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Rago Arts and Auction Center
Brutten Herrick Collection, April 2004
Please click on lot number to see image.
Prices include buyer's premium
| Lot Number |
Description |
Estimate |
Sale Price |
| 1 |
Indian School, Untitled, ink and gouache on paper, 9 3/4" x 14 1/8"
(sight), framed |
300 |
264 |
| 2 |
Indian School (two works): Kali, Goddess of Destruction, 19th c., ink
with watercolor and gouache on paper, 6 1/8" x 4 3/8" (sight), framed;
Untitled, 19th c. gouache on board, 9 5/6" c 6 1/8" (sight), framed,
Condition: tears with parts missing. |
300 |
558 |
| 3 |
Indian school (Kangra), 19th c., Portrait of a Devi, watercolor and
gouache on paper, 10 1/4" x 8 1/8", framed |
300 |
823 |
| 4 |
Indian School (three works): Krishna and Radha, 19th c. ink and
gouache on paper, 8 1/4" x 6 3/8" (sight), matted (no backing); Untitled,
19th/20th c., ink and gouache on paper, 3 3/4" x 5 1/2" (sight), framed;
Untitled, 19th c., watercolor and gouache on paper, 11 5/8" x 8 5/8",
framed |
300 |
823 |
| 5 |
Indian School, Untitled, 19th Century, ink, watercolor and gouache on
paper, 11 5/8" x 8 5/8", framed |
300 |
1,410 |
| 6 |
Bourne & Shepherd (Samuel and Charles), Indian Temple, c. 1870,
albumen print, 11 1/4" x 8 7/8" (sight), signed in plate Bourne &
Shepherd 2236, framed |
100 |
529 |
| 7 |
Eadweard Muybridge, Animal Locomotion Plate 366, 1887, collotype, 19"
x 24" |
200 |
705 |
| 8 |
Alfred Stieglitz, Untitled, photogravure, 7 1/4" x 5 1/8", framed,
tipped on a sheet of gray paper |
100 |
1,116 |
| 9 |
Albert Alcalay, Summer at the Pond, 1973, watercolor and gouache on
paper, 6 3/8" x 8", signed and dated, framed. Provenance: DuBose Gallery,
Houston |
100 |
470 |
| 10 |
Roberta Allen (two works): Where Everything There Is to Know..., 1979,
ink and gouache on paper, 18 5/8" x 29", titled, signed and dated, framed;
Untitled, 1974, ink on paper, 11 1/2" x 8 7/8" (sight),signed and dated,
framed |
200 |
176 |
| 11 |
Rene Pierre Allain, Untitled, 1986, graphite and pastel on canvas
mounted on paper, 21 1/4" x 33 1/2", signed and dated, framed |
200 |
176 |
| 12 |
Bill Alpert (two works): Memories, 1980, graphite and pastel on paper
(three sheets), 18 3/4" x 36" (overall), signed titled and dated, framed;
Black Bird Bye Bye, 1980, ink on paper, 29 1/2" x 21 1/2", signed and
dated, framed |
200 |
353 |
| 13 |
Jody Pinto, Red Tail, 1982, watercolor and Conti crayon on paper, 23"
x 29", framed |
300 |
382 |
| 14 |
Bill Alpert (three works): 7@5, 1974-81, graphite, charcoal and conti
crayon on paper, 30 1/4" x 22", titled, dated and signed, framed;
Tantalus, 1980-81, gouache and pastel on paper, 24" x 18 3/4", titled
signed and dated, framed; Begonia, 1978, acrylic on wood, 21 3/4" x 15" x
5", signed titled and dated |
300 |
176 |
| 15 |
Richard Merkin (three works): 1925 F St. Club, 1973, assemblage, 7" x
5", signed on verso, framed. Provenance: Terry Dintenfass, Inc., New York;
Untitled, screenprint in colors, 6 1/4" x 7 1/8", signed and inscribed,
framed; Popeye, 1969, ink and ink transfer on paper, 25 5/8" x 19 5/8",
signed and dated, framed |
150 |
106 |
| 16 |
Bill Alpert (three works): CNG: Color Drawing #1, 1978, pen and ink
and pastel on two sheets of paper, 11 7/8" x 18" (top), 13" x 19 7/9"
(bottom), titled, signed and dated, framed; Untitled, 1975, charcoal,
watercolor and gouache on sketchbook paper, 13 3/4" x 11", signed and
dated, framed; Enfold, 1978, mixed media, 59 3/4" x 48 1/4" x 2" |
300 |
235 |
| 17 |
Vito Acconci (two works): Diagram for Instant House, 1980, ink and
graphite on paper (diptych), each 8 1/8" x 10 3/8", each titled, initialed
and dated, framed, Provenance: Max Protetch Gallery, New York, exhibition:
Weatherspoon Annual Exhibition, Art on Paper, 1981, Weatherspoon Art
Gallery, Greensboro, NC |
400 |
3,408 |
| 18 |
Michael Bakaty (two works): Black Drum, 1975, wax on paper, 24" x 36",
signed and dated, framed; Untitled, resin and Plexiglas, 11 7/8" x 11
7/8", framed |
200 |
323 |
| 19 |
John Balsley (two works): Barber Poles Visiting the Monument with Some
Magic, 1971, mixed media construction, 26" x 12" x 13 1/2", signed, dated
and titled on bottom; Darla's First Washington Chunk, 1971 (Erased Memory
Road, 1978), acrylic, resin and graphite on wood construction, 13 1/4" x
45 1/4" x 3 1/2", signed titled and dated (twice) on verso |
200 |
59 |
| 20 |
Lucio Pozzi (Four works): untitled, 1972, graphite, colored pencil and
crayon on paper, 10 7/8" x 8 1/2", signed and dated, framed, paper
discolored along perimeter; Nautilus, 1987, acrylic on paper, 35 1/2" x 27
3/4", titled signed and dated, framed; Pile-Green, 1979, acrylic on paper,
22" x 32", titled signed and dated, framed; Monotype Umbata, 1986,
monotype, 29 3/4" x 21 3/4", titled signed and dated, framed |
300 |
646 |
| 21 |
Two works: Diane Balsley, "Nocturis," 1978, watercolor on paper, 8
3/4" x 11 1/4", signed and dated; John Balsley, "Visitors," 1976,offset
lithograph, 9 1/4" x 17 1/2", signed titled and dated |
50 |
29 |
| 22 |
Art & Language (four works):/Karl Beveridge (provisional),
Untitled, silver gelatin emulsion print with graphite collage on paper, 20
1/8" x 26", signed; /Karl Beveridge, (provisional), Untitled, silve
gelatin emulsion print and graphite on paper, 20" x 26", framed; /Karl
Beveridge, Untitled, steel rod, 72" x 2"; /Carole Conde (provisional),
1976, collage on paper, 22" x 22", signed and dated |
400 |
382 |
| 23 |
Diane Balsley, untitled, 1978, mixed media collage, 15 1/2" x 12",
signed and dated on the verso |
100 |
106 |
| 24 |
Thomas Bang (two works): Untitled, 1978, graphite on paper, 16 3/4" x
24 1/4" (sight), signed and dated, framed; Untitled, ink on wood, 3 1/2" x
23" x 1 1/2" |
200 |
118 |
| 25 |
Joel Bass, Square Stack, 1974, sculptmetal and plastic, 14 5/8" x 14
1/4", signed, dated and titled, framed |
300 |
88 |
| 26 |
Antonin Christian, Cross, 1984, gouache on paper, 23 3/4" x 17 1/2",
signed and dated, framed. Provenance: Susan Montezino Gallery,
Philadelphia, |
400 |
118 |
| 27 |
Connie Beckley (three works): Triad on Three Points of View, 1978,
lithograph, 9/20, 11" x 8 1/2", signed, dated, numbered, and inscribed,
framed; Quartet in ES, paper collage, 15" x 26 3/4" (irregular), framed;
The Chiffon Magnet, 1978, lithograph in colors, 16" x 26 3/4" (irregular),
framed |
200 |
94 |
| 28 |
Bill Beckley, Jungle Ordeal, 1979, mixed media on paper, 29 1/2" x 41
1/2", titled, signed and dated, framed |
300 |
353 |
| 29 |
Donald Newman, Leslie in the Woods (Moon), 1975, offset lithograph
(diptych), 17 5/8" x 29 1/8" (overall), signed on verso, framed.
Provenance: Mary Boone Gallery, New York |
100 |
235 |
| 30 |
Paolo Colombo, untitled, 1976, two Braillegrams with printed text
(four framed objects), two 6 3/8" x 9"; 11" x 11 3/4"; 11" 12 3/4",
framed. Provenance: C Space, New York |
200 |
470 |
| 31 |
Paolo Colombo, Paesaggio ideale (Ideal Landscape), 1983-4, graphite,
watercolor and acrylic on rice paper, 37" x 73 1/2", inital, dated and
titled, framed. Provenance: Marianne Deson Gallery, Chicago |
400 |
881 |
| 32 |
Michael Goldberg, Untitled, 1968, gouache and charcoal on paper, 22
1/2" x 17" (sight), signed and dated, framed |
300 |
999 |
| 33 |
Paolo Colombo (two works): Untitled, ink and watercolor on paper, 6
3/8" x 19 3/4", framed; Untitled, 1977, pair of watercolors, watercolor
and graphite on paper, 8 1/2" x 28" (irregular), 9" x 22" (irregular),
both signed and dated on verso |
300 |
264 |
| 34 |
Paolo Colombo (three works): Mediterraneo orientale, ink and
watercolor on paper, 9 1/4" x 3 1/2" (image), titled, signed and dated
verso, framed; Le Spore, 1981, collage with graphite and watercolor on
paper, 12" x 6 1/4", titled, framed. Provenance: Annina Nosei Gallery, New
York; Untitled, 1976, watercolor and graphite on paper, 5 1/2" x 8 1/4"
signed and dated on verso |
300 |
176 |
| 35 |
Ralph Humphrey, Untitled, From the Window Series, 1982, charcoal on
paper, 44" x 30", framed. Provenance: Daniel Weinberg Gallery, Los
Angeles |
800 |
1,880 |
| 36 |
Jared Bark, Clocktower Show Portrait, 1975, photobooth portraits, 8" x
12 1/2", signed and dated on verso, framed |
100 |
382 |
| 37 |
Jared Bark (four works): Untitled self-portrait, 1967-1972, photobooth
portraits, 8" x 56 1/2", signed and dated, framed; Untitled, 1971, photo
booth portrait, 6 1/2" x 2 5/8", signed and dated, framed; Untitled 1971,
photo booth portrait, 7 3/4" x 27", signed and dated, framed; Oakland,
California Bus Depot Aug. 21, 1972, photo booth portrait, titled signed
and dated, framed |
300 |
764 |
| 38 |
Jared Bark (four works): Untitled (light bulbs), 1968, photo collage,
8" x 53 1/4", framed; Untitled, 1973, photo booth portrait, 7 3/4" x 7
7/8", signed and dated, framed; Untitled, 1973, photo booth portrait, 7
7/8" x 8", signed and dated, framed; Untitled, 1974, photo booth protrait,
7 7/8" x 9 1/2", signed and dated, framed |
300 |
1,116 |
| 39 |
Lee Lozano (seven works): Untitled, 1964, graphite on paper. 5 3/4" x
12 3/4" signed and dated on the verso; Untitled, 1964 graphite on paper, 8
1/2" x 10 3/4", signed and dated on verso; Untitled, 1964, graphite on
paper, 8 1/2" x 10 3/4", signed and dated on verso; and Be This
Occasionally, c. 1964, graphite on paper, 13" x 18 5/8", signed and
titled; Untitled, 1964, graphjite on paper 8 1/2" x 9 7/8", signed and
dated on verso; Untitled, 1963-64, graphite and colored pencil on paper, 8
1/2" x 10 3/4", signed and dated on verso |
500 |
11,163 |
| 40 |
Jared Bark (four works); Untitled, 1973, photo booth portrait, 7 3/4"
x 14 1/4", signed and dated, framed; Untitled, 1973, photo booth portrait,
7 7/8" x 14 1/4", signed and dated framed; Untitled, 1973, photo booth
portrait, 7 3/4" x 1 1/2", signed and dated; Untitled, 1973, photo booth
portrait, 7 7/8" x 17 3/8" signed and dated, framed |
200 |
1,116 |
| 41 |
Jared Bark (four works): Untitled, gouache on paper, 25" x 20" framed;
Untitled, gouache on paper, 16 3/4" x 22", framed; Untitled, graphite and
ink on plastic collage, 48" x 48"; Andromeda and Lacerta, 1972,mixed media
collage on masonite, 20 3/4" x 32 3/4". signed dated and titled on
verso |
200 |
382 |
| 42 |
Richard Nonas (two works): Details from the Excavation of Wooster St.,
1972, graphite on paper, 18" x 23 1/2", signed and dated, framed;
Excavation of Wooster St, 1971, graphite on wood ocnstruction, 3 5/8" x 8
1/2" x 1 1/2", titled signed dated, and inscribed on verso |
300 |
764 |
| 43 |
Peter Berg (two works): Neo-Garfish, 1983, pastel on paper, 80 1/2" x
42", signed, titled, and dated, framed; Drawing A 202, 1980, graphite and
ink on paper, 36" x 36", signed and dated, framed |
300 |
1,880 |
| 44 |
Kim Abraham, Day Tide, watercolor on paper, 10 1/4" x 11 1/2", signed,
framed |
100 |
264 |
| 45 |
Bernstein, Untitled, 1976, graphite on paper, 5 7/8" x 4", in a 10" x
8" glass mount, signed and dated on verso |
25 |
12 |
| 46 |
Karl Beveridge (two works): Basic Grid, 1974, graphite on paper, 23" x
18", signed and dated, framed; Line Diagonal Series, 1974, graphite and
crayon on paper, 23" x 18", signed and dated, framed |
200 |
206 |
| 47 |
Mel Bochner, Untitled, 1982/1986, acrylic and charcoal on paper, 29
1/2" x 20 3/4", signed and dated, framed |
2,000 |
4,406 |
| 48 |
Stephen Antonakos, #10 Fragments of a Circle, 1977, colored pencil on
paper, 14" x 11", signed, titled and dated, framed. Provenance: John Weber
Gallery, New York |
100 |
382 |
| 49 |
Natvar Bhavsar, Untitled, 1971, oil on canvas, 46 1/2" x 35", signed
and dated, framed |
300 |
940 |
| 50 |
Natvar Bhavsar (three works): Untitled, 1974, gouache on paper, 22
1/4" x 30", signed and dated, framed; Untitled, 1972, gouache on paper, 22
1/4" x 30",signed and dated, framed; Untitled, 1974, acrylic on paper, 22
1/4" x 30", signed and dated, framed |
300 |
940 |
| 51 |
Lynn Umlauf (eight works): Untitled, 1989, ink wash on paper, 12" x
9", signed and dated, framed; Untitled, acrylic on paper collage, 46" x
24", framed; Untitled, 1979, watercolor on paper, 11 3/4" x 8 3/4", signed
and dated, framed; Untitled, 1980, graphite on paper 12" x 17", signed and
dated, framed; Untitled, 1980, ink and ink wash on paper, 9 1/4" x 20",
signed and dated, framed; Untitled, 1979, ink wash on paper (abraded), 9"
x 12", signed and dated; Untited, 1983, graphite, charcoal and gouache on
paper, 10 3/4" x 8", signed and dated. Condition: tears in upper left
margin |
400 |
588 |
| 52 |
Natvar Bhavsar (two works): Untitled, 1972, dried pigment and roplex
on paper, 45 3/4" x 34 3/4" (sight), framed. Provenance: Max Hutchinson
Gallery, New York, exhibition: Weatherspoon Annual Exhibition "Art on
Paper, 1972," Weatherspoon Art Gallery, Greensboro; Untitled, 1968, oil on
canvas, 20 1/4" x 20 1/4", signed dated and inscribed on verso |
400 |
1,880 |
| 53 |
Natvar Bhavsar (three works): Untitled, 1973, acrylic on paper, 35" x
46", framed; Untitled, 1973, gouahce on paper, 46" x 35", framed.
Provenance: Max Hutchinson Gallery, New York; Untitled, 1968, pastel on
paper, 34 5/8" x 35" (sight), framed |
300 |
881 |
| 54 |
Natvar Bhavsar (six works): Untitled, 1964, watercolor and gouache on
paper, 13" x 5 3/8", signed and dated on the verso; Untitled,
1965,embossed print, 17" x 22", Condition: print mounted to the window of
the mat; Untitled, 1965, embossed lithograph in colors, 27" x 22", signed
anddated, Condition: discolored in the margins; Untitled, 1963, ink on
paper, 35" x 23", signed, dated and inscribed, Condition: tape residue in
the margins; Untitled, 1963, ink on paper, 22" x 34", signed, dated and
inscribed, Condition edges are creased; Untitled, 1981, acrylic and pastel
onpaper mounted, 9 7/8" x 10", signed and dated on verso.dated 1965, 1963,
1981, various sizes and media |
300 |
705 |
| 55 |
Janet Bhavsar, Portrait of Natvar Bhavsar, silver gelatin emulsion
print, 6" x 9 1/4" (sight), framed. Provenance: Photopia, Philadelphia |
100 |
59 |
| 56 |
Katherine Porter, 150 Cumulus Clouds #2, no date, pen and ink with
gouache on graph paper, signed and titled, framed |
200 |
646 |
| 57 |
Kathy Billian, Bound Strata for the First of October, 1978, 1978,
graphite and acrylic on graph paper, 23 7/8" x 17 3/4", titled, dated, and
signed, framed |
100 |
29 |
| 58 |
Derek Boshier, Smiling Head, 1985, oil on canvas, 6" x 4", signed,
titled and dated on verso |
50 |
323 |
| 59 |
Michael Boyd (five works): Untitled, 1971/73, graphite on paper, 19
7/8" x 20" (sheet), signed and dated, framed; Study: Ajanta, 1975;
Untitled, 1975; Untitled, 1974; Untitled, 1970 |
400 |
118 |
| 60 |
Paul Brown, Untitled, 1980, oil on canvas, 30" x 22", signed and dated
on verso, minor paint loss |
200 |
59 |
| 61 |
Leon Golub, The Anchovie Man, oil on canvas, 36 3/8" x 24", signed,
framed. Provenance: Martha Jackson Gallery, New York |
2,000 |
11,163 |
| 62 |
Janet Brosiou (two works): Shadows, 1974, silver gelatin emulsion
print, 8 7/8" x 12 5/8" (sight), signed, titled and dated on verso,
framed; Circles and Square, 1978, silver gelatin emulsion print mounted to
11" x 14" rag board, sgined dated titled and inscribed |
75 |
24 |
| 63 |
Diane Buckler (four works): Untitled, Type "C" print, 10 1/2" x 13
1/2"; Perversity Defined, Type C print mounted to board, 10" x 10";
Untitled, 1981, Cibachrome print, 10" x 8", signed and dated on verso;
Untitled, Cibachrome print, 5" x 4", matted |
400 |
118 |
| 64 |
Cynthia Carlson(two works): Insect Study, 1983, oil on shellaced
paper, 27 3/4" x 27 3/4", framed; Untitled, 1980, acrylic on paper, 28" x
28", signed and dated, framed |
800 |
705 |
| 65 |
Lucio Pozzi, Melancholia, egg tempera and graphite on paper, 1980, 40"
x 60", titled, signed and dated, framed |
300 |
382 |
| 66 |
Cynthia Carlson (two works): Untitled, acrylic and string on paper, 22
3/8" x 28 3/8", framed; Beginner's Delight, 1974, acrylic on masonite, 36"
x 30". signed titled and dated on verso |
400 |
470 |
| 67 |
Cynthia Carlson (two works); Springtime, 1978, acrylic, pastel and
string on paper, 8" x 11 1/4", framed; Blue Stink, 1976, acrylic,
watercolor and oil crayon on paper, 29 3/4" x 22", framed |
200 |
499 |
| 68 |
Jeremy Gilbert-Rolfe, 5th Study for Warfare & Pleasure, 1976,
graphite and gouache on paper, 22 1/4" x 30 1/4", initaled, titled, and
dated, framed |
500 |
499 |
| 69 |
Dennis Kardon (two works): Untitled, print with finger prints, 11 1/4"
x 11", signed and inscribed on verso; Untitled, ink on paper, 22 1/4" x
30", framed |
200 |
147 |
| 70 |
Rosemarie Castoro (three works): Inter arches, 1974, graphite on
paper, 22" x 29 3/4", titled, dated, and signed, framed; Beaver's Trap,
1978, graphite, paper and cardboard collage, 21" x 20", signed, dated,
titled, and framed; Untitled, 1976, graphite on paper, 22 1/4" x 30",
signed and dated |
300 |
353 |
| 71 |
Rosemarie Castoro, Spider Spine, resin and wire sculpture, 22 1/2" x
24" x 19 3/4" |
300 |
382 |
| 72 |
Rosemarie Castoro, Wedge, 1970, paint on wood, two-panel screen, 84" x
27 5/8' x 27 5/8" (open); Provenance: Benniale De Paris, 1971 |
500 |
764 |
| 73 |
Lynda Benglis, Lagnaippe (1st Test Work), 1978, cast paper with
iridescent cellophane, 54" x 11" x 9", signed, dated and titled.
Provenance: Exeter Press, A/P |
2,000 |
3,525 |
| 74 |
Bruno Ceccobelli, UT (triangle), 1984, oil on board, 10" x 11 1/8",
framed. Provenance: Annina Nosei Gallery, New York |
200 |
529 |
| 75 |
Nancy Spero, I Died at Rodez Under Electroshock. Artoud, 1969,
watercolor on paper, 27 1/4" x 19" (sight), titled, signed and dated,
framed |
200 |
11,163 |
| 76 |
Walter Chappell, Untitled, 1961, silver gelatin emulsion print, 20" x
16", signed and dated on the mount. Provenance: David Mancini,
Philadelphia |
750 |
705 |
| 77 |
Peter Checchia, Untitled, 1989, hand-colored silver gelatin emulsion
print, 9" x 13" (sight), signed and dated, framed |
100 |
71 |
| 78 |
Sylvia Plimack Mangold, 22 1/2 Inches of Floorboard, 1974, watercolor
on paper, 18" x 24", titled, signed and dated, framed |
2,000 |
8,813 |
| 79 |
Chryssa (Verdea), 150,000 Leftists Strike in Paris, 1969, hand-colored
lithograph, 39" x 24", signed and dated, framed |
200 |
441 |
| 80 |
Christo and Jeanne-Claude, Running Fence, 1976, four-color offset, 24
3/4" x 38 5/8" (sight), signed, framed |
200 |
441 |
| 81 |
Michael Clark, George Washington, 1976/77, acrylic on four-color
offset postcard (three cards), each 5 3/4" x 4", each signed on verso,
each framed |
75 |
176 |
| 82 |
Edward Clark, Crete & N.Y., 1971, pastel on paper, 27 1/2" x 39
1/2" (sight), signed titled and dated, framed |
200 |
1,293 |
| 83 |
Joseph Beuys, four-color offset lithograph, 12" x 8 1/2" (sight),
signed, framed |
100 |
1,175 |
| 84 |
Charles Clough, Untitled, 1988, oil on paper, 21 3/4" x 13 3/4",
signed, framed |
100 |
323 |
| 85 |
David Cochrane (three works): Untitled, watercolor on paper, 13 3/4" x
16 1/2", unframed; Untitled, 1974, acrylic on plywood, 18 1/4" x 18 1/4",
signed and dated on verso; Untitled, 1975, acrylic on wood, 22" x 22",
initialed and dated, framed |
200 |
118 |
| 86 |
Cora Cohen (two works), Untitled, pastel on paper, both 25" x 19"
(sight), framed; Untitled, pastel on paper, 25" x 19", framed |
200 |
323 |
| 87 |
Mark Cohen, Child in Stroller, silver gelatin emulsion print, 12 1/8"
x 18" (sight), framed |
800 |
264 |
| 88 |
Saint Clair Cemin, Double Sculpture, 1987, pencil and watercolor on
paper, 18" x 24", framed. Provenance: Daniel Weinberg Gallery, Los
Angeles |
400 |
999 |
| 89 |
Donald Cole, Cock-A-Doodle-Do, 1980, acrylic on canvas, 60" x 43 1/2",
titled, signed and dated on verso, unstretched |
300 |
705 |
| 90 |
Don Cole (six works): Warm Country, 1974, mixed media collage on
paper, 24" x 22 3/8", titled, signed and dated; Shifting Boundaries, 1974,
mixed media collage on paper, 28" x 22 1/2", titled, signed and dated; No
Mystery, 1974, mixed media collage on paper, 24" x 22 1/2", titled, signed
and dated; Getting Warner, 1974, mixed media collage on paper, 28 1/2" x
22 1/2", titled, signed and dated; Tough, 1974, mixed media collage on
paper, 2 1/2" x 22 1/2", titled, signed and dated; Sense of Direction,
1974, mixed media collage on paper, 28 1/2" x 22 1/2", titled, signed and
dated |
300 |
176 |
| 91 |
Don Cole (six works): Untitled (four drawings), 1980, ink and on paper
(two with collage), varying size 9" x 9 5/8" to 10" x 9 5/8", each signed
and dated; Pig Pen Series,2-1, 1980, ink on paper, 19 1/4" x 191 /4",
signed, dated and titled on verso; My House, 1978, crayon paper, 13" x
10",signed dated and titled Untitled, 1976, mixed media collage, 24" x 22
1/2", signed and dated; Capital Hill, 1964, mixed media collage, 28" x
22", signed and dated; Nice Orange, 1974, mixed media collage 28 1/2" x 22
1/2", signed and dated |
300 |
94 |
| 92 |
Michael Goldberg (three works): Untitled, 1989, oil and charcoal on
paper, 27 1/4" x 19 3/4", signed and dated, framed; Untitled, 1983, oil
and pigment on paper, 101 /4" x 8 1/4" (sight), signed and dated, framed;
Untitled, 1987, oil and paper collage, 28 3/4" x 27 1/4" signed and dated,
framed |
500 |
1,175 |
| 93 |
Don Cole (eight works): White Seam, 1970, oil on stitched canvas, 12"
x 18", signed, titled and dated on verso; MT Stain, 1970, oil on stitched
canvas, 12 1/8" x 21 1/8", signed, dated and titled on verso; Sky Stain
II, 1970, oil on stitched canvas, 12 1/8" x 20", signed, titled and dated
on verso; Little Boogie, 1971, oil on stitched canvas, 18" x 28", signed
titled and dated on verso; Untitled, 1971, ink on paper collage, 12 1/2" x
10 1/2", signed and dated, framed; One Cross Seam with Blue Stitch, 1970,
acrylic on stitched canvas, 42" x 24", titled, signed and dated on verso;
Little Weaving II, 1971, acrylic on canvas collage, 37" x 39", signed and
titled on verso; Untitled, 1985, mixed media collage on paper, 13" x 10",
signed and dated, framed |
200 |
82 |
| 94 |
Don Cole (eight works); Untitled, mixed media collage, 22 1/2" x 24",
framed; Untitled, 1985, mixed media collage, 10" x 13", signed and dated,
framed; Untitled, 1980, ink on paper, 19" x 24", signed and dated, framed;
Untitled, 1972, mixed media collage, 14 3/4" x 17", signed and dated,
framed; Forsicht Hunstblatter, 1977, mixed media collage, 23" x 30",
framed; Are You..., 1967-75, oil on canvas, 13 1/8" x 13", signed, titled
and dated on verso; Everything Flows, 1967-76, oil on canvas, 13" x 13",
signed, titled and dated on verso; The Pattern Mafia, 1972, oil on canvas
mounted on paper, 16" x 15", framed |
200 |
499 |
| 95 |
Hollis Frampton, Photographs: First Cluster, 1965, three Type "C"
prints mounted on board, 15 1/8" x 13", stamped, titled and dated, framed |
100 |
2,115 |
| 96 |
Alan Cote, Untitled, 1973, charcoal on paper, 43 1/4" x 29 1/2",
signed and dated in pencil, framed, Provenance: The Jared Sable Gallery |
100 |
147 |
| 97 |
B. Cusack, Janelas Do Brazil, 1979, Type "C" print, 6 1/4" x 9 1/2"
(sight), titled, inscribed, signed and dated, framed |
100 |
71 |
| 98 |
Horia Damian, Painting on Paper, 1960 No. A-10, 1960, paint on paper,
25" x 19 1/2", signed and dated, framed |
200 |
235 |
| 99 |
Mario Yrisarry (two works): Relentless, 1972, watercolor on paper, 20"
x 18 3/4", titled, signed and dated, framed; Patch Quilt Bauhaus, 1973,
acrylic on canvas, 28" x 24", titled signed and dated on verso |
300 |
499 |
| 100 |
Alan D'Arcangelo, Untitled, 1971, screenprint in colors, 82/90, 26" x
26", signed, dated and numbered |
200 |
176 |
| 101 |
Katherine Porter, Untitled, 1976, graphite, watercolor and gouache on
paper, 19 3/4" x 25 1/2", framed |
400 |
529 |
| 102 |
Porfirio Di Donna, Untitled, 1972, acrylic and graphite on canvas, 17"
x 17", signed and dated on verso |
200 |
1,410 |
| 103 |
Porfirio Di Donna (three works): Untitled, 1979, mixed media on paper,
41 1/2" x 29 1/2", framed, Provenance: Edward Thorp Gallery, New York,
Exhibition Philadelphia Museum of Art; Untitled, 1983, watercolor on
paper, 22" x 29 3/4", framed; Untitled 1979, mixed media on apper, 27 1/2"
x 19 7/8" framed, Provenance: Nielsen Gallery, Boston |
300 |
2,468 |
| 104 |
Lucio Pozzi (Four works): Untitled, 1973, graphite and watercolor on
paper, each approx. 20 3/8" x 20 1/2", each signed and dated, framed;
Untitled, 1973, graphite and watercolor on paper, 20 3/8" x 20 1/2" signed
and dated, framed; Untitled, 1973, graphite, colored pencil and
watercolor, 20 3/8" x 20 1/2", signed and dated, framed; Untitled, 1973,
graphite and watercolor on paper, 20 3/8" x 20 1/2", signed and dated,
framed |
300 |
1,058 |
| 105 |
Porfirio Di Donna (two works): Untitled, 1972, colored ink on paper,
18" x 24", signed and dated, framed; Untitled, 1975, graphite and ink on
paper, 22 1/2" x 30", signed and dated, framed, Condition: stain in right
margin |
100 |
470 |
| 106 |
Robert Di Franco, Untitled (six photographs), 1976-1978, six silver
gelatin emulsion prints, each 16" x 19 3/4", each signed and dated on
verso |
300 |
176 |
| 107 |
Robert Grosvenor, 4 Sonsbeek Park, Arnem, Holland May 1970, 1974, ink
and collage on graph paper, 23 1/4" x 31 1/4", titled, signed and dated,
framed |
600 |
4,994 |
| 108 |
K. Doktori, Untitled, 1979-80, acrylic on wood construction, 24" x 8
3/4" x 3 1/4", signed and dated |
100 |
29 |
| 109 |
Anda Dubinskis, Blue Bridge, 1988, oil on board, 6" x 4 1/2", signed,
titled and dated on verso, framed |
100 |
176 |
| 110 |
Alan Saret (three works): Untitled, 1982, colored pencil on paper, 8
1/2" x 11 1/2" (sight), framed; Untitled, colored pencil on paper, 8 1/2"
x 11 1/2", framed; Untitled, colored pencil on paper, 8 1/2" x 11 1/2",
framed |
400 |
2,820 |
| 111 |
William Dutterer (seven works): Untitled, 1979, oil on canvas, 4" x
3"; Study - 15 flaps, 1970, ink on sketchbook paper, 18" x 24", signed,
titled and dated, framed; Silver Splits, 1972, metallic paint on paper,
18" x 24", titled, signed and dated, framed; Untitled, 1971, charcoal on
paper, 10 3/4" x 13 3/4", signed and dated, framed; Navajo, metallic paint
and pastel on paper, 29" x 23",titled, framed; Ibis; Mylar Project - Light
on Light, 1969, lithograph and screenprint (four copies), 15 1/2" x 9 1/2"
(cover), each from an edition of 50, each signed, dated, and numbered,
COndition: discoloration and creases |
200 |
264 |
| 112 |
Chuck Fahlen, Sweet Talk, 1976, resin construction, 20 3/8" x 19 1/4"
x 9 1/2" |
200 |
588 |
| 113 |
William Fares (Three works): Study - Circular Ruins, 1974, graphite
and charcoal on paper collage, 10" x 17", titled, signed and dated,
framed; Return to Sender, 1977, acrylic on canvas collage, 29" x 29",
titled, dated and signed on verso; Untitled, 1977, cast paper collage, 20
1/2" dia., signed and dated, framed |
200 |
294 |
| 114 |
Douglas Huebler, Untitled, 1978, graphite, ink and colored pencil on
paper, 11 5/8" x 13 1/2" (sight), signed and dated, framed |
600 |
4,406 |
| 115 |
Augustine Fernandes, F67-39, oil on canvas, 21 1/4" x 18", signed,
framed |
100 |
999 |
| 116 |
Alan Uglow, Untitled #9, 1976, oil and chalk on paper, 30 1/4" x 22
1/2", framed. Provenance: Mary Boone Gallery, New York |
200 |
823 |
| 117 |
Kent Floeter (five works): Study Upon Board/Cuts, 1977, graphite and
masking tape on paper collage, 14" x 17", signed, dated and titled;
Studies 1-6 Steel Pattern, 1980, charcoal and tape on paper, 43" x 36",
titled, signed and dated, framed; Map Series, 1969, acrylic and graphite
on paper, 17 5/8" x 24 5/8", titled, signed and dated, framed; Study:
Golden Cup, 1981, graphite, crayon and tape on paper collage, 24" x 26",
signed dated, and titled; Untitled, 1978, colored pencil and masking tape
on tracing paper, 9 1/2" x 11", signed,dated, and inscribed, framed |
100 |
705 |
| 118 |
Jody Pinto (three works): Room Project, 1975, crayon and watercolor on
paper, 29" x 23", signed, dated, titled and inscribed on the verso; Pool
of Blood in Landscape, 1976, watercolor and graphite on paper, 19" x 23
7/8", titled (recto), signed and dated on verso; Lashed Fingernails
Covered, graphite amd watercolor on paper, 24" x 36", signed and dated,
Condition: paper is discolored along the perimeter |
600 |
382 |
| 119 |
Kent Floeter (four works): Drawing for Installation at William
Patterson Art Gallery, 1979, charcoal and pencil on paper, 18 1/2" x 28",
signed and dated, framed; Study: Barcelona Blueprint, 1981, steel bluing
on coated paper, 23 1/4" x 22 7/8", titled (recto), signed and dated on
verso ; Red Least Cold Rolled Steel, 1980, collage on paper 11" x 13 1/4",
signed, dated and titled, framed; Untitled, 1976, acrylic on board 23" x
45", signed and dated, framed |
100 |
1,293 |
| 120 |
Jake Berthot, October Group #3, 1973, pencil, graphite and enamel on
paper, 29 3/4" x 22 1/4", signed and dated: Provenance: O. K. Harris Works
of Art, New York; B. C. Holland, Chicago; Harcus Krakow, Boston; Locksley
Shaw Gallery, Minneapolis; John C. Stoller & Co., Minneapolis |
400 |
764 |
| 121 |
Linda Francis, Untitled, 1978, pastel and pencil on paper, 33" x 60"
(sight), signed and dated, framed |
200 |
558 |
| 122 |
Lynn Umlauf (two works): Untitled, acrylic on paper mounted on canvas
(three parts), 11" x 28" (overall), signed; Untitled, watercolor on paper
(four panels), 36" x 60", notation on verso |
200 |
118 |
| 123 |
Linda Francis (eight works): Sand Dollar, 1976, watercolor on paper,
9" x 9", titled, initialed and dated, framed; Untitled,1975, acrylic and
graphite on paper 50" x 40", signed and dated, framed; Untitled, 1975,
acrylic and newsprint on canvas, 20" x 20", signed and dated, framed,
Untitled, 1977, watercolor and collage on paper, 22 1/4" x 29 1/2", signed
and dated, framed, Condition, surface dirt; Untitled, 1976, graphite and
ink on paper, 14" x 11 3/4", signed and dated; untitled, 1976, graphite
and ink on paper, 9" x 12", signed and dated; Untitled, 1976, graphite and
ink on paper, 11 3/4" x 9", signed and dated; Untitled, 1976, graphite and
ink on paper, 9" x 12", signed and dated |
200 |
646 |
| 124 |
Richard Merkin, Homage to An Unknown Photographer, #3; Izzy in My
Grief I know What I'm Doing, 1965, mixed media, 33" x 51", signed and
dated. Provenance: Obelisk Gallery, Boston |
600 |
176 |
| 125 |
Linda Francis, Untitled, 1979, oil on canvas, 58" x 60" |
200 |
588 |
| 126 |
Linda Francis (four works): Savoy, 1975, graphite and collage on
paper, 7 1/2" x 10 1/4", signed, dated and titled, framed; Mangled Farm,
1978, collage on paper, 11" x 11", titled, dated, and itialed; Savoy,
1975, collage on paper, 6 3/4" x 9", initaled, dated, and titled, matter;
Rockland Lake, 1977, collage on pape,10" x 9 1.2", initaled, dated, and
titled |
100 |
264 |
| 127 |
Malcolm Morley, 1977, Mini Masters, crayon on paper (joined) drawn
recto and verso, 24 1/4" x 34 3/4", initialed, title and dated, framed |
1,000 |
2,938 |
| 128 |
Richard Francisco (two works): Untitled, 1973, pen and ink with
watercolor and gouache on paper, 7" x 10 1/8", signed and dated, framed;
The Comet, 1973, watercolor on paper, 18" x 24", signed and dated,
framed |
200 |
264 |
| 129 |
Jo Ann Frank (six works): Seat & Lampshade, Eastman House...,
silver gelatin emulsion print, 6" x 3 7/8" (sight), signed and titled on
verso, framed; Rory & Debbie- Yosemite Nat'l Park Calif, 1974, silver
gelatin emulsion print, 7 1/4" x 4 3/4", signed, titled and dated on the
mount, framed; Coat Hooks-City Museum of NY, silver gelatin emulsion
print, 6' x 3 7/8", signed and titled, on verso, framed; Triangle Stair-
Guggenheim Museum, silver gelatin emulsion print, 3 7/8" x 5 7/8", framed;
Stairway to 77th St, NY, 1974, silver gelatin emulsion print, 3 7/8" x 5
7/8", signed and titled on verso, framed; Entrance to Lehman Collection,
Metropolitan Museum, 1976, silver gelatin emulsion print, 6" c 3 7/8",
framed |
300 |
382 |
| 130 |
Jo Ann Frank (five works): Untitled, silver gelatin emulsion print, 3
7/8" x 6", framed, Provenance: Photopia, Philadelphia; Untitled, silver
gelatin emulsion print, 8 7/8" x 12 3/8", framed, Provenance: Photopia,
Philadelphia; Imogene Cunningham, silver gelatin emulsion print,9" x 5
7/8", framed, Provenance: Photopia, Philadelphia; Gas Oven in Front of
Windows, silver gelatin emulsion print, 6" x 3 7/8", framed, Provenance:
Photopia, Philadelphia; Untitled, silver gelatin emulsion print, 6" x 3
7/8", framed |
300 |
470 |
| 131 |
Richard Artschwager, Untitled, 1979, drypoint, 5/21, 12 7/8" x 12 5/8"
(sight), numbered, signed and dated, framed |
200 |
1,880 |
| 132 |
Ruth Ann Fredenthal, Tniap, 1972, acrylic on wood, 9 1/2" diam.,
signed, dated and titled on verso |
100 |
94 |
| 133 |
Bilge Freedlander (two works): Untitled, ink on folded paper, 6" x 8
1/2", signed and inscribed on verso; Untitled, graphite, charcoal and
chalk on folded paper, 19" x 25" |
100 |
59 |
| 134 |
Abe Freundlich (two works): Minor as the Gardener, 1976, silver
gelatin emulsion print, 12 3/4" x 8 3/4", signed, titled and dated,
framed, Provenance: Photopia, Philadelphia: Minor's Dance with Death,
1976, silver gelatin emulsion print, 18 1/4" x 12 1/4" signed and dated,
Provenance: Photopia Galley, Philadelphia |
200 |
118 |
| 135 |
Richard Pousette-Dart, Untitled, 1976, pencil and titanium acrylic on
paper, 22" x 30 1/4", signed on verso, framed. Provenance: Andrew Crispo
Gallery, New York |
4,000 |
17,625 |
| 136 |
Jackie Gardner, Kinesthetic Graph, 1976, colored pencil on graph
paper, 17 3/4" x 22 1/4", initialed and dated on verso of sheet, framed |
25 |
24 |
| 137 |
J. Garmhausen, Winter Murder Scene, graphite and gauache on paper, 12"
x 14 1/4", signed and titled |
25 |
41 |
| 138 |
Gilles Gheerbrandt, Untitled, 1978, painted wood construction, 25" x 8
1/8" x 1 1/8" |
50 |
29 |
| 139 |
Allan Kaprow, Days Off, A Calendar of Happenings, 1970, offset of
newsprint, bound with staples, 15 1/4" x 10 7/8", commissioned by The
Junior Council of The Museum of Modern Art, New York, 1970 |
200 |
411 |
| 140 |
Cristos Gianakos (four works): Untitled, 1974, charcoal on paper, 22"
x 17 3/4", initialed and dated, framed; Untitled, 1973, charcoal on paper,
22" x 17 3/4", initialed and dated, framed; Poster for P.S.#1 Special
Project Room 009 Old Wing (four copies), 1978, lithograph, each 18 1/2 " x
22 1/4", one signed, dated and inscribed, includes one poster from Cristo
Gianakos Exhibition, Highbridge, Mercer; Untitled, 1982, ink on paper, 13
7/8" x 11", initialed, dated and inscribed |
200 |
294 |
| 141 |
Cristos Gianakos (three works): Untitled, 1975, acrylic and graphite
on canvas collage, 38 1/2" x 4 1/4" (frame), signed and dated on verso,
framed; Untitled, 1975, acrylic on canvas on wood, 8" x 8", signed and
dated on verso; Untitled, 1974, hand-made paper on wood, 10 1/4" x 7 1/4",
signed and dated on verso |
200 |
411 |
| 142 |
Michael Goldberg (four works): Untitled, 1984, pastel and oil crayon
on paper, 29" x 27 1/2", signed and dated, framed; Untitled, 1975-77,
watercolor amd graphite on hand-made paper, 28" x 24 1/2", signed and
dated, framed; Alberti Facade, 1979, charcoal and gouache on paper, 21
3/4" x 20", signed and dated, framed; Untitled, 1989, oil, pastel and
charcoal on paper, 10 5/8" x 10", signed and dated, framed |
800 |
1,880 |
| 143 |
Lee Lozano (two works): Untitled, graphite and crayon on paper, 22
1/2" x 17 1/2"; Untitled, graphite and crayon on paper, 17 1/2" x 22
1/2" |
400 |
3,173 |
| 144 |
Cristos Gianakos (four works): Untitled, 1980, acrylic and graphite on
graph paper, 11" x 16 1/2", inscribed, framed; Untitled, 1974, oil on
paper, 8 1/4" x 4 3/4", signed, dated, and inscribed; Unititled, 1977,
offset lithograph, 8 1/2" x 11", signed, dated and inscribed; With one
work by Theo Gianakos. |
150 |
88 |
| 145 |
**WITHDRAWN**Cristos Gianakos (three works): Sculpture Number 16,
1968, polyester resin, 12 1/2" x 22" x 17"; Pyramid, poured acrylic resin,
28" x 47" x 22", Condition: chipped along wiht bottom edge, wood base is 2
1/8" x 56 1/4" x 30 1/4"; Untitled (Three Studies for Sculpture), one
dated 1968, one datedm 1981, each graphite in paper, 8 1/2" x 11; 8 1/2" x
7"; 14" x 2" |
200 |
470 |
| 146 |
Joel-Peter Witkin, The Sins of Joan Miro, 1981, hand-colored silver
gelatin emulsion print, 15/15, 15 1/4" x 15 1/4", framed |
2,000 |
3,408 |
| 147 |
Jill Giegerich, Untitled (3 Objects on an Arch), 1983, charcoal on
paper, 10 1/2" x 11 1/2", framed. Provenance: Margo Leavin Gallery, Los
Angeles |
200 |
118 |
| 148 |
J. Nebraska Gifford (three works): Untitled, 1971, watercolor on
paper, 15" x 22", signed and dated, framed; Untitled, 1971, ink and
watercolor, 15 1/8" x 22 1/2", signed and dated; Untitled, acrylic on
paper, 20" x 26", signed and dated on verso |
150 |
94 |
| 149 |
Maxwell Gimblett (four works): Untitled, 1978, acrylic on paper, 22" x
31", signed, dated and inscribed, framed; Untitled, screenprint on paper,
18" x 21 1/2", framed; Study for Blue Red- To Lew Lyn, 1977, acrylic and
graphite on paper, 22 1/2" x 30", signed, titled and dated; Untitled,
1978-79, watercolor and graphite on paper, 22 1/2" x 30", signed and
dated, framed |
300 |
646 |
| 150 |
Maxwell Gimblett, Chinese Lush and Green, 1976-77, acrylic on canvas,
70" x 50", signed titled and dated on verso |
400 |
705 |
| 151 |
Lucio Pozzi, Double Mirror Level (two panels), 1989, oil on canvas
mounted on wood, 11 1/4" x 7 3/4" x 3 1/2"; 11 1/4" x 7 3/4" x 2 3/4",
signed, titled and dated |
200 |
1,175 |
| 152 |
Maxwell Gimblett, Two, 1978/79, oil on canvas, 20" x 20", signed,
titled, dated and inscribed on verso |
200 |
499 |
| 153 |
Sol Lewitt, Four Color Line Drawing with Progressively Wider Spaces
Between, 1972, color pencil on paper, 10 1/2" x 8 1/4", titled signed and
dated, framed. Provenance: John Weber Gallery, New York Note: drawn in
Paris on 9/25/72 |
1,000 |
15,275 |
| 154 |
Michael Gitlin (three works): Untitled, 1983, oil stick on paper, 37
3/4" x 49 3/4", signed and dated, framed; Untitled, 1982, charcoal on
paper, 22" x 30", signed and dated, Condition: sheet creased in upper
right corner; Untitled, 1981, charcoal on paper, 22 3/8" x 30 1/8", signed
and dated, Condition: creased in upper right corner |
300 |
176 |
| 155 |
Mike Gleir, The Evil of War Monuments, 1981, mixed media on paper, 60"
x 96", signed and dated on verso. Condition: paper torn 3" along top
edge |
200 |
264 |
| 156 |
Maurice Golubov (three works): Untitled, 1935, oil on paper, 8 1/2" x
4 5/8", signed and dated, framed; Untitled (Three Drawings), each gouache
on paper, 5 1/8" x 4 3/8", 2 1/8" x 5 7/8", 5 1/8"x 3 3/4", signed,
framed; Untitled, 1972, graphite and crayon on paper, 6 1/2" x 4", signed
and dated |
300 |
323 |
| 157 |
Lynn Umlauf, Untitled, 1975, acrylic on paper mounted on canvas,
diptych, 45" x 52", signed and dated |
250 |
74 |
| 158 |
Maurice Golubov (three works): Untitled, 1977, watercolor on paper, 5
1/8" x 7 1/2", signed and dated, framed; Untitled, C. 1980, watercolor and
gouache on paper, 5 1/8" x 7 1/2", signed and dated, framed; Untitled,
1983, graphite anmd watercolor on paper, 4 3/4" x 6", signed and dated,
framed |
300 |
382 |
| 159 |
Maurice Golubov (four works): Untitled, 1946, gouache on paper mounted
on paper, 2" x 4 1/4", dated and signed, framed; Untitled, gouache on
paper, 5 5/8" x 1 3/8", signed, framed; Noctural, 1982, graphite,
watercolor and gouache on paper, 8 1/4" x 12", signed, dated and titled;
Untitled, 1979, watercolor and gouache on paper, 9" x 12", signed and
dated |
300 |
206 |
| 160 |
Milton Resnick, Straw 43, 1982, oil on chemically-treated corrugated
board, 40" x 30", signed and dated on verso, framed. Provenance: Robert
Miller Gallery, New York |
4,000 |
12,925 |
| 161 |
Joe Goode, Untitled, 1969, lithograph in colors, 22 1/8" x 29 3/4",
95/98, signed, dated and numbered. Condition: creases in paper with
surface dirt |
50 |
147 |
| 162 |
B. Goodman, Untitled, 1984, ink and gouache on paper, 5" x 8", signed
and dated |
25 |
18 |
| 163 |
Robert Goodnough (two works): White Collage, 1971, cut paper collage,
8 1/8" x 15 3/4", signed and dated, framed; Untitled, 1973, screenprint in
colors, 20" x 26 1/4", artist's proof, signed, dated and numbered |
200 |
294 |
| 164 |
Robert Goodnough, White on White, 1977, acrylic and oil on canvas, 20"
x 20", titled, signed and dated on verso, framed |
400 |
1,410 |
| 165 |
Dolya Goutman, On Walnut Lane, 1957, oil on canvas, 40" x 30", signed,
dated and inscribed, framed |
100 |
59 |
| 166 |
Richard Long, Mud Finger Spiral, 1984, mud on paper, 17" x 23 7/8",
framed. Provenance: Anthony d'Offay Gallery, London, exhibition:
Philadelphia Museum of Art, (ca. 1986) |
2,000 |
8,813 |
| 167 |
Peter Grass (two works): Romeo and Silhouette, 1976, artist's book, 4"
x 3 1/8"; TIC TAC TOE, 1973, screenprint in colors, 23" x 31 1/2", 4/100,
signed, dated, titled and numbered. COndition: crimps in paper with
stains |
100 |
29 |
| 168 |
Edith Gwathmey (two works): Untitled, 1974, watercolor, crayon and
graphite on paper, 13 7/8" x 10 3/4", signed and dated, framed; Untitled,
1974, graphite and watercolor on paper, 10 3/4" x 13 7/8", signed and
dated, framed |
100 |
264 |
| 169 |
Richard Haas, Proposal: Wall Adjacent to European Bank, Corner of
Howard and Broadway, New York, 1977, handcolored silver gelatin emulsion
prints, 26 3/4" x 21 5/8" (sight), 7/17 number and signed, framed |
200 |
382 |
| 170 |
Richard Haas, Greene Street 23, etching, 15 1/2" x 19 1/8" (sight),
4/27, titled, numbered and signed, framed |
200 |
529 |
| 171 |
Marcia Hafif, Untitled, graphite on paper, 25 1/2" x 40", framed |
200 |
3,408 |
| 172 |
Mary Hambleton, Cool & Cooing, 1984, oil on canvas, 8" x 15",
titled, signed and dated on verso |
100 |
353 |
| 173 |
Robert Grosvenor, Untitled, 1980, graphite and colored pencil on
paper, 7 3/8" x 9 7/8" (sight), signed and dated, framed |
150 |
1,763 |
| 174 |
J. Harris, Ocean View, 1975, acrylic on canvas, 30" x 36", titled,
signed and dated on verso, framed |
200 |
264 |
| 175 |
Nancy Spero, Eligy I, 1966, watercolor on paper, 18 1/2 x 23" (sight),
signed dated and titled, framed |
200 |
7,638 |
| 176 |
Suzanne Harris (three works): Untitled, watercolor on paper, 15 3/8" x
14 3/4", framed; Untitled, watercolor, 13 3/4"x 10 7/8", framed; Untitled,
pastel on paper, 15 3/8" x 14 3/4", framed |
200 |
264 |
| 177 |
Suzanne Harris (two works): Dallet Series, 1975, charcoal and pastel
on paper, 42" x 29 3/4", initialed and dated, framed; Locus One, 1976,
offset lithograph (artist book), 18 1/4" x 26", 8/50, wight sheets, bound,
signed, numbered and dated |
100 |
294 |
| 178 |
Christian Haub (three works): A Sudden Turn to the Right, 1980, ink
and gouache on paper, 19 3/4" x 27 3/4", titled, signed and dated, framed;
Untitled, 1980, graphite, watercolor and gouache on paper, 10 1/4" x 14
1/8", signed and dated; J.E., 1980, gouache on board, 20" x 20 7/8",
titled and dated, Conition: pinhole in the four corners |
200 |
176 |
| 179 |
Bill Jensen, Untitled, 1973, ink wash on paper, 14 3/4" x 11", framed.
Provenance: Lorence Monk Gallery, New York, exhibition: Paintings and
Drawings, 9/20 - 10/11, 1986 |
400 |
1,293 |
| 180 |
Don Hazlitt, Ground Zero #2, 1982, graphite and gouache on paper, 20
3/8" x 28 3/8", framed |
100 |
118 |
| 181 |
Gene Hedges (three works): #4, 1956, collage, 27 1/2" x 20 1/4",
initialed and dated, framed, Provenance: Poindexter Gallery, New York; #1,
1964, collage, 19 1/2" x 17", signed and dated on verso, framed.
Provenance: Poindexter Gallery, New York; Untitled, 1978, lithograph in
colors, 22 1/4 x 14 1/4", signed, dated and inscribed |
200 |
118 |
| 182 |
Jeremy Gilbert-Rolfe (two works): Untitled, 1977, gouache on paper, 31
1/4" x 22 1/4", initialed and dated, framed; Untitled, 1977, graphite and
gouache on paper, 16 3/4" x 12 3/4", initialed and dated, framed |
400 |
353 |
| 183 |
Rene Pierre Allain, Side Loophole, 1988, acrylic on canvas with steel,
51" x 54 1/2" x 6", signed, titled and dated |
300 |
353 |
| 184 |
Willy Heeks, Untitled, 1985, graphite, ink charcoal and gouache on
paper, 17 3/8" x 13 7/8" (sight), framed |
100 |
235 |
| 185 |
Richard Allen Heinrich, Untitled, 1976, charcoal on paper, 22" x 30",
dated and signed, framed |
100 |
264 |
| 186 |
Phoebe Helman, Untitled, 1990, charcoal on paper, 22 1/2" x 30",
signed, framed |
100 |
206 |
| 187 |
Gregory Amenoff, Untitled, 1978, oil on paper, 23" x 24" (sight),
framed |
400 |
1,175 |
| 188 |
Dale Henry (four works): Leonardo Perspective Drawing, No. 1, glass
and resin, 9 5/8" x 9 5/6", framed; Leonardo Perspective Drawing, No.2,
glass and resin, 10 5/8" x 27 1/2", framed; Leonardo Perspective Drawing,
No. 3, glass and resin, 17 5/8" x 17 1/2", framed; and Composite: Works
Off Paper... paper, wood and glass with collage, 9 1/2" x 11 1/2", titled
and signed on verso, framed |
100 |
106 |
| 189 |
Michael Goldberg, Untitled, 1974, bronze powders and alkin on canvas,
72" x 72", signed and dated on verso |
2,000 |
17,625 |
| 190 |
Italo Scanga (two works): Untitled, 1969, ink and watercolor on paper,
6 5/8" x 8 5/8" (sight), framed; Untitled (four watercolors), 1967-71,
watercolor, 3 3/4" x 8 1/8", 3 1/8" x 9, 8" x 12", 4 1/2" x 13", each
signed and dated, framed |
200 |
382 |
| 191 |
Charles Hindman, Untitled, acrylic and graphite on paper, 20" x 23
1/2", signed, framed |
200 |
235 |
| 192 |
Nicholas Hondrogen (five works): Cat in Red Square,Type C print, 11
3/4" x 19 1/4" (sight), framed; Untitled, Type C print, 12" x 19 1/4"
framed; Untitled, 1980, Type C print, 15 7/8" x 19 7/8", framed; Untitled,
1980, Cibachrome print, 12 1/2" x 19 7/8" initialed and dated, Condition:
mounted to the mat; Untitled, 1980, Cibachrome print, 12 1/2" x 19 7/8",
1/5, signed, dated and numbered on verso |
250 |
206 |
| 193 |
Lucio Pozzi (four works): Hender (portfolio), 1980, watercolor on
offset lithographs, 10" x 7", B 10/10, signed, numbered and dated,
published by Street Editions, New York; Untitled, 1975, lithograph in
colors, 27" x 19 1/4", 45/205, signed, dated and numbered; Untitled, 1978,
lithograph in color, 27 1/8" x 19 1/8" 45/85, signed, dated and numberbed;
Untitled, 1979, lithograph in colors with collage, 27" x 19", 45/184,
signed,dated and numbered |
200 |
235 |
| 194 |
Nicholas Hondrogen (five works): Untitled I, II, III, 1977, three type
"C" print, each 15 3/4" x 11 3/4", each label on verso, Condition:
discolored; Untitled, 1976, Type C print, 12" x 15 7/8", initialed, titled
and dated on verso, Condition: print has been mounted to board and is
lifting along perimeter; Exhibition poster, 1979, offset lithograph, 23" x
17 1/2" |
150 |
88 |
| 195 |
Jorg Immendorff, Cafe Deutschland, 1979, acrylic on paper, 16" x 11
1/2", signed and dated, framed. Provenance: Daniel Weinberg Gallery, Los
Angeles |
800 |
6,463 |
| 196 |
Bud Hopkins, Untitled, 1961, oil on paper, 7 1/2" x 10", signed and
dated, framed |
100 |
411 |
| 197 |
Sharon Horvath, Untitled, ink and gouache on paper collage, 24 1/2" x
18 1/2", framed |
100 |
118 |
| 198 |
Suzanne Reese Horvitz (two works): Armor Series #2, 1983, mixed media
on canvas, 10" x 8", signed, dated and titled on verso, framed.
Provenance: Benjamin Mangel Gallery, Bala Cynwyd, PA; Untitled, 1984, ink,
watercolor and graphite on paper with collage, 10 1/4" x 9 1/2", signed,
dated and inscribed |
100 |
264 |
| 199 |
Jeffrey Hudson, Grey Head, 1976, clay on offset lithograph, 11 1/2" x
9 1/8", titled and dated, framed |
50 |
12 |
| 200 |
Angelo Savelli, Paradise VI, 1969, acrylic on canvas, rope and wood,
12" x 10", signed, titled and dated on verso |
50 |
2,115 |
| 201 |
Jim Huntington (four works): Untitled, 1973, graphite, watercolor and
colored pencil on paper, 8" x 8 3/4", initialed and dated, framed;
Untitled, 1972, watercolor and charcoal on paper, 21" x 29 1/2", signed
and dated, framed; Untitiled, 1974, graphite and pastel on paper, 22" x
30", signed and dated, framed; Untitled, 1977, charcoal and graphite on
paper, 22" x 29 3/4" signed and dated, framed |
400 |
823 |
| 202 |
Mario Yrisarry, Untitled, 1968, acrylic on canvas, 69" x 48", signed
and dated |
400 |
1,645 |
| 203 |
Jim Huntington (ten works): Untitled, 1973, graphite, charcoal and
pastel on paper, 22" x 29", signed and dated; Untitled 1973, graphite and
pastel on paper, 22 1/4" x 30", signed and dated; Untitled 1973, graphite,
charcoal and pastel on paper, 22 1/4" x 30", signed and dated; Untitled,
1971, charcoal, graphite amd pastel on paper, 15" x 22 1/2", signed and
dated; Untitled, 1971, charcoal, graphite and pastel on paper, 15" x 22";
Untitled, 1974, graphite and pastel on paper, 22 1/8" x 29 7/8", signed
and dated; Untitled, 1972, charcoal and pastel on paper, 22 1/8" x 30",
signed and dated; Untitled, 1973, charcoal and pastel on paper, 22 1/8" x
30", signed and dated; Utitled, 1972, graphite, charcoal and pastel on
paper, 20 5/8" x 29 5/8", signed and dated; Untitled 1972, graphite and
pastel on paper, 20 7/8" x 29 7/8, signed and dated |
300 |
764 |
| 204 |
Lynn Umlauf (two works): Untitled, 1977, acrylic on paper mounted on
canvas, 21" x 27" (overall) two parts, signed and dated, with drawing for
installation; Untitled, 1975, acrylic on paper mounted to canvas (two
parts), 27" x 42", signed and dated verso |
200 |
59 |
| 205 |
Jim Huntington (two works): Untitled, 1972, wood and screws, 13 3/4" x
9 1/4" x 1 3/4", signed and dated on verso; Time Trial, 1972, acrylic on
masonite and steel, two panels, each 57" x 21" |
200 |
118 |
| 206 |
Siah Armajani, Notations on 4th, 1975, silver gelatin emulsion print
with pen and ink and pencil and chip board collage on board, 24" x 35
7/8", framed |
800 |
999 |
| 207 |
Michael Hurson, Portrait of Daniel Weinberg, 1980, stabilo pencil,
pastel and conte crayon on paper, 29" x 22 7/8", signed, framed.
Provenance: Daniel Weinberg Gallery, Los Angeles and San Francisco |
600 |
999 |
| 208 |
Robert Indiana, 69 Skid Row, 1971, screen print in colors, 10 1/2" x
10 1/2" (image), 18 1/2" x 13 1/4" (sight), 44/125, number and signed,
framed |
100 |
558 |
| 209 |
Partick Ireland (three works): Untitled, 1975, colored pencil on
folded paper, 23" x 23", initialed and dated, framed; Pale Switch,
watercolor on paper, 12 1/4" x 16 1/4", inscribed, initialed and dated,
framed; Untitled, 1975, ink and colored pencil on paper, 22 3/4" x 29",
signed and dated, framed |
300 |
588 |
| 210 |
Lynn Itzkowitz, Truth in Lending #6, 1977, graphite on paper, 35 1/4"
x 24", framed. Provenance: Mary Boone Gallery, New York |
100 |
118 |
| 211 |
Richard Nonas, Untitled, 1974, charcoal on paper, 9 1/4" x 11 3/4",
signed, dated and inscribed, framed |
200 |
764 |
| 212 |
Andrew Jansons (four works): Foothold, 1987, oil on canvas, 36" x 36",
signed, titled and dated on verso, framed; Study for House of Exile, 1987,
acrylic on paper, 22" x 30", titled, signed and dated, framed; Untitled,
1980, oil on paper, 9 1/2" x 7 1/2", signed and dated, framed; A79-2,
1979, acrylic on paper, 9 1/2" x 7 3/8", signed and dated, framed |
250 |
411 |
| 213 |
Andrew Jansons (six works): Red Corner, 1988, oil on canvas, 24" x
20", signed, titled and dated on verso; Four Stalkers, 1988, oil on
canvas, 24" x 30", titled, signed and dated on verso; Untitled, 1987,
acrlic on paper, 22 1/4" x 15", signed and dated, framed; Untitled,
acrylic on paper, 11 1/4" x 15", framed; Untitled, 1974, ink and gouache
on paper, 11 1/8" x 15", signed and dated on verso; Untitled, 1974,
acrylic on paper mounted to board, 17" x 15", signed, dated and inscribed |
250 |
999 |
| 214 |
Lynda Benglis, Untitled, plaster and screen, 36 1/4" x 4" x 3 1/2" |
1,000 |
7,050 |
| 215 |
Suzanne Joelson, Tail (Camouflage 1 v.3), 1981, acrylic on canvas, 18"
x 36", titled, signed and dated on verso |
100 |
71 |
| 216 |
Katherine Porter, Dark X, 1974, oil and wax on canvas, 79" x 101"
Exhibition: Rose Art Museum, Brandeis University, "Katherine Porter:
Paintings 1969-1984," |
2,000 |
1,410 |
| 217 |
Ronald Jones, A Tribute to the Future, 1986, oil on polyester with
composite frame, 26" x 22", framed. Provenance: Heath Gallery, Inc.,
Atlanta |
200 |
206 |
| 218 |
Ronald Jones, We Imagine That in Catastrophic Situations..., 1985, oil
on a zinc plate, 30" x 30", signed and dated on verso |
200 |
499 |
| 219 |
Richard Merkin, Virgins In Cellophane, 1969, mixed media, 47 3/4" x 72
1/4", signed, framed |
600 |
3,525 |
| 220 |
Ronald Jones, Window of Vulnerabilty, 1982, four color off-set, 25
1/2" x 42 1/2", illegibly signed and dated on verso framed |
150 |
206 |
| 221 |
Leon Golub, Untitled, 1984, oil on (unmounted) canvas, 15" x 13",
signed (recto); signed, dated and inscribed on verso |
2,000 |
5,875 |
| 222 |
Jim Juzszyck, Untitled, 1977, acrylic on paper, 6" x 6", signed and
dated on verso, framed |
25 |
71 |
| 223 |
Kim Keever, Figure #34, 1985, oil on plywood, 7 5/8" x 13 7/8",
signed, titled and dated on verso |
50 |
12 |
| 224 |
Ed Kerns, Untitled, 1980, acrylic, canvas, wood and nails on board,
24" x 24", signed and dated on verso, framed, Rosa Esman Gallery, New
York |
100 |
147 |
| 225 |
Barry Le Va, Studies - Intersecting Circles Series (Opposite Walls),
1970, pen and black ink, colored crayons, and black felt-tip pen on paper,
35" x 42 1/2", signed, titled, and dated, framed. Provenance: Daniel
Weinberg Gallery, Los Angles, *Christie's estimate 1996 - $3000-5000 |
2,000 |
9,400 |
| 226 |
Michael Kessler (three works): Untitled, one dated 1989, oil stick on
paper, and other media 33 1/2" x 44 1/2", framed; Untitled, 1989, acrylic
on paper mounted to plywood, 14" x 14", signed and dated on verso, framed;
Untitled, acrylic on board, 13" x 15", signed on verso |
400 |
353 |
| 227 |
Jody Pinto (four works): The Crow, 1981, charcoal on paper, 28 3/4" x
22 3/4", framed; Untitled, ca. 1976, charcoal on paper, 28 1/2" x 22 1/2";
Untitled, ca. 1976, charcoal on paper, 23" x 29", signed on verso;
Untitled, 1976, charcoal on paper, 29" x 23", signed and dated on verso |
300 |
705 |
| 228 |
Michael Kessler (three works): Untitled, 1982, acrylic, oil and crayon
on paper, 32" x 40", initialed, framed; Mornings in Early Darkness,
1982,charcoal and gouache on paper, 15 7/8" x 20", signed onverso, framed;
Aggressive Male Element, charcoal on paper, 33 3/4" x 41", signed,
framed |
200 |
235 |
| 229 |
Lee Lozano (ten works): four graphite drawings, no date, various
sizes, 1 7/8" x 8 1/2"; 1 7/8" x 3 7/8"; 1 7/8" x 2 1/4"; 3 1/4" x 4 1/8",
framed; Untitled, graphite and colored pencil on paper, six drawings, 22"
x 18 1/4' mat, framed |
400 |
8,225 |
| 230 |
Michael Kessler (three works): Molison's Fields, 1981, acrylic and
charcoal on paper, 33 1/2" x 41 1/2", framed; Untitled, oil and graphite
on plywood, 11" x 20 1/4", signed on verso; Untitled, acrylic on board,
18" x 22 1/2", signed on verso |
400 |
235 |
| 231 |
Ross Bleckner, Untitled, 1984, oil encaustic on canvas, 20" x 16",
signed and dated on verso |
4,000 |
4,700 |
| 232 |
Charles Kinney, Old Davels Ron Wicked, acrylic and gouache on paper,
22" x 28", signed and titled, framed |
100 |
94 |
| 233 |
Bernard Kirschenbaum (two works): Untitled, 1976, ink on paper, 22
3/4" x 22 3/4", signed and dated, framed; Hidden Self Portrait, 1980,
artist's book include twelve loose print, 9 3/4" x 9 3/4", signed and
dated |
200 |
323 |
| 234 |
Alan Kirili, Untitled, 1975, collage on paper, 25" x 25", signed and
dated |
200 |
235 |
| 235 |
Katherine Porter, One Thing After Another/A Snow Leopard, ink and
gouache on graph paper, 10 5/8" x 16" (sight), titled, framed |
200 |
558 |
| 236 |
Knudsen, artwork for exhibiton poster, 1978, mixed media collage on
paper, 26" x 20, signed and dated |
25 |
12 |
| 237 |
Michael Goldberg (three works), Untitled, 1982, charcoal and acrylic
on paper, 37 3/4" x 49 1/2" (sight), signed and dated, framed, Measured
Change, 1981, charcoal and gouache on paper, 30 1/4" x 23", signed and
dated, framed, Provenance: The Adam L. Gimbel Gallery, New York; Untitled,
1978, oil on paper, 14" x 14", signed, dated amd inscribed on verso |
500 |
1,116 |
| 238 |
George Kokines (five works): Untitled, ink and watercolor on paper,24"
x 19", signed; Untitled, oil pastel on paper,19" x 24", signed; Untitled,
watercolor on paper, 24" x 19", signed; Untitled, watercolor on paper, 24"
x 19", initialed; Untitled, ink and watercolor on paper, 19" x 24",
signed |
200 |
118 |
| 239 |
Ralph Humphrey, Untitled, acrylic on paper collage, 18" x 24",
framed |
800 |
5,581 |
| 240 |
Gary Kuehn (three works): Untitled, 1969, graphite and metallic paint
on paper, 28" x22 1/8", signed and dated, surface dirt on paper; Untitled,
1972, marker on paper, 17 3/4" x 12 1/2", signed and dated on verso;
Untitled, 1972, marker on paper, 12 1/2" x 17 3/4" signed and dated on
verso |
400 |
999 |
| 241 |
Gary Kuehn, Eternal Figures, three wire sculptures, 10 1/4" dia.,
circle; ( 1/4" x 9 1/4" triangle; 10 1/4" sq square, accompanied by
drawings of these objects |
2,000 |
2,468 |
| 242 |
Gary Kuehn (four works): Untitled, 1979, acrylic on paper collage, 22"
x 30", signed and dated, framed; A Red Star for Black Heart, ink on
embossed paper, 19 7/8" x 25 5/8", numbered, titled and signed; Untitled,
acrylic on paper collage, 9 1/2" x 15 1/2", framed' Untitled, graphite,
charcoal and acrylic on paper, 8" x 10 3/4", framed |
400 |
646 |
| 243 |
Mia Westerlund, Drawing III, 1973, graphite on paper, 22 5/8" x 28
1/2", framed. Provenance: Willard Gallery, New York, and the Jared Sable
Gallery. |
300 |
705 |
| 244 |
Gary Lang, Untitled, 1986/88, acrylic on plywood, 9 1/4" x 7 3/4",
signed and dated on verso |
100 |
264 |
| 245 |
Patricia Lasch, Untitled, metallic paint on fabric, 11 1/4" x 10 1/4"
(irregular), framed |
100 |
411 |
| 246 |
Ger Lataster, Greetings to Helene, 1959, crayon on paper, 6 1/2" x 8
1/2" (sight), signed, dated and inscribed, framed. Provenance: Helene S.
Thompson |
250 |
441 |
| 247 |
Donald Judd, Untitled, lithograph, 8 5/8" x 11 1/2" (sight), A.P.
9/25, signed and numbered, framed |
250 |
1,880 |
| 248 |
Mon Levinson, Untitled, 1980, acrylic on paper collage, 25 1/2" x 40"
(irregular), signed, dated and inscribed |
300 |
176 |
| 249 |
Tom Levine, Opus 30 No. 4, 1980, acrylic on shaped canvas (diptych),
12 1/4" x 19 1/4" x 4 1/4", signed, dated and titled on verso |
100 |
147 |
| 250 |
Lynn Umlauf (seven works): Untitled, 1989, acrylic on paper, 15 7/8" x
18 3/4", signed and dated, framed; Untitled, 1974, watercolor and gouache
on paper, 101 /4" x 15 3/4", signed and dated, framed; Untitled, 1979,
pastel on paper, 24 1/2" x 39", signed and dated, framed; Untitled, May
31, 1980, acrylic on canvas, 32" x 27", dated on verso; Untitled, 1979,
watercolor and pastel on paper mounted on canvas, 12 1/4" x 9 1/4", signed
and dated; Untitled, 1981, cut paper and canvas, 9 1/4" x 5 1/2" signed
and dated on verso; Exhibition poster, 1979 , offset lithograph, 27" x
19" |
400 |
382 |
| 251 |
Susan Lewis, Green River, 1976, graphite and acrylic on canvas, 25" x
33 1/2", signed and dated on verso |
100 |
35 |
| 252 |
Keith Sonnier, Untitled, from "Seven Objects/69", published by
Tanglewood Press Inc., 1969, fabric and plaster, Condition: fabric has
faded, 14" x 34" x 2 1/4" |
200 |
499 |
| 253 |
Margrit Lewczuk, Drawing for "T", 1984, charcoal and pastel on paper,
28 1/2" x 21" (sight), artist label on verso, framed |
100 |
646 |
| 254 |
Robert Lockwood (three works), 6 x 8 grid, vertical, graphite on
paper, 15 7/8" x 12 7/8", signed and dated, framed; Gioa Haven, graphite
amd gouache on paper, 26" x 20", titled and signed, framed; Untitled #4,
ink and colored pencil on paper, 23 5/8" x 17 7/8", signed, framed,
Provenance: Nielsen Gallery, Boston |
150 |
88 |
| 255 |
Catherine McCarthy, Adam and Eve, 1986, pastel, pencil and wash on
paper, 19" x 13", titled and initialed, framed. Provenance: Nielsen
Gallery, Boston |
100 |
82 |
| 256 |
Richard Tuttle, Untitled, 1973, paint on canvas, 19" x 21 1/2" on a
30" x 31 1/2" mount. Provenance: Daniel Weinberg Gallery, Los Angeles |
8,000 |
32,313 |
| 257 |
Paul Mogensen, Untitled, watercolor on paper, 15" x 22 1/2", framed |
100 |
646 |
| 258 |
Lucio Pozzi (five works): Untitled, 1974, graphite and gouache on
paper, 11 1/4" x 10", signed and dated, framed: Untitled, 1973, graphite,
colored pencil and gouache on paper, 11 1/2" x 9", signed and dated,
framed; Untitled, 1972, ; Untitled; and six drawings on graph paper |
400 |
353 |
| 259 |
Paul Mogensen, Scarlet to Scarlet on Davy's Gray, no date, oil on
canvas, 24" diam. Provenance: Rosa Esman Gallery, New York, Mary Boone
Gallery, New York |
200 |
1,528 |
| 260 |
Italo Scanga, Cornelia, 1992, oil on metal and wood, 24 1/2" x 13" x 4
1/2", signed and dated |
800 |
1,293 |
| 261 |
Gregory Montreuil, Untitled, 1986, mixed media on board and wood, 13"
x 13", signed and dated on verso, framed |
50 |
118 |
| |
