Unmarked. 20 1/2" x 31" x 16" |
20,000 |
47,000 |
| 312 |
ART DECO Room-size rug with geometric pattern in polychrome against a light beige ground. Some minor soiling. Marked "GM" in the pile. 138" x 106" |
800 |
7,050 |
| 313 |
Frederick Grant (1886-1959) studied painting under John Vanderpoel at the Art Institute of Chicago, where he would later exhibit. When in Paris and Venice, he also studied with William Merritt Chase. He became known for his oils and watercolors of landscapes and still-lifes. FREDERICK GRANT (1886-1959) Oil on canvas painting, "The Century of Progress", 1933, depicting a view of the 1933 Chicago's World's Fair, mounted in a gilded frame. Unsigned. Sight: 20" x 31 1/2" |
3,500 |
5,581 |
| 314 |
GILBERT ROHDE/HERMAN MILLER Fine "Paldao" single-pedestal desk with raised freeform top containing two blind drawers, over pull-out shelf and bank of three graduated drawers with carved conical pulls; tacked-on ochre leatherette to pedestal and leg. Marked with stenciled number. 29 1/2" x 52" x 29" |
2,500 |
2,820 |
| 315 |
GILBERT ROHDE/HERMAN MILLER Fine "Paldao" bookcase/cabinet, the top portion with open shelves surrounding three drawers and a drop-front door concealing a fitted interior, the bottom portion with four concave doors and large carved wood pulls concealing four drawers flanked by cabinets modified with speakers and a turntable. Bottom piece has small veneer chip to one rear corner, and no back. Stenciled 4105. 72" x 66" x 15" |
2,500 |
1,880 |
| 316 |
GILBERT ROHDE/HERMAN MILLER Electric mantle clock in rosewood with circular dial, red and black enameled metal hands, and chrome details. Minor chip to rear corner of case. Marked. 6 1/4" x 16 3/4" x 3" |
800 |
5,875 |
| 318 |
ART DECO Pair of fine club chairs re-upholstered in black leather on low wood feet. Unmarked. 30 1/2" x 31" x 29 1/2" |
3,000 |
1,880 |
| 320 |
Austrian-born architect Joseph Urban (1872-1933) immigrated to the United States in 1911 to become art director of the Boston Opera. Urban's extremely successful career in his adoptive country included all matters of design, from theater and movie sets, to interiors, and buildings. His high-profile clients included William Randolf Hearst, for whom he served as artistic director for Cosmopolitan Pictures from 1920 to 1925, and Florenz Ziegfeld, for whom he designed the Follies starting in 1915, and eventually the Ziegfeld Theater (built 1927, and financed by Hearst). JOSEPH AND GRETL URBAN/ZIEGFELD THEATER Three-panel room screen of painted canvas over plywood, decorated with lush flora. (The panel was originally part of a large mural in the Ziegfeld's Ladies' Lounge, executed by Urban's daughter Gretl, a frequent collaborator. The entire mural was originally in the collection of Randolph Carter, a fellow set designer at the Ziegfeld, and co-author of "Joseph Urban: Architecture, Theater, Opera, Film.") Some minor losses. Unmarked. Each panel: 8' x 24" |
1,500 |
2,703 |
| 321 |
WALTER KANTACK Reflective wall sconce from The Roxy Theater, with an Art Deco pewter mask over a large brass basin. A couple of short scratches to face. Unmarked. 6" h x 17 1/4" dia. |
9,000 |
10,575 |
| 322 |
RUTH REEVES/DONALD DESKEY/RADIO CITY MUSIC HALL Art Deco wool carpet, 1933, decorated with patchwork of musical instruments in shades of purple, rust, and gold. (A design for this rug is illustrated on page 91 of Susan Day's book, "Art Deco and Modernist Carpets"). Marked "RADIO CITY MUSIC HALL" on backing. 82" x 46 1/2" |
800 |
1,293 |
| 323 |
MARCEL BREUER Single pedestal desk with four drawers and recessed oval pulls, along with a wall-hanging shelf unit, commissioned for the Rhoads Dormitory at Bryn Mawr College in Pennsylvania. Desk stenciled "Rhoads", shelf unit is unmarked. Desk: 29 1/4" x 50" x 24 1/2", shelf unit: 24" x 72" x 8 1/4" |
1,500 |
1,880 |
| 324 |
MARCEL BREUER Four-drawer dresser with recessed oval pulls on plinth base, en suite with preceding. Refinished. Stenciled "Rhoads" on back. 29 1/4" x 50" x 24 3/4" |
1,000 |
1,175 |
| 325 |
MODERNE Three-drawer parchment-covered chest with square brass drop pulls on exotic wood frame with tapering legs. Unmarked. 35" x 39 1/2" x 19 3/4" |
2,000 |
1,998 |
| 328 |
ALFRED NAGEL Secessionist occasional table, c. 1910, its oval birch veneer top with inlaid center medallion, on pedestal shaft with planished metal base. (Illus.: Sept. 1911 issue of "Innen-Dekoration", pg. 379). Unmarked. 28" x 27 1/2" x 19 1/2" |
1,200 |
1,528 |
| 334 |
FRANK LLOYD WRIGHT/HENREDON Bleached mahogany extension dining table in the Taliesin pattern with stepped base. Includes two leaves. Unmarked. Closed: 29" x 64" x 42" |
1,500 |
999 |
| 335 |
FRANK LLOYD WRIGHT/HENREDON Six dining chairs in the Taliesin pattern, two arm- and four side-, each re-covered in Asian-style fabric. Unmarked. Armchairs: 32" x 23" x 22" |
1,500 |
881 |
| 336 |
FRANK LLOYD WRIGHT/HENREDON Bleached mahogany buffet in the Taliesin pattern with removable overhanging top with open shelves, resting on a case with eight drawers and two cabinet doors. Marked with retailer's label. Fully-assembled: 46 1/2" x 86" x 19" |
2,000 |
1,763 |
| 337 |
GINO SARFATTI/ARREDOLUCE Polished brass floor lamp, its three pivoting arms with white enameled shades and handles. Stamped Arredoluce Monza/Made in Italy. Approx. 70" x 38" |
2,500 |
4,700 |
| 338 |
KOCH + LOWY Floor lamp with three pivoting arms with black leather-wrapped handles and white enameled metal shades, on tubular shaft with marble base. Unmarked. Approx. 62" x 36 1/2" |
1,500 |
3,819 |
| 339 |
VISTOSI Fine chandelier, 1960s, with four sockets and a series of blown glass discs in turquoise with white centers, suspended from a tiered metal frame. Unmarked. |
800 |
1,410 |
| 340 |
VISTOSI Fine blown glass chandelier, 1960s, en suite with preceding. Unmarked. |
800 |
1,175 |
| 341 |
VENINI Chandelier, early 1970s, with two sockets, and prisms of textured amber and clear glass suspended from a tiered frame. Unmarked. |
1,000 |
940 |
| 342 |
VENINI Tulip-shaped table lamp of shaded white glass on circular polished chrome base. Unmarked. 17 1/2" x 14 1/2" |
900 |
940 |
| 343 |
C.F. OTTO MULLER/SISTRAH-LICHT GmbH Model no. P4 ceiling lamp, c. 1932, of cased milk glass with clear glass diffuser and nickel-plated metal fittings. Shade has circular mark with patent information. 17 3/4" x 16 1/2 dia. |
1,500 |
2,233 |
| 344 |
PAUL CHALEFF "Anagama" wood-fired stoneware squat faceted vessel with two small handles beneath a closed-in rim, covered in a burnt and textured charcoal glaze, 1985. Firing lines. Signed and dated. 11 1/2" x 12" |
1,800 |
881 |
| 345 |
PAUL CHALEFF "Anagama" wood-fired stoneware squat covered vessel with closed-in rim covered in a textured charcoal and amber glaze, 1987. Signed and dated. 8 1/2" x 12" |
1,800</ | |
