| |
return to prices realized index >
Rago Arts and Auction Center
333 Auctions, June 2004
Please click on lot number to see image.
Prices include buyer's premium
| Lot Number |
Description |
Estimate |
Sale Price |
| 1 |
Wide bakelite bangle, olive and green marbleized, carved with a scroll
and fan design. 38mm x 65mm |
250 |
323 |
| 2 |
Two brown bakelite bangles with carved floral design. 29mm x 62mm and
24mm x 62mm |
350 |
206 |
| 3 |
Two bakelite bangles, one tan with incised and pierced geometric
design, the other black and tan with faceted stripes. 34mm and 20mm |
300 |
206 |
| 4 |
Red bakelite bangle with deeply-carved leaf and berry decoration |
300 |
588 |
| 5 |
Two bakelite bangles with geometric designs, one tan and one green.
35mm and 26mm |
350 |
176 |
| 7 |
Hinged bakelite bangle, green with deeply-carved stylized flower and
leaf design. |
350 |
294 |
| 8 |
Two ivory bakelite bracelets: one with a steeply stepped band, the
other with radial incised channels and inset metal band. 25mm and 18mm |
250 |
147 |
| 9 |
Three bakelite bangles in either red, black or brown with carved
decoration. Each measures 10mm |
200 |
147 |
| 10 |
Wide green bakelite bangle deeply-carved with bold tread design.
30mm |
250 |
441 |
| 11 |
Two tan bakelite bangles, both with green-tinted carved decoration.
35mm and 28mm |
250 |
100 |
| 12 |
Two striped bakelite bangles: one tortoise shell with butterscotch
inset, the other marbleized bright green with drab green inset. 30mm and
25mm |
250 |
235 |
| 13 |
Hinged bakelite bangle, wide top, carved and having three sucker-cut
and tinted circular panels, tapers slightly. 35mm |
450 |
411 |
| 14 |
Two bakelite bangles: one red with carved rosette and scroll
decoration, the other butterscotch with chamfered profile having
symmetrical incised decoration. 23mm and 30mm |
350 |
118 |
| 15 |
Three bakelite bangles in either green, brown, or tan, all with
incised decorations |
225 |
88 |
| 16 |
Black bakelite front-face horse pin with green lariat, applied
harness, and yellow eyes. 68mm x 42mm |
250 |
147 |
| 17 |
Bakelite horse pin with tooled brass harness, in butterscotch with red
glaze. 55mm x 70mm |
250 |
71 |
| 19 |
Ribbon bow laminated hinged bakelite bangle, black inset with green
bow with applied brass trim on black band. 25mm |
800 |
999 |
| 20 |
Bakelite bow pin, red and black laminated cinched by applied chromed
band. 80mm x 40mm |
250 |
88 |
| 21 |
Red bakelite hinged ribbon bangle with applied brass detail. 30mm x
22mm |
250 |
323 |
| 22 |
Bakelite and wood laminated hinged bangle, deeply-carved apple juice
laminated with floral carved wood panel on a hinged chrome bracelet. Panel
measures 50mm x 42mm, bracelet tapers |
500 |
235 |
| 23 |
Carved marbleized green bakelite hinged bangle with applied brass and
bakelite blossoms. 35mm, tapers to 28mm |
350 |
353 |
| 24 |
Two deeply-carved bakelite bangles, both in rich brown tones of
autumn, with leaf designs. 25mm and 35mm |
350 |
206 |
| 25 |
Reverse-carved bakelite bangle, apple juice with deep floral
decorations. 23mm |
200 |
411 |
| 26 |
Oak leaf and acorn bakelite necklace: acorns, leaves, and logs in
amber and autumnal tones dangle from amber celluloid links, with brass
findings. 16" |
350 |
147 |
| 27 |
Three bakelite bangles: one tan laminated to brown with black lariat;
one olive laminated to tan, lobe-carved; one brown with incised carvings,
brass inlay and applied brass flowers. 20mm, 18mm, and 25mm |
200 |
206 |
| 28 |
Two laminated bakelite brooches: a carved and glazed butterscotch and
apple juice sunflower (98mm x 58mm), with a reverse-carved coggled apple
juice heart with applied black heart |
300 |
353 |
| 29 |
Wide red bakelite bangle carved with broad leaf decoration. 38mm |
250 |
323 |
| 30 |
Bakelite fruit pin in brightly-colored orange, apple, and apricot,
suspended by green celluloid links from a carved honey-toned branch, with
one green celluloid leaf. 60mm x 60mm |
500 |
235 |
| 31 |
Red bakelite bangle with similar ear clips, rope twist carved
bracelet. Bracelet: 16mm wide, fluted button earrings (dia.): 28mm |
200 |
94 |
| 32 |
Black bakelite stretch bracelet with stylized floral panels,
sucker-carved, interspersed by chamfered panels. 28mm wide |
450 |
529 |
| 33 |
Ivory-toned bakelite bangle with inset brass compass and carved
nautical decorations. 24mm |
250 |
106 |
| 34 |
Two MARLOWE cosmetic bracelets, Parisienne: bakelite and brass bangles
with concealed cosmetic pots, one in black with green enameled brass
slide, the other in red with black enameled slide, the bands slide to
expose rouge pots |
600 |
441 |
| 35 |
Three bakelite pins: one elliptical in tan cut-to-red with amorphic
carving (75mm x 50mm); one black of similar size with cross-hatched
carving; a green flower brooch (76mm dia.); and a black bakelite dress
clip, amorphically-carved with undulating profile, of truncated oval form
(45mm x 50mm) |
350 |
176 |
| 36 |
Metal-clad bakelite hand brooch with laminated tri-colored kite- form
charms in red, tan and black, suspended from red celluloid links. Minor
metal damage on reverse of two fingers. Pin: 130mm x 60mm |
250 |
176 |
| 37 |
Two black bakelite bangles: one cut deeply to green interior, the
other wide with carved geometric design. 25mm and 36mm |
250 |
264 |
| 38 |
Five bakelite pieces: laminated red and black buckle (69mm dia.) and
buttons (36mm dia.); red chrome-clad clip with black enamel (42mm); and
wide carved bangle (26mm) |
250 |
118 |
| 39 |
Exceptional wide bakelite bangle, tan with green marbling, and leaf
carving. 50mm wide |
400 |
294 |
| 40 |
Red hinged bakelite bangle and pin, the bracelet tapered with applied
brass hobnails and banding, the brooch composed of interconnecting links
with brass banding and beads. 35mm - 23mm and 85mm x 60mm |
400 |
323 |
| 41 |
Green bakelite bow pin and hinged bow bracelet set. The
softly-translucent pin measures 60mm x 40mm; the experty-carved bracelet,
28mm |
600 |
411 |
| 43 |
Bakelite horse pin in butterscotch with red overdyed glaze-painted
decorations, and glass eye. 100mm x 36mm |
200 |
147 |
| 44 |
Three deeply-carved bakelite bangles: pair of tan twist-carved, and
one green leaf-carved. 15mm and 16mm |
300 |
235 |
| 45 |
Two bakelite bangles: one a laminated striped bracelet in red, black
and tan, the other a tan buckle-motif bracelet. Both measure 20mm |
300 |
382 |
| 46 |
Two pieces: a red and amber bakelite medallion brooch, and a carved
red bangle. Brooch: 100mm x 65mm, bracelet (not phenolic): 25mm |
250 |
118 |
| 47 |
Hinged bakelite bangle, green marbelized, deeply-carved with a pierced
oriental scroll design. 30mm |
450 |
382 |
| 48 |
Laminated bakelite and wood bangle, channel-carved wood and apple
juice phenolic inset with brass wires. 25mm |
250 |
94 |
| 49 |
Pair of carved head profile bracelets, one green and the other
ivory-tone |
200 |
470 |
| 50 |
Two festoon pins: green bakelite bar with bias-cut tubes dropped from
celluloid links; black and turquoise plastic links and beads. 80mm and
100mm |
250 |
94 |
| 51 |
Four pieces of Egyptian-revival jewelry: Art Deco celluloid necklace
with brass and glass ornaments; carved scarab ring; Revival slide
necklace; carved black bakelite bangle with turquoise mosaic inlay. |
250 |
294 |
| 52 |
Tan sucker-carved hinged bakelite bangle. 25mm |
250 |
382 |
| 53 |
Two pieces: paint-decorated plaid bakelite bangle; red bakelite and
chrome necklace, ring and bead design with red rondels. 25mm and 17" |
200 |
106 |
| 54 |
Two bakelite carved bangles, tan and brown. Both approx. 25mm wide |
200 |
94 |
| 55 |
Three metal-clad bakelite brooches: horse face and pierced heart with
rhinestone inset arrow by B. BLUMENTHAL; and a clad and applied tortoise.
All 60mm - 80mm |
650 |
264 |
| 56 |
Banded bakelite stretch bracelet, curved alternating butterscotch and
brown links. 30mm |
250 |
118 |
| 57 |
Red bakelite bangle, deeply-carved geometric design. 23mm |
200 |
71 |
| 58 |
Two pair of bakelite dress clips, reverse-carved and painted bouquets
in apple juice laminated to amber, and trapezoidal butterscotch double
banding on marbleized dark green panels. All approx. 55mm long |
250 |
118 |
| 59 |
Six bakelite pieces: two pair of dress clips, one in black-blue with
exceptional leaf carving (55mm), the other in tan with foliate carving
(53mm); plus a pair of fan-carved brown and tan laminated buckles (55mm x
55mm) |
250 |
59 |
| 60 |
Group of bakelite sparkler and other jewelry, includes: green sparkler
bangle (5mm); red cut-to-juice flower sparkler hair pin; black baton
pendant earrings; "jet and ruby" spinder pin; and amoeba carved red-glazed
amber bakelite bangle (22mm) |
350 |
176 |
| 61 |
Lot of bakelite and other jewelry, includes: black mask brooch with
brass earrings and ornament; three carved bakelite rings; pair of brown
brass-trimmed bakelite bar pins (70mm); reverse-painted palm tree pin;
green bakelite laminated on wood palm tree clip; carved green bakelite
earrings; thumbprint carved green bangle (25mm); hinged bangle in tortoise
and black (30mm) |
400 |
382 |
| 62 |
Four bracelets with celestial motifs: aluminum panel link bracelet;
and three celluloid tinsel bracelets, two hinged and one fixed. First
piece: 8" long x 35mm wide |
200 |
176 |
| 63 |
Group of bakelite, celluloid, and other jewelry, includes: eight
rings; double-heart pin; twist pin; three necklaces; bangle; chain; pair
of buttons; black bakelite link bracelet with chrome inset |
350 |
235 |
| 64 |
Five bracelets: blue-green bakelite bangle with carved channels
(17mm); green bangle, scored line ornament; set of three laminated black
and white stripe-carved bangles (each 10mm) |
250 |
59 |
| 65 |
WILLIAM SPRATLING 980-silver belt buckle, circa 1933, rope and fluted
design. 2 1/4" x 2 1/4" |
200 |
646 |
| 66 |
Two sterling pieces: WILLIAM SPRATLING-SILSON pre-Columbian design
eagle pin, circa 1940; and a LOS CASTILLO money clip, serpent motif. Pin:
96mm x 50mm, clip: 70mm x 30mm |
450 |
264 |
| 67 |
Two Native American sterling bracelets: one cuff (27mm) and one link
with copper half-balls marked PA, 60mm x 7 1/2" long |
300 |
147 |
| 68 |
Old TAXCO 980-silver handbuilt link bracelet, "C"-clasp and bar
closure, heavy links. 7 1/2" long x 1 1/2" wide |
250 |
206 |
| 69 |
Three sterling pieces: pair of GEORG JENSEN round cufflinks with
geometric design, and DAVID ANDERSON link bracelet with red and yellow
enamel, 1940s Denmark. Cufflinks: 19mm dia., bracelet: 7 1/2" long |
150 |
206 |
| 70 |
Lot of Mexican sterling and related jewelry, includes: enameled Star
of David cufflinks by MARGOT OF TAXCO; oval red stone and sterling
cufflinks, TAXCO; sterling buckle and belt tip set; bezel-set American
silver dollar coin, 1879; Mexican copper cuff with applied clay ornament;
and METALES, TAXCO sterling cuff with mixed metal and turquoise inlay |
200 |
118 |
| 71 |
Chinese Art Deco sterling and rose quartz bracelet, composed of
delicate graduating links inset with floral carved panels of translucent
pink quartz, with V-spring box clasp. 7" long x 2" graduating to 1 1/4" |
150 |
176 |
| 72 |
Four gentleman's watches, includes: ACCUTRON Railroad; approved
ACCUTRON with skeletonized face; GRUEN Autowind with radial dials;
spaceship-form quartz. |
500 |
206 |
| 73 |
Five gentleman's watches, includes: ROLEX Oyster Precision, white face
with gold numerals and markers, sweep second hand, stainless case and
bracelet; ROLEX Oyster Observatory, black face with radium markers,
secondary dial, stainless case; BENRUS Tank, gold-filled with secondary
dial; HAMILTON Tank, 10k yellow gold with white face, gold markers; TISSOT
Quartz, stainless with sweep second hand, and date window |
1,000 |
1,528 |
| 74 |
Three tribal bracelets, includes: 40mm antique tortoise shell cuff
from New Guinea with chased designs, possibly used as currency;
leather-wrapped cuff with lucite trapped spider ornament; coiled serpent
bangle of animal horn |
200 |
176 |
| 75 |
Mixed lot of mourning, Victorian, and fraternal jewelry, includes:
four gutta percha chains; gutta percha hoof pin, circa 1880 (7 1/2" long);
jet and iron arrow motif pin; Eastlake bowling motif watch fob; cigar
charm; Indian motif pin (1915); bone and silver "tiger claw" pendant;
"Kum-A-Part" snap cufflinks, circa 1923, in the form of nuts and bolts |
400 |
118 |
| 76 |
Two pieces: elegant Art Deco festoon necklace in French jet and brass
filigree, with a vulpe necessary in original file purse |
250 |
59 |
| 77 |
Accessories for a lady, includes: a compact in the form of an "8"
ball, in black and white enamel on brass; a fine cylindrical evening
bag/necessary by K&K, in brass with white rhinestone-studded black
enamel exterior; an oval brass compact with black enamel and rhinestone
champagne glass decoration; Le Debut compact by HUDNUT, in brass with
green and black enameled Deco decoration |
500 |
235 |
| 78 |
Accessories for a lady, includes: music box charm bracelet; Frankfurt
souvenir necessary in the form of a camera; ELGIN AMERICAN evening bag,
and Masonic compact with six-color enamel decoration; EVANS brass evening
bag, and compact with green celluloid top and mesh metal bottom; Statue of
Liberty ornamented compact; DJER-KISS double compact with green enameled
decoration; Notre Dame compact of French manufacture; sterling rectangular
compact with impressed basket weave surface and three-color gold
vermeil |
350 |
59 |
| 79 |
Five pieces: KENNETH J. LANE wide link bracelet; WEISS black
rhinestone brooch with earrings and a large cubic zirconia ring in 18k
electroplate. Bracelet: 3" x 7", brooch: 3" sq., earrings: 1" sq. |
300 |
118 |
| 80 |
Five good signed costume jewelry pieces, includes SCHIAPARELLI,
SANDOR, KRAMER and HASKELL: SCHIAPARELLI link bracelet, five curved oval
links with gems in blues and greens with flashing; ornately-encrusted
SANDOR hinged cuff; SANDOR four-strand pearl necklace; HASKELL
pearl-encrusted brooch with massive orange gemstone; KRAMER hinged
bangle |
400 |
588 |
| 81 |
Two pieces by DIANNE LOVE for TRIFARI, 1969-70, includes: circle
brooch with bust of a youth and inset black glass cabochon (3" dia.), and
a Minoan motif medallion on two-tone chain (medallion: 3 1/2" dia., chain:
18" total length) |
350 |
118 |
| 82 |
Fourteen pieces of costume jewelry, most TRIFARI, "Gold, diamonds and
Pearls", 1940s-1970s |
250 |
106 |
| 83 |
Six pieces of whimsical jewelry, most with enamel and/or stones, 6
sterling and siesta brooch in sterling; bouquet pin signed CORO;
double-figure bracelet signed TRIFARI |
250 |
235 |
| 84 |
Eight pieces of signed costume jewelry, includes: hinged retro TRIFARI
bangle (4 3/4"); CASTLECLIFF brooch; CORO CRAFT sterling vermeil poodle
brooch; ORIGINAL BY ROBERT circle pin and three figural brooches by
TRIFARI; KENNETH J. LANE circle brooch (3 1/4") |
150 |
82 |
| 85 |
A group of glitzy jewelry, includes: REGENCY; two LISNER sets with
frosted lucite insets; KRAMER; colorful leaf brooch by WEISS; bracelet of
flashed ruby gems by SCHIAPARELLI; paste fringe brooch by KANDELL &
MARCUS (7" long); good pair of paste dress clips |
300 |
206 |
| 86 |
Five unusual pieces for a lady, includes: alligator paw evening bag;
large modern sterling cuff made in Taxco; an Art Deco Aztec and Eskimo
motif necklace in brass with glass inset; large multi-gem pinwheel brooch
by SCHREINER (4"); walrus ivory bolo |
200 |
147 |
| 87 |
Four pieces: three bakelite dresser boxes, two oval (one also fluted)
with hinged lids, and a covered jar; plus a lucite "bow" hand mirror. 7
1/2" x 3", 2 1/2" tall, and 14 1/2" long |
150 |
206 |
| 87A |
Bakelite table lamp, black cylinder with amber banding and base. 18"
tall |
400 |
176 |
| 88 |
Ten Bakelite napkin rings, nine birds, one rabbit; olive, red and
yellow, one missing "beak" |
200 |
323 |
| 89 |
Bakelite group: fifteen assorted napkin rings; four pencil sharpeners
incl Scottie; two infant toys |
300 |
470 |
| 91 |
Diamond solitaire ring set in 14K white gold, approx. 1/4 c. diamond
wt. |
150 |
206 |
| 92 |
Seven gem-set lady's rings: 14K w/ round faceted amethyst approx. 7ct;
14K retro ring w/blue stone; 14K hinged conversion ring w/ diamond
cluster, amethyst flanked by diamonds; 14K yg filigree flip ring w/ cameo
and tiger's eye; sterling ring w/fancy cut ctirine; 14K ring w/ rose-cut
diamond; 14K yg w/ 18mm pearl surrounded by garnets |
400 |
353 |
| 93 |
Gold and cameo jewelry w/ polychrome limoge enamel minature w/ chain;
14K shell cameo in a wirework frame set w/ six aventurine cabochons 1 1/4"
x 1"; Wedgwood black Jasperware cameo of a muse in 14K frame suspended
from 18K and cream enamel bow pin; 14K yg ring w/oval amethyst cameo, 7/8"
x 9/16", size 7 1/2 |
350 |
441 |
| 94 |
14K wg and yg ring set with 57 diamonds, approx. 1.5 ct., size 7
1/2 |
350 |
176 |
| 95 |
Cameo jewelry with one pendant carving on bone, 9g; 14K bezel-set
cameo w/ diamond necklace (1 3/8" x 1 1/8"; shell cameo in gold depicting
Penn Station, NYC; gf and shell cameo of Madonna and child; angel skin
coral cameo of a woman in gold twist wite pin/pendant mount; Victorian
gold shell rectangular cameo of village scene; shell cameo pendant 2" x 1
1/2" |
350 |
294 |
| 96 |
Seven gold rings: 14K wg ring w/ 7 diamonds, cluster-mounted approx.
.21cts; yg filigree w/ round aqua and channel-set sapphires, calibre-cut;
antique yg ring w/ fancy-cut blue stone; 14K marquise-shaped cluster ring
set w/ oval green tourmalines; Art Deco w and yg cigar band with rubies,
pearls, enamel w/ diamond, 3 pts. |
450 |
499 |
| 97 |
Eight pairs of gold and gemstone earrings, two with rose-cut diamonds,
opal, amethysts, tourmaline, pearls, blue stones, garnets - all in 14K or
18K mounts |
550 |
705 |
| 98 |
Good Antique Jewelry: 14K yg and opal pin/pendant w/ seed pearls,
11.3g, 2" x 2 1/4"; pair of Victorian hinged bangles, gf and gold shell w/
blue cabochons; silver chatelaine-style fob; ivory, rose pin; M-O-P horn
pednant; gf cross; Art Deco srystal bob necklace by Louis Roosevelt; 4'
sterling necklaces; two sterling and marcasite brooches |
400 |
411 |
| 99 |
Diamond solitaire ring, c. 1910, (approx. 1 ct), 14K yellow gold mount |
1,800 |
1,763 |
| 100 |
Diamond bypass ring in 14K white gold, c. 1940, with two mine-cut
diamonds (approx. 1.40 cts.TW) and fifteen smaller brialliants, (approx.
.30 ct TW), size 5 1/2 |
1,200 |
1,528 |
| 101 |
American studio jewelry (2): Kalo Shop thistle pin and pierced panel
pin |
300 |
353 |
| 102 |
Scandinavian sterling jewelry: leaf brooch by A. Michelsen; leaf
earclips, Skinger leaf pin; Auran Kultaseppa ring with lapis beads, 1973;
Tone Vigeland circle brooch for Norway Design Plus. Six pieces total. |
300 |
206 |
| 103 |
Sterling and agate jewelry (2): brooch marked Tendler and massive ring
marked X.39/NN. |
150 |
294 |
| 104 |
Atlantic City sterling faucet charm, Jelly Belly swordfish (as is),
two sterling medallions, trench art fur clip; Danish silver comb;
cylindrical purse and beaded purse |
200 |
118 |
| 105 |
20th c. silver or copper jewelry includes two signed Handarbeit
pieces; three marked NYE; R. Fletcher sterling pin with cactus; circle pin
with vitrious enamel, and copper turtle pin. Eight pieces total. |
200 |
118 |
| 106 |
Two pr. sterling cuff links: Russian spaceship-motif with niello
links, 1956, Moscow marks; circular cufflinks depicting Taurus bull |
100 |
94 |
| 107 |
Mexican sterling, three early pieces: Tobias A. circle brooch, green
agate cabochon link bracelet marked J.E., and link bracelet with
salamanders |
150 |
147 |
| 109 |
Watch assortment (11) pieces including Swatch, Seiko Final Fantasy,
Rossil X-Files |
300 |
294 |
| 109A |
Five watches and six fobs: Gruen Verithin; gf Waltham; gf Hunt case;
Art Deco wg tank and octagonal watches; Art Deco 18K yg tank; five yg
filled Victorian fobs and 800 silver fob |
200 |
235 |
| 110 |
Robert Whitley (American, New Hope, 20th c.) walnut music
stand/lectern, 1966, sculpted form of bookmatched solid woods. Incised
Whitley `66, 42" x 25" x 17" |
2,500 |
4,994 |
| 111 |
Toshiko Takeazu (American, b. 1921), Moon Pot, porcelain dipped in
purple, teal and ivory with dripping glaze on a lustred black ground,
incised TT. 6" x 4" |
800 |
823 |
| 112 |
Ben Shahn (American,1898-1969) "Blind Botantist," 1961, serigraph (ed.
of 100), 40" x 26 1/2" sheet, signed in red with red seal, inscribed "for
Peggy" |
500 |
705 |
| 113 |
Lloyd Ney, Ben and Fay Badura: three original photographs of New Hope
School artists, a sepia-tone portrait of Lloyd Ney by Maurice Dallett, c.
1950; silver gelatin print of Ben and Fay Badura by Jack Rosen, c. 1960;
Jack Rosen photograph of Ney and unidentified man playing chest on
Mechanic Street, New Hope, c. 1960. |
200 |
382 |
| 114 |
Man Ray silver gelatin print portrait of Edmund Schiddel, along with
Whitney Lutz (New Hope sculptor) images by Hoban-Gallub and other
unidentified black and white photographs, total 14 pieces |
200 |
147 |
| 115 |
Victor Macarol (Yugoslavian American), "Interior,", 1980, silver
gelatin print; and untitled street scene, both measure 13" x 10 1/2", both
initialed and numbered (along with exhibition catalogs from New Jersey
State Museum, 1984 and Optique Gallery, Lambertville, 1987) |
200 |
118 |
| 116 |
James Carpenter (New Hope, PA) "Delaware Canal-New Hope," 1987, silver
gelatin print; and untitled Mexican woman, 1988, both signed and dated, 8"
x 10" |
200 |
118 |
| 117 |
Eugene Atget (French, 1856-1927) attributed, silver emulsion print
mounted on board, 8 1/2" x 6 1/2", reprinted c. 1956 by Bernice Abbott,
depicting a vendor on the beach, unsigned, minor edge wear |
400 |
411 |
| 118 |
Werner Drewes (American,1899-1985) "Florida Sunset," color woodblock
print on rice paper, 11 1/2" x 16", signed and titled, artist's proof |
500 |
529 |
| 120 |
Ralph Dubin (American, 1927-1988) "Weekend at Newport," oil on canvas,
24" x 35", signed upper right, titled verso, lined |
400 |
529 |
| 121 |
Burton Wasserman (American, 20th c.) two serigraphs, geometric
abstracts, both dated 1969/1970, both signed and inscribed; Ann Freidrich,
untitled geometric abstract, 1973, mixed media on paper, 12" x 8 1/2",
signed and dated |
200 |
118 |
| 122 |
Ben Shahn ephemera: Postcard illustration of Ben Shahn's "Bi-Partisan
Blues," invitation for the American Labor Party event and postmarked 1948
(signature of Vito Marcantonio) along with ten exhibition catalogs or
books incl. signed and dedicated copy of "Once, Dice, Trice," by Alastair
Reid, drawings by Ben Shahn; exhibition catalog, 1963, Bezalel National
Museum, Jerusalem; 1970 Tokyo exhibition; 1962, Kunsthalle, Baden-Baden,
exhibition. |
300 |
382 |
| 123 |
Ben Shahn publications: thirteen book about/illustrated by the artist
incl. "The Alphabet of Creation," copyright 1954 by Ben Shahn, Roosevelt,
New Jersey, in original slip-case. |
250 |
294 |
| 124 |
Regional Museum exhibition (30+) catalogs: James A. Michener Museum of
Art exhibtion catalogs: Fern Coppedge, Maxo Vanka, The Bucks County
Framematching Tradition, William A. Smith; The New Jersey State Musuem
exhibition catalogs: Elsie Driggs, Clarence Holbrook Carter, Miriam
Beerman; The New Hope Modernist Project catalog; signed and dedicated Lee
Gatch catalog from the Staempfli Gallery, New York; and exhibition
posters. |
200 |
206 |
| 125 |
Maxo Vanka (Croatian American, 1889-1963) blue vase with flowers,
pastel on grey paper, 16" x 12 1/2" sight, signed M. Vanka, lower right |
900 |
1,410 |
| 126 |
Evsa Model (American 1901-1976), "City Scape," c. 1945, oil on canvas,
18" x 30", signed Model |
300 |
764 |
| 128 |
Evsa Model (American 1901-1976), "Squares," c. 1945,oil on canvas, 19"
x 19", unsigned, Charles the Fourth/New York Gallery stamp (The Lewis's
Gallery was in New York was on the corner of 4th ave. and Charles Street,
prior to 1949 when they moved to New Hope and established the gallery of
the same name on Mechanic Street in New Hope) |
300 |
353 |
| 129 |
American abstract (in the style of Lloyd Ney) attributed to Ben Brown,
1947, oil on masonite, 23" x 15 1/2", signed illegibly lower right and
dated, 7/`47 |
200 |
118 |
| 130 |
Lloyd Ney (American, 1893-1964) "202 North/South", New Hope, PA,
watercolor with ink, 12" x 19", signed and dated lower right, 1963. |
900 |
529 |
| 132 |
Karl Hofer (German, 1878-1955) two untitled figurative lithographs,
both 8 1/2" x 5 1/2", both signed Hofer in pencil, lower right |
300 |
470 |
| 133 |
Danny Gayder (American naive, 20th c.) "Girl in Confusion," acrylic on
canvas, 422" x 29", signed Danny Gayder, titled verso |
150 |
88 |
| 134 |
Danny Gayder (American naive, 20th c.) "Tree Talk," acrylic on canvas,
28 1/2" x 39 1/2", signed Gayder, titled verso |
150 |
441 |
| 137 |
American abstract, c. 1960, completent cubist-style painting, gouache
on paper/board, 15" x 22", no apparent signature |
200 |
118 |
| 139 |
Michelangelo Conte (Italian, 20th c.) "Si avvicina l'inverno," 1957,
oil on canvas, 18 1/2" x 24", signed Conti, 1957 lower right; signed
titled and dated verso |
500 |
823 |
| 140 |
Terry (Sir) Frost (British, 1915-2003) "Black Sun," 1984, etching, 7"
x 5" image, signed, dated and numbered A/P, titled verso |
250 |
323 |
| 141 |
Terry (Sir) Frost (British, 1915-2003) "Spring Sun," color lithograph,
29" x 25" signed and numbered 50/50 |
450 |
441 |
| 142 |
Fred Yates (British, Cornwall, b. 1922) large St. Ives beach scene,
oil on paper, 18" x 33", unsigned, purchased from the artist |
900 |
529 |
| 143 |
Terry Whybrow (British, Cornwall, b. 1932) "Painting 135", 1987
acrylic on board mounted, 12 3/4" x 17", signed, titled and dated verso |
300 |
206 |
| 144 |
Terry Whybrow (British, Cornwall, b. 1932) "Painting 187", 1986
acrylic on board mounted, 17" x 12", signed, titled and dated verso |
300 |
323 |
| 145 |
Terry Whybrow (British, Cornwall, b. 1932) "Painting 269", 1984,
acrylic on board, 7" x 7", signed, titled and dated verso |
200 |
118 |
| 146 |
Fred Yates (British, Cornwall, b. 1922) "Village North of England,"
oil on canvas, 12" x 18", signed lower right |
400 |
558 |
| 147 |
Fred Yates (British, Cornwall, b. 1922) "The Harbor Plymouth,"
watercolor on paper, 6 1/2" x 9 1/4", signed lower right and titled |
200 |
118 |
| 149 |
Fred Yates (British, Cornwall, b. 1922) "Garden by the Sea," North of
England," oil on canvas board, 25" x 21", unsigned, titled verso |
400 |
235 |
| 150 |
Terry (Sir) Frost (British, 1915-2003) "Yellow, Red. Blue Suspended
Form," 1986, color lithograph, 21" x 29", signed lower left, date `86, and
numbered A/P#4 |
450 |
353 |
| 151 |
Terry (Sir) Frost (British, 1915-2003) "Newlyn Rhythm," 1995, color
lithograph, 21" x 14", signed lower left, date `86, and numbered 75/80 |
450 |
411 |
| 154 |
Fred Yates (British, Cornwall, b. 1922) untitled harbor scene oil on
masonite, 10" x 11 1/4", signed lower right |
300 |
705 |
| 156 |
Breon O'Casey (British, Cornwall, b. 1928) geometric abstraction,
1973, color serigraph, 12" x 17", signed lower right, dated, and number
170/50 |
250 |
147 |
| 157 |
Bryan Pearce (British, Cornwall, b. 1929) "Two Fishing Boats," 1983,
color serigraph, 13" x 10", signed lower right, dated, and numbered
130/150 |
250 |
147 |
| 159 |
Ray Ambrose (British, Cornwall - 20th c.) "Bird, Dizz & Trane -
52nd Street, 1950," (depicting three famous jazz musicians,
watercolor/gouache on paper, 9" x 11" sight, initial and dated`88, and
titled |
250 |
147 |
| 162 |
Mary Strong (British, Cornwall) "Windows," watercolor shadow box, 8
1/2" x 5 1/2"; Renate Lawes (British, Cornwall, 20th c.): two etchings
"Storm Clouds," 1987, numbered 8/25; and "King's Rue," 1987, numbered
2/25, 5" x 4" and 6" x 8", both signed, dated, titled and numbered |
100 |
106 |
| 163 |
Cornwall, St. Ives artists and catalogs: "St. Ives 1939-1964" (Tate
Gallery); Terry Frost (Royal Academy of Arts), with signed and dedicated
exhibition catalog (Belgrave Gallery, London); Cedric Morris, Bryan
Pearce, Cornwall Potterys and a photograph of The Newlyn Cliffs |
100 |
71 |
| 164 |
Giuseppe di Lieto (Italian, 20th c.) "Positano Costa #5" landscape,
gouache on paper, 7" x 10", signed lower right |
200 |
118 |
| 165 |
Giuseppe di Lieto (Italian, 20th c.) Positano landscape, gouache on
paper, 7" x 10", signed lower right |
200 |
118 |
| 166 |
Two Italian landscapes: Derek Holland (American, 20th c.) "Minerva,"
1987, gouache, 13 1/2" x 20"; George Baik (Italian, 20th c.) "Pink
Venetian House," oil, 12" x 18", both signed |
200 |
118 |
| 167 |
Vali Myers (Australian, b. 1930, Vali Myers was a self-taught graphic
artist. After her career as a modern dancer, she lived in Positano in a
neo-primitive enclave where she had her studio in the midst of wild
animals. She was tatooed in the Maori-tradition.) - suite of eleven
off-set prints, 1979-1985, some hand signed and inscribed, and poster
photograph of the artist with a fox. |
300 |
499 |
| 173 |
Joe Kardone (American, Woodstock, 20th c.) two watercolors:
"Woodstock" nudes in a landscape, 1966, 6" x 8"; and "Tarleton," 1967, 11"
x 8 1/2", both signed, dated, and titled |
250 |
147 |
| 176 |
Two modern Japanese prints: Hakumaki, "Poem-u", intaglio, 16" x 16"
signed, titled, chop-marked, numbered 3/50: Y. Fumaraka, untitled,
serigraph, 1975, 21" x 16", signed, dated and numbered 28/100 |
200 |
206 |
| 181 |
New Jersey/Bucks County memorabilia: 50 different issue of BUCKS
COUNTY (LIFE) magazine (1961-1965); 7 different issues of BUCKS COUNTY
PANORAMA, 1966; TRENTON magazine, 1967 and other books and publication
about the region, c 1960-1990, including exhibtion posters |
100 |
59 |
| 182 |
New Hope flood of 1955: original black & white photographs,
professional quality, eighteen total number, each 10 1/2" x 13" |
300 |
940 |
| 183 |
Six photographs: Georgia O'Keeffe portrait from Alfred Stieglitz
Collection National Gallery of Art; unidentified of Martin Luther King,
"Mugsy," by Lynn Augeri; and Bernardsville, NJ, c. 1920, all black and
white photos, three 8" x 10" |
150 |
411 |
| 185 |
Lloyd Ney (American, 1893-1964) "T204", geometric abstraction,
watercolor on paper, 13 3/4" x 19 3/4", signed lower right, signed dated,
1946, titled and inscribed verso "Ney 46, New Orleans, Jan 28, T204, minor
tear to edge on one side |
1,200 |
3,525 |
| 186 |
Ludwig Bemelmans (American, 1898-1962) "Seine with the Hotel du France
and Notre Dame," ink on vellum, 8" x 10 3/8", artist's cipher lower right
with certificate of authenticity from the artist's wife (Belemans was the
creator and illustrator of "Madeline".) |
900 |
529 |
| 187 |
Naomi Savage (American, b. 1927) "Daffodils," solarized photograph
mounted on a gessoed board, 12" x 10"; "War Games," 1963, print from a
photograph on vellum tissue, 14" x 16" |
250 |
147 |
| 189 |
George Greene (American, b. 1908) "Assemblage II, acrylic on canvas,
48" sq. signed and titled verso. Exhibition catolog from the New Jersey
State Museum, 1984 |
450 |
264 |
| 190 |
Herbert S. Roberts, (American, Naive, 20th c.) "Old Stone Church,"
Hunterdon County scene, gouache on board, 14" x 22" signed lower right and
titled |
150 |
88 |
| 191 |
Emily Abbott Nordfeldt (American, 20th c. wife of B.J.O. Nordfeldt)
"Mansion on Jefferson St, Lambertville," 1956, gouache on paper, 10 1/2" x
14 1/2", signed E. Abbott, lower right and dated `56 |
200 |
118 |
| 193 |
Emily Abbott Nordfeldt (American, 20th c. wife of B.J.O. Nordfeldt)
"Three Geese," gouache on rice paper, 14" x 21", signed E. Abbott, lower
right and dated `73 |
200 |
235 |
| 194 |
Lloyd Ney (American, 1893-1964) "Etcetera" New Hope, PA, pen and ink
drawing, 17" x 22". signed lower left, laid down and glued to the matt,
abraided surface. |
200 |
118 |
| 195 |
Danny Gayder (American naive, 20th c.) "Soulful Gaze," 1991, acrylic
on canvas, 36" x 28", signed Gayder, titled and dated, verso |
150 |
88 |
| 196 |
William Entwisle (American, New Jersey, 20th c.) "Head",encaustic
panel with mixed media, signed, 14" x 8" |
200 |
118 |
| 197 |
William Entwisle (American, New Jersey, 20th c.) assemblage mixed
media sculpture, 22" |
200 |
176 |
| 198 |
William Entwisle (American, New Jersey, 20th c.) "Domingo Esquedo,"
cast bronze sculpture free-form with green glass cabochon on a marble
base, 16" |
200 |
118 |
| 204 |
William Everson/Brother Antoninus: two monograph poems, signed by
Everson, one with inscription to Michael and Peggy dated 1971; two
photographs, one by Jerry Uelsman; along with Caresse Crosby Portfolio of
poems by The Black Sun Press, 1947; and two folios of poems and
lithographs by Ed Coker, Editions du Grusier, 1968 |
200 |
118 |
| 206 |
Nicolas Toussiant Charlet (French, 1792-1845), Politicians, pencil
drawing on buff paper, 3 1/4" x 4 1/4", signed Charlet, lower right,
framed in Paris, late 19th c. with inscription verso and typed notes from
the collector. |
150 |
206 |
| 207 |
Michail Tkatchenko (Russian, b. 1860), "Barbizon," watercolor on
paper, 4 1/2" x 7 1/4" (sight), signed M. Tkatchenko, lower right, and
titled; framed in Paris, late 19th c. with typed notes from the
collector. |
200 |
118 |
| 210 |
Delaware Canal in New Hope, 1973, color photograph 20" x 32", by Jack
Rosen (From the collection of the Ember'Glo, a shop begun in the village
in the mid 1950s) |
200 |
294 |
| 211 |
Inez McCombs (American, New Hope School, 20th c.), landscape with
stream, watercolor on paper, 11" x 8 1/2", signed lower left, some
discoloration |
100 |
59 |
| 213 |
Clarence K. Xander (American, 20th c.), "Carversville (PA)- Old One
Room School House," oil on canvas, 16" x 20", signed Xander lower right,
titled verso with exhibition label |
200 |
118 |
| 214 |
Della A. Bittner (American, 20th c.) landscape with barns, Phillips
Mill (PA), oil on board, 16" x 20", signed lower right |
150 |
823 |
| 219 |
Bucks County Playhouse lobby cards, more than fifty pieces from the
mid- 1950s through the 1970s |
100 |
881 |
| 219A |
New Hope School, mid-century artists: Cortland Butterfield (1904-1977)
off-set prints, more than twenty-five, some signed by the artist; Raymond
E. Halasy, 1974 suite of seven New Hope scenes, 15" x 21" (Ember'Glo) |
100 |
294 |
| 221 |
Joseph Meierhans (American, 1890-1980), lyrical abstract, mixed media
on gessoed masonite, 10" x 12" , signed lower right, marked M-93 verso. |
300 |
705 |
| 222 |
Werner Drewes (American, 1899-1965) lyrical abstract, 1944, gouache on
board, 9 1/2" x 14", signed Drewes and dated, lower left |
700 |
999 |
| 223 |
Joseph Meierhans (American, 1890-1980), lyrical abstract, mixed media
on gessoed particle board, 6" x 24", signed lower right, mounted in
artist-made giltwood and metal frame. |
450 |
823 |
| 228 |
Anthony Terenzio (Italian, b. 1923) abstract vase with flowers, oil on
canvas, 26" x 20, signed lower left and dated, '50 |
600 |
441 |
| 229 |
Thomas S. Fransioli (American, 1906-1997), "Still Life with Moon," oil
on canvas, 17" x 15, signed lower left and dated 1960, Milch Gallery, New
York label verso |
600 |
940 |
| 230 |
Nicholas P. Briganti (Italian American, 1895-1989), Amalfi coast
scene, oil on canvas, 23 1/2" x 35", signed N. Briganti, lower left |
1,500 |
881 |
| 231 |
James Crawford Thom (American 1835-1898), Cabin interior with mother
and children, oil on canvas, 10" x 14", signed lower right |
1,200 |
1,116 |
| 233 |
Two American School, 20th c., landscapes, oil on canvas, both 16" x
20" signed Davis, lower left |
250 |
147 |
| 235 |
George Pearce Ennis (American, 1883-1936) "Muir Woods," oil on canvas,
20" x 24", signed Ennis, lower right |
1,500 |
1,880 |
| 236 |
Mary Cable Butler (American, Philadelphia, 1865-1946) "Purple
Mountain," oil on canvas, 24" x 32", signed on verso |
1,200 |
1,880 |
| 237 |
Betty Lou Schlemm (American, b. 1934) "Fishing off the Cliffs,", oil
on canvasboard, 16" x 12", signed lower right |
300 |
382 |
| 238 |
William Francis Taylor (American, 1883-1970), landscape with tree, oil
on board, 12" x 16", signed lower right |
6,000 |
5,875 |
| 240 |
George F. Bensell (American, 1837-1879) seascape, oil on canvas, 13" x
25", signed |
2,000 |
2,938 |
| 241 |
American Impressionist School, 20th c. landscape with tree and
pasture, (competent execution), oil on canvas, 11 1/2" x 14 1/4" |
150 |
764 |
| 242 |
Ernest Berke (American, b. 1921), Western landscape with tree and
ranch buildings, oil on canvas, 10" x 14" signed, lower right |
800 |
881 |
| 243 |
Gus Mager (American, 1878-1956) "Sand Brook Farm," oil on canvas, 19"
x 24", signed lower right |
100 |
558 |
| 244 |
Bea Cherashore (American, 20th c.) snowy landscape, oil on canvas, 20"
x 24", signed lower right |
150 |
147 |
| 245 |
Melenbacher (American, 20th c.), "Delaware River," oil on canvas, 9" x
12", signed lower right, titled verso |
150 |
94 |
| 246 |
Florence Vincent Robinson, (American, 1874-1937) market scene,
watercolor on paper laid on board, 11" x 15", signed lower right. |
500 |
294 |
| 247 |
Frederick B. Serger (American, 1889-1965), "The Red House," oil on
canvas, 16" x 20" signed Serger, lower right. Provenance: Schoneman
Galleries, New York |
900 |
529 |
| 248 |
Frederick B. Serger (American, 1889-1965), "The Roses," oil on canvas,
20" x 16", signed Serger, lower left. Provenance: Schoneman Galleries, New
York. |
900 |
529 |
| 249 |
John Wisinski (American, b. 1902 ) "Winter Farm", oil on masonite, 15
3/4" x 20", signed lower right |
300 |
176 |
| 250 |
George Sotter (American,1879-1953), Pennsylvania landscape, oil on
canvas, 18" x 23", signed lower left |
10,000 |
11,750 |
| 251 |
American School, 20th, c. New Hope School, canal scene, oil on board,
8" x 10" |
200 |
264 |
| 252 |
Walter E. Baum (American, 1884-1956), "Bouquet," oil on canvas, 18
1/2" x 15", signed lower left |
2,000 |
2,938 |
| 253 |
American School, 20th c, New Hope Pa, two oil on board - a
Pennsylvania landscape and European street, oil on board, both 5" x 7",
unsigned |
200 |
646 |
| 254 |
Charles Harsanyi (American, 1905-1973), "Ravine, Monhegan Island," oil
on masonite, 8" x 10" signed Harsanyi, lower right, signed titled and
titled, verso. |
300 |
382 |
| 256 |
Charles L. Wachter (American, 20th c.), nude in interior, oil on
canvas board, 14" x 10", signed lower right |
700 |
411 |
| 257 |
Leon Kroll (American, 1884-1974), lake scene with canoe, oil on board,
8" x 10", signed L. Kroll, 1918, lower right. |
500 |
1,175 |
| 258 |
Alfred Nunamaker (American, 1915-1988), "New Hope - Late Autumn," oil
on board,, 8" x 10", 14", signed lower right, signed and titled verso |
9,000 |
5,875 |
| 259 |
Peter Sculthorpe (American, b. 1948), "The Farm Hand," 1972,
watercolor on paper, 27" x 19", signed lower right |
3,000 |
4,994 |
| 260 |
Walter E. Baum (American,1884-1956) "The Creek - Spring Sellersville,"
1925, oil on canvas, 32" x 40", signed lower left, signed, titled and
dated April 1925 verso |
30,000 |
22,325 |
| 261 |
Wolf Kahn (American, b. 1927 ), "Seen Between Troy and Bennington,"
pastel on paper, 12" x 18", signed W. Kahn, '80, center |
1,800 |
1,763 |
| 262 |
Wolf Kahn (American, b. 1927 ), "Barn with Open Gates," pastel on
paper, 12" x 18", signed W. Kahn, '80, lower right |
1,800 |
1,763 |
| 263 |
Wolf Kahn (American, b. 1927 ), "The Great Meadows of the
Connecticut," oil on canvas, 28" x 34", signed W. Kahn, lower left |
9,000 |
11,163 |
| 264 |
Wolf Kahn (American, b. 1927 ), "Moores Farm, West Brattleboro,
Vermont," pastel on paper, 12" x 18", signed W. Kahn, '79, lower right |
1,800 |
2,115 |
| 265 |
Two Shaw (American, Woodstock Colony, 20th c.) landscape
paintings,signed, both 11" x 8 1/2" |
150 |
88 |
| 266 |
Thomas W. Dewing (American, 1851-1938), Victorian woman, pastel on
gray paper, 12" x 8", signed T. W. Dewing, lower right |
900 |
529 |
| 267 |
Leon Wall (American, 1919-1980) two figures abstract, 1958, oil on
board, 20" x 24", signed Leon W, lower left, signed and dated verso |
400 |
235 |
| 269 |
Henry Martin Gasser (American, N.A. 1909-1981) "Getting Salvation,"
watercolor, 8" x 10", signed H. Gasser, lower right |
400 |
3,819 |
| 270 |
Frank P. Altamura,(American, 20th c.) "Luminosity," modernist
cityscape, oil on canvas, 18" x 24", signed F. Altamura, lower right,
signed and titled verso. |
150 |
88 |
| 271 |
Mulvine Hartman Greene (American, 20th c.) abstract figure of a woman
in red on yellow ground, oil on board, 16" x 12", signed lower right |
100 |
71 |
| 272 |
Mulvine Hartman Greene (American, 20th c.) still life with vase of
flowers, oil on board, 16" x 12", signed lower right and dated 1946 |
100 |
118 |
| 273 |
Two American portraits, c.1930: Lyman Katz lithograph for the WPA
School, "Lipstick," 13 1/2" x 9 1/2", signed, titled, and dated 1938, and
pastel portrait of a beauty mounted in period giltwood oval frame,
unsigned, 16" x 11 1/2" late 19th.c, Victorian portrait of a woman, oil on
canvas mounted on masonite, 13" x 9 1/4" |
200 |
147 |
| 275 |
Harry C. Edwards, (American, 1868-1922), seascape, oil on board, 24" x
37", signed H.C. Edwards lower left |
400 |
235 |
| 277 |
F. Folk, two paintings, each depicting a sailing ship on the high
seas, one oil on board with other oil on canvas, both signed, one dated
1935, largest 21" x 18" |
200 |
118 |
| 278 |
American, 19th c. portrait of a gentleman, oil on canvas, 31" x 26",
lined |
500 |
353 |
| 279 |
Oil on canvas portrait of Newbold family gentleman, Newtown, PA |
300 |
499 |
| 280 |
American School, late 19th.c, Victorian portrait of a woman, oil on
canvas mounted on masonite, 13" x 9 1/4" |
200 |
235 |
| 282 |
Unsigned oval portrait of a woman in white blouse, oil on masonite,
20" x 15" |
150 |
88 |
| 284 |
19th c. School, hunting spaniel in the wood, painting on sandpaper,
11" x 9" sight, unsigned, framed |
200 |
264 |
| 285 |
Two American primitives by "M.H.R"., dated 1870 and 1867, "Billy" and
"Kate", horse portraits, oil on canvas, both 18" x 24", both initialed and
dated, torn canvas |
200 |
2,233 |
| 286 |
Two horse-theme pieces: 19th c. oil on board, "Flash" portrait of a
race horse, 9" x 12", and a hunt engraving "A Soft Tumble.." both
framed |
100 |
106 |
| 287 |
R. Houston, T. Spencer, hand-colored engraving, "The Portraiture of
Babraham," two thoroughbred horses, dated 1750, plate 12" x 14" |
150 |
88 |
| 289 |
Edward Chalmer Leavitt (American 1842-1904) still life with urn and
roses, oil on canvas board, 24 1/2" x 12 1/4", signed lower left,
condition: flaking and losses lower portion |
600 |
1,645 |
| 291 |
Two paintings by C. R. Riccardi (American, 20th c.), both oil on
board, seascape, oil on baord, 16" x 20", signed lower left, still life
(not pictured), 16" x 12" |
100 |
106 |
| 292 |
Martin (Jac) Ferrieres (French, 1893-1972), vase of roses, oil on
canvas, 19 3/4" x 26", signed lower left. From the Findlay Gallery, New
York, purchase in the 1960s |
900 |
3,525 |
| 293 |
Jean Frelaut (French, 1879-1954) landscape, watercolor with graphite
paper, 1924, 9" x 12 1/2", signed Frelaut and dated, lower left |
1,200 |
1,058 |
| 295 |
Andre Brasilier (French, b. 1888) woman with vase and blue flowers,
color lithograph, 30" x 22", signed artist's proofc |
700 |
411 |
| 296 |
Karl Schnidbauer (Austrian, b. 1921) mountain lake scene with cottage,
oil on canvas, 20" x 24", signed lower right. |
100 |
59 |
| 298 |
Bearing signature Raoul Dufy (French) "Epson," with gouache and
watercolor on paper, with pencil drawing of a nude, verso, 10 1/2" x 8
1/4", bearing signature Raoul Dufy lower left, and titled |
400 |
999 |
| 302 |
Louis Coizet (French, 1816-1876), genre scene with woman vendor and
moral theme, watercolor on paper, 17" x 14" sight, signed L. Coizet and
dated 1846, lower left. |
200 |
176 |
| 303 |
Manner of George Vicat Cole R.A.(British, 1833-1893) attributed,
pastoral landscape with figures, cows and cottage, oil on canvas, 25" x
31" signed Vicat Cole, R.A. verso |
500 |
353 |
| 304 |
Paul Girol (French, 1911-1989) "Snow Scene," oil on canvas, 18" x 25
1/2", signed lower left. Provenance: Schoneman Galleries, New York |
300 |
382 |
| 305 |
Archibald Kay (Scottish, 1860-1935) harvest landscape, oil on panel,
16" x 24", signed lower left, dated 1893 |
1,000 |
1,998 |
| 307 |
European School, late 19th - early 20th c., large tonalist scene of
Venice at night with carnival lights, oil on canvas (Lined), 36" c 30" |
500 |
11,750 |
| 308 |
Joseph Davidson, R. A. (British, early 20th c.) two classical cast
drawing, charcoal or crayon on woven paper, |
250 |
323 |
| 309 |
European School, late 19th c. three oil on board copies of fresco
figures from Pompeii, framed, 15" x 11 1/2" |
800 |
470 |
| 315 |
Carlo Cherubini (Italian, 1897-1978), "Un Lido Vernis" bathers on the
beach, oil on canvas, 9 1/2" x 11 1/2", signed lower right, signed title,
and dated 1963, verso. |
300 |
588 |
| 316 |
Carlo Cherubini (Italian, 1897-1978), woman reading, oil on canvas, 11
1/2" x 9 1/2", signer lower left. |
300 |
499 |
| 317 |
Marcel Vertes (French, 1895-1961) semi-nude with black dress, pastel
on gray paper, 17" x 9 1/2", signed Vertes, lower right |
400 |
235 |
| 318 |
Marcel Vertes (French, 1895-1961) woman in a black dress, pastel on
gray paper, 17" x 9 1/2", signed Vertes, lower right |
400 |
235 |
| 319 |
Marcel Vertes (French, 1895-1961) ballerina in repose, c. 1950, pastel
on gray paper, 9" x 17", signed Vertes, lower right |
400 |
411 |
| 320 |
Bearing signature Simbari, attrib to. Nicola Simbari (Italan/American,
b. 1927) young woman by the sea, acrylic on canvas, 20" x 24", bearing
signature Simbari lower right |
700 |
411 |
| 322 |
Bronze cold-painted peacock sculpture, c. 1900, probably Austrian, 25"
x 25" |
2,000 |
1,175 |
| 323 |
Contemporary bronze relief sculpture signed Marianni(?) depicting
horses in a pasture, 8 1/4" x 22", mounted on linen board. |
150 |
88 |
| 324 |
Two bronze statuettes of Renaissance-style armored figured, each on
plinth base. |
500 |
323 |
| 325 |
Jacques Villon (French, 1875-1963) three small sketches, one with
watercolor, each approx 6" x 5", all pencil signed, framed |
250 |
558 |
| 329 |
Two signed J. Zweig, landscapes with figures, oil on masonite, 8" x 10
3/4" |
100 |
94 |
| 331 |
Frederick B. Serger (American, 1889-1965), still life vase of flower
and bowl fruit, oil on canvas, 24" x 20", signed Serger, lower right. |
1,200 |
705 |
| 332 |
Frederick B. Serger (American, 1889-1965), "Still Life," oil on
canvas, 16" x 24", signed Serger, lower right. Provenance: Schoneman
Galleries, New York. |
2,200 |
2,350 |
| 333 |
Walter E. Baum (American, 1884-1956) two portraits of "David",
watercolor dated 6/18/42, 10" x 9"; and a pencil drawing dated 1942, 9" x
7", both signed |
900 |
529 |
| 334 |
Bernhard Gutmann (American, 1869-1936), nude in blue interior, oil on
canvas, 18" x 15", signed lower right and dated 1912. |
1,500 |
1,880 |
| 337 |
Emil Lindenfeld (American 1905-1986) landscape, oil on canvas |
500 |
294 |
| 338 |
Two Buckley, regional landscapes, both oil on board, both 8" x 10",
signed, both water damages, as is condition |
200 |
118 |
| 339 |
W.F. Hoyt (Whitney Ford Hoyt, American, 1910-1976) four works from a
single collector, each depicting a train yard scene, including oil on
board,7 1/2" x 9 1/2"; two pencil drawings, one dated Jan. 12, 1959; and a
pastel depicting a rural barn. All framed, three signed W. F. Hoyt, lower
right |
250 |
264 |
| 340 |
W.F. Hoyt (Whitney Ford Hoyt, American, 1910-1976) three works from a
single collector each depicting a train yard, including oil on canvas, 11"
x 9 3/4"; watercolor 7" x 9" and a pastel 7" x 9" All framed, three signed
W. F. Hoyt, lower right |
250 |
323 |
| 341 |
Walther(?) still life with two Chinese pottery vessels, oil on
masonite, 6" x 5 1/2", signed lower right. |
100 |
1,763 |
| 342 |
Phil Ebbutt (American, 20th c.) two grisaille illustrations depicting
scenes from an adventure featuring African natives and captives. Both
signed, each approx. 8" x 10" |
150 |
88 |
| 343 |
Two Ralph Himmelberger (American, b. 1887 in Irvington, NJ) oil on
masonite and oil on board paintings, 13" x 9" , 9" x 13" both signed R.
Himmelberger, verso on dated 1949, the other 1950, |
300 |
176 |
| 344 |
Harrison Fisher (American, 1877-1934), woman with big hat and terrier
pet, pencil on paper, 10" x 9 1/2" sight, signed lower right and dated
1911, some yellowing to paper |
250 |
705 |
| 345 |
Harry Leith-Ross (American, 1886-1973), Lambertville - view from the
canal, oil on board, 12" x 16", signed lower right |
6,000 |
38,188 |
| 346 |
Rae Sloan Bredin (American 1881-1933), "Nude Figure No. 1", pastel on
tan paper, 11" x 7 1/2", signed R. S. Bredin, lower right, titled under
the mat. |
2,000 |
2,350 |
| 347 |
Walter E. Baum (American, 1884-1956) "Winter Sunlight and Shadow,",
oil on canvas, 36" x 30", signed lower left |
45,000 |
44,063 |
| 348 |
French, late 19th c. portrait of a woman, pastel; along with a coastal
scene with ships, watercolor, dated 1843 |
350 |
294 |
| 349 |
Arthur Dampler, beach scene with distant sailing ships, watercolor on
paper, 11" x 18" (sight), signed and dated 1865, lower left |
200 |
118 |
| 350 |
George W. Sotter (American, 1879-1953), New Hope PA "Top House"
nocturnal landscape, oil on board, 9" x 9", signed G. W. Sotter, lower
right, titled verso |
15,000 |
44,063 |
| 351 |
Alfred Nunamaker (American, 1915-1988) Pennsylvania landscape, oil on
canvas, 14" x 14", signed lower left, in a giltwood framed incised
Nunamaker on verso, made by the artist's father, Bucks County frame maker
Kenneth R. Nunamaker |
6,000 |
18,800 |
| 354 |
Henri Melancon (French 1876-1960) landscape, oil on canvas |
200 |
118 |
| 355 |
Celestine Gustave Johnstone (American b. 1911) still life, oil on
canvas |
150 |
823 |
| 356 |
Joseph F. Mingle (American, 1839-1903) ship at sea, oil on canvas |
250 |
176 |
| 357 |
American School landscape, 19th c., pastoral landscape, oil on canvas,
14" x 20" |
100 |
59 |
| 359 |
Three portraits: Arrigo Ghedini (Italian, 20th c.) a gentleman, 1936,
charcoal on grey paper, signed lower left, inscribed, dated, titled,
verso; R. J. Walrath (American, 20th c.) pen and ink, signed lower right;
unsigned, a woman with tea cup, c. 1930, charcoal on grey paper, all
framed. |
100 |
59 |
| 360 |
Kenneth Leland Washburn (American, b. 1904) landscape, oil on canvas,
18" x 26", signed |
300 |
294 |
| 361 |
Devereaux (French, 19th-20th c.) landscape painting, oil on canvas,
signed lower right |
300 |
264 |
| 362 |
Carl Baum (German, b. 1892), team of draft horses plowing a field, oil
on panel, 9" x 14", signed lower left, dated 1938. |
300 |
646 |
| 363 |
American School, 20th c. signed woman in white dress in a chair, c.
1900, oil on canvas, 20" x 25", signed lower left |
200 |
881 |
| 364 |
Ernest Beaumont (American, 1871-1933), harbor scene, oil on panel, 10"
x 15", signed |
150 |
323 |
| 365 |
Montague Charman (American, 20th c.) six small abstracts, watercolor
on paper |
100 |
118 |
| 366 |
Thomas Nast (American, 1840-1902), three dry-point etchings on rice
paper: self portrait with artist's easel and blank canvas, pencil signed
"with compliments of Th. Nast, Sept, 1884", along with two portraits, both
signed in the plate, 1884. (From the famly collection of the owner who was
a friend of Nast's). Largest plate 14" x 12" |
300 |
264 |
| 367 |
Two Gustav Thommen architectural photographs of Manhattan edifices, c.
1900, each 17" x 21" |
200 |
118 |
| 368 |
Four unsigned naive Spanish Colonial-style religious images - Madonna,
Archangels Gabriel and Michael, and St. George, each approx. 31" x 22" set
in gilded frames |
400 |
1,645 |
| 370 |
Eugene Rollier (France,) "Bretagne," French lithograph travel poster,
c. 1925, published in Paris, 48" x 24" |
500 |
294 |
| 371 |
After A. C. Harell, "Rock Sand," thoroughbred portrait, hand-colored
photograveur, image 12" x 15" , framed. Fores, London, 1903. |
75 |
47 |
| 374 |
The Naturalist's Library: more than fifty plates, engraved and
hand-colored, from the Ornithonogy Vol. IV, published in Edinburgh, mid-
19th c., no visible date. Mulitple copies of several plates show different
hand in coloration, minor foxing and yellowing to edges of some. Each
plate 6 1/2" x 4" |
100 |
59 |
| 376 |
Tiffany & Co. sterling silver serving spoons, set of four
monogrammed EES, marked, approx. 7.5 t.o. |
200 |
147 |
| 377 |
Three sterling silver serving pieces, marked Tiffany, Gorham, and
KW&S, approx. 7 t.o. |
250 |
382 |
| 378 |
Tiffany & Co. sterling silver trumpet vase #18377, Stamped Tiffany
& Co/Sterling, 11 1/4", minor dent to rim. |
200 |
353 |
| 379 |
Tiffany & Co. sterling silver bowl with reticulated and engraved
rim, Stamped Tiffany & Co/Sterling, 10 1/2" dia. |
300 |
441 |
| 380 |
Tiffany & Co. sterling silver melon form bowl, maker's marks and
sterling, 7" length, approx. 6 t.o. |
200 |
235 |
| 381 |
Tiffany & Co. sterling silver yoyo, and with five piece assorted
sterling nips and two Jensen sugar tongs |
200 |
294 |
| 382 |
Three Tiffany & Co. flatware, 1872; sterling souffle spoon, 1864;
two sterling sugar tongs; three unusual sterling fish forks - 9 total |
300 |
353 |
| 383 |
Ornate silver serving ladle, 1902 |
250 |
235 |
| 384 |
Gorham sterling silver flatware service for eight in the Aspen
pattern, 48 pieces total |
800 |
470 |
| 385 |
Gorham sterling silver bowl 6" dia, and eight sterling plates 6",
maker's mark and sterling, approx. 48 t.o. |
400 |
353 |
|
