20th Century
Modern Auction
Session Two
October 20, 2001 • 12:00 Noon
TERMS
OF SALE – PLEASE READ
Printable
Absentee Bid/Condition Report forms
please click on lot #'s to see photos
| 800 | GILBERT ROHDE for HERMAN MILLER burl walnut veneer bow-front chest with six-drawers with semi-circular pulls, and vertical aluminum divider, on brass ball casters. A few minor surface scratches to top. Metal Herman Miller tag. 36 1/2" x 46" x 19 1/2" | 900 - 1,400 |
| 801 | GILBERT ROHDE for HERMAN MILLER burl walnut veneer two-door highboy with semi-circular pulls, vertical aluminum divider, and five interior drawers, on brass ball casters. A few minor surface scratches to top. Metal Herman Miller tag. 44 1/4" x 34" x 19" | 600 - 900 |
| 802 | GILBERT ROHDE for HERMAN MILLER full-size exotic burlwood veneer bed, the headboard with center aluminum strip, the footboard slightly rounded, with vertical stripes, on brass ball casters, complete with side rails. A few minor surface scratches. Unmarked. 34 1/2" x 56 1/2" x 82 1/2" | 600 - 900 |
| 803 | Set of four DUNBAR walnut dining side chairs, re-upholstered in tacked-on blue-gray vinyl. Some wear to finish, small tear to one seat. Unmarked. 33" x 17 1/2" x 17 1/2" | 400 - 600 |
| 804 | DUNBAR walnut veneer drop-leaf dining table with a rectangular top over cross-stretchers and flared feet. A few minor scratches. Unmarked. 30 1/4" x 59 3/4" x 50" | 800 - 1,200 |
| 805 | Pair of DUNBAR mahogany-veneer end tables, each with one square and one rounded end, and three shelves (one adjustable). Some wear to finish, missing a couple of shelf clips. Paper factory tag. 22 1/4" x 25" x 11" | 600 - 900 |
| 806 | CHARLES EAMES for HERMAN MILLER gray fiberglass shell armchair with rope edge and black tubular X-base. (From the collection of Don Ervin, a George Nelson associate). Missing two feet. Zenith label. 29 1/2" x 25" x 26" | 400 - 600 |
| 807 | CHARLES EAMES for HERMAN MILLER DCW with red aniline finish. Re-glued back. Unmarked. 26 3/4" x 21 3/4" x 22" | 600 - 900 |
| 808 | CHARLES EAMES for HERMAN MILLER rosewood lounge chair and ottoman, each with tufted black leather upholstery on a swivel base. Minute tear to edge of one arm, minor 2" veneer strip missing from ottoman. Chair has circular metal tag and paper label. Chair: 32 1/2" x 33 1/4" x 33", ottoman: 16 1/2" x 25 3/4" x 21 1/2" | 1,500 - 2,000 |
| 809 | WIDDICOMB "Lotus" wood-veneer coffee table, with flush rectangular top and carved foliate sides. A few minor scratches and veneer chips to top, some wear along edges of legs. Marked Modern Original/Widdicomb, stamped II/7 and 300. 15 3/4" x 48" x 22" | 500 - 700 |
| 810 | Pair of CHARAK armchairs, each with ebonized mahogany frame and cotton-webbed seat support, upholstered in orange boucle fabric. (A great example of Modern design). Small tear to seat cushion of one. Paper Charak label. 30" x 27" x 32" | 1,400 - 1,800 |
| 811 | Pair of EERO AARNIO (Finland) woven cane basket-shaped lounge chairs, each with tufted wool seat cushion on a rattan base. Marked Eero Aarnio/Finland. 25 1/2" x 32 1/2" x 32 1/2" | 900 - 1,400 |
| 812 | HANS WEGNER "Papa Bear" teak ottoman upholstered in dark brown wool, on flaring dowel legs. Unmarked. 16" x 27 1/2" x 16" | 500 - 700 |
| 813 | GRETE JALK for P. JEPPESEN teak coffee table with rectangular, glass-lined top on turned legs, with stretchers. Paper labels. 17" x 64 3/4" x 24" | 600 - 900 |
| 814 | EERO SAARINEN for KNOLL "Womb" chair in tomato-red woven fabric with chrome rod legs. Tear to loose back cushion. Unmarked. 36" x 39" x 37" | 800 - 1,200 |
| 815 | FLORENCE KNOLL for KNOLL walnut-veneer credenza with four sliding doors with locks, black leather tabs, interior drawers and shelves, on bright chrome legs. (Key included). Knoll International label. 28 1/2" x 71 1/4" x 18 1/2" | 800 - 1,200 |
| 816 | EERO SAARINEN for KNOLL coffee table with circular white marble top on white enameled pedestal base. Very good condition. Unmarked. 16" x 36" dia. | 600 - 900 |
| 817 | Early PAUL EVANS steel headboard, mid-1960s, decorated with abstract forms in sculpted epoxy, and covered in a bronzed patina. (This low-relief technique is a precursor to Evans's later, highly-sculptural work. The piece was ordered directly from the artist's studio). Unmarked. 30" x 78" | 600 - 900 |
| 818 | PAUL EVANS wall-hanging cabinet with a burlwood-veneer patchwork case and two sculpted bronze doors with radiating sunburst design. Minor wear to case, a few small veneer chips, and 4" x 3" finish loss to inside corner of one door. Unmarked. 31 3/4" x 31 3/4" x 16 1/2" | 400 - 600 |
| 819 | PAUL EVANS PE244 bench with tufted beige suede cushion on a patchwork chrome base. Signed "An Original Paul Evans", with paper factory tag. 17" x 25 1/2" x 19 1/2" | 200 - 400 |
| 820 | Pair of GEORGE NELSON for HERMAN MILLER Primavera nightstands, each with cabinet over single drawer, and aluminum J-pulls, on trestle plank legs. One missing pull, a couple of minor chips to veneer along edges. Marked with foil label. 24" x 18" x 18 1/2" | 500 - 700 |
| 821 | GEORGE NELSON for HERMAN MILLER slatted bench with ebonized finish. Unmarked. 14" x 56 1/2" x 18 3/4" | 600 - 900 |
| 822 | CHARLES EAMES for HERMAN MILLER walnut DCW with foam-padded seat and back upholstered in leopardskin fabric. Petrified foam. Unmarked. 29" x 19 3/4" x 20" | 400 - 600 |
| 823 | CHARLES EAMES for HERMAN MILLER Aluminum Group armchair upholstered in channeled red wool, on a swivel base with casters. Unmarked. 40" x 23" x 25" | 600 - 900 |
| 824 | CHARLES EAMES for HERMAN MILLER "Soft pad" armchair upholstered in brown nylon fabric, on a swivel base with casters. Unmarked. 38 1/2" x 23" x 24" | 600 - 900 |
| 825 | ISAMU NOGUCHI for HERMAN MILLER biomorphic coffee table with ebonized base and 3/4"-thick beveled plate glass top. Minor surface scratch to base. Unmarked. 15 3/4" x 50 1/4" x 35 3/4" | 1,000 - 1,500 |
| 826 | Pair of DUNBAR walnut armchairs with spindled sides, upholstered in tufted white naugahyde. Metal Dunbar tag. 29 1/2" x 27 1/4" x 29" | 400 - 600 |
| 827 | EDWARD WORMLEY for DUNBAR mahogany lamp table with circular inset top and lower shelf, on tapering legs. Green Dunbar metal tag. 25" x 23" dia. | 600 - 900 |
| 828 | LAVERNE coffee table with circular white marble top on a bright chrome X-frame base with tubular legs. Unmarked. 16" x 42" dia. | 400 - 600 |
| 829 | PETER HVIDT teak and bright chrome sofa with open rectangular back mounted on three vertical posts, with spring-support platform seat and eight loose cushions upholstered in original beige and ivory boucle fabric, on tapering dowel legs. (Back and arm cushions not shown). Branded FF or EE?, and metal CADO tag. 29 1/2" x 79 1/2" x 30" | 900 - 1,400 |
| 830 | ILMARI TAPIOVAARA for THONET ebonized plywood side chair on black-enameled tubular legs. (The work of Tapiovaara was recently included in a series of mid-century design exhibits held at R 20th Century in New York). Minor enamel loss to frame. Blue Thonet paper label. 29 1/4" x 20" x 21" | 600 - 900 |
| 831 | Scandinavian, possibly by Egstrom, teak serving cart with square black laminate center and two cut-out handles, lower shelf and tapering legs on ball casters. Unmarked. 23" x 39" x 16" | 200 - 400 |
| 832 | LE CORBUSIER for CASSINA "LC3" armchair with tan linen seat and back, and brown leather strap arms, on black tubular frame. Minor stains to fabric. Marked. 22 1/2" x 23" x 25" | 600 - 900 |
| 833 | CHARLES EAMES for HERMAN MILLER LCW chair in ebonized finish on blond legs. Impressed LCW, paper label. 26 1/2" x 22 1/4" x 24" | 800 - 1,200 |
| 834 | Early CHARLES EAMES for HERMAN MILLER yellow fiberglass shell armchair with rope-edge and tubular black metal X-leg base. In excellent condition, really clean, missing one foot. Zenith label. 29" x 24 3/4" x 23 1/2" | 400 - 600 |
| 835 | Suite of five white molded fiberglass chairs (probably Italian, 1960s), four stacking and one chaise with wood armrests, each with large oval cut-out to back. (Chaise and one stacking chair shown). A few small chips to fiberglass, but overall very good condition. Chaise has remnant of illegible foil label. Chairs: 30" x 21 1/2" x 41 1/2", chaise: 30" x 28 3/4" x 53" | 1,200 - 1,800 |
| 836 | Fine contemporary two-drawer desk and matching chair by SIMON HOOPER (Australia), 1997, in contrasting light and dark exotic wood veneers. Signed "Made & Designed by Simon Hooper/Brisbane, Australia/1997, on back of one drawer. Desk: 32" x 42 1/2" x 17 1/4", chair: 30 1/2" x 27" x 19" | 800 - 1,200 |
| 837 | Fine EVA STAEHR-NIELSEN for SAXBO bulbous vessel incised with feather motif covered in a gray and ochre hare's fur matte glaze. Impressed marks. 6 1/2" x 5 1/4" | 500 - 750 |
| 838 | SAXBO bulbous vessel with closed-in rim, covered in a speckled matte brown crystalline glaze. Minute fleck to base. Stamped Saxbo/Denmark. 5 1/4" x 5 1/2" | 400 - 600 |
| 839 | SCHEIER stoneware vessel with straight walls incised with figures inside fish, under a matte celadon and gunmetal glaze. Incised Scheier. 5 1/2" x 6" | 400 - 600 |
| 840 | SCHEIER flaring bowl, 1950s, covered in a blue and white matte glaze. Incised Scheier/YA. 3" x 6 1/4" | 250 - 350 |
| 841 | PILLIN bottle-shaped bud vase with two women on a gray ground. Marked Pillin. 7 1/4" x 3 3/4" | 350 - 450 |
| 842 | PILLIN bulbous vase covered in a blue and green hare's fur glaze. Incised W+P. 6" x 6" | 300 - 400 |
| 843 | ROZENBURG cylindrical vase painted with purple blossoms against a green and cobalt ground. Marked Rozenburg/Den Haag. 10 1/4" x 2 3/4" | 300 - 400 |
| 844 | HENRY VARNUM POOR shallow bowl, 1967, decorated in sgraffito and wax-resist with sea creatures against a mottled oxblood, gray and ivory semi-matte ground. Stilt-pulls on decoration. HVP/67 on front and back, also 11/30 in ink on reverse. 1 1/2" x 8" | 400 - 600 |
| 845 | TOSHIKO TAKAEZU stoneware bowl with a speckled ochre exterior glaze, and fine mottled oxblood interior. Incised TT. 2 1/4" x 7 1/4" | 450 - 650 |
| 846 | Two HARDING BLACK bowls, 1989 and 1991, each decorated in squeezebag with a fish, in polychrome glazes. Both signed and dated. Dia.: 7" and 8 1/4" | 200 - 300 |
| 847 | Three HARDING BLACK bowls, 1987-89, two in porcelain, each decorated in squeezebag with fish in polychrome glazes. All signed and dated. Dia.: 7 1/4" - 8" | 200 - 300 |
| 848 | Two HARDING BLACK red clay squeezebag-decorated pieces, 1988-89, one bowl with fish and one teapot. Both signed and dated. Teapot: 6" x 10 1/2", bowl: 8" dia. | 200 - 300 |
| 849 | HEINO high-fired bowl with a random pattern of brown on a beige ground, and purple interior. Marked Vivika + Otto. 5 1/2" x 7" | 400 - 600 |
| 850 | HEINO stoneware bowl with a random cobalt pattern on white ground. Marked Vivika + Otto. 5" x 7 1/2" | 400 - 600 |
| 851 | HERMAN KAHLER/K. NIELSEN terra cotta figure of a woman holding a child. Small bruise to toe. Stamped Ki. Nielsen/HAK/Danmark. 14" x 4" | 300 - 400 |
| 852 | ARABIA porcelain figurine of a walrus covered in naturalistic glazes. Stamped mark and paper label. 6" x 7 1/2" | 200 - 300 |
| 853 | POND FARM bottle with ribbed and twisted body impressed with an organic pattern, under a brown and beige glaze with blue rim. Incised Pond Farm. 6" x 4 3/4" | 300 - 500 |
| 854 | LAWRENCE BLAZEY free-form dish, the interior excised with an abstract decoration of profiles under a speckled cobalt and white matte glaze. Incised LAWRENCE BLAZEY. 2 3/4" x 7 1/4" | 300 - 400 |
| 855 | BETTY WOODMAN porcelain biomorphic tray with random oxblood motif on a zinc oxide ground. Stamped Woodman. 1 1/2" x 12 1/2" | 300 - 500 |
| 856 | HERBERT SANDERS for OHIO STATE UNIVERSITY bulbous vase, 1947, covered in a smooth mottled turquoise glaze. Incised Herby/1947/OSU. 10 1/4" x 6" | 200 - 300 |
| 857 | STONELAIN footed cylindrical vessel covered in a fine crackled oxblood glaze dripping over an ivory ground. Stamped STONELAIN with "MS" inside jug. 11 1/4" x 5 1/4" | 400 - 600 |
| 858 | FANTONI for RAYMOR double bottle-shaped vessel decorated with maidens in black and yellow on a pink ground. Minor touch-up to one rim. Marked Fantoni/Italy, and Raymor paper label with original price tag of $14.50. 7 3/4" x 7" | 200 - 250 |
| 859 | Set of six PIERO FORNASETTI plates from his "Themes and Variations" series, each transfer-decorated with either a woman's face or an architectural element, in black and white. Some wear to decoration on a few. Stamped Fornasetti-Milano/Made in Italy, and numbered. Each: 10 1/4" dia. | 400 - 600 |
| 860 | SCHEIER hemispherical bowl, 1985, decorated in wax-resist with a band of abstracted faces in white on a speckled purple matte ground. Incised Scheier/85. 3 1/2" x 4 3/4" | 300 - 400 |
| 861 | SCHEIER coupe-shaped bowl embossed with masks under a white, brown and purple mottled semi-matte glaze. Incised Scheier, and R. 6 1/2" x 7 1/4" | 450 - 650 |
| 862 | Fine, large and unusual acid-etched sommerso glass elongated centerbowl with red and green casing. Unmarked. 5" x 22" | 750 - 1,000 |
| 863 | SEGUSO sommerso glass bowl with red floriform bands to interior. A few scratches. Unmarked. 2 1/2" x 5 3/4" | 300 - 500 |
| 864 | Set of eleven WIENER WERKSTATTE faceted crystal glass cordials, 1905-10. Etched "M" or "W". 3" x 2 1/2" | 300 - 500 |
| 865 | JAN CERNY (Czechoslovakia, b. 1907) molten glass sculpture of a bull in smokey quartz, 1971. In original silk-lined box. Acid-etched signature, numbered 15. 4 1/2" x 7 1/4" | 400 - 600 |
| 866 | Murano glass ram figure in the style of Barovier, with applied details in black on a clear glass body with silver foil interior. Unmarked. 6 3/4" x 7" | 500 - 750 |
| 867 | Fine DAUM Art Deco vase with buttressed base, c. 1940s, of mottled blue glass with clear V-shaped panel. Acid-etched Daum/France. 11 1/2" x 6" | 300 - 500 |
| 868 | DAUM Art Deco tall flaring vase of smokey glass, acid-etched with an abstracted floral pattern. Etched at base, Daum + Nancy/France. 13" x 4 1/2" | 400 - 600 |
| 869 | Three Murano amber glass bottles, possibly by Artisti Barovier or MVM Cappellin, with white canes and gold foil crenelation. Unmarked. 9 1/4", 10", and 10 1/2" | 600 - 900 |
| 870 | ERCOLE BAROVIER for BAROVIER E TOSO spherical scavo glass vase with applied clear ribbons on a gold ground. Unmarked. 6 1/4" x 6" | 750 - 1,000 |
| 871 | Large Art Deco frosted lavender glass faceted ceiling fixture in the style of Ruba Rhombic, with jutting angles and incised ribs. Unmarked. 15" x 11" | 1,000 - 1,500 |
| 872 | Tall chartreuse-green corroso glass baluster lamp base attributed to FLAVIO POLI, with brass fittings. Unmarked. Overall height: 40", glass only: 25 1/2" x 7 1/2" | 600 - 900 |
| 873 | SALVIATI classically-shaped sommerso vase, possibly designed by LUCIANO GASPARI, with red patches on a feathered brown ground. Floriform glue mark. 8 1/2" x 4 3/4" | 400 - 600 |
| 874 | Large VICKE LINDSTRAND for KOSTA free-form clear glass bowl with flaring rim and controlled interior bubbles. Acid-etched mark, and numbered. 4" x 12 1/2" | 200 - 300 |
| 875 | BERTIL VALLIEN for BODA AFORS iridescent glass bottle inlaid with cane filligrana and murrine. Incised Boda/Artist(?)/B Vallien. 10" x 5" | 300 - 500 |
| 876 | ORREFORS hemispherical crystal bowl with controlled acid-etched shaved dimples. A few scratches. Acid-etched Orrefors/DA/3386/1. 4 1/2" x 7 3/4" | 300 - 400 |
| 877 | Art Deco polished stone garniture set, possibly French, consisting of a mantle clock with bronzed figure of maiden holding a bird, and a pair of vases or candlesticks. Several small chips to edges. Remnant of mark on clock face. Clock: 13" x 17" x 4 1/4" | 1,500 - 2,500 |
| 878 | Unusual lucite floor clock with trapezoidal housing and black dial, chrome hands, pendulum, and cylindrical weight, mounted on a rectangular base. Unmarked. 61 1/2" x 13" x 9 3/4" | 800 - 1,200 |
| 879 | LE COULTRE CO. (Switzerland) simulated quartz desk clock, 1950s, with brass dial and hands. Die-stamped mark/476. 7" sq. | 100 - 200 |
| 880 | GEORGE NELSON for HOWARD MILLER "Chronopak" desk clock no. 4765, with hemispheric walnut case, black dial with white hands and numeral markers, on a brass ring base. A few minor nicks to rim of case. Howard Miller label. 7" x 6" | 300 - 500 |
| 881 | GEORGE NELSON for HOWARD MILLER "Ball" clock with white lacquered case and twelve sphere-tipped spokes enameled silver, with black and red enameled hands. Some overspraying of parts and minor enamel loss to hands. Howard Miller label. 13 1/2" dia. | 400 - 600 |
| 882 | PETER MAX for GENERAL ELECTRIC wall clock with black and white checkerboard dial bordered by bright pink, blue, and yellow circles, with red fluorescent hands. 9" dia. | 100 - 200 |
| 883 | GEORGES BRIARD wall clock with hexagonal dial, brass hands and gilded roman numerals, with foil-backed mosaic glass border in blues, greens, browns, and gold. Signed Georges Briard/copyright. 17" x 17" | 100 - 200 |
| 884 | MERIDIAN for HOWARD MILLER ceramic wall clock with concentric rings of green, blue and gray, and incised scroll design, with white enameled hands. Howard Miller tag and Meridian paper label. 13 3/4" dia. | 400 - 600 |
| 885 | BERNARD BUFFET oil on board of a still life with flowers, 1955, in blue, yellow, peach and black. Framed with linen liner. Signed and dated. Sight: 20 1/2" x 15 3/4" | 2,500 - 3,500 |
| 886 | LOWELL NESBITT (American, 1933-1993) oil on canvas, "Parrot Tulip on White," 1979. Titled, dated and inscribed verso. Framed. 40" x 40" | 800 - 1,200 |
| 887 | Two WILLIAM HENTSCHEL brayers, one with stylized birds in black on polychrome ground, and one abstract composition in polychrome on an eggshell ground. Both matted and framed, under glass. Unsigned. Sight: 19 3/4" x 16 1/4" | 800 - 1,200 |
| 888 | Gouache on paper by IRVING GEORGE LEHMAN (1900-1982) New York, linear abstraction in polychrome. Matted. Signed Lehman. Sight: 25" x 19" | 200 - 400 |
| 889 | Oil on board by IRVING GEORGE LEHMAN (1900-1982) New York, abstract composition with figures in polychrome. Framed. Unmarked. Sight: 24" x 29" | 300 - 500 |
| 890 | EMLEN ETTING abstract gouache on paper, 1966, in gray, eggshell and white. Double-matted and framed under glass. Signed and dated, lower right. Sight: 17" x 23" | 400 - 600 |
| 891 | EMLEN ETTING abstract watercolor on paper in black, gray and white. A few minor creases to paper. Matted and framed under glass. Signed lower right. Sight: 14 1/4" x 20 3/4" | 400 - 600 |
| 892 | EMLEN ETTING oil on paper of a male nude. Framed under glass. Artist-signed, model's name noted on reverse. 29 1/2" x 19 1/4" | 800 - 1,200 |
| 893 | ANGELO TESTA abstract fabric composition in black, white, magenta and orange, mounted on stretchers, and framed. Signed lower right. 46" x 21 3/4" | 400 - 600 |
| 894 | Set of five lithographs by GEOFF SMITH, 1984 and 1986, depicting scultural forms in black on an ivory ground. Framed as a suite. Each print is signed, dated. and numbered 18/100. Each images measures 12" x 20" or 20" x 12 | 600 - 900 |
| 895 | Two exhibition posters: Jasper Johns Prints exhibition, Philadelphia Museum of Art, 1970, signed by the artist, and Picasso for U.C.L.A., 1961, framed. Both 36" x 24" | 800 - 1,200 |
| 896 | Ten Modern art books: "Ben Shahn Paintings and Graphic Arts" (2-volume set); "Ecclesiastes" (by Ben Shahn); "The World of Salvador Dali"; "Miro" (Jacques Dupin); "Chagall" (catalog from 1985 Philadelphia Museum of Art/Royal Academy of Arts exhibition); "Marc Chagall" (Franz Meyer); "Picasso: Sixty Years of Graphic Works"; "Pablo Picasso: Meeting in Montreal"; "Picasso" (Hans L.C. Jaffe); and "Picasso: The Blue and Rose Periods". All in very good condition. | 500 - 700 |
| 897 | Ten assorted Modern art and decorative arts books: "Paul Klee (by Will Grohmann)"; "Hans Hofmann" (with intro by Sam Hunter and essays by Hofmann); "Modern Italian Sculpture"; "Art Nouveau Bing: Paris Style 1900"; "Tiffany Windows" (Alastair Duncan); "Mexican Silver"; "The Art of New York"; "Lautrec by Lautrec"; "Delacroix" (Rene Huyghe); and "Degas" (catalog from 1988-1989 major retrospective exhibition). All in very good condition. | 500 - 700 |
| 898 | Three rare furniture design catalogs from the Italian series "Esempi" by Roberto Aloi, 1955 & 1957, illustrating a variety of chair, table, and sofa examples. Overall very good condition. | 400 - 600 |
| 899 | Two hardcover jewelry books: "American Jewelry Manufacturers" by Dorothy T. Rainwater, 1988; and "Fabulous Fakes: The History of Fantasy and Fashion Jewellery" by Vivienne Becker, 1988. Very good condition. | 100 - 200 |
| 900 | The following 11 modern lighting catalog lots are the property of a George Nelson associate: (9) ringbinders including ARTEMIDE and LIGHTOLIER; (5) ARTEMIDE quick-reference catalogs/price books; (1) RUUD catalog; (1) copy of "Architectural Lighting Solutions" by Devine Design; and a total of (19) ARCHITECTURAL RECORD LIGHTING and ARCHITECTURAL LIGHTING publications. | 100 - 200 |
| 901 | (2) ringbinders from FLOS and FONTANA ARTE; ARTEMIDE, BALDINGER, and BIEFFEPLAST catalogs; and several miscellaneous catalogs, loose sheets, and pamphlets from ARTELUCE, KOCH & LOWY, NESSEN, and AKARI. | 200 - 400 |
| 902 | (10) ringbinders: NEO-RAY, REGGIANI, LIGHT WAVES CONCEPT, INC., LITE CONTROL CORP.; LUCE PLAN; IPI LIGHTING; LUTRON; KOCH & LOWY; EDISON PRICE LIGHTING; HALO. | 100 - 200 |
| 903 | File of miscellaneous lighting catalogs/pamphlets, alphabetical by manufacturers, including LIGHTOLIER, NESSEN, LOUIS POULSEN, STILNOVO, and TARGETTI. | 100 - 200 |
| 904 | File of lighting catalogs/pamphlets, arranged by category, including information on "show-biz" lighting; surface-mounted fixtures (wall and ceiling); suspended fixtures (chandeliers); "task" lighting; and track lighting. | 100 - 200 |
| 905 | File of lighting catalogs/pamphlets, grouped by category, including information on bulb types (decorative, flourescent, halogen, and general); lighting and electrical controls; linear lighting; louvres and lenses; mirror lighting; and outdoor lighting. | 100 - 200 |
| 906 | ARCHITECTURAL LIGHTING magazine issues from 1988-1999 (incomplete run); (6) ARCHITECTURAL LIGHTING supplements; (6) issues of ARCHITECTURAL LIGHTING SHOWCASE; and other miscellaneous pamphlets, catalogs, and posters. | 100 - 200 |
| 907 | File of lighting catalogs/pamphlets, arranged by category, including information on desk, table and floor lamps; display lighting; shades and lanterns; also information on the history of lighting; theory and technology; energy efficient, flourescent, and industrial lighting. | 100 - 200 |
| 908 | (15) LEADING EDGE and SUNAR HAUSERMAN bound catalog booklets from the mid-1970s, including the slip case containing loose pamphets and HELIKON sample swatches. | 100 - 200 |
| 909 | (10) STENDIG catalogs including ring binder, 1973 with fabric and leather swatches, 5 wall charts of the Stendig furniture lines 1979/80, 4 booklets including DOMINO MODULAR SEATING UNITS and SWISS DESIGN and 7 promotional photos and numerous loose catalog pages. | 125 - 175 |
| 910 | (4) Volumes STEELCASE ringbinder catalogs, numbered 1-4, complete with supplements, 1980's. | 75 - 125 |
| 910A | (10) advertising and exhibition posters:ALIVAR The CLASSICS of MODERN FURNITURE, 1989; GALERIE METROPOL " Tublar Stell Furniture of the Twenties," AFRA and TOBIA SCARPA, 1985; CHAIR FAIR 1986; KNOLL Gehry Collection; STEPHEN SCHERMEYER; 3 STENDIG collection and LOEWENSTEIN chairs. | 150 - 250 |
| 911 | JOAN MIRO woven wool tapestry with figural abstracts in royal blue, umber, rust and beige, with a cotton fringe trim. Woven signature. 66" x 35" | 600 - 900 |
| 912 | JUNE GROFF reversible linen runner, one side with dyed patches in shades of green, the other in gray and charcoal. (Groff's work includes collaborations with Wharton Esherick as well as her own experimentation with hand-made textiles during the 1940's. This piece comes to us from personal friends of Groff's). Each side has one small hole and some minor soiling. Unsigned. 52" x 12 3/4" | 200 - 400 |
| 913 | Rya rug with overall pattern of abstract and geometric forms in shades of gray, brown, orange and gold on an off-white ground. Unmarked. 9'1" x 11'8" | 600 - 900 |
| 914 | Custom-designed EDWARD FIELDS looped pile wool area rug, c. 1990, with trailing leaf pattern (on one side only) in shades of pink, coral and orange on a natural ground. Small 1/2" slit (folds over to close), and a few minor stains. Stamped Edward Fields, on reverse. 10'2" x 15' | 300 - 500 |
| 915 | Three KNOLL lounge chairs upholstered in black and brown striped fabric, on tubular black-enameled legs. Petrified foam, some wear to upholstery. Unmarked. 29" x 24 1/2" x 24 1/2" | 800 - 1,200 |
| 916 | Early FLORENCE KNOLL for KNOLL walnut credenza with two sliding doors with black leather tabs, the interior with four drawers on one side and two adjustable shelves on the other. A few minor stains to finish. Early Knoll Associates paper label. 27 1/2" x 36" x 18 1/2" | 600 - 900 |
| 917 | PAUL McCOBB for WINCHENDON "Planner Group" cabinet with two sliding, linen-front doors and interior fitted for shelves (missing). Foil label. 25 1/2" x 60" x 18 1/2" | 800 - 1,200 |
| 918 | Pair of PAUL McCOBB for CALVIN mahogany-veneer nightstands, each with travertine marble top over a single drawer and two-door cabinet. Metal tag. 24" x 22" x 20" | 800 - 1,200 |
| 919 | Two PAUL McCOBB pieces: a WINCHENDON "Planner Group" three-drawer dresser with conical brushed chrome pulls, on tapering legs; and a ten-drawer jewelry chest with circular brass pulls. A few minor scratches to top of jewelry chest. Dresser has branded mark, jewelry chest is unmarked. 33" x 36" x 19 1/2" and 6" x 36" x 12 1/4" | 800 - 1,200 |
| 920 | GEORGE NELSON for HERMAN MILLER walnut-veneer end table with single drawer, lower shelf, and swing-arm lamp with cylindrical linen shade, on aluminum frame. Water stains to lamp shade. Foil label and original hang tag, also original purchase receipt included. 38" x 17" x 24" | 600 - 900 |
| 921 | GEORGE NELSON for HERMAN MILLER walnut end table with glass top, single drawer with circular wooden pull, and rear storage compartment, on plank legs. Minor wear. Unmarked. 22 1/2" x 17 3/4" x 35 1/4" | 400 - 600 |
| 922 | GEORGE NELSON for HERMAN MILLER Primavera cabinet with open display area and single adjustable shelf, flanked by a cabinet door enclosing interior shelf, on ebonized plank legs. A few minor nicks to edges. Unmarked. 29 3/4" x 34" x 12" | 600 - 900 |
| 923 | Unusual diminutive blond wood daybed in the style of George Nelson, with trapezoidal plank back mounted on two tubular black metal rods, with spring-support platform seat and loose foam cushions upholstered in green, orange, and cream striped cotton, on tapering dowel legs. Small chip to frame, minor soiling/tear to upholstery. Unmarked. 27 1/2" x 49 1/2" x 32" | 600 - 900 |
| 924 | CHARLES EAMES for HERMAN MILLER coffee table with circular white laminate top on black metal star pedestal base. (From the collection of Don Ervin, a George Nelson associate). Unmarked. 16 1/2" x 45" dia. | 400 - 600 |
| 925 | Pair of CHARLES EAMES for EVANS walnut DCM chairs on tubular metal base. Re-glued shock mounts, some minor pitting to metal. Evans/Herman Miller paper label. 29" x 18 3/4" x 20 1/4" | 400 - 600 |
| 926 | Set of four CHARLES EAMES for HERMAN MILLER fiberglass shell armchairs, in gray, ivory, yellow, or salmon, each on a black metal Eiffel Tower base. Slight discoloration to fiberglass on one, another has one missing foot. Unmarked. 31" x 24 1/2" x 19 1/2" | 600 - 900 |
| 927 | VLADIMIR KAGAN "Omnibus" couch, fully-upholstered in original blue-black wool with contoured headrest and bolster, on a U-shaped base. 1 1/2" tear to fabric on back, some loosening of trim to one edge, and minor stain. Unmarked. 36 1/2" x 32 1/2" x 48" | 600 - 900 |
| 928 | MILO BAUGHMAN even-arm sofa upholstered in original green-on-green striped silk-blend fabric, on bright chrome legs. Some areas of fading to upholstery. Paper factory tag. 27" x 84" x 34" | 600 - 900 |
| 929 | Pair of PHILIPPE STARCK "Tele tables" from the Paramount Hotel, New York, each with tiered marble shelves, memo holder, and conical vase on a tubular steel base. Overall very good condition. Unmarked. 29" x 18" x 19" | 300 - 400 |
| 930 | Bentwood games table with square top and lower shelf lined in green felt, and four small drawers, on flared leg base. Some looseness. Unmarked. 29" x 26" sq. | 600 - 900 |
| 931 | T.H. ROBSJOHN-GIBBINGS for WIDDICOMB burlwood-veneer coffee table with curvilinear top and stretchers. Minor chipping to veneer along one edge. Widdicomb label. 19" x 55" x 28" | 600 - 900 |
| 932 | PAUL EVANS for DIRECTIONAL PE8402 credenza, mid-1970s, with four-drawer burlwood veneer patchwork case over a two-door bright chrome cabinet with adjustable interior shelves. Some minor scuffs and veneer losses. Unmarked. 29 1/2" x 84" x 22 1/2" | 1,000 - 1,500 |
| 933 | Set of six NORMAN CHERNER for PLYCRAFT armchairs, uphostered with white leather, on white enameled bentwood frames. Unmarked. 31" x 26" x 17" | 1,600 - 2,400 |
| 934 | ISAMU NOGUCHI biomorphic coffee table with 1/2"-thick plate glass top and ebonized base. Unmarked. 15 1/2" x 49 1/2" x 36 1/2" | 900 - 1,400 |
| 935 | GEORGE NELSON for HERMAN MILLER slatted bench with original ebonized finish (some flaking). Unmarked. 14" x 72" x 18 1/2" | 500 - 700 |
| 936 | CHARLES EAMES for HERMAN MILLER walnut lounge chair with tufted black leather upholstery on a swivel base. Wear to leather, missing one button. Circular metal tag and paper label. 32 1/2" x 33 1/4" x 33" | 900 - 1,400 |
| 937 | Set of four EERO SAARINEN for KNOLL "Tulip" armchairs, each upholstered in green and white fabric with plaid seat cushion on a white laminate pedestal base. Some fading to fabric and mildew to seat cushions. Unmarked. 32 1/2" x 25" x 20" | 300 - 500 |
| 938 | EERO SAARINEN for KNOLL "Tulip" dinette table with circular white marble top on a white laminate pedestal base. Knoll Associates paper label. 28 1/2" x 36" dia. | 600 - 900 |
| 939 | Pair of MARCEL BREUER "Wassily" chairs, each with dark brown hard leather seat, back, and slung armrests, on a tubular bright chrome frame. One has tear to back along seam. Unmarked. 28" x 31 1/4" x 28 1/2" | 500 - 800 |
| 940 | Set of four MARCEL BREUER B33 side chairs, probably for KNOLL, each with hard black leather seat and back on a tubular bright chrome frame. (Four shown). Unmarked. 32 1/2" x 19" x 24" | 400 - 600 |
| 941 | Early LE CORBUSIER, PIERRE JEANNERET and CHARLOTTE PERRIAND for THONET "Basculant" armchair no. B301 with original coil-fastened dark brown hard leather seat, back and "belt" arms on a chrome-plated tubular steel frame. Separation to seat pad, some loose/broken springs, pitting to metal. Unmarked. 25 1/2" x 25 1/2" x 25 1/2" | 400 - 600 |
| 942 | ARNE JACOBSEN for FRITZ HANSEN "Seven" chair with continuous-form seat and armrests upholstered in purple, black and white striped fabric, on a tubular steel base. Missing two front feet. Unmarked. 29 1/2" x 24 1/4" x 19" | 400 - 600 |
| 943 | Set of four REINO RUOKOLAINEN (Finland) for HAIMI OY blond wood stacking side chairs, each with undulated horizontal backslat and black leather-covered seat. Branded mark. 27 1/2" x 19 1/4" x 16 1/2" | 400 - 600 |
| 944 | GEORGE NELSON for HERMAN MILLER blond wood slatted bench with ebonized legs. Wear to finish. Unmarked. 14 1/4" x 48" x 18 1/2" | 400 - 600 |
| 945 | GEORGE NELSON for HERMAN MILLER "Lazy Susan" dining table with original chartreuse laminate top on a white-enameled pedestal base. Minor chipping to enamel on base. "Lazy Susan" mechanism does not work. Unmarked. 29 1/4" x 48" dia. | 400 - 600 |
| 946 | HANS BELLMANN for KNOLL side table with a new circular white laminate top and ebonized tripod base. Unmarked. 20 3/4" x 23 3/4" dia. | 450 - 650 |
| 947 | HARRY BERTOIA for KNOLL "Diamond" chair with chrome-plated welded steel frame. Unmarked. 30 1/2" x 33 1/4" x 22" | 200 - 300 |
| 948 | Two CHARLES EAMES for HERMAN MILLER beige fiberglass-shell side chairs, each with black Eiffel Tower metal base. One missing foot. Red cellophane Herman Miller labels. 30 3/4" x 18 1/4" x 16 1/2" (also insert with photo of cellophane label). | 200 - 400 |
| 949 | CHARLES EAMES for HERMAN MILLER birch DCW. Unmarked. 29" x 19 1/2" x 19 1/2" | 200 - 400 |
| 950 | Two WARREN MACKENZIE stoneware pieces: a tea bowl with brown strokes on an ivory ground, and a milk bottle-shaped vase with wax-resist fingerprints on mahogany and white ground. Both marked. 5 3/4" dia. and 8" h | 200 - 300 |
| 951 | Two HARDING BLACK bowls, 1988, one porcelain with radiating red pattern on a blue ground (firing line), the other of red clay decorated in squeezebag with fish. Both signed and dated. Dia.: 8 1/4" and 6 3/4" | 200 - 300 |
| 952 | Two HARDING BLACK bowls, 1988, covered in volcanic glaze, one chartreuse and black, the other black and white. Both signed and dated. Dia.: 10" | 200 - 300 |
| 953 | Four HARDING BLACK tiles: two 6-inch trivets incised with Mexican couple, and two 4-inch tiles, one with "Texas Longhorn" and the other with a horseman. A few small nicks to trivets. All but last one marked. | 300 - 500 |
| 954 | KAREN KARNES stoneware covered jar, its lid gently carved in an organic pattern, covered in a gray and brown crystalline glaze. Stamped KK. 6 1/4" x 6" | 200 - 300 |
| 955 | LAURA ANDRESON stoneware dish with coiled center, 1958, covered in a bronze and verdigris matte glaze. A couple of minute nicks to rim. Incised Laura Andreson/1958. 1" x 8 1/4" | 200 - 300 |
| 956 | Two SCHEIER pieces, a flaring stoneware bowl in matte mottled pastel glaze, and a red clay pitcher painted with a bird in indigo and brown on a gray ground. Latter has minute fleck to rim. Both marked. Dia.: 6" and 5 3/4" | 200 - 300 |
| 957 | Three SCHEIER pieces: a brown mug, a pearl gray hemispherical bowl, and an indigo and terra cotta pitcher (hairline). All marked. 5 1/2" h, 4 3/4" and 5 1/4" dia. | 300 - 500 |
| 958 | TOSHIKO TAKAEZU stoneware spherical vase with flattened sides, painted with stripes of earth tone dead-matte glaze. Incised TT. 5 1/2" x 4 3/4" | 200 - 300 |
| 959 | J. MASON flag vase, 1961, with eleven openings and notched pattern to body, covered in a bluish-brown flambe glaze. Incised J. Mason/61/Dakota-Formation/Kanopolis. 10 1/4" x 7 1/2" | 200 - 300 |
| 960 | HEINO stoneware bowl embossed with pods under a white and brown dead-matte glaze, with black interior. Incised Vivika+Otto. 4 1/2" x 8 1/2" | 200 - 300 |
| 961 | Two HEINO salt-glaze stoneware vases, one teardrop-shaped with leaf pattern on cobalt ground, the other with incised lines under a cobalt, gray and brown glaze. Both marked Vivika+Otto. 7" and 7 3/4" | 200 - 300 |
| 962 | Two HEINO squat vessels with small opening, one salt-glaze stoneware with random pattern, the other porcelain in an ultramarine and green matte glaze. Both signed Vivika+Otto. 4 1/4" and 4" | 200 - 300 |
| 963 | Two GAMBONE faience pieces, a small ashtray and a low bowl, both covered in matte turquoise, green and white glazes. Both marked Gambone/Italy. 4 1/2" and 6 3/4". | 200 - 300 |
| 964 | Three PILLIN pieces: two tea cups, one decorated with a woman and birds, the other with roosters; and a teapot covered in an iridescent black glaze. Cups marked "Sande/Polia" and "Tom/Polia", teapot marked W+P Pillin. 2 1/2" x 4 1/2" and 8" x 7 1/2" | 200 - 300 |
| 965 | EDOUARD MARCEL SANDOZ for THEODORE HAVILAND Art Deco porcelain figural monkey covered jar, in a white and blue-gray glossy glaze. Ink stamp, and artist-signed. 7 1/4" x 4" | 100 - 200 |
| 966 | E. or J.M. MEIR for WIENER KUNST KERAMIC figure of a woman, 1914, with long dress, floral bouquet and fan, covered in glossy polychrome glazes. (Accompanied by copy of June 1996 Dorotheum auction catalog, in which this piece was featured). A few minor nicks. Stamped factory mark/Austria. 12" x 6 1/2" | 500 - 700 |
| 967 | Brown bisque ceramic head in the style of Goldscheider, with glazed black hair and a white kerchief. Illegible mark. 7 1/2" x 6 1/2" | 200 - 400 |
| 968 | Pair of GUNNAR NYLUND for RORSTRAND elongated free-form porcelain bowls in microcrystalline glaze, one amber flambe, the other black and brown. Hairlines to base of amber one. Incised R/Sweden/GN/ARO. 3 1/4" x 6" | 200 - 300 |
| 969 | Two early VIVIKA AND OTTO HEINO stoneware vessels, 1950s, one with applied prunts and one with modeled handles, covered in mottled glazes. Both incised Vivika+Otto. Each approx. 4" x 5" | 400 - 600 |
| 970 | Two HEINO porcelain bowls, one with pattern in white on black, the other a teabowl, 1989, with ivory and mahogany brushstroke. Incised Vivika + Otto. Dia.: 6 1/4" and 4" | 200 - 300 |
| 971 | Early HARDING BLACK molded vase, 1972, embossed with iguanas under a lavender and gunmetal glaze. Small chip to one side. Signed Harding Black/1972/C520. 6 3/4" x 4 3/4" | 200 - 300 |
| 972 | Two HARDING BLACK red clay squeezebag-decorated covered jars, 1989 and 1991, with zig-zag lines and dots in yellow and green. Both signed and dated. 6" and 6 3/4" | 200 - 300 |
| 973 | Three HARDING BLACK porcelain bowls, 1988-93, with radiating pattern in red against a gray or blue ground. Small glaze chip to rim of one. Dia.: 6", 8" and 9 1/2" | 300 - 500 |
| 974 | Two HARDING BLACK porcelain bowls, 1988 and 1989, covered in celadon glaze, one carved with a bull and the other with a fish. Both signed and dated. Dia.: 9" and 9 1/2" | 200 - 300 |
| 975 | Large Murano glass pulegoso vase in amber. Uneven base and polished rim. Paper label. 12 3/4" x 7 1/4" | 300 - 500 |
| 976 | Two Italian glass vases, one baluster-shaped attributed to A.V.E.M. with latticework, ribbons, and silver-leaf on a crimson red ground, and one tapering cranberry red bullicante in mezza filligrana. Unmarked. 7" and 8 1/2" | 400 - 600 |
| 977 | Cased scavo glass vase in amber with white interior, possibly by CENEDESE. Unmarked. 10 1/2" x 4 1/2" | 300 - 500 |
| 978 | Unusual HIGGINS glass plate with decorative geometric patterns and festoons in orange, chartreuse, and shades of blue (a nice example). Signed Higgins. 12 1/2" dia. | 100 - 200 |
| 979 | Three GLEN LUKENS shallow bowls of yellow, celadon, or turquoise textured glass. Wear around rim of one. All acid-etched Glen Lukens. Dia.: 7 3/4" | 300 - 500 |
| 980 | ORREFORS floriform crystal bowl. Etched Orrefors/LN, and number, with Orrefors paper label. 5 1/4" x 9" | 250 - 350 |
| 981 | VICKE LINDSTRAND for KOSTA thick-walled pillow vase with threaded pattern in white. Stamped Lindstrand/Kosta/LH 1040. 6" x 8 1/2" | 300 - 400 |
| 982 | Two iridized vessels with white interior: a vase attributed to BERTIL VALLIEN for BODA AFORS with gunmetal stripes over an indigo and amber speckled base; and a pitcher, possibly by A.V.E.M. or Dino Martens, in a black, yellow and blue marbleized pattern. Unmarked. 9 3/4" and 11 1/4" | 500 - 700 |
| 983 | Three fazzoletto vases by various makers, one with gray exterior and white interior, one of white and clear canes, and the smallest with gold leaf. Unmarked. 9 1/2", 7" and 4 1/2" | 200 - 300 |
| 984 | VENINI fazzoletto vase with opaque caramel exterior and parchment interior. Acid-etched Venini/Murano/Italia. 5 3/4" x 8 3/4" | 400 - 600 |
| 985 | AFORS teardrop-shaped glass bottle with blue sommerso interior. Etched Ernest Gordon/G.H./208. 11" x 5" | 500 - 700 |
| 986 | BERTIL VALLIEN for KOSTA BODA triangular frosted glass sculpture with internal pillar in brown, red, and white swirl. Etched signature, numbered 53/100. 5 3/4" x 5" | 250 - 350 |
| 987 | Two clear glass pieces: a Scandinavian sommerso paperweight with controlled bubbles; and a NOVY BOR (Bohemia) cut-crystal vase with white fishnet overlay. Unmarked. 3 1/2" and 4 1/2" | 200 - 300 |
| 988 | Two clear glass vases: one bulbous by ORUP JOHANSSFORS GROUP by B. ORUP and one four-sided "Moonview" by SARPENAVA for IITALA. First marked. 7 3/4" and 9" | 200 - 300 |
| 989 | Two FLYGSFORS sommerso glass biomorphic bowls with green casing. Both artist-signed, and Flygsfors. 4 1/2" x 12" | 200 - 300 |
| 990 | Bentwood magazine rack, ornately-fashioned with four compartments on a stepped flared leg base. Unmarked. 23" x 16 1/4" x 19 1/2" | 600 - 900 |
| 991 | Bentwood wall-hanging clothes rack with top shelf and five hooks. Unmarked. 10 3/4" x 34 1/2" x 9 1/2" | 400 - 600 |
| 992 | Scandinavian teak locking box with lift-top and oval brass hinges, stepped interior, and pull-out drawer to one side. (From the collection of Ezra Stoller). Unmarked. On casters: 19 1/4" x 23 3/4" x 15 3/4" | 200 - 400 |
| 993 | Danish rosewood-veneer pipe cabinet with two glass-paned doors with brass pulls. Paper label "Lysgaard Mobler/Made in Denmark". 17 3/4" x 23 3/4" x 4 1/4" | 100 - 200 |
| 994 | GIOTTO STOPPINO for KARTELL magazine stand of molded ivory plastic with circular recessed handle and four compartments. Minor fading/discoloration. Embossed mark, and incised 1-8313. 13 1/2" x 15 1/2" x 7 1/4" | 100 - 200 |
| 995 | CHARLES EAMES for EVANS molded plywood leg splint, in the original wrapping with Evans label. 43" | 100 - 200 |
| 996 | Two CHARLES EAMES for EVANS molded plywood leg splints, one in the original wrapping with Evans label. 43" | 200 - 300 |
| 997 | Two games: CHARLES EAMES for OTTO MAIER "House of Cards" construction game and "The Amazing Classic Alexander Graham Bell TetraKite" by HERMAN MILLER. Both in original boxes, complete with instructions. | 200 - 300 |
| 998 | CHARLES EAMES for TIGRETT "The Toy", an educational building toy of paper with wood dowels, complete with all its parts, in original box. Some wear to box. | 100 - 200 |
| 999 | Suite of five miniature Bauhaus-style enameled metal furniture pieces, four side chairs and one table, in yellow, blue, red, or green, on tubular metal frames. Unmarked. Chairs: 3 1/4" x 2" x 2 1/2", table: 2" x 4 1/2" dia. | 100 - 200 |
| 1000 | French Art Deco chandelier in the style of Edgar Brandt, 1930s, with wrought-iron frame decorated with grape leaves and scrolls, inset with four DAUM orange and yellow mottled glass shades. Shades etched Daum/Nancy. 47" x 23" | 2,500 - 3,500 |
| 1001 | Steel and glass light sculpture by SUZANNE HOROWITZ and ROBERT ROSCH with pyramidal drummeled base and triangular etched glass panels. Unsigned. 31" x 33" x 10" | 1,200 - 1,800 |
| 1002 | Pair of fine opaque glass table lamps, probably Italian, of pyramidal form with black and white vertical stripes, mounted on a black enameled metal base. Unmarked. 15 1/2" x 6 1/2" | 600 - 900 |
| 1003 | Light-bulb-shaped table lamp, probably Italian, with cylindrical shade of opaque white glass with flowing orange and red stripe, on a brushed chrome and brass base mounted with seven discs. Unmarked. 22" x 6" | 300 - 500 |
| 1004 | SERGIO MAZZA desk lamp, 1960s, with mushroom-shaped white glass shade mounted on a bright chrome-plated metal base. Unmarked. 11" x 15 1/2" | 400 - 600 |
| 1005 | LAUREL table lamp with mushroom-shaped frosted glass shade and corseted spun aluminum base. A few chips to rim of shade. Blue paper label. 16 1/2" x 12 1/2" | 100 - 200 |
| 1006 | LAUREL tulip-shaped floor lamp with bulbous frosted glass shade on a bright chrome pedestal base. A few minor chips to bottom rim of shade. Blue Laurel label. 62 3/4" x 10" | 200 - 400 |
| 1007 | Bright chrome Art Deco-style table lamp, 1960s, with dome shade, tapering shaft with six rings, and bell-shaped base. Unmarked. 22 1/2" x 18" | 200 - 400 |
| 1008 | Spun aluminum ceiling fixture attributed to PAAVO TYNEL, with perforated dome shade, brass cap, and bulb-shaped counter-weight. (From the dining room of a 1953 Mt. Airy ranch house designed by Leonard Weger, a mechanical engineer who worked with the architect Louis Kahn). Unmarked. Fixture only: 12" x 18" dia. | 600 - 900 |
| 1009 | VERNER PANTON for LOUIS POULSEN "Flower Pot" ceiling fixture with four adjustable-height dome shades in either white, cobalt blue, or orange, suspended from a circular enameled ceiling plate. Wear to cords, chip to enamel on one cup. 25" (longest tier) x 15 1/4" dia. | 650 - 950 |
| 1010 | Two VERNER PANTON for LOUIS POULSEN "Flower Pot" ceiling fixtures, each with dome shades and lower reflector cups in either blue or orange enamel. Minor chipping to enamel. One marked with paper label. Fixture only: 6 1/2" x 8 1/2" | 300 - 500 |
| 1011 | WALTER VON NESSEN table lamp with four-sided walnut shaft with chrome inlay, on a rectangular brushed chrome base with cylindrical beige linen shade. Small tear and minor pull to fabric on shade. Paper label. 43 1/2" x 15" dia. | 200 - 400 |
| 1012 | HEIFITZ walnut and brass table lamp base, its corseted shaft with an abstract figural cut-out, mounted on a rectangular plank base. Minor wear to metal. Unmarked. 36 1/2" x 9" x 6" | 200 - 400 |
| 1013 | TARGETTI (Italy) bright chrome table lamp with exposed bulb and flexible mid-section. Embossed mark on base. Fully extended: 20" x 7" | 200 - 300 |
| 1014 | ARTELUCE floor lamp with three bright chrome spherical fixtures suspended on a rectangular black metal frame. Fixtures die-stamped "Made in Italy". 59 3/4" x 11 sq. | 600 - 900 |
| 1015 | ACHILLE CASTIGLIONE for FLOS "Arco" swing-arm floor lamp with chrome shaft, hemispherical shade and black slate slab base. 86" x 84" | 600 - 900 |
| 1016 | T.H. ROBSJOHN-GIBBINGS for WIDDICOMB flip-top dining table with single drawer, rectangular top with grooved rectilinear design, and flaring feet, along with four chairs, two arm- and two-side, upholstered in orange, tan, and brown striped fabric.(Showing one arm- and one side chair only). Wear to finish and tears to upholstery. Table has fabric Widdicomb label, chairs unmarked. Table (closed): 30 1/2" x 68" x 19" | 1,500 - 2,500 |
| 1017 | HARVEY PROBBER stained mahogany veneer locking bar/cabinet, with lift-top and two doors with horizontal brass pulls enclosing interior shelves and three drawers, on brass feet. A few minor scratches. Unmarked. 35" x 36" x 18" | 300 - 500 |
| 1018 | BROWN-SALTZMAN slatted expansion bench on corseted legs. (Shown partially extended). Unmarked. Fully extended: 12" x 108" x 18" | 300 - 500 |
| 1019 | MILO BAUGHMAN for BROWN-SALTZMAN L-shaped mahogany veneer coffee table with three compartments, two glass shelves, and tubular brass supports, on tapering legs. Unmarked. 20 1/4" x 42" sq. | 500 - 800 |
| 1020 | Three gray laminate and laminated walnut-veneer pieces, consisting of two tables and a sliding door cabinet, each on tapering dowel legs with tubular black metal stretchers. (Interesting pieces, and well-crafted). Some chips along edges, minor wear to bottom of legs, some looseness. Unmarked. Tables: 17" x 40 1/2" dia. and 20" x 18 1/4" x 26 1/4", cabinet: 30" x 48" x 16" | 900 - 1,400 |
| 1021 | Two-piece blond wood secretary, with two-door glass-paned cabinet enclosing two shelves, over a drop-front desk with gallery interior, over three graduated drawers, all with circular pulls with chrome center. Re-glued veneer chip to one side, and a few other veneer chips. Unmarked. 75 1/4" x 34" x 18" | 400 - 600 |
| 1022 | PIERRE CARDIN sideboard of brushed and polished chrome, with four doors and recessed circular pulls enclosed dark brown lacquered drawers and shelves. Minor metal loss to one door edge, one loose hinge. (Formerly in the collection of singer Connie Francis). Signed Pierre Cardin. 30 1/4" x 74 1/4" x 19" | 600 - 900 |
| 1023 | PAUL MAYEN for HABITAT coffee table with square 1/2"-thick beveled glass top resting on an X-shaped base of intersecting aluminum panels. (This table is part of MOMA's Permanent Design collection). Unmarked. 12 1/2" x 36" sq. | 200 - 400 |
| 1024 | Coffee table with a bright chrome tiered base and octagonal 1/2"-thick beveled plate glass top. Unmarked. 13" x 41 3/4" sq. | 400 - 600 |
| 1025 | Pair of streamlined tubular aluminum lounge chairs, designed by RICHARD NEUTRA, 1935, each with cross-slatted spring support seat and back. Unmarked. 29 1/2" x 21 1/2" x 38 1/2" | 200 - 400 |
| 1026 | Art Deco seven-drawer mirrored vanity with bird's eye maple veneer, ebonized wood and bright chrome accents, with matching stool upholstered in black silk. A few minor chips to edges. Unmarked. Vanity: 63" x 48 1/2" x 20 1/2", stool: 19" x 24 1/2" x 14 1/2" | 400 - 600 |
| 1027 | Art Deco beveled wall-hanging mirror with blue glass border and floral brass accents. Unmarked. 38" x 48 1/2" | 200 - 400 |
| 1028 | Unusual GEORGE NELSON for HERMAN MILLER walnut-veneer leather-topped lamp table with single blind drawer, two planter compartments and swiveling light fixture with circular linen shade, on tapering ebonized legs. Missing planter inserts, separations and small tear to shade. Foil Herman Miller label. 44" x 19" x 30 1/4" | 600 - 900 |
| 1029 | GEORGE NELSON for HERMAN MILLER "Thin Edge" stereo cabinet with open and drop-down divided compartments, single sliding door enclosing adjustable shelf space, and a single speaker, on chrome legs. Several chips, worn finish in spots, 8" circular burn mark to top, missing shelves (in as-is condition). Unmarked. 36 1/4" x 80" x 20 1/2" | 600 - 900 |
| 1030 | Pair of GEORGE NELSON for HERMAN MILLER "Founders" tables, each with a square walnut-veneer top on an ebonized wood base. (Purchased by the consignor in 1968 and accompanied by a copy of the original invoice). Unmarked. 16" x 32" sq. | 400 - 600 |
| 1031 | CHARLES EAMES for HERMAN MILLER rosewood lounge chair with tufted black leather upholstery on a swivel base. Tears to seat cushion. Circular metal tag and paper label. 32 1/2" x 33 1/4" x 33" | 900 - 1,400 |
| 1032 | CHARLES EAMES for HERMAN MILLER yellow fiberglass-shell armchair on X-frame metal base. Unmarked. 27 3/4" x 24 1/2" x 19 1/2" | 300 - 500 |
| 1033 | Pair of CHARLES EAMES for HERMAN MILLER ivory fiberglass side chairs, each with black-enameled legs and plastic feet. Embossed mark and paper label. 31" x 18 1/4" x 19 1/2" | 150 - 300 |
| 1034 | Set of five CHARLES EAMES for HERMAN MILLER white wire side chairs, each with black vinyl pad and aluminum Eiffel Tower base. Paper factory tags. 31 1/2" x 19" x 16" | 600 - 900 |
| 1035 | BURKE dining table with oval faux-rosewood top and white enameled double-pedestal base. Unmarked. 29 1/2" x 84" x 36" | 600 - 900 |
| 1036 | EERO SAARINEN for KNOLL "Tulip" side table with circular white laminate top and pedestal base. Unmarked. 20 1/2" x 16" dia. | 300 - 400 |
| 1037 | Set of four HARRY BERTOIA for KNOLL white wire side chairs, each with yellow vinyl seat pad, accompanied by an EERO SAARINEN for KNOLL pedestal dining table with circular white laminate top. Table has Knoll International label. Chairs: 30" x 21" x 24", table: 29 1/2" x 42" dia. | 600 - 900 |
| 1038 | MARCEL BREUER "Wassily" chair with brown hard leather seat, back, and slung armrests, on a tubular bright chrome frame. Unmarked. 30" x 30" x 28" | 300 - 500 |
| 1039 | Set of three MIES VAN DER ROHE for KNOLL "MR" side chairs, each with tubular bright chrome frame and new, laced-up brown hard leather seat and back. One has minor pitting to chrome. Two have remnant of Knoll paper label. 31 1/4" x 18 3/4" x 26" | 600 - 900 |
| 1040 | Modern chaise lounge, fully-upholstered in dark beige suede with stitched accents. Some staining to fabric. Unmarked. 27" x 26" x 63" | 300 - 500 |
| 1041 | Foam lounge chair, possibly Italian, fully-upholstered in channeled rust-colored suede. Unmarked. 25 1/2" x 28" x 35" | 200 - 400 |
| 1042 | Small Italian side table, possibly by GIO PONTI, with white enameled boomerang wood base with brass feet, conical brass finial, and circular beige marble top. Unmarked. 15" x 18" dia. | 400 - 600 |
| 1043 | Set of four CASSINA white enameled wood stacking tables, each with three plank legs and inset, reversible black and white circular laminate top. Some chipping and loss to enamel. Cassina and Atelier International Limited paper labels. Each: 11 1/2" x 15 1/2" dia. | 200 - 400 |
| 1044 | Set of four ARNE JACOBSEN "Ant" laminated plywood side chairs on tubular bright chrome legs. Unmarked. 31 1/2" x 17 1/2" x 18" | 400 - 600 |
| 1045 | Pair of ALVAR AALTO side tables, each with 1/2"-thick beveled plate glass top resting on notched bentwood legs. Unmarked. 18" x 27 1/2" sq. | 600 - 900 |
| 1046 | Coffee table in the style of George Nakashima with free-edge top, plank support, and two tapering dowel legs. Unmarked. 16 1/2" x 82 1/2" x 29 1/4" | 600 - 900 |
| 1047 | Early FRANCO ALBINI for HANS KNOLL blond wood armchair, the seat and back upholstered in original brown boucle upholstery. Normal wear to original finish, petrified foam to seat. Paper H.G. Knoll factory tag. 30" x 21 1/2" x 22 1/2" | 200 - 400 |
| 1048 | Set of four NORMAN CHERNER for PLYCRAFT laminated walnut side chairs, each with triangular back on tapering bentwood legs. Veneer loss to one, minor nicks and scratches to others. Plycraft label. 31" x 17" x 19" | 900 - 1,400 |
| 1049 | Early CHARLES EAMES for EVANS LCW. Wear to finish, re-attached back. Unmarked. 29" x 19 1/2" x 21" | 200 - 400 |
| 1050 | Early CHARLES EAMES for HERMAN MILLER walnut or ash veneer DCM, 1953, with tubular black metal base. (Prominent graining). A few minor veneer chips to edges. Stamped 3 53. 29 1/2" x 19 1/2" x 20" | 100 - 200 |
| 1051 | Three CHARLES EAMES for HERMAN MILLER yellow fiberglass-shell armchairs with black metal bases, one H-leg and two Eiffel Tower. Some missing feet and minor scratches. Two have red cellophane Herman Miller label, one has white paper label. 31 1/4" x 24 1/2" x 18 1/4" | 300 - 500 |
| 1052 | Two PILLIN bottles, one covered in a bright yellow mottled glaze, the other in mahogany hare's fur glaze (chip and hairline). Both signed Pillin. 7 1/4" and 7" | 200 - 300 |
| 1053 | Three fine and rare HEINO stoneware tiles, two dated 1995 with a nasturtium leaf pattern in white on a cobalt ground, and one dated 1990 with random cobalt pattern on white crackled ground. All signed and dated. 12 1/2" sq. and 8 1/2" sq. | 300 - 500 |
| 1054 | ROSENTHAL ceramic wall plaque depicting a bowl of tropical fruit in glossy polychrome glazes. A couple of small nicks. Marked with raised R in square, lower right. 13 1/4" x 19" | 200 - 400 |
| 1055 | Two framed 6" tiles, one painted with performers by H. STERNBERG, the other by MOSAIC with abstract faces in polychrome. Both marked. | 300 - 400 |
| 1056 | Two HARDING BLACK flaring bowls: one early, 1968, in a green and lavender mottled glaze, the other porcelain, 1987, with a radiating oxblood pattern on a white crackled ground. Both signed and dated. Dia.: 8 1/2" and 8 1/4" | 200 - 300 |
| 1057 | Two HARDING BLACK porcelain bowls, 1989-1990, one covered in an oxblood glaze, the other in Tenmoku glaze. A few scratches to bottom of both. Both signed and dated. Dia.: 9 1/4" and 10" | 200 - 300 |
| 1058 | Two HARDING BLACK porcelain pieces: a chalice, 1984, covered in a blue and red mottled glaze, and a bottle-shaped vase, 1988, covered in a thick brown, white and gunmetal glaze. Both signed and dated. 5 3/4" and 8" | 200 - 300 |
| 1059 | Two pottery pieces: DON PILCHER salt-fired porcelain spherical vessel, 1970s, with incised and applied abstract decoration under a sheer amber glaze; and a PINNELL porcelain bottle covered in an oxblood glaze. Both signed. 7" and 10" | 200 - 300 |
| 1060 | Two studio pieces: a SUZANNE STEPHENSON corseted stoneware vase in matte ochre glaze, and an I. SOTO ovoid vase decorated in wax-resist with white organic shapes on a matte mustard ground. Both marked. 8 1/2" and 8 3/4" | 200 - 300 |
| 1061 | Two pottery pieces: a JOHN GLICK for PLUM TREE POTTERY floriform bowl with random pattern in polychrome, and a WILLIAM WYMAN stoneware charger in indigo and turquoise crackled glaze. Both marked. Dia.: 7 1/2" and 11 3/4" | 200 - 300 |
| 1062 | Two flaring bowls, one by VIVIKA and OTTO HEINO, 1983, in amber hare's fur glaze, and one by ANTONIO PRIETO in mottled white glaze. Both marked. Dia.: 6 1/2" and 8" | 200 - 300 |
| 1063 | Pair of early VIVIKA HEINO ribbed stoneware tumblers, 1947, in speckled turquoise, green and brown glazes. Each signed Vivika/47. 5 1/4" | 250 - 350 |
| 1064 | Two pottery pieces: a LAURA ANDRESON porcelain bottle, 1983, covered in matte celadon glaze; and a GAMBONE shallow bowl in ultramarine crackled glaze. Both marked. 7 1/2" h and 6" dia. | 200 - 300 |
| 1065 | Two pieces: an unusual CABAT bowl covered in a rare orange crystalline dead matte glaze, and a LAURA ANDRESON small stoneware goblet, 1956, covered in a dark brown mottled glossy glaze. Both signed, goblet also dated. 7 1/2" dia. and 2 3/4" x 3" | 350 - 450 |
| 1066 | Two E. DEUTSCH pieces, one large teardrop-shaped vase in pink and gray marbleized matte glaze, and one rectangular planter, 1943, in mahogany and yellow glaze (hairline). Both marked. 11 1/2" and 2 1/2" h | 200 - 300 |
| 1067 | RUSSELL WRIGHT for BAUER four-sided, thick-walled bowl with turquoise semi-matte interior and mottled charcoal exterior. Stamped Russell Wright signature. 2 1/2" x 5 1/4" x 5 1/2" | 250 - 350 |
| 1068 | S. HUBBARD curve-edged ceramic plate, 1987, with etched and applied abstract decoration in shades of pink, blue, and lavender against a white ground. Signed S. Hubbard/'87, and copyright. 11 1/2" sq. | 100 - 200 |
| 1069 | JEAN COCTEAU coal-glazed ceramic plate, 1958, decorated with a bearded man in black on a glazed terra cotta ground, in pewter mount. Signed and dated on front, marked "N... 2/J.C./Paris" on back. Pottery only: 7 1/2" dia. | 200 - 400 |
| 1070 | French Art Deco four-sided buttressed vase covered in black and crackled ivory stripes. Stamped "Made in France". 10 1/2" x 6" x 3 1/2" | 150 - 250 |
| 1071 | Two earthenware vases, one European Art Deco with stylized roses under an amber crystalline glaze, and one German Cubist urn in jewel tone glazes. Both unmarked. 8" and 7 1/2" | 400 - 600 |
| 1072 | CONEYE (Austrian) earthenware figurine of Don Quixote and Sancho Panza, c. 1930s, in polychrome glazes. Several re-glued cracks. Paper label. 13" x 7 1/2" | 350 - 500 |
| 1073 | Three WIENER WERKSTAATE faience bowls, one by WALTER BOSSE, pierced and painted with red flowers on a white ground, the other two molded with grapes and covered in mottled polychrome glaze. Several chips to one. All marked. Dia.: 5 1/2" and 8" | 300 - 400 |
| 1074 | Two HARDING BLACK red clay pitchers, 1985 and 1989, one in blue and one in yellow. Both signed and dated. 4" and 6 1/2" | 200 - 300 |
| 1075 | Two HARDING BLACK pieces: a large pitcher in mottled brown and cobalt glaze, 1975; and a chalice in mottled yellow and brown glaze, 1983. Both signed and dated. 9 1/4" and 5 3/4" | 200 - 300 |
| 1076 | Five assorted pieces: three molded pitchers/sugar bowl by HARDING BLACK, 1971-2; DENVER WHITE matte green cabinet vase; and a RUDY STAFFEL miniature. All marked. Sugar bowl: 6 1/2" x 7" | 300 - 500 |
| 1077 | Two Murano glass vases, one by AURELIANO TOSO with yellow mezza-filligrana decoration, and one flattened iridized teal blue bottle. Unmarked. 9 1/2" and 7 1/4" | 300 - 500 |
| 1078 | Two three-sided Italian glass bowls, one with a yellow and green spiral decoration, the other in green, copper and white latticework. Unmarked. Dia.: 7 1/2" and 6 1/2" | 200 - 300 |
| 1079 | Two glass bowls, one by ARCHIMEDE SEGUSO of anemone shape in amber with mahogany stripes, and one flaring clear glass bowl with green bottom, controlled bubbles, and applied gold leaf "berries". Unmarked. Dia.: 6 1/2" and 10" | 300 - 500 |
| 1080 | KOSTA hemispherical glass bowl with white threaded pattern. Acid-etched Kosta/LH1104. 2 1/4" x 5 1/2" | 100 - 200 |
| 1081 | Sommerso elongated glass vase with red casing. Rim possibly polished. Unmarked. 11 1/2" x 2 1/2" | 200 - 300 |
| 1082 | Sommerso glass spherical ashtray, probably Italian, with orange and chartreuse-green casing. Unmarked. 4 3/4" x 5 1/4" | 100 - 200 |
| 1083 | Four sommerso glass pieces: two Italian swans with blue-gray casing (slight irregularity to one beak), and two ORREFORS small bowls in red. Latter two have acid-etched mark. Tallest swan: 15 1/4" x 7 1/2" | 200 - 300 |
| 1084 | Two glass animal figures: one Italian, probably SVA or A.V.E.M. of a fish-shaped vase in pink marbleized glass, the other by O. TOIKA NUTRAJARVIE NOTJSO WORKS of a bird with inlaid feathers and iridized exterior. Bird marked only. 8 1/4" and 5 1/4" | 300 - 500 |
| 1085 | Large SALVIATI bulbous glass vase with a random pattern in black against a green opaque ground. Some scratches to base. Acid-etched "Salviati". 9" x 10 1/2" | 200 - 400 |
| 1086 | GLEN LUKENS flaring bowl, "Orchid", of clear textured glass, 1984. Etched Glen Lukens/84/Orchid. 2 1/2" x 11 1/2" | 200 - 300 |
| 1087 | Rya rug with repeating spiral pattern in blue and purple. Approx. 8' x 11' | 200 - 400 |
| 1088 | Large shag wool area rug in brown, black and white. Unmarked. 8'9" x 11'8" | 200 - 400 |
| 1089 | ANGELO TESTA fabric, BANDA, black on off-white. Signed. Approx. 61 1/2" x 52" | 200 - 300 |
| 1090 | Two MARIMEKKO (Finland) screen-printed fabric panels, one titled "Onnea", 1972, a polychrome floral on an off-white ground, the other with concentric circles in blue, shades of green and yellow. Both mounted on stretchers. First one marked. 32 1/4" x 50" and 30" x 50" | 100 - 200 |
| 1091 | THEO SEGAL polished bronze sculpture, "Seated Dancer", of a seated female nude, mounted on a polished and chiseled black marble base. Minor oxidation to metal and some chips to base along edges. Signed, numbered 2/5. 12" x 17 1/4" x 5 3/4" | 1,400 - 1,800 |
| 1092 | Bronze abstract sculpture of back-to-back figures holding a sphere, covered in a gilded patina. Illegible signature (possibly reversed in casting?), numbered 4/7. 15 1/2" x 4 3/4" | 300 - 500 |
| 1093 | STORM D. TOWNSEND cast bronze sculpture, "Bird Talk", 1970, of a bird perched next to a woman seated on a rock, mounted on a square wooden base. Marked Storm/70, with copyright. 7 1/2" x 3 3/4" | 300 - 500 |
| 1094 | HUGO LEVEN for KAYSERZINN pewter penguin tankard, c. 1900. Die-stamped Kayserzinn/22/4433. 11 1/2" x 7 1/2" | 800 - 1,200 |
| 1095 | Pair of Art Deco copper bookends embossed with Diana the Huntress with dogs and deer, in a verdigris patina. Dent to head of figure on one, a few small flakes. Unmarked. 5 1/2" x 5" | 200 - 300 |
| 1096 | Art Deco cast-iron "butler" smoke stand with match holder, cigarette holder, and ashtray, painted black and white. Unmarked. 35" x 7 1/2" sq. | 300 - 500 |
| 1096A | Five costume jewelry pieces worn by the operetta singer Miss Victoria Sherry: one brooch, three bracelets, and a necklace. One bracelet stamped KRAMER OF NY. | 200 - 400 |
| 1096B | Six costume jewelry pieces, en suite with preceding: one brooch, one necklace, and four bracelets. One bracelet stamped BOGOFF and numbered. | 200 - 400 |
| 1097 | Set of seven TAXCO sterling silver buttons, each decorated with a stylized hawk. Die-stamped Taxco/980. 1 1/4" x 3/4" | 200 - 400 |
| 1098 | Pair of BAKELITE screw-back earrings in dark marbled green with butterscotch center (1" dia), and five CATALIN burnt-orange bangle bracelets (3" dia). Earrings unmarked, hang-tag paper label to bracelets. | 300 - 500 |
| 1099 | Lot of eight assorted jewelry pieces, including a REBAJES copper chihuahua pin, a CORO fish pin, a TRIFARI sterling pin with rhinestones and simulated blue topaz, plus three Bakelite dress clips and two acrylic rings. A few missing stones to one dress clip. | 800 - 1,200 |
| 1100 | Four assorted Scandinavian jewelry pieces: three sterling pins, one circular by NEFROM with amber glass cabochon, one square by HOGAN-BOLAS with green and blue enameled decoration, and one biomorphically-shaped by JACOB TOSTRUP; and a BENT LARSEN TIN pendant with amethyst glass cabochons. All marked. Largest: 2 3/4" | 400 - 600 |
| 1101 | Three assorted sterling silver jewelry pieces: two link bracelets, one with leaves and one with biomorphic cut-outs; and a circular pin with stylized floral center and copper dots. Two marked. Pin: 2" dia. | 400 - 600 |
| 1102 | LOS CASTILLO four-sided copper plate with silver inlay of stylized beetles and cattails. Some evidence of cleaning to patina. Circular die-stamped mark/Made in Mexico/98. 12 1/2" sq. | 300 - 500 |
| 1103 | MANNING-BOWMAN Art Deco four-piece coffee set including oval serving tray, all in bright chrome with agate bakelite details. Die-stamped mark. Coffee pot: 11" x 7" | 400 - 600 |
| 1104 | Three CHASE Art Deco double candlesticks including a pair of "Taurex" designed by WALTER VON NESSEN, and one low holder with disc-shaped center, all in polished chromium. Die-stamped mark. 10" x 8 3/4" and 5" x 8 1/2" | 650 - 950 |
| 1105 | Pair of fine OLD NEWBERRY CRAFTERS hammered sterling silver cups with beaded bases. Stamped ONC/Sterling/905. 3" x 3 1/4" | 300 - 500 |
| 1106 | FISHER small sterling compote with flaring bowl and corkscrew base. Two small dents to bowl. Stamped Fisher/Sterling/Weighted, and G4. 5 1/4" x 6" | 100 - 200 |
| 1107 | REED & BARTON silver-plated organically-shaped bowl, possibly by Alexander Calder. Stamped Reed & Barton/68/CA/9. 3" x 13 1/2" | 800 - 1,200 |
| 1108 | Austrian silver-plated Jugendstil chalice embossed with repeated pattern and inscribed "Weihnachten 1921/Nassauer Keller" and "C. Lederer/S.L. Ernst Eickeler" on rim. Hallmark and 2550? 8" x 3 1/4" | 600 - 900 |
| 1109 | Silver-plate knife and fork serving set embossed with fish and shell motif. One possibly stamped JN 13" and 9 1/2" long | 150 - 250 |
| 1110 | French brass and black enameled metal desk lamp with rectangular ribbed shade and base, and V-shaped shaft. Some scratches to enamel. Unmarked. 15 1/2" x 16 3/4" x 8 3/4" | 200 - 400 |
| 1111 | French desk lamp with pivoting tubular brass shaft and green-enameled disc shade and base. A few minor losses to enamel. Unmarked. 18" x 12 3/4" | 200 - 400 |
| 1112 | LIGHTOLIER desk lamp, c. 1960, with pivoting ivory-enameled disc shade, curvilinear brass shaft, and white-enameled crescent base. Small rupture (1 1/2") to plastic diffuser, very minor wear to shaft and base. Unmarked. 16 1/2" x 16" | 100 - 200 |
| 1113 | Italian tube-form table lamp with shaded white glass fixture and cylindrical bright chrome base. Unmarked. 22 1/2" x 5 1/2" | 250 - 350 |
| 1114 | Unusual Italian canister-shaped desk lamp of red and white-enameled metal with rotating diffuser. (Believed to be a prototype designed in 1975 by VICO MAGISTRETTI for ECLESE). Minor surface scratches and enamel loss. Embossed Modello Brevettato/Modello Selene/Made in Italy. 7 1/2" x 4" | 100 - 150 |
| 1115 | LAUREL table lamp with corseted black-enameled base and mushroom-shaped frosted glass shade. Blue Laurel label. 16" x 12 1/2" | 200 - 400 |
| 1116 | LAUREL table lamp with blue enameled base and spherical frosted glass shade. A few very minor scratches to original enamel. Blue Laurel label. 12 1/2" x 7 1/2" | 200 - 400 |
| 1117 | LAUREL floor lamp with frosted glass mushroom-shaped shade and brushed chrome base. Some pitting to metal (mostly on shaft), and minor scratches. Blue Laurel label. 60" X 12" | 250 - 350 |
| 1118 | Bright chrome sputnik-style ceiling fixture with thirty spokes radiating from a hemispheric mount, affixed to a large circular ceiling plate. Unmarked. 16 1/2" x 36" dia. | 400 - 600 |
| 1119 | Set of three ARNE JACOBSEN for LOUIS POULSEN Diskos wall/ceiling fixtures, each with disc-shaped white glass shade and circular metal mount. (Includes one extra shade, no mount). Some very minor chips to inner rim of shades, one mount missing two screws and metal wall plate. Paper label to one. 5" x 13 1/4" dia. | 600 - 900 |
| 1120 | Pair of ARNE JACOBSEN for LOUIS POULSEN Visor wall fixtures of gray enameled metal with adjustable reflector. Very minor wear to enamel in spots. Paper label. Fully extended: 18 x 13 3/4" | 400 - 600 |
| 1121 | JAMES MARTIN (New Hope, PA) mahogany rectangular table lamp with three naturalistic cut-out "holes," with oval beige silk shade. Incised James Martin-Woodworking/New Hope, PA. 28 1/2" x 9 1/2" x 6 1/2" | 200 - 300 |
| 1122 | Lantern-style floor lamp with black metal frame, inset with four silk panels decorated in the Japanese style with dried grasses and seed pods in gold. Burn mark to one panel (approx. 2 1/2" dia.). Unmarked. 61 3/4" x 11" sq. | 100 - 200 |
| 1123 | Fine and unusual JUPITERLICHT (Berlin) cast metal and chrome film studio lamp, with single pivoting arm with adjustable light fixture and two ebonized handles, on an adjustable-height shaft and three-legged base with casters. Foil label. 74" x 91" | 600 - 900 |
| 1124 | Glass chandelier, possibly by VeART, bell-shaped in pale yellow with flaring rim in white and burnt orange. Unmarked. 12" x 24" dia. | 200 - 300 |
| 1125 | VeART (Italy) hanging glass dome shade with deep purple exterior, the rolled rim and interior with swirl pattern in shades of orange and brown with white threads. Very good condition. Remnant of paper label. 10" x 16" dia. | 300 - 500 |
| 1126 | ACHILLE CASTIGLIONE for FLOS "Arco" swing-arm floor lamp with chrome shaft, hemispherical shade and white marble slab base. Shaft missing set screw for shade, a couple of minor chips around hole of base. 94" x 84" | 600 - 900 |
| 1127 | JAMES MARTIN (New Hope, PA) coffee table in the style of George Nakashima, with free-edge single plank top on tapering dowel legs. Signed James Martin-Woodworking/New Hope, PA. 14 1/4" x 72 3/4" x 16 1/4" | 400 - 600 |
| 1128 | Set of five GEORGE NAKASHIMA walnut plank wall shelves with metal mounting brackets. Unmarked. Two measure 40" x 10", three measure 60" x 10" | 400 - 600 |
| 1129 | Set of four GODTFRED H. PETERSEN teak side chairs, each with black leather upholstered seat and back. Unmarked. 31 3/4" x 19 1/2" x 18" | 100 - 200 |
| 1130 | POUL JENSEN teak armchair with seven vertical backslats, slanted legs, and loose seat and back cushions upholstered in gray cotton. Skinned finish, some scratches. Danish red metal tag. 26 1/2" x 29 1/2" x 32 1/4" | 400 - 600 |
| 1131 | Scandinavian teak wing-back armchair with curved armrests, upholstered in tufted floral fabric in shades of orange, yellow, green and black. Some petrification to foam, tears and fraying to fabric. Unmarked. 31 1/4" x 28" x 24" | 100 - 200 |
| 1132 | Set of four HARVEY PROBBER armchairs with caned frames, the seat cushions re-upholstered in linen with pastel abstract pattern. Some wear to chair frames, especially on legs. Unmarked. 29" x 26" x 23" | 200 - 400 |
| 1133 | PAUL McCOBB single-pedestal maple desk with rectangular top, two drawers with circular pulls, and two flaring legs, accompanied by a spindle-back desk chair with plank seat on flaring dowel legs. Desk is unmarked, chair has remnant of foil "Planner Group" label. Desk: 29" x 48" x 24 1/2", chair: 30 1/2" x 20" x 19" | 300 - 500 |
| 1134 | Pair of PAUL McCOBB maple dining chairs, each with curved crestrail, V-shaped backslat, and flaring legs mortised through a plank seat. Refinished. Unmarked. 31 1/4" x 19 1/2" x 17 1/4" | 100 - 200 |
| 1135 | Slatted walnut bench on tapering dowel legs with brass-capped feet. Stamped "Made in (illegible)". 16" x 60" x 17" | 200 - 400 |
| 1136 | Burlwood-veneer parson's table with rectangular top and four-sided legs. A few scratches to veneer. Unmarked. 26" x 40" x 18" | 100 - 200 |
| 1137 | CHARLES EAMES for HERMAN MILLER fiberglass-shell armchair upholstered in dark green vinyl, on a swivel base with casters. Unmarked. 32" x 25" x 27" | 200 - 300 |
| 1138 | Set of six CHARLES EAMES for HERMAN MILLER gray fiberglass-shell side chairs, each with H-leg base. (From a Richard Neutra house in Pennsylvania). Some rust to bases, a few missing/replaced feet. Unmarked. 31 1/4" x 18 1/2" x 19" | 300 - 500 |
| 1139 | Two FLORENCE KNOLL for KNOLL walnut dressers, with three and four drawers, each with bright chrome pulls. One has two small drilled holes to back, the other has 1 1/4" section of laminate trim missing. One marked with Knoll International paper label. Each: 29 1/4" x 36" x 20 1/4" | 600 - 900 |
| 1140 | Pair of FLORENCE KNOLL for KNOLL walnut end tables, each with white laminate top, single blind drawer, and lower shelf (one missing). 5" section of laminate trim missing from one. Both unmarked. 18" x 19 1/2" sq. | 200 - 400 |
| 1141 | Pair of early FLORENCE KNOLL for KNOLL coffee tables, 1963, each with inset walnut double-plank top in a natural wood frame. Knoll Associates paper label. 15 3/4" x 54" x 24" | 200 - 400 |
| 1142 | Two HARRY BERTOIA for KNOLL white Diamond chairs, each with orange vinyl seat cushion. 30" x 33" x 28" | 400 - 600 |
| 1143 | MIES VAN DER ROHE for KNOLL "Brno" armchair, with foam-cushioned seat and back upholstered in woven polyester, in rose, teal, and eggplant. Knoll International factory tag. 31" x 22" x 20" | 200 - 400 |
| 1144 | CHARLES EAMES for HERMAN MILLER table with circular white laminate top, white enameled shaft and aluminum star-shaped base. Some wear to enamel. Remnant of paper label. 27 3/4" x 46" dia. | 400 - 600 |
| 1145 | Five-piece CHARLES EAMES for HERMAN MILLER furniture suite consisting of a low conference table with special-order walnut micarta circular top on an aluminum pedestal base, and four fiberglass side chairs upholstered in orange naugahyde. (Purchased by the consignor in 1963 and accompanied by a copy of the original sales order). One re-glued plastic foot to table. Table has circular Herman Miller tag, chairs have embossed mark. Table: 26" x 36" dia., chairs: 28" x 18" x 18 1/2" | 400 - 600 |
| 1146 | CHARLES EAMES for HERMAN MILLER beige fiberglass shell armchair on black-enameled X-frame metal base. Missing feet. Unmarked. 31" x 24 1/2" x 19" | 300 - 500 |
| 1147 | Early CHARLES EAMES for HERMAN MILLER walnut-veneer DCW. (Purchased by the consignor c. 1949-50). Re-glued back. Unmarked. 28 1/2" x 19 1/4" x 21 1/2" | 200 - 400 |
| 1148 | HANS WEGNER for JOHANNES HANSEN teak armchair with blue vinyl-upholstered seat pad. Normal wear to finish on arms. Branded mark. 30 1/4" x 24 3/4" x 18" | 200 - 400 |
| 1149 | JENS RISOM teak coffee table with square top raised over aprons, on tapering legs with stretchers. A few scratches to top and along edges. Risom paper label. 17" x 32" sq. | 100 - 200 |
| 1150 | Rectilinear stool with nylon sling seat in turquoise. Slightly loose joinery, some scratches and nicks to finish, and soiling to seat. Unmarked. 27 1/4" x 20" x 16 1/2" | 200 - 400 |
| 1151 | ALVAR AALTO plywood side table with rectangular top and laminated bentwood legs. Marked Aalto Design/Made in Sweden/1009. 22 3/4" x 24" x 14 1/4" | 200 - 400 |
| 1152 | Set of four KNOLL stacking side chairs, two black and two gray, each with molded fiberglass seat and back on an aluminum frame. Some wear, minor looseness to one. Two have Knoll Associates paper label. | 200 - 400 |
| 1153 | Early HARRY BERTOIA for KNOLL "Diamond" chair with gray-black patterned seat cover, on a tubular black metal base. H.G. Knoll paper tag. 30" x 33 1/2" x 23 1/2" | 100 - 200 |
| 1154 | Pair of EERO SAARINEN for KNOLL armchairs, each upholstered in dark brown wool on a chrome-plated tubular steel base. Remnant of paper factory tag on one. 31 3/4" x 26 1/4" x 21" | 200 - 400 |
| 1155 | Lucite cube chair with continuous-form sunken seat. Unmarked. 23 1/2" x 25" x 28" | 200 - 400 |
| 1156 | Three bright-chrome pieces: a PACE four-poster canopy bed (some wear and scratches); a rolling bar and a hanging display unit (both missing shelves--in as-is condition). (Bed not shown). All unmarked. Bed: 83 1/2" x 63 1/2" x 83 1/2", bar: 28 3/4" x 72" x 20", display: 14 3/4" x 36 1/4" x 15" | 100 - 300 |
| 1157 | Set of four CHROMCRAFT, INC. (Senatobia, Miss.) fiberglass chairs, 1970s, upholstered in brushed crimson velour, on a swiveling pedestal base. A few minor scuffs to fiberglass. Paper factory tag. 30 1/4" x 26 1/4" x 20 1/2" | 400 - 600 |
| 1158 | Set of three GIOTTO STOPPINO for KARTELL white molded plastic stacking tables, each with circular tray top on a three-legged base. Hairline to leg of one table that extends slightly through the top. Embossed mark. 16 1/2" x 18" dia. | 200 - 400 |
| 1159 | LUTHER CONOVER for LLOYD MANUFACTURING CO. (Menominee, MI) molded fiberglass-shell rocker in salmon pink, mounted on a bright chrome frame. Remnant of paper label. 31 1/2" x 28" x 33 1/2" | 100 - 200 |
| 1160 | PAUL McCOBB Executive desk chair, fully upholstered in black leather on a swiveling polished aluminum base with hooded casters. Unmarked. 34" x 28" x 19 1/2" | 100 - 200 |
| 1161 | Two African wooden chairs elaborately sculpted with figural legs and animal elements, and hide-covered seats. Some looseness. Unmarked. 32" x 21 1/2" x 24" and 26 1/2" x 18 1/2" x 18" | 600 - 900 |
| 1162 | BORIS DRUCKER (American, b. 1920) oil on panel, "Sketch for an Angel's Wing," 1965. Signed, titled and dated on reverse. 8' x 3' | 300 - 500 |
| 1163 | Color lithograph on paper by AUDREY FLACK (1931- ) photorealist image "Esperanze" from the mid-70s series on the Saints. Float-mounted under glass, and framed. Signed and numbered 67/150, with lithographer's chop mark. Image: 35" x 24" | 1,200 - 1,800 |
| 1164 | Fine and rare vintage Woodstock Music & Art Fair poster, 1969. Framed, mounted on cardboard. A couple of minor creases. Sight: 23 3/4" x 17 3/4" | 400 - 600 |
| 1165 | Two Dutch color lithographs, c. 1940, for the European Recovery Program, one depicting a chef and the other a windmill. Mounted and framed under glass, some tears and puncture marks. Both images approx.: 29 1/2" x 21" | 400 - 600 |
| 1166 | Gouache on paper by IRVING GEORGE LEHMAN (1900-1982) New York, depicting abstract figures in polychrome expressionist style. Tack holes to corners. Signed Irving Lehman and stamped on reverse "Original Artwork By: Irving G. Lehman..." Image. 22 1/2" x 30" | 200 - 400 |
| 1167 | Gouache on paper by IRVING GEORGE LEHMAN (1900-1982) New York, depicting abstract figures in black and white on a celadon ground. Tack holes to corners. Stamped on reverse "Original Artwork By: Irving G. Lehman..." Image. 11" x 17" | 200 - 400 |
| 1168 | LEE ATKYNS (American, 1913-1987) acrylic on artist's board, "Study in Motion", 1951, an abstract work in polychrome. (Atkyns studied under the muralist Auriel Bessemer and operated his own art school in Washington, DC until 1968. His work is part of the prestigious Phillips Collection in Washington, DC). Mounted in the original frame, signed and dated, with a copy of artist's bio and handwritten notes from the artist about this work, mounted on reverse. Sight: 15 1/4" x 11" | 300 - 500 |
| 1169 | ANDRE LHOTE (French, 1885-1962) abstract watercolor and crayon on paper, 1940s, in green, blue, orange and yellow. Framed under glass with linen liner. Signed, lower right. Sight: 11 3/4" x 8 1/2" | 600 - 900 |
| 1170 | WOUTROUE oil on board, "Somehow, Someday," April 1931, depicting a futuristic space landscape in primary colors. Framed, and mounted on a linen-backed board. Signed, titled/dated on reverse. Image: 22" x 28" | 300 - 500 |
| 1171 | Three EMLEN ETTING (American, b. 1905) abstract watercolors on paper, each in black, gray, and white. Framed under glass. Signed lower left. Two measure 16 1/2" x 19 1/2" (sight), one is 14 1/2" x 19 1/2" (sight). | 600 - 900 |
| 1172 | Watercolor rendering by CARTER, 1970, of a modern living room interior with KNOLL furniture. Matted and framed under glass. Signed Carter 70, lower right. Sight: 13" x 17 1/2" | 100 - 200 |
| 1173 | Pair of HELEN LAMBERTSON (American, 20th c.) color lithographs, 1930s, of a southern belle and her beau, in pastel colors. Mounted and framed under glass, pencil-signed. Each image approx.: 11 1/4" x 9 1/2" | 600 - 900 |
| 1174 | Unusual MARIANNA VON ALLESCH sand painting depicting a woman in a forest grove surrounded by deer and stylized trees, in yellow, purple, and shades of blue. A number of chips to high points. Mounted in a hand-built shadowbox frame (probably executed by von Allesch). Signed, lower right. Image: 19 1/2" x 21 3/4" | 300 - 500 |
| 1175 | American (20th c.) wood carving, "Fishes", 1940s. Matted and framed under glass. Unmarked. Sight: 11" x 17 1/2" | 200 - 400 |
| 1176 | Fine YANTORNO cast bronze roundel, probably 1930s, depicting the Statue of Liberty, in a verdigris patina, and mounted to a textured acrylic wall plaque. Signed Yantorno. 23 1/2" sq. | 600 - 900 |
| 1177 | Fine YANTORNO cast bronze roundel, seemingly from the 1930s, with verdigris patina, depicting various New York motifs and mounted to a textured acrylic wall plaque. Signed Yantorno. 23 1/2" sq. | 600 - 900 |
| 1178 | HARRY NEWTON REDMAN (1868- ) oil on canvas modernist portrait of a woman, in a carved and gilded frame. Signed H.N. Redman/Stamp from Arnot Art Museum, ELmira, NY, on back. 29" x 25 3/4" | 400 - 800 |
| 1179 | HARRY NEWTON REDMAN (1868- ) oil on canvas of two figures in a landscape, framed. Signed H.N. Redman. 29" x 23 3/4" | 400 - 800 |
| 1180 | Three KARL MARTZ bulbous vases: one of salt-glaze stoneware with swirl pattern; and two porcelain, 1938-39, in glossy celadon and teal glazes. All marked. 8 3/4", 5 3/4" and 5" | 400 - 600 |
| 1181 | Two studio pieces: G. WILLIAMS stoneware covered vessel with notched shoulder, in gray and brown; and RICHARD AERNI flaring porcelain bowl, 1998, with pink and blue veined glaze. Both marked. 6 1/4" h and 11 1/2" dia. | 200 - 300 |
| 1182 | Two HARDING BLACK bowls, 1988-89, one in gunmetal glaze and the other in celadon carved with an armadillo. Both signed and dated. Dia.: 9" and 8 1/2" | 300 - 500 |
| 1183 | Two HARDING BLACK bowls, 1987-88, one in cobalt glaze and the other decorated in squeezebag with a primitive motif on red clay. Both signed and dated. 8 1/4" x 8" | 200 - 300 |
| 1184 | ROCKWELL KENT for VERNON KILNS "Salamina" plate, with a kneeling woman in a pueblo, 1930s, in pewter mount. Fully marked. Plate: 12 1/2" dia. | 250 - 350 |
| 1185 | Two small French ceramic bowls by INNOCENTI, each decorated in wax-resist with a female head, one covered in cobalt and black glaze, the other in turquoise, gunmetal and light pink. Marked Innocenti/France/Chantal. Each approx. 6" dia. | 100 - 200 |
| 1186 | Pair of Italian faience double-candlesticks, c. 1950s, each with applied fish and octupus in mottled polychrome glazes. One has small glaze chip and bruise, other has firing lines to base and a few small glaze nicks. Partial ink mark. 7 1/4" x 6 3/4" | 200 - 300 |
| 1187 | Two pieces: a CAMARK two-handled vessel covered in brown, green and mustard matte glaze, and a studio dish with a string trio in sienna, signed GE (minor flecks). Both marked. 5 3/4" and 7 3/4" dia. | 200 - 300 |
| 1188 | Two DE PORCELEYNE FLES (Delft) crackleware pieces in the Persian style: a pitcher with butterflies and flowers, and an ovoid vase with fish and algae, both in lustered red on a white ground. Both with bottle mark/Delft/artist's initials. 8 1/2" and 11 1/4" | 300 - 500 |
| 1189 | Ceramic bowl covered in a gunmetal matte glaze with wax-resist striped interior. Unmarked. 2 1/2" x 10" | 100 - 200 |
| 1190 | Two tall ceramic bottles, one by RAYMOR covered in a smooth brown matte glaze, the other attributed to FANTONI and covered in matte cobalt (small chip to rim). First has paper label, latter numbered/Italy. 17 3/4" and 16" | 200 - 300 |
| 1191 | Two studio stoneware pieces: HEINO vase with incised corners and brown strokes on a mottled ground, and F. CARLTON BALL notched bottle, mostly bisque. Both marked. 6" and 5" | 200 - 300 |
| 1192 | Three pottery pieces: two NICODEMUS vessels, a pink pitcher and an amber vase; and a WACO urn in mottled mahogany glaze. Minute flecks to bottom |
