| |
return to prices realized index >
Rago Arts and Auction Center
Prices Realized: Sollo:Rago Modern Auction, October 2001
Please click on lot number to see image.
Prices include buyer's premium
| Lot Number |
Description |
Estimate |
Sale Price |
| 1 |
Exceptional and early HARRY BERTOIA welded textured steel sculpture,
c. 1959-60, with blooming floral center surrounded by branches of folded
leaves, covered in a lacquered brass finish. (This piece is one of the
finest examples of Bertoia's sculptural genius we've ever had the pleasure
to offer. It comes to us from the original owner, who commissioned it from
Bertoia through George Nakashima). Unmarked. 66" x 21 1/2" |
18,000 |
20,700 |
| 2 |
Fine and rare GEORGE NELSON for HERMAN MILLER "Thin Edge" full-size
walnut-veneer headboard with a pair of lift-top compartments over
adjustable headrests upholstered in tufted black and beige velour, and
flanked on either side by a drop-front cabinet with circular aluminum
pull, pivoting interior light and two small drawers, over an open storage
cabinet with adjustable shelf, on tapered legs. Minor wear to finish.
Unmarked. 39 3/4" x 92" x 12 3/4" |
1,000 |
1,093 |
| 3 |
GEORGE NELSON for HERMAN MILLER sofa, its frame and cushions
re-upholstered in crimson velour, and flanked on either side by a
two-drawer walnut end-table with circular aluminum and black laminate
pulls, on bright chrome legs. Small chip to bottom corner of one end
table, and minor finish loss to surface of other. Herman Miller foil
label. 27 1/4" x 120 1/2" x 32 1/4" |
2,500 |
2,990 |
| 4 |
GEORGE NELSON for HERMAN MILLER "Thin Edge" rosewood sideboard with
four graduated drawers and three cabinet doors with aluminum and black
laminate pulls, on a trestle leg base. (Purchased by the consignor in 1959
and accompanied by a copy of the original invoice). Herman Miller foil
label. 32" x 80" x 18 1/2" |
3,000 |
2,875 |
| 5 |
GEORGE NELSON for HERMAN MILLER "Thin Edge" rosewood cabinet with
lift-top, three doors with aluminum and black laminate pulls enclosing
shelves and drawers, and two electrical outlets, on an aluminum base.
(Purchased by the consignor in 1959 and accompanied by a copy of the
original invoice). Herman Miller foil label. 42 1/2" x 56" x 19 3/4" |
2,500 |
2,990 |
| 6 |
Fine and rare GEORGE NELSON for HERMAN MILLER "Swagged Leg" desk, with
walnut sides, white laminate surface and multi-colored dividers on a
chrome base. Accompanied by a walnut chair by same maker, with black
leather upholstery. Desk has two very small, minor chips to laminate.
Marked with Herman Miller foil label, chair unmarked. Desk: 34" x 39" x 28
1/2", chair: 30 3/4" x 19" x 18 1/2" |
4,000 |
4,313 |
| 7 |
GEORGE NELSON for HERMAN MILLER rosewood extension dining table with
rectangular top, angled apron, and tapering legs. Includes two 20" leaves,
stored underneath. (Purchased by the consignor in 1959 and accompanied by
a copy of the original invoice). Herman Miller foil label. Closed: 29 1/4"
x 72" x 40" |
900 |
1,955 |
| 8 |
Set of four GEORGE NELSON for HERMAN MILLER walnut dining chairs with
corseted stretchers and angled back posts, re-upholstered in burnt-orange
tweed. (Purchased by the consignor in 1959 and accompanied by a copy of
the original invoice). Stamped 5468. 30" x 19" x 21 1/2" |
600 |
460 |
| 9 |
Fine GEORGE NAKASHIMA walnut dining table with free-edge plank top,
and three rosewood butterfly keys, on flaring dowel legs. (From the
original owner, name marked on bottom. Provenance available). 28 1/2" x
60" x 39" |
4,000 |
4,313 |
| 10 |
Pair of GEORGE NAKASHIMA walnut "Grass Seated" chairs, each with a
barrel back and three pairs of spindles, on flaring dowel legs. Unmarked. |
1,200 |
1,035 |
| 11 |
Pair of GEORGE NAKASHIMA walnut "New" chairs, each with hickory
spindles, saddle seat, and flaring dowel legs. (Consigned by the original
owner, provenance available). One marked with original owner's name on
bottom. 35 1/4" x 18 1/4" x 19" |
1,200 |
2,070 |
| 12 |
GEORGE NAKASHIMA cherry "Captain's" chair with spindled barrel back,
saddle seat, on flaring dowel legs. (From the original owner, provenance
available). Light surface scratch to seat. Unmarked. 28" x 24 1/2" x 19
1/2" |
800 |
805 |
| 13 |
Fine GEORGE NAKASHIMA walnut four-drawer chest with dovetailed case
and recessed pulls, on plank leg base. (From the original owner.
Provenance available). Marked with the name "Floher" or "Flofler" on back,
and inscribed "Purchased 1958 July 21 by Don & Rachel Armstrong". 31
3/4" x 36" x 20" |
4,000 |
5,175 |
| 14 |
Fine GEORGE NAKASHIMA rosewood and English walnut "Kornblut" cabinet
with dovetailed case, paneled back, single interior shelf, and burlwood
handle, on a crossed-plank base. (From the original owner. Provenance
available). Unmarked. 22" x 18" x 21" |
6,000 |
9,200 |
| 15 |
Fine and unusual GEORGE NAKASHIMA walnut "Lounge Plus Arm" chair with
hickory spindles, saddle seat, and free-edge writing arm, on flaring
turned leg base. (From the original owner, name marked both on bottom of
seat and writing arm). 32 1/2" x 31 1/4" x 27 1/2" |
2,000 |
4,600 |
| 16 |
The following lot, along with lots 159, 160, and 163, come to us from
the collection of Mr. Ezra Stoller, a professional photographer of modern
architecture and furnishings. Mr. Stoller was commissioned to take
pictures of Naskashima's work starting in 1949, and in that way amassed a
collection of his pieces. GEORGE NAKASHIMA walnut lounge chair with
spindled back and flaring free-edge writing arm, on tapering dowel legs.
(An unusual version of this form, and possibly unique. The first and only
example of this kind we've ever seen). Minor scratches to writing surface,
some nicks to edges, overall. Unmarked. 30 1/4" x 36" x 30 1/2" |
2,500 |
4,313 |
| 18 |
GEORGE NAKASHIMA cherry cabinet with dovetailed case, free-edge top,
and two sliding, spindled doors backed with grass cloth, enclosing a
storage area on one side and three divided compartments on the other.
(From the original owner, marked with name on back. Provenance available).
26" x 60" x 19 1/2" |
4,500 |
7,475 |
| 19 |
GEORGE NAKASHIMA walnut long bench, 1963, with rectangular top and
plank legs. (From the original owner, name marked on base. Accomapanied by
copy of original invoice). Some wear to finish. 12 3/4" x 90 1/4" x 16" |
2,500 |
5,175 |
| 20 |
GEORGE NAKASHIMA walnut small bench, 1963, with rectangular top and
plank legs. (From the original owner, name marked on base. Accompanied by
copy of original invoice). 13" x 38 1/4" x 16" |
1,200 |
3,450 |
| 22 |
Set of four GEORGE NAKASHIMA walnut chairs, each with spindled barrel
back and saddle seat on dowel legs with stretchers. (From the original
owner. Provenance available). Two marked with the name "Wallace" on
bottom. 27" x 19 1/2" x 16" |
2,500 |
2,760 |
| 23 |
Fine GEORGE NAKASHIMA cherry end table with burl-grained rectangular
top with two free edges, on dowel legs with stretchers. (From the original
owner, name marked on bottom). 21 1/2" x 28" x 20 1/2" |
2,500 |
2,875 |
| 24 |
GEORGE NAKASHIMA walnut wall-hanging cabinet, 1968, with dovetailed
case and two sliding doors enclosing interior shelves. (From the original
owner, name marked on back. Accompanied by copy of original invoice). 18
1/4" x 42" x 16" |
3,500 |
4,600 |
| 25 |
ETTORE SOTTSASS for MEMPHIS "Casablanca" multilevel bookcase/cabinet,
1981, with shelves radiating from a two-door cabinet, three drawers, and a
drop-front compartment, all covered in polychrome laminate. (Ref.:
"Memphis" by Richard Horn, c. 1985, and "Sottsass Associates", Rizzoli, c.
1988). Metal tag/Memphis, 1981. 91" x 62 1/2" x 14" |
8,000 |
4,888 |
| 26 |
Rare GAETANO PESCE for VITRA "Green Street" chair of textured and
cut-out black fiberglass with a random red streak to back, on eight metal
legs with hemispheric black rubber feet. (An excellent example of Pesce's
work). Two re-glued legs. Unmarked. 37 1/2" x 19" x 20 1/2" |
2,000 |
2,185 |
| 27 |
Fine and unusual RICHARD MEIER rocking lounge chair with blond maple
architectural base and thickly channeled tan leather upholstery. Marked.
26" x 72" x 29" |
8,000 |
9,775 |
| 28 |
Fine and unusual PIERO FORNASETTI miniature cabinet laminated with
architectural pattern, on four ball feet. Unmarked. 12 1/2" x 5" x 5
1/4" |
1,400 |
2,645 |
| 29 |
Set of eight PHILIPPE STARCK "Costes" chairs, each with bent
mahogany-faced plywood back and black leather-upholstered seat pad, on
black enameled tubular steel legs. (Originally conceived for the "Cafe
Costes" in Paris, these chairs represent one of Starck's best-known
designs. The lot is accompanied by a copy of "Starck", with preface by
Olivier Boissiere, 1991, in which the chairs are illustrated). A couple of
minor chips to edges. Unmarked. 31 1/2" x 18 1/2" x 21 1/2" |
1,800 |
2,875 |
| 30 |
ANDREAS VAN ONCK "Cricket" molded plastic folding chair embossed with
grid design, on a thin black tubular metal frame. Missing one foot
support. Embossed mark. 32" x 16" x 17" |
600 |
144 |
| 31 |
Rare and important GAETANO PESCE "Up 5" lounge chair, 1972, of molded
polyurethane foam fully-upholstered in black stretch nylon. (An icon of
the late 1960s Pop Art era, these chairs were part of a series described
by Pesce as "transformation" furniture. Pieces were shipped by the
manufacturer compressed in a thermosealed vacuum container which, when
unsealed, caused the foam to expand back to its original size and fully
form within one hour. Provenance available). A few small burn holes and
tears. Stamped date on bottom. 40" x 45 1/2" x 51" |
3,000 |
1,150 |
| 32 |
Pair of rare GAETANO PESCE for BERNINI "543 Broadway" chairs, with
sheer blue-green resin seat and back on stainless steel frame, with nylon
feet incorporating metal springs. Embossed mark. 29 1/4" x 19 1/2" x 17
1/4" |
2,000 |
1,265 |
| 34 |
Fine and rare WENDELL CASTLE "Bridge Buffet", 1994, with a
three-drawer, scalloped mahogany case mounted on an organic three-legged
base sheathed in riveted and textured sheet copper. Signed Castle/94. 36"
x 67" x 27" |
13,000 |
13,800 |
| 37 |
Fine and unusual WENDELL CASTLE "Monarch" table, 1995, of bird's eye
maple and chiseled elm veneers, with four-pointed free-form top with lobed
underside, mounted on a cube base. A few small chips along edge of top.
Incised Castle/95. 16" x 60" x 52" |
4,000 |
5,175 |
| 38 |
Rare PETER PIEROBON wood chest, 1991, with seven blind drawers carved
in one continuous swirl, finished in blue paint with terra cotta
highlights, supported by four buttressed legs. Incised
Pierobon/Halsinger/1991. 63 1/2" x 26" x 18 1/2" |
5,000 |
8,050 |
| 39 |
PETER SHIRE "Olympia" floor lamp, 1985, with four stacked
trumpet-shaped shades of anodized aluminum in blue, orange, and purple
hues, on a serpentine shaft of blue enameled metal. (Designed for use in
the Olympic Village during the 1984 Summer Olympics in Los Angeles).
Unmarked. 108" x 24" dia. |
2,000 |
1,725 |
| 40 |
GINO SARFATTI for ARTELUCE "Triennale" floor lamp with three
adjustable arms ending in leather-covered handles, conical white enameled
shades, and leather-covered shaft on a circular white marble base. One
replaced shade, small tear to leather on shaft along seam. Marked "Made in
Italy." Fully extended: 78" x 44" |
2,000 |
2,070 |
| 42 |
Fine and unusual Art Deco carved wood firescreen, 1923, depicting a
peacock in red, green and yellow enamels against a black lacquered ground,
and mounted on a scrolled base. (Purchased in France by the consignor, c.
1987). Monogrammed WHP(?)/1923. 38" x 35" |
1,000 |
863 |
| 43 |
Large EDWARD FIELDS wool pile area rug, 1972, with a combination of
linear and curvilinear patterns in brown, cocoa, beige, and orange. Comes
with a small supply of replacement wool. Stamped Edward Fields on backing.
Approx. 9' x 16' |
800 |
575 |
| 45 |
BAUHAUS wool blanket, probably from the Dessau workshop (1926-1932),
in a grid pattern in green, raspberry, peach and blue against a charcoal
and gray ground. (Similar examples illustrated in "Bauhaus Textiles: Women
Artists and the Weaving Workshop," by Sigrid Wortmann Weltge). Small 3/4"
hole along one edge. Approximately 72" x 53" |
800 |
920 |
| 46 |
Fine and unusual BEATRICE WOOD charger decorated in sgraffito with a
woman's torso in polychrome. Several glaze bubbles around rim. Signed
Beato. 16" dia. |
4,500 |
5,175 |
| 47 |
PILLIN charger decorated with two women and birds, in polychrome
glazes. Small nick to rim. Signed Pillin. 10" dia. |
700 |
805 |
| 49 |
Fine ROGER CAPRON shallow terra cotta bowl, the interior decorated
with stylized depiction of a female toreador in polychrome glazes, the
exterior in iced white matte. (This piece most likely dates to the period
when Capron worked at the Vallauris Pottery in France, c. 1946-48. Its
subject matter and graphic style evoke Capron's fascination with the art
of primitive Mediterranean cultures, particularly Minoan). 1/4" nick to
rim, and several small flakes to body. Signed Capron/Vallauris. 2" x 12" |
600 |
460 |
| 50 |
Fine and large EDWIN and MARY SCHEIER charger, 1950, with wax-resist
decoration of two angels and a child in black on a mottled gray matte
ground. Incised Scheier. 16 3/4" dia. |
1,000 |
1,035 |
| 51 |
Fine and large SCHEIER chalice with applied masks covered in
ultramarine dead-matte glaze against a volcanic black ground. Incised
Scheier. 15" x 9 1/2" |
1,500 |
1,150 |
| 52 |
Large SCHEIER chalice, 1988, embossed and incised with whimsical
female figures under a bronze and gunmetal volcanic glaze. Incised
Scheier/88. 14" x 10" |
1,000 |
920 |
| 53 |
SCHEIER vessel with straight sides, 1990, carved in sgraffito with
primitive male and female figures against a blue-gray speckled matte
ground. Incised 90-Scheier. 6 1/2" x 7 1/4" |
450 |
518 |
| 54 |
SCHEIER bulbous vessel, 1960, sgraffito-decorated with a band of
primitive faces and figures against a mottled matte brown ground. Felt
over mark. 5 3/4" x 4 1/2" |
450 |
978 |
| 55 |
Fine SCHEIER charger, 1983, with incised and embossed figures of
mother and child under a gunmetal and dead-matte verdigris glaze. Incised
Scheier/83. 10 1/2" dia. |
750 |
690 |
| 56 |
Two CABAT Feelie vessels, one covered in a brown and amber crystalline
vellum glaze with 1" dia. medallion, the other in a brown and gold flambe
vellum glaze. Both incised CABAT, first one also marked IM. 4 1/2" x 3
3/4" and 3" x 3" |
600 |
690 |
| 57 |
Two CABAT Feelie vessels, a large spherical one covered in a
powder-blue and celadon vellum glaze (stilt-pull chip) and one fig-shaped
covered in a dripping blue, green and brown glaze. Both incised CABAT,
latter also marked M/T. 7" x 5" and 4 1/2" x 2 1/2" |
800 |
920 |
| 58 |
Two CABAT Feelie spherical vessels, one covered in a green and cobalt
crystalline vellum glaze, the other in ivory and mauve (abrasion to tip).
First one unmarked, latter incised CABAT. 3 1/4" x 3 1/4" and 4" x 3" |
400 |
403 |
| 59 |
Two CABAT Feelie vessels, one small spherical covered in a fine and
unusual green and ultramarine mottled vellum glaze, and one squat covered
in a copperdust crystalline glaze. Both incised CABAT, latter also marked
N. 2 3/4" x 2 1/2" and 2 3/4" x 3" |
400 |
431 |
| 60 |
Large and rare CABAT flaring bowl covered in a fine green flambe
crystalline vellum glaze. Incised CABAT. 4 1/4" x 11 3/4" |
750 |
690 |
| 61 |
Two CABAT Feelie vessels, one covered in a teal and gold vellum glaze,
the other in a green vellum glaze with ultramarine tip (grinding chips).
Both incised CABAT. 4 1/4" x 3 1/2" and 4" x 2 1/2" |
400 |
575 |
| 62 |
Two CABAT Feelie vessels, one covered in a powder blue vellum glaze
(restoration to tip), the other in a fine and unusual green and
ultramarine vellum glaze. Both incised CABAT. 4 1/2" x 3 1/2" and 2 3/4" x
2 1/2" |
450 |
431 |
| 63 |
Two CABAT Feelie vessels, one covered in a mottled lavender vellum
glaze, the other in a green vellum glaze with ultramarine tip. Both
incised CABAT. 4 1/2" x 3" and 3" x 2 3/4" |
400 |
460 |
| 64 |
Three small CABAT Feelie vessels, two covered in a teal and gold
vellum glaze, and one in an ivory and mauve vellum glaze (fleck to tip,
grinding chips). All incised CABAT. 3 1/4" x 3 1/4", 3 1/2" x 2 1/4" and 3
3/4" x 3" |
550 |
633 |
| 65 |
Very rare and important EDWARD WORMLEY for DUNBAR rectangular
tete-a-tete sofa upholstered in its original orange, yellow and charteuse
velour, on a mahogany base with brass feet. (From a house in Omaha,
Nebraska, it represents a very limited production by Dunbar, probably one
or two years at most). Unmarked. 27" x 60" x 28" |
6,000 |
6,900 |
| 66 |
EDWARD WORMLEY for DUNBAR loveseat with walnut legs and yellow silk
upholstery. Marked "Dunbar" on decking. 28" x 46" x 32" |
1,500 |
2,530 |
| 66A |
EDWARD WORMLEY for DUNBAR loveseat, identical to preceding. Marked
Dunbar on decking. |
1,500 |
1,955 |
| 67 |
Rare EDWARD WORMLEY for DUNBAR "Gondola" sofa with contoured seat
frame, tufted back and two loose tufted seat cushions upholstered in royal
blue silk, on a walnut frame. Some soiling to fabric, minor wear around
edges. Yellow Dunbar fabric label. 31 1/2" x 110 1/2" x 32" |
3,500 |
2,300 |
| 68 |
Fine EDWARD WORMLEY for DUNBAR armchair upholstered in orange, yellow
and chartreuse silk taffeta, on square rosewood base. Minor soiling to
fabric. Marked Dunbar on decking. 30 1/2" x 24" x 25" |
900 |
1,725 |
| 68A |
Fine EDWARD WORMLEY for DUNBAR armchair, identical to preceding. 1"
tear to fabric on side. Marked Dunbar on decking. |
900 |
1,495 |
| 70 |
Large VLADIMIR KAGAN L-shaped sectional sofa with sloping back and
side arm upholstered in chocolate-brown fabric, on a black metal base with
cylindrical chrome feet. Vladimir Kagan Designs factory tag, and foil
upholsterer's label. 27" x 112" x 66" |
3,000 |
3,220 |
| 71 |
VLADIMIR KAGAN custom-designed walnut drop-leaf dining table, 1951, on
A-frame trestle base with notched plank legs. (A great example of Kagan's
early work). Branded mark. Open: 29" x 42" x 66" |
2,500 |
2,415 |
| 73 |
Rare GEORGE NELSON prototypical slatted wood bench, early 1960s, on a
bright chrome frame. (From the collection of Don Ervin, who was head of
Graphics at the George Nelson office from 1955-1964). Unmarked. 14" x 48"
x 21" |
1,000 |
748 |
| 74 |
Pair of FLORENCE KNOLL for KNOLL easy chairs, 1954, both
re-upholstered in Knoll blue-black tweed, on tubular brushed aluminum
frames. Good condition. Unmarked. 29 3/4" x 24 1/2" x 24 1/4" |
650 |
748 |
| 75 |
Early H.G. KNOLL armless sofa with seat and tufted back re-upholstered
in black leather, on a walnut base with flared legs. Wear to legs at
bottom. Paper factory tag. 30 1/4" x 72" x 25" |
1,000 |
920 |
| 76 |
MIES VAN DER ROHE for KNOLL "Barcelona" chair with seat and back
cushions upholstered in tufted cafe-au-lait leather, on a flat steel frame
with X-shaped legs. Some wear to leather, especially on seat cushion.
Knoll Associates factory tag. 29 1/2" x 30 1/2" x 30" |
1,000 |
1,093 |
| 77 |
KNOLL conference table with oval rosewood veneer top on a bright
chrome pedestal star base. Some nick and scratches to top. Knoll
International label. 28" x 78" x 48" |
900 |
1,380 |
| 78 |
Pair of MIES VAN DER ROHE for KNOLL "Brno" chairs, upholstered in
original blue velvet, on a flat steel frame. Some stains to fabric. One
has Knoll International factory tag. 31" x 23" x 20" |
700 |
805 |
| 79 |
Set of four MIES VAN DER ROHE for KNOLL "Brno" chairs, upholstered in
original blue velvet on a flat steel frame. Pristine condition. Knoll
International factory tag. 31" x 23" x 20" |
2,300 |
2,415 |
| 80 |
Large TOBIA SCARPA for KNOLL dining table with 3/4"-thick beveled,
clip-corner plate glass top, on a bright chrome base with cylindrical
legs. Unmarked. 28 3/4" x 72" sq. |
1,500 |
1,380 |
| 81 |
GEORGE NELSON for HERMAN MILLER CSS unit with three black metal
uprights, three walnut-veneer drawers and a vanity with two narrow drawers
topped by white laminate, accompanied by a stool with original black
leather webbing. Unit: 96" x 64" x 18", stool: 16" x 20" x 16" |
1,200 |
1,380 |
| 82 |
Set of four CHARLES EAMES for HERMAN MILLER "Time-Life" chairs, each
with tufted seat, back and padded armrests upholstered in black leather,
on a swiveling polished aluminum base. Unmarked. 29 1/2" x 28 1/4" x 19
3/4" |
1,900 |
2,415 |
| 83 |
Set of four CHARLES EAMES for HERMAN MILLER "Time-Life" chairs,
identical to preceding. Two have circular Herman Miller tag. |
1,900 |
2,760 |
| 84 |
GEORGE NELSON for HERMAN MILLER long bench, with slatted wood seat at
one end, aluminum planter at the other, two cushions upholstered in
crimson velour, and plate glass shelf, on a brushed aluminum base.
Unmarked. 13 3/4" x 100 3/4" x 20 1/2" |
1,000 |
3,335 |
| 85 |
JOE D'URSO for KNOLL "Durso Special" table, 1980s, with square green
marble top and black metal base. Knoll International paper label. 27 3/4"
x 59 1/2" |
900 |
1,093 |
| 87 |
JOE D'URSO for KNOLL "Racetrack" conference table with oblong black
laminate top and orange-enameled steel legs. A few minor abrasions to top
around edges, some small enamel losses to legs. Knoll International label.
28" x 96" x 48" |
800 |
460 |
| 88 |
Set of eight MIES VAN DER ROHE "MR" chairs, two arm- and six side-,
each with continuous-form original woven cane seat and back on a
cantilevered tubular steel frame. (Six shown). A few splits to caning.
Paper Stendig label. Armchairs: 32 1/2" x 18 1/2" x 26", side chairs: 32"
x 21 1/4" x 28 1/2" |
1,600 |
1,955 |
| 89 |
GEORGE NELSON for HERMAN MILLER "Coconut" chair with original
lime-green vinyl cover on a tubular chrome base. Small hole to cover.
Unmarked. 32" x 40 1/2" x 31 1/2" |
3,500 |
3,450 |
| 90 |
GEORGE NELSON for HERMAN MILLER "Coconut" chair with original orange
vinyl seat cover on a tubular chrome base. A few small tears to cover.
Unmarked. 32" x 40 1/2" x 31 1/2" |
3,500 |
4,025 |
| 91 |
GEORGE NELSON for HERMAN MILLER extension dining table with walnut
laminate rectangular top on tubular chrome "X" legs, with single concealed
leaf. Foil label. 29" x 54" x 36" |
2,000 |
1,725 |
| 92 |
CHARLES EAMES for HERMAN MILLER "Compact" sofa with channeled,
fold-down back, upholstered in light greenish-gray vinyl, with
black-enameled steel frame on a chrome base. (From the collection of Don
Ervin, a George Nelson associate). Some rusting to frame around edges, and
pitting to base. Unmarked. 34" x 72" x 26" |
1,000 |
1,380 |
| 93 |
CHARLES EAMES for HERMAN MILLER rosewood lounge chair and ottoman,
each with tufted black leather upholstery on a swivel base. Chair has
circular metal tag and paper label. Chair: 32 1/2" x 33 1/4" x 33",
ottoman: 16 1/2" x 25 3/4" x 21 1/2" |
2,000 |
2,415 |
| 94 |
Rare POUL VOLTHER for ERIK JORGENSEN (Sweden) "Corona" chair, composed
of four graduated elliptical cushions with original tan leather
upholstery, on a swiveling pedestal steel base. Wear to leather around
edges. Foil label. 35 3/4" x 32 3/4" x 27 1/4" |
2,400 |
2,530 |
| 96 |
ARCHITECTURAL FIBERGLASS white molded fiberglass sofa with elongated
oval opening to back, on a recessed base. Some nicks to edges and minor
scratches to surface. Unmarked. 27 3/4" x 79 1/2" x 20" |
1,800 |
1,265 |
| 98 |
MIES VAN DER ROHE for KNOLL "Mies Couch" with tufted black leather
cushion and bolster on webbed walnut frame with bright chrome tubular
legs. Bottom of cushion has petrified foam, large tear to lining, some
wear around its edges and to support straps. Knoll Associates paper label.
23 1/2" x 39 1/2" x 17 1/4" |
1,900 |
2,990 |
| 99 |
GEORGE NELSON for HERMAN MILLER "Steelframe" three-drawer chest with
white laminate top, sides and back, and dark green drawer fronts with
bright chrome oval pulls, on a black metal frame. A few very minor chips
to enamel. Circular Herman Miller tag. 29 1/2" x 33 1/2" x 18 3/4" |
600 |
345 |
| 99A |
GEORGE NELSON for HERMAN MILLER "Steelframe" three-drawer desk, en
suite with preceding. A few very minor chips to enamel. Circular Herman
Miller tag. 29 1/2" x 42" x 18 1/2" |
600 |
345 |
| 100 |
Three GEORGE NELSON for HERMAN MILLER "Steelframe" pieces en suite
with preceding lots: a pair of twin headboards and a nightstand.
Nightstand has a couple of minor nicks to drawer and a few light scratches
to laminate. Headboards have circular Herman Miller tag, nightstand
unmarked. Headboards: 30" x 37 3/4", nightstand: 24 1/2" x 16 3/4" x 18
1/4" |
300 |
173 |
| 101 |
GEORGE NELSON for HERMAN MILLER "Steelframe" three-drawer chest en
suite with preceding lots. A few very minor enamel chips. Circular Herman
Miller tag. 29 1/2" x 33 1/2" x 18 3/4" |
600 |
288 |
| 101A |
GEORGE NELSON for HERMAN MILLER "Steelframe" three-drawer desk en
suite with preceding lots. A few very minor chips to enamel. Circular
Herman Miller tag. 29 1/2" x 42" x 18 1/2" |
600 |
288 |
| 102 |
HARRY BERTOIA for KNOLL "Bird" chair and ottoman, each upholstered in
original greenish-yellow fabric on a bright chrome wire frame. Chair has
petrified foam, ottoman has light fading to fabric. Knoll Associates
labels. Chair: 37 3/4" x 38" x 28", ottoman: 14 1/2" x 24" x 17" |
800 |
805 |
| 103 |
EERO SAARINEN for KNOLL "Womb" chair and ottoman, each upholstered in
original black wool fabric on a bent tubular steel frame. Chair has Knoll
Associates factory tag, ottoman is unmarked. Chair: 35 1/2" x 39 1/2" x
40", ottoman: 16" x 25 1/2" x 18 1/2" |
900 |
1,093 |
| 104 |
HARRY BERTOIA for KNOLL "Slat Bench" in ash on black metal trestle
legs. Excellent original condition. Unmarked. 15 1/2" x 90" x 18" |
800 |
805 |
| 105 |
ISAMU NOGUCHI for KNOLL dining table with a circular white laminate
top over a steel wire cat's cradle and cast iron base. Unmarked. 28 1/2" x
47 1/2" dia. |
1,000 |
1,150 |
| 106 |
Fine and early ARTELUCE floor lamp with nine ivory enameled metal
adjustable shades attached to a serpentine antiqued brass shaft, on a
circular marble base. Die-stamped mark on base. Approx. 88 1/2" x 22
1/2" |
1,250 |
3,105 |
| 107 |
POUL HENNINGSEN for LOUIS POULSEN medium "Artichoke" hanging lamp with
brushed copper exterior and white enameled interior, bright chrome
fixture, and hanging cord. Paper label. 23" x 29" |
2,000 |
1,725 |
| 108 |
POUL HENNINGSEN for LOUIS POULSEN large "Artichoke" hanging lamp with
brushed copper exterior and white enameled interior, bright chrome
fixture, and hanging cord. Paper label. 29 1/2" x 32" |
3,000 |
2,530 |
| 109 |
RAYMOR floor lamp with three pivoting black metal rods, each topped by
a perforated conical shade enameled in gray, brown or butterscotch,
mounted to a ring base. (A similar example is illustrated in the book,
"Classic Modern: Midcentury Modern at Home" by Deborah K. Dietsch, pg.
109). Unmarked. Approx. 83 1/2" x 22 1/4" |
800 |
2,300 |
| 110 |
GEORGE NELSON for HOWARD MILLER brass "Ball" clock with radiating
spokes capped by brown lacquered wooden spheres, with red and black
enameled hands. (An unusually large example of this design). Minor loss of
finish to several spheres. Howard Miller label. 24" dia. |
600 |
575 |
| 111 |
GEORGE NELSON for HOWARD MILLER portable clock no. 4760, designed by
IRVING HARPER, with brushed brass case, white enameled hands, thick
plexiglass face from which are hollowed the numeral markers. (From the
collection of Don Ervin, a George Nelson associate). Unmarked. 6 1/2" x
4" |
500 |
575 |
| 112 |
Unusual pyramidal grandfather clock with two walnut boxes separated by
four brass rods, rivet numeral markers, on cork-shaped feet. (From a
Philadelphia residence, this is in working condition, with original key
for winding mechanism). Unmarked. 67" x 12" sq. |
800 |
431 |
| 113 |
HOWARD JONES light sculpture, "Fourteenth Time," 1968, made to
resemble a clock, with brushed aluminum and enameled metal case on which
are twelve small randomly-blinking bulbs. Signed, titled, and dated on
reverse, with placards from Makler Gallery in Philadelphia and Howard Wise
Gallery in New York. 11" x 11" x 4 3/4" |
600 |
805 |
| 115 |
Fine and rare HARRY BERTOIA Beryllium copper sound sculpture of
upright rods of alternating heights mounted on a flat square base. (Superb
tonal quality). Unmarked. 54" x 14" sq. |
20,000 |
23,000 |
| 117 |
Early PETER REGINATO (b. 1945) drummeled steel sculpture, 1978, of
welded abstract forms on a three-legged base. Signed Reginato/1-78. 56" x
30 1/2" x 20" |
800 |
920 |
| 117A |
Cylindrical carved wood sculpture by LEONARD BASKIN, depicting a man's
face wth stylized features. (Considered to be an early example of the
artist's work, from the collection of Ezra Stoller. Accompanied by a
letter from Mr. Stoller authenticating the piece, as well as copies of
correspondence between the two men). Unsigned. 31" x 9 1/2" dia. |
2,000 |
2,185 |
| 122 |
Fine and large NATZLER flaring bowl covered in an exceptional celadon
and mahogany volcanic glaze. Signed Natzler. 3" x 10 1/4" |
2,750 |
2,875 |
| 124 |
NATZLER vase with tall tapering walls, covered in uranium glaze. A
couple of minute flecks to base. Signed Natzler. 5" x 4" |
2,000 |
2,415 |
| 125 |
NATZLER small flaring bowl of dark brown clay, covered in a mottled
canary yellow glaze. Signed Natzler. 1 3/4" x 5 1/2" |
1,400 |
1,495 |
| 125A |
NATZLER hemispherical bowl covered in a mottled elephant's breath
glaze. Signed Natzler. 1 3/4" x 4 1/2" |
800 |
805 |
| 127 |
Fine NATZLER footed, flaring bowl covered in a superior gray and umber
flambe glaze. Minute fleck to rim. Natzler in ink. 3" x 9" |
2,750 |
3,220 |
| 129 |
NATZLER "Massive" half-oval vessel, its textured surface covered in a
bronzed glaze. Abrasion around rim. Signed Natzler. 3" x 3 1/4" |
1,000 |
920 |
| 130 |
NATZLER hemispherical bowl covered in a thick verdigris volcanic
glaze. Signed Natzler. 2 1/4" x 4 1/2" |
1,750 |
1,955 |
| 132 |
NATZLER bowl with corseted shoulder covered in a mottled and crackled
blue glaze. Minor fleck to rim. Signed Natzler. 3" x 5 1/4" |
1,250 |
1,265 |
| 133 |
Fine NATZLER footed flaring bowl covered in a glossy butter yellow
glaze. Natzler in ink, and numbered K475. 4 1/2" x 6 1/4" |
2,250 |
2,300 |
| 134 |
NATZLER four-sided bowl covered in an apple green glossy glaze. In
ink, Natzler. 1 1/4" x 5 1/2" sq. |
600 |
1,035 |
| 135 |
NATZLER small hemispherical bowl of brown clay, the exterior in
oxblood, the interior in a mottled blue glaze, with melt fissures. Signed
Natzler. 2 1/4" x 4" |
1,250 |
2,185 |
| 136 |
NATZLER small dish of brown clay, covered in a gunmetal, celadon and
oxblood matte glaze, with melt fissures. Signed Natzler. 4 3/4" dia. |
800 |
863 |
| 138 |
MAIJA GROTELL flaring ribbed vessel covered in a sheer white glaze.
Incised MG. 5 1/2" x 4 1/4" |
500 |
805 |
| 140 |
Two F. CARLTON BALL stoneware bottles, one with terra cotta and frothy
white glaze (asymmetrical and with glazed-shut opening), the other with
amber circles on a grey ground. Both signed. 7" and 5 1/2". |
200 |
288 |
| 141 |
Three RUDY STAFFEL pieces, all decorated in wax-resist with abstract
pattern, one in yellow and two in blue. Ink mark. 7 1/2", 3 1/4" and 3" |
300 |
403 |
| 147 |
Fine and rare EDWARD WORMLEY for DUNBAR six-drawer chest designed as a
prototype for the Arizona Biltmore Hotel, with oak veneer angled
drawer-fronts, ebonized pulls echoing the design of the hotel's cement
blocks, and ebonized side panels and base, with oak top. (This design was
never put into production.) Gold D metal tag. 32" x 66" x 18" |
2,000 |
2,415 |
| 155 |
Fine and rare LOUIS SULLIVAN cast-iron shutter embossed in a Moorish
pattern. (From a building in Chicago, either the Stock Exchange or the
Guaranty Building. From the collection of Ezra Stoller). Some rusting to
metal. Unmarked. 74" x 17 3/4" |
2,000 |
2,875 |
| 156 |
Spectacular GEORGE NAKASHIMA walnut Conoid dining table, 1969, with a
free-edge plank top fastened by five rosewood butterfly keys, on a trestle
base. (Consigned by the original owner, this is an impressive
interpretation of this classic design, with formidable proportions.
Provenance available upon request). Owner's name under top. 28 1/2" x 109"
x 49" |
20,000 |
21,850 |
| 157 |
BEN SHAHN serigraph on Japan paper, "Praise Him with Psaltery and
Harp," 1966, depicting a classical figure with cithara. Mounted under
glass in a walnut frame by GEORGE NAKASHIMA. (These two artists shared a
close, personal friendship and occasionally collaborated on projects such
as this one. From the personal collection of Maestro Roland Fiore). Print
is pencil-signed with orange-red chop mark. Image: 24" x 23 3/4" |
3,250 |
3,738 |
| 159 |
GEORGE NAKASHIMA walnut free-edge shelf resting on a rectangular metal
base. Unmarked. 26 3/4" x 104" x 24" |
900 |
2,415 |
| 160 |
GEORGE NAKASHIMA walnut wall shelf on two supporting brackets. Minor
wear to finish. Marked with original owner's name on bottom. 15" x 83" x
15" |
900 |
805 |
| 161 |
GEORGE NAKASHIMA walnut armless settee with spindled back on flaring
dowel legs. A few small chips/nicks to edges, without cushions. (From the
original owner. Provenance available upon request). Unmarked. 30 1/2" x
48" x 31" |
2,000 |
2,990 |
| 162 |
GEORGE NAKASHIMA walnut lounge chair with arms and spindled back on
flaring dowel legs, with matching ottoman, without cushions. (From the
original owner. Provenance available upon request). Lounge chair marked
with the name "Nebozenko" on bottom, ottoman is unmarked. Chair: 30" x 29
3/4" x 31", ottoman: 10 1/2" x 24" sq. |
1,500 |
3,565 |
| 163 |
GEORGE NAKASHIMA walnut lounge chair with spindled back, loose plywood
seat, and tapering dowel legs, without cushions. Unmarked. 30 1/2" x 23
3/4" x 31 1/4" |
1,500 |
1,725 |
| 164 |
GEORGE NAKASHIMA walnut "Grass Seated" stool on flaring dowel legs.
(From the collection of Maestro Roland Fiore). Unmarked. 12 1/2" x 18" x
16" |
600 |
1,380 |
| 165 |
Three GEORGE NAKASHIMA catalogs: one from 1977, one from 1995; and one
undated exhibition catalog from the Tenri Cultural Institute in New York.
All come complete with price lists. (From the collection of photographer
Ezra Stoller). Overall excellent condition. |
100 |
374 |
| 166 |
Fine PAUL EVANS steel wall sculpture, 1965, a three-dimensional
compartmentalized geometric composition with gilded and patinated
finishes. (A signature piece from Paul Evans). Signed Paul Evans/65. 30"
sq. |
2,800 |
4,025 |
| 167 |
PAUL EVANS for DIRECTIONAL PE400 "Building Block" dining table with
3/4"-thick beveled plate glass top, resting on a polished and brushed
chrome base. Unmarked. 29" x 60" dia. |
600 |
863 |
| 169 |
PAUL EVANS coffee table, 1971, with sculpted bronze stalagmite base,
and circular 3/4" plate glass top. Signed PE/71. 15 3/4" x 42" dia. |
600 |
633 |
| 170 |
Pair of PAUL EVANS custom-designed cube chairs of burlwood veneer
patchwork, upholstered in beige and ivory chevron-patterned fabric, on a
swiveling bright chrome platform base. A few missing/re-glued veneer
patches. Each with Paul Evans factory tag, and signed "An Original Paul
Evans." 31" x 32" x 32" |
1,500 |
1,840 |
| 171 |
PAUL EVANS for DIRECTIONAL deep relief buffet with slate top, riveted
patchwork case, and two double doors with relief pattern covered in red,
blue and green patinas, enclosing a red interior with shelves. Unmarked.
32" x 73" x 20" |
2,200 |
2,300 |
| 173 |
Fine and large PAUL EVANS welded steel dining table, 1967, with a
rectangular 1/2"-thick beveled plate-glass top on two crescent-shaped base
supports in red, gold, and blue-green patinated patchwork. A few dents to
each base support. Signed PE/67. 28 3/4" x 84" x 44" |
2,500 |
2,070 |
| 174 |
Pair of fine PHIL POWELL walnut wall units, each on a four-post frame
with gilded string inlay, four plank shelves and an open rectangular
cabinet with gilded interior. (From the Shari Lewis estate). Unmarked. 94"
x 38" x 10" |
1,500 |
5,750 |
| 175 |
VLADIMIR KAGAN two-drawer executive desk with exotic wood veneer,
aluminum inlay and drawer edging. Some minor scratches and veneer chips.
Vladimir Kagan Designs foil label. 29 1/2" x 72" x 35 1/2" |
2,000 |
1,035 |
| 177 |
Fine and unusual PHILIP LAVERNE "Ming" coffee table, with a bronze and
pewter elliptical top sculpted with Chinese warriors in stylized
landscapes, over a patinated metal base. (Accompanied by original product
brochure, an instruction card on caring for the piece, and a copy of a
1963 article from The Nashville Banner on a LaVerne exhibit at the
Tennessee Fine Arts Center, Cheekwood). Signed Philip Kelvin Laverne. 17
1/2" x 66 1/4" x 22 1/4" |
2,500 |
2,530 |
| 179 |
Large SCHEIER footed vessel, 1985, incised and embossed with figures
inside fish, covered in ultramarine and purple glaze on a black dead-matte
ground. Incised Scheier/85. 11 1/4" x 9 1/2" |
1,000 |
863 |
| 180 |
Fine SCHEIER bowl incised and modeled with masks covered in bronze
glaze on a blue-green semi-matte ground. Incised Scheier. 6 1/4" x 8" |
500 |
546 |
| 181 |
Fine SCHEIER bowl decorated in sgraffito with figures inside fish,
covered in a bronze glaze on a gunmetal and blue ground. Incised Scheier.
4 3/4" x 6" |
400 |
345 |
| 182 |
SCHEIER vessel with tall straight sides, 1989, embossed and incised
with whimsical female figures under a brown and cafe-au-lait matte glaze.
Incised Scheier/89. 7 3/4" x 9" |
600 |
489 |
| 183 |
FANTONI Cubist figures of a man and woman in crackled polychrome
glazes, mounted on a free-form black enameled wood base. A few small chips
to both, but overall good condition. Figures signed Fantoni/Italy. Overall
dimensions: 19" x 13 1/2" x 7" |
1,500 |
1,840 |
| 184 |
Tall FANTONI vase decorated with cubist female figure in black, yellow
and lavender, and wrapped in brown leather. Stamped "Made in Italy". 22
1/2" x 6 1/2" |
900 |
518 |
| 187 |
BEATRICE WOOD fan vase covered in a volcanic chartreuse glaze. Minor
glaze nick to rim. Signed Beato. 4 1/2" x 6 1/2" |
650 |
805 |
| 188 |
BEATRICE WOOD gourd-shaped vase of closed form, 1970, covered in a
raspberry and gray volcanic glaze. Signed Beato/1970. 5" x 4 3/4" |
400 |
575 |
| 189 |
BEATRICE WOOD small flaring bowl covered in a mottled oxblood glaze.
Incised Beato. 2 1/2" x 5 1/2" |
300 |
431 |
| 195 |
KEITH MURRAY for WEDGWOOD flaring ribbed vase covered in a matte
butter yellow glaze. Circular ink stamp. 7 1/2" x 5 1/2" |
600 |
575 |
| 198 |
Fine and unusual DAVID PALTERER for SWID POWELL large blown-glass
sculpture with applied flames on a flaring bowl of bubbled amber and clear
glass, on a clear red pedestal. Acid-etched DAVID PALTERER FOR SWID
POWELL/VENEZIA/VII/99, Puro Signaretto. 25" x 17" |
800 |
460 |
| 199 |
Fine DALE CHIHULY shell-form bowl with closed-in rim, 1987, of
opalescent pink and pearl glass. (Executed during his "boathouse years" in
Cranston, RI, shortly before he left for Washington State, this was a gift
from the artist to the consignor). Signed Chihuly/1987. 4" x 10" |
1,000 |
1,495 |
| 202 |
Fine CENEDESE squat and asymmetrical bottle of shaded blue scavo
glass. Foil label. 8 1/4" x 7 3/4" |
600 |
518 |
| 203 |
Four CONSOLIDATED GLASS CO. Ruba Rhombic sherbets in emerald green. A
few minute nicks. Unmarked. 2 3/4" x 4 1/4" |
600 |
345 |
| 208 |
STEPHEN JON CLEMENTS sommerso glass sculpture, "Trioptaz", 1981, of
elongated three-sided form with polychrome rods. Signed, titled and dated.
11 1/4" x 6 1/4" |
600 |
230 |
| 209 |
STEPHEN JON CLEMENTS sommerso glass sculpture, "Trioptaz", 1984, of
obelisk form with polychrome rods. Signed, titled and dated. 16 1/2" x
5" |
600 |
345 |
| 210 |
The following eight lots are early examples of NORMAN CHERNER's work,
both as a teacher of industrial design and as a designer of modern
furniture and interiors, during the mid-1940s. These pieces emphasize
Cherner's philosophy that furniture should be simple yet stylish,
functional yet versatile, and that its design should seek to integrate
individuals with their interior. A number of these pieces, as they
appeared in situ, are shown in the accompanying photographs and are also
illustrated in Norman Cherner's book, "Make Your Own Modern Furniture"
(McGraw-Hill, 1951): Early and rare NORMAN CHERNER lacquered maple dining
table, c. 1945-46, with rectangular top over apron and flaring, tapered
legs, accompanied by six placemats in burnt orange wool (not pictured). A
few minor scratches to top. Unmarked. 30" x 72" x 36" |
1,500 |
920 |
| 210A |
Early and rare set of six NORMAN CHERNER maple dining chairs, c.
1945-46, en suite with preceding, re-upholstered in burnt-orange fabric.
Some wear to fabric. Unmarked. 31" x 18 1/2" x 18 1/2" |
1,500 |
920 |
| 213 |
Early NORMAN CHERNER laminated blond wood A-frame teacart with two
shelves, and casters. Unmarked. 28" x 28" x 17 1/2" |
200 |
403 |
| 214 |
Pair of early NORMAN CHERNER maple-veneer hanging cabinets, c.
1945-46, each with two half-size sliding doors with grid pattern, the
interior painted forest green. Some minor stains, scratches, and corner
chips. Unmarked. 13 1/4" x 72" x 13" |
800 |
2,415 |
| 215 |
Early NORMAN CHERNER maple-veneer end tables, c. 1945-46, the
interiors painted forest green, on tapering platform bases. Some
scratches, wear to finish and missing veneer. Unmarked. 16 1/4" x 35 3/4"
x 23 3/4" |
600 |
633 |
| 216 |
Early laminated wood desk lamp with boomerang-shaped shaft, oval base
and brass accents. Re-glued split to top of shaft. Unmarked. 14 1/2" x
20" |
200 |
633 |
| 217 |
Extremely rare and early RALPH RAPSON for KNOLL birch rocking
armchair, 1945-46, with contoured continuous-form seat frame. (The only
one we've had). Missing webbing. Early Knoll Associates paper label. 30" x
28" x 31" |
2,000 |
2,530 |
| 218 |
Fine and unusual writing desk, 1930s, with inset rectangular plate
glass top, rosewood trim and suspended rosewood drawer, on a brass base
with X-shaped sides connected by a tubular stretcher. Unmarked. 30" x 72"
x 28" |
2,000 |
1,150 |
| 220 |
Three FRANK LLOYD WRIGHT chests from the John L. Rayward residence
"Tirrana" in New Canaan, Conn., c. 1955, one with eight drawers and two
with four, each with brass U-pulls and mounted on a square platform base.
(Ref: "The Frank Lloyd Wright Companion" by William Allin Storrer, 1993).
A few minor scratches, some nicks and chips to edges. Unmarked. 27 1/2" x
49" x 22 1/2", 29" x 36" x 22", and 29" x 24" x 22" |
2,000 |
1,725 |
| 221 |
GIO PONTI for M. SINGER & SON coffee table with rectangular white
carrara marble top on an X-shaped brass base. A few small chips to marble
along one edge, minor wear to metal. Unmarked. 16 3/4" x 60" x 20" |
800 |
978 |
| 222 |
ALVAR AALTO wing-back lounge chair with laminated bentwood arms,
spring seat and back upholstered in white linen. (It is our opinion that
this piece has been altered, to include an extension and wings to back.)
Some stains to fabric. Unmarked. 32" x 30" x 32" |
800 |
1,093 |
| 223 |
ALVAR AALTO lounge chair with laminated bentwood arms, spring seat and
back upholstered in white linen. Some stains to fabric. Unmarked. 24" x 30
1/2" x 32" |
800 |
2,530 |
| 224 |
GILBERT ROHDE for HERMAN MILLER "Paldao" wall unit with ebonized and
laminated shelves, three small burlwood-veneer drawers and a drop-front
writing desk, over four concave cabinet doors enclosing interior drawers
and shelves, brass pulls. Repair to cracked veneer on one side, some
scratches to finish, a few small losses to laminate. Herman Miller foil
label, also branded 4105. 70 1/2" x 66" x 16" |
1,200 |
1,495 |
| 226 |
GILBERT ROHDE for HERMAN MILLER Art Deco coffee table no. 3552, with
rectangular burlwood-veneer top and banded nickel-plated steel legs. (Ex.
coll.: Retro-Modern Studio, New York, 1994. Accompanied by letter of
authentication). Unmarked. 18" x 42 1/2" x 18" |
900 |
1,380 |
| 227 |
Rare and important PAUL FRANKL Art Deco "Skyscraper" bookcase, c.
1928, with cabinets, shelves, and brass ring pulls, laquered in red and
black on California redwood. (Purchased by the consignor in the 1970s, a
similar example of this piece is illustrated in Frankl's book, "New
Dimensions," 1928). Unmarked. 95" x 43" x 13" |
26,000 |
43,125 |
| 229 |
Fine and rare PAUL FRANKL mahogany display cabinet with two sliding
glass doors, laminated cork interior, and three adjustable glass shelves.
(The first one of these we've seen). Stamped 2266-209 on back. 54" x 41" x
17 1/4" |
1,200 |
2,530 |
| 230 |
PAUL FRANKL mahogany buffet with six drawers flanked by laminated
cork-front cabinets with large circular pulls, one with interior drawers,
the other with shelves. Faded area to finish on top. Metal tag. 30" x 72"
x 22 1/4" |
900 |
1,093 |
| 233 |
Fine and rare GILBERT ROHDE for HERMAN MILLER "Paldao" game table with
inlaid checkerboard top, single blind drawer, and four metal-lined
ashtrays/cup holders with wire grid tops at each corner, on tapering legs
wrapped in green leatherette. (An exceptional Rohde design). Herman Miller
metal tag. 29 1/2" x 32" sq. |
1,200 |
2,185 |
| 236 |
Rare and important EDGAR BRANDT French Art Deco cast iron mantle clock
with silver-patinated foliate housing and gilded foliate hands, mounted on
a rectangular black marble base. A few cracks to marble. Stamped E.
Brandt, and Cotna/Versailles/BREV SGDG/Made in France/No. 1000. 12 1/4" x
11 3/4" x 6" |
8,000 |
10,350 |
| 237 |
B. & S. Co. teak and walnut desk #8004, with rectangular top over
a single drawer and two cabinets (one in back), all with bright chrome
ball pulls, and three wrap-around open shelves. Good condition. Paper
label. 30" x 45" x 21" |
800 |
690 |
| 238 |
Fine and unusual Art Deco cabinet attributed to EUGENE SCHOEN, 1930s,
with asymmetrical lacquered and exotic wood-veneer case, buttressed on one
side to a two-door cabinet with adjustable interior shelf and bright
chrome hardware. Unmarked. 31 1/2" x 38 3/4" x 17" |
500 |
805 |
| 239 |
Art Moderne mahogany-veneer extension dining/conference table with
rectangular slab top, square pedestal and aluminum-edged base. Includes
two 16" leaves. Unmarked. 28 1/4" x 68" x 38" |
900 |
690 |
| 240 |
Pair of fine and early French Art Deco rosewood armchairs, c. 1915-20,
with fluted arms, fan-shaped panels carved with stylized papyrus,
upholstered in ivory floral silk brocade. Unmarked. 34 1/4" x 23 1/4" x 21
1/4" |
1,000 |
1,380 |
| 242 |
Fine WARREN McARTHUR sofa with tubular aluminum frame and "hockey
puck" glides, the seat, back and armrests newly-upholstered in light green
velvet. Unmarked. 33 1/2" x 69" x 28" |
2,500 |
3,738 |
| 245 |
Set of six PAUL FRANKL for JOHNSON FURNITURE CO. oak dining chairs,
with opened "V" backs and arched crossbars, upholstered in burnt-orange
velour. Unmarked. 33" x 20" x 20" |
1,500 |
863 |
| 247 |
PAUL FRANKL for JOHNSON FURNITURE CO. extension dining table with
slatted curvilinear base in limed ivory finish, under a rectangular limed
slate-gray top, with two additional leaves. Unmarked. 30" x 53" x 34" |
1,500 |
863 |
| 248 |
EDWARD WORMLEY for DUNBAR walnut game table with brass-hinged top on
four legs with wrapped leather feet. Green Dunbar metal tag. Closed: 29" x
32" x 36" |
600 |
690 |
| 250 |
Exceptional GEORGE NAKASHIMA walnut Conoid dining table with very rare
biomorphic free-edge top, on tapering trestle base. (From the original
owner, who purchased it directly from Nakashima's showroom. A superior
example of this form). Unmarked. 28" x 88 1/2" x 35 1/2" |
23,000 |
40,250 |
| 251 |
Set of four fine GEORGE NAKASHIMA Conoid Persian walnut dining chairs,
with hickory spindles and saddle seats on a cantilevered base. (Provenance
available). Marked with original owner's name on bottom. 35 1/4" x 20 3/4"
x 19 1/4" |
18,000 |
20,700 |
| 252 |
GEORGE NAKASHIMA black walnut free-edge plank mantlepiece, 1961.
3"-long chip to free edge. Original finish, some water stains to ends.
(From the Bernard Douglas House in Stockton, NJ). 124" x 13" |
600 |
1,093 |
| 253 |
GEORGE NAKASHIMA for WIDDICOMB East Indian laurel eight-drawer chest
with overhanging trapezoidal top, and brass-lined recessed pulls, on
angled V-shaped legs. A few chips to front corners. Branded George
Nakashima, and Widdicomb fabric label. 32" x 72" x 21" |
1,500 |
1,725 |
| 254 |
GEORGE NAKASHIMA for WIDDICOMB East Indian laurel four-drawer chest,
en suite with preceding. A few small chips to corners. Branded George
Nakashima, and Widdicomb fabric label. 32" x 44 1/2" x 22 1/4" |
1,200 |
1,380 |
| 255 |
GEORGE NAKASHIMA for WIDDICOMB East Indian laurel pagoda-shaped
queen-size headboard and pair of single-drawer nightstands on angled
V-shaped legs. Some minor chips along edges. Headboard has paper factory
tag, nightstands have Widdicomb fabric label. Headboard: 37 3/4" x 101
1/2" (opening 55 1/2"), nightstands: 21" x 22" x 21" |
1,500 |
1,840 |
| 256 |
GEORGE NAKASHIMA for WIDDICOMB walnut wall-hanging mirror with
extended upper and lower edges. Widdicomb factory tag. 37 1/4" x 44
1/2" |
600 |
633 |
| 257 |
GEORGE NAKASHIMA for WIDDICOMB walnut four-drawer chest with curved,
overhanging top and elongated recessed brass pulls, on flaring plank legs.
Branded George Nakashima. 31 1/2" x 36 1/4" x 22" |
500 |
518 |
| 258 |
Fine GEORGE NAKASHIMA walnut single-pedestal desk with free-edge plank
top raised at one end over three drawers with recessed pulls, and at the
other over a cross-legged support. Unmarked. 28 1/2" x 61 1/2" x 32" |
6,000 |
9,200 |
| 259 |
Pair of GEORGE NAKASHIMA walnut "Mira" chairs, each with spindled back
and saddle seat. Unmarked. 27" x 19" x 16 1/2" |
800 |
863 |
| 261 |
ISAMU NOGUCHI for KNOLL dining table with a circular white laminate
top over a steel wire cat's cradle and cast iron base. 28 1/2" x 36" dia. |
1,000 |
1,035 |
| 262 |
GINO RUSSO dining table in the style of George Nakashima, 1970s, with
a striking Claro walnut circular top incorporating three holly butterfly
keys, on a four-post pedestal base with shoe feet. (Mr. Russo worked for
George Nakashima from the mid-1950s through 1968, after which he opened
his own studio). Unmarked. 28 1/2" x 51 1/2" dia. |
900 |
1,380 |
| 263 |
Walnut desk in the style of George Nakashima, with free-edge plank top
and lower drawer, on two plank legs. Unmarked. 29 1/4" x 58" x 31" |
1,000 |
1,955 |
| 264 |
King-size walnut headboard in the style of George Nakashima, with two
storage compartments with linen-backed, drop-front doors, one free-edge,
and flaring X-legs. (A nice example of New Hope School woodworking).
Re-glued 1" chip to wood strip. Unmarked. 38 1/4" x 118" x 15" |
1,000 |
1,035 |
| 267 |
Pair of MUTUAL SUNSET table lamps with white enameled corseted wooden
shafts and cylindrical white parchment shades. (Purchased by the consignor
in 1968 and accompanied by a copy of the original invoice). Unmarked. 45"
x 16" |
400 |
431 |
| 268 |
KARL TRABERT for BAG TURGI table lamp with spun brass dome shade with
white enameled interior, on a pivoting brown laminate shaft with circular
brass base. Stamp marked BAG Turgi. 17 1/4" x 12 1/2" |
400 |
259 |
| 269 |
ISAMU NOGUCHI Akari floor lamp with spherical mulberry paper shade,
bamboo shaft, and weighted black metal base. Stamped "Made in Japan". 70"
x 19" |
600 |
805 |
| 270 |
GEORGE NELSON for HOWARD MILLER bullet-shaped "Bubble" lamp, with
parchment-type material stretched over a wire form. Some minor
stains/discoloration. Howard Miller label. 33 1/2" x 13" |
200 |
259 |
| 271 |
Fine HARRY BERTOIA Beryllium copper sound sculpture, an unusual
table-top version with a single row of rods of alternating heights mounted
on a rectangular base. Unmarked. 16 1/4" x 9 1/4" x 3" |
2,000 |
8,625 |
| 274 |
TOMMI PARZINGER for DORLYN SILVERSMITHS three-piece brass and
stainless steel two-handled ice bucket with sunburst design to lid, and
black finial. Die-stamped Dorlyn Silversmiths. 7 1/4" x 12" |
400 |
230 |
| 276 |
HARRY BERTOIA limited-edition monoprint, orange and brown ink on rice
paper, with opposing triangles on a grid. Unframed. Numbered 52. Image: 6
1/2" x 8 3/4" |
600 |
575 |
| 279 |
Color monoprint on rice paper by HARRY BERTOIA, c. 1950, with
geometric forms in orange, green and yellow on a shaded umber ground.
Matted and framed uder glass. (Originally purchased from Olympia Gallery,
Phila. or Atlanta). No visible mark. Sight: 4 1/2" x 11 1/2" |
1,000 |
920 |
| 280 |
JOAN MIRO (Spanish, 1893-1983) biomorphic abstract color lithograph.
(Purchased by the consignor at a shop in New Hope, in 1952. A fine example
of Miro's work). Matted and framed. Pencil signed and dated MIRO 1950
lower right, numbered in pencil 179/400 lower left. Sight: 16 1/4" x
20" |
3,000 |
4,313 |
| 281 |
The following three lots represent works by Cleveland-born artist
LAURENCE B. FIELD, an accomplished painter and graphic artist perhaps
best-known for his scenic depictions of Colorado landscapes. While his
early training included studies at the Cleveland School of Art and the
Kunstgewerbeschule in Vienna, Austria, it was under the tutelage of
Boardman Robinson at The Broadmoor Art Academy in Colorado Springs, from
1933-39, that Field came into his own as a masterful landscape painter.
His work has been exhibited nationally and graces the permanent
collections of several Colorado museums, as well as that of the Cleveland
Museum of Art. These pieces have descended through the artist's family:
LAURENCE B. FIELD (American, 1909-1999) gouache on artist's board, "Ski
Country," 1935, a snow-covered landscape of the Colorado mountains in
white, and shades of black, brown and gray. Framed under glass.
Pencil-signed, dated and titled. Sight: 21 3/4" x 27 3/4" |
1,000 |
1,840 |
| 283 |
LAURENCE B. FIELD woodcut, "Houses in Jajce - Jugoslavia", 1932.
(Exhibited at The Cleveland Museum of Art's Fifteenth Annual Exhibition of
Work by Cleveland Artists and Craftsmen, 1933). Matted. Pencil-signed,
dated, titled, and numbered 10/50, signed LF in the image. 9" x 10 1/2" |
400 |
345 |
| 284 |
Acrylic on board composition by ILYA BOLOTOWSKY, 1970, geometric
abstraction in blue and black on a white ground. Matted and framed under
glass. Signed and dated. Sight: 18" x 12" |
1,500 |
863 |
| 285 |
Four WHARTON ESHERICK pencil sketches, from mid- 1940's to 1950's; a
backyard scene dated 1945; a figure playing chess with dedication, 1945; a
cartoon figure, n.d. and a caricature inscribed to his dentist, 1956. One
framed. (From the collection of a friend of the artist.) Some tears to
edges and some discoloration. All signed. Largest: 13" x 10" |
1,000 |
748 |
| 286 |
Five EZRA STOLLER large-format photographs taken at the home and
studio of GEORGE NAKASHIMA, including home sitting area, 1949; detail of
peg joint, 1952; tatami area in studio with chair and tea ceremony table,
1954; and two 1962 photos of the studio and lumber storage area. Each
identified with studio card and description. Each image approx: 10" x
13" |
600 |
575 |
| 287 |
Gouache on paper laid on canvas by JOAQUIM WEINGART, (Polish,
1895-1942), c. 1940, "Still Life with Apples," abstract composition in
muted colors, in a gilt frame. Pencil signed, lower right, with estate
stamp, Paris, 1979. Canvas: 26 1/2" x 19 1/2" |
700 |
460 |
| 288 |
CHARLES EDWARD CHAMBERS (American, 1883-1942) oil on canvas,
illustration for "The Good Earth," by Pearl S. Buck, of a Chinese port
scene with uniformed officials. Framed. Signed C.E. Chambers lower right.
24 1/2" x 33 1/4" |
600 |
345 |
| 289 |
Two NORMAN CHERNER pencil drawings executed in the Social Realist
style, 1939-40, one depicting peasant figures in a landscape, the other, a
man and two small children. Both pencil-signed and dated. 14" x 11" and 9"
x 13" |
600 |
518 |
| 291 |
FRANK LLOYD WRIGHT wool area rug from the Arizona Biltmore Hotel, ca.
1928, with geometric patterns in orange, green, blue, and tan. Unmarked.
66" x 94" |
600 |
1,495 |
| 292 |
Three FRANK LLOYD WRIGHT screen-printed linen wall panels from the
Arizona Biltmore Hotel (second phase, 1970s), with a geometric pattern in
yellow, green, terra cotta, and shades of blue on a white ground. Marked
"Copyright/1973/The Frank Lloyd Wright Foundation." Each panel: 62 1/4" x
21" |
300 |
316 |
| 293 |
Three FRANK LLOYD WRIGHT screen-printed linen wall panels from the
Arizona Biltmore Hotel (second phase, 1970s), with a geometric pattern in
blue, and shades of pink and green on a white ground. Each panel: 62 1/4"
x 21" |
300 |
518 |
| 294 |
Three FRANK LLOYD WRIGHT screen-printed linen wall panels from the
Arizona Biltmore Hotel (second phase, 1970s), with a geometric pattern in
brown, yellow, orange, blue and purple on a lime green ground. Marked
"Copyright 1973/The Frank Lloyd Wright Foundation". Each panel: 62 1/4" x
21" |
300 |
863 |
| 295 |
HARDING BLACK porcelain covered jar, 1989, in red and blue glaze
dripping over a green ground. Signed and dated. 9 1/2" x 7 1/2" |
300 |
230 |
| 296 |
Two HARDING BLACK bottles, 1972 and 1988, decorated in wax-resist with
radiating pattern in red on yellow or gray matte ground. Earliest is red
clay, latter is porcelain. Both signed and dated. 6 3/4" and 7 1/4" |
300 |
316 |
| 297 |
Two HARDING BLACK bowls, 1989, both with radiating pattern, one in red
and yellow wax-resist, the other in blue and red. Both incised with
signature and date. Dia.: 10 1/2" and 10" |
400 |
230 |
| 298 |
HARDING BLACK porcelain bottle, 1988, covered in a red and blue flambe
glaze. Signed and dated. 7 3/4" x 5 1/2" |
250 |
173 |
| 299 |
Two HARDING BLACK bowls, 1988 and 1989, both with radiating pattern in
wax-resist, one mahogany and amber, the other blue and red. Both have
incised signature and date. Dia.: 9" and 10 3/4" |
400 |
230 |
| 300 |
Fine HEINO large ovoid stoneware bottle with small opening, 1990,
covered in a matte mahogany glaze. Incised Vivika+Otto, and dated. 14" x 8
1/2" |
600 |
690 |
| 301 |
CABAT Feelie ovoid vessel covered in an amber flambe vellum glaze.
Incised CABAT/86. 6 1/2" x 3 1/4" |
500 |
690 |
| 302 |
Two CABAT Feelie vessels, one large ovoid (86) and one spherical, both
covered in an ultramarine and amber flambe vellum glaze. Minute flake to
tip of each. Both incised CABAT. 6 1/4" and 3 1/2" |
450 |
690 |
| 303 |
Two CABAT Feelie vessels, one spherical covered in a blue and white
flambe vellum glaze, the other squat in amber and chartreuse. Minor flecks
to tip of latter. Both incised CABAT. 3 3/4" and 2 3/4" |
450 |
374 |
| 304 |
Three small CABAT Feelie vessels covered in ultramarine flambe vellum
glaze. All incised CABAT, each one also incised with either C,A, or AR.
3" |
550 |
489 |
| 305 |
Three CABAT Feelie vessels, one covered in a blue and white flambe
vellum glaze (A17), the other two in lavender (53 and C). Minor flecks to
tip of two. Incised CABAT. All 3 1/4" h |
550 |
316 |
| 306 |
Three small CABAT Feelie vessels, one spherical covered in a yellow
vellum glaze (827), and two ovoid, one in cobalt (C) and one in green and
cobalt (X) glaze. All incised CABAT. 3", 3 1/4", and 4 1/4" |
550 |
633 |
| 307 |
Three LINCOLN large vessels, 1986-1989, all covered in a dripping
volcanic glaze. All marked RML, and dated. 9 1/2", 14 1/2", and 15 1/2" |
400 |
920 |
| 308 |
Two KURT WILD stoneware pieces, a vase and a bowl, both
sgraffito-decorated and soluble salt-stained in matte glazes. Both signed
Wild. 8 1/2" h and 8 1/2" dia. |
400 |
230 |
| 309 |
JAMES and NAN McKINNELL large stoneware covered jar with knobs on
shoulder, covered in a brown, blue-gray and amber glaze. Incised
McKinnell/J/2. 16" x 10 1/2" |
300 |
173 |
| 310 |
Fine, large and unusual JAMES and NAN McKINNELL porcelain flaring vase
of organic form, with undulating and pierced heart-shaped rim, pleats
along the body, gilded with weeds on an oxblood and turquoise ground.
Incised McKinnel/Eng+S4F. 12" x 12" |
400 |
489 |
| 311 |
Large and unusual JAMES and NAN McKINNELL flaring vase with carved
frogs under an amber, gray and turquoise glaze. Incised
McKinnell/4010/H+S. 13 1/2" x 11 1/2" |
400 |
230 |
| 312 |
KAREN KARNES large stoneware covered vessel in a textured brown and
amber glaze. Incised SKK. 11 1/4" x 8 1/2" |
500 |
374 |
| 313 |
LIGHTOLIER desk lamp with white enameled visor shade and four
adjustable brushed brass louvers, on a U-shaped brass mount with
rectangular base. Black and white paper label. 12 1/4" x 11 3/4" x 4
1/2" |
600 |
374 |
| 314 |
LIGHTOLIER desk lamp, identical to preceding. Black and white paper
label. 12 1/4" x 11 3/4" x 4 1/2" |
600 |
374 |
| 316 |
Unusual wall-mounted enameled metal light fixture of opposing
triangular forms, in off-white and two shades of gray. (May be mounted
either horizontally or vertically). A few minor chips to enamel. Unmarked.
32 1/4" x 9" |
600 |
259 |
| 318 |
Four assorted BAKELITE jewelry pieces: three pins, two with
fruit/berries and one leaf-shaped; and a cherry-red geometric necklace. |
300 |
403 |
| 319 |
SALVIATI sculpture of a nude in gold and emerald green glass.
Illegible artist's signature (possibly Luciano Gaspari) and Salviati &
C. foil label. 9" x 4" x 2 1/2" |
600 |
1,265 |
| 320 |
VENINI amethyst glass bulbous pitcher with applied clear handle,
possibly by Napoleon Martinuzzi or Vittorio Zecchin, 1920-30s. Unmarked. 8
1/4" x 6 1/4" |
400 |
460 |
| 324 |
VENINI oval bullicante bowl by CARLO SCARPA, 1940s. Etched
Venini/Murano/Italia. 3 3/4" x 9" |
600 |
575 |
| 325 |
Large coupe-shaped vessel attributed to S.A.L.I.R., of yellow glass
with wheel-cut decoration of a stylized nude surrounded by crescent moon
and stars, on a footed base. Unmarked. 8 1/2" x 8 1/2" |
600 |
690 |
| 327 |
Five assorted VENINI hanging glass shades, two cylindrical in
turquoise and yellow, and three bulbous with orange and yellow stripes. A
few small chips, overall. Paper label to one. 12" x 4 3/4" and 12" x 6
1/2" |
600 |
690 |
| 328 |
Whimsical GIORGIO FERRO chicken figurine in royal blue satin glass,
with applied murriine eyes and internal millefiore "egg". Chipped beak. GF
and Murano paper labels. 6 1/2" x 4 3/4" |
200 |
104 |
| 331 |
Italian glass set including 12 dinner plates, one serving platter, and
one compote, all with internal controlled bubbles and gold foil. Unmarked.
Compote: 6" x 10 1/2" |
300 |
345 |
| 332 |
Italian glass set including 12 dinner plates, one serving platter, and
one compote, all with internal controlled bubbles and gold foil. Unmarked.
Compote: 6" x 10 1/2" |
300 |
316 |
| 333 |
NANNA and JORGEN DITZEL teak easy chair with tubular foam
horseshoe-shaped back and curved seat upholstered in black leather, on
four tapering dowel legs. Unmarked. 25 1/2" x 32" x 24" |
800 |
920 |
| 334 |
Pair of FINN JUHL "45" mahogany armchairs, with webbed seat support,
and brown vinyl upholstery. Branded mark and Illums Bolighus metal tag.
33" x 26 1/2" x 27 1/2" |
1,300 |
3,105 |
| 335 |
PIERRE PAULIN for ARTIFORT chair with hard brown leather sling seat,
on a bent steel frame with black metal front stretcher. Metal tag. 37" x
33" x 29" |
900 |
1,093 |
| 337 |
Set of six ARNE JACOBSEN for FRITZ HANSEN "Oxford" armchairs, with
continuous-form seats upholstered in rust-colored leather, on swiveling
star-shaped pedestal bases. Minor wear to leather. Fritz Hansen label. 34
1/2" x 24 1/2" x 21" |
1,500 |
1,495 |
| 338 |
Set of six HANS WEGNER for CARL HANSEN & SON oak "Wishbone" chairs
with Y-shaped backslats and woven cord seats. Four have branded mark. 29"
x 19 1/2" x 19" |
1,500 |
1,725 |
| |
