| Lot | Picture | Description | Estimate |
| 1 | | George William Sotter (American, 1879-1953) Untitled; Oil on canvas (in Bernard Badura frame); Signed; 25" x 30 1/4", 30 3/4" x 35 3/4" (frame); Provenance: Private Collection, British Columbia, Canada | 50,000 - 70,000 |
| 2 | | Bernard Badura (American, 1896-1986) Untitled; Oil on board (in Bernard Badura frame); Signed; 11 1/2" x 13 3/8", 15 1/2" x 17 1/2" (frame); Provenance: The artist; Private Collection, New Hope, PA by descent to the present owner | 2,500 - 3,000 |
| 3 | | Bernard Badura (American, 1896-1986) The Spring House; Oil on board (in Bernard Badura frame); Signed and titled; 8 3/8" x 10 3/8", 10" x 12" (frame); Provenance: The artist; Private Collection, New Hope, PA by descent to the present owner | 2,000 - 2,500 |
| 4 | | Harry Leith-Ross (American, 1886-1973) Evening in the Valley; Oil on board (in Bernard Badura frame); Signed; 8 1/4" x 10 3/8", 13 7/8" x 15 7/8" (frame); Provenance: Private Collection, New Hope, PA | 4,000 - 6,000 |
| 5 | | Harry Leith-Ross (American, 1886-1973) The Intruder; Crayon on paper (framed); Initialed; 5 7/8" x 9 1/2" (sight); Provenance: Private Collection, New Hope, PA | 1,200 - 1,800 |
| 6 | | William Langson Lathrop (American, 1859-1938) Near the Union Mill; Oil on canvas (artist-made frame); Signed and titled; 22" x 25", 26 1/2" x 29 1/2" (frame); Provenance: Acquired from the great-grandson of the artist by present owner | 35,000 - 45,000 |
| 7 | | Jules A. Scalella (American, 1895-1976) Cypress St., Elkins Park, PA; Oil on canvas (framed); Signed and dated; 25" x 30"; Provenance: Private Collection, Lambertville, NJ | 1,200 - 1,800 |
| 8 | | Joseph B. Grossman (American, 1889-) Pennsylvania Landscape; Oil on canvas (framed); Signed; 16" x 20 1/4"; Provenance: Private Collection, Princeton | 1,000 - 1,500 |
| 9 | | Walter Emerson Baum (American, 1884-1956) Covered Bridge, Thatcher, PA; Oil on canvas (framed); Signed and titled; 25 1/2" x 30"; Provenance: The artist; Private Collection, Souderton, PA by descent to present owner | 20,000 - 25,000 |
| 10 | | Walter Emerson Baum (American, 1884-1956) Silverdale-Blooming Glen Road; Oil on canvas (framed); Signed and titled; 16" x 20"; Provenance: The artist; Private Collection, Souderton, PA by descent to present owner | 12,000 - 15,000 |
| 11 | | Walter Emerson Baum (American, 1884-1956) Hotel at Mainland, October 1954; Oil on canvas (framed); Signed, dated and titled; 16" x 20"; Provenance: The artist; Private Collection, Souderton, PA by descent to present owner | 10,000 - 12,000 |
| 12 | | Walter Emerson Baum (American, 1884-1956) Untitled; Oil on canvas (framed); Signed; 16" x 20"; Provenance: The artist; Private Collection, Souderton, PA by descent to present owner | 6,000 - 8,000 |
| 13 | | Charles Warren Eaton (American, 1857-1937) Road through the Woods; Oil on board (gilt frame); Signed; 10 1/8" x 8 1/8"; Provenance: Private Collection, Pennsylvania | 3,000 - 5,000 |
| 14 | | Frederick Hatfield Clark˙(American, 1862-1947) Two works of art: Untitled, 1891; Pastel on board (framed); Signed and dated; 12" x 8 1/2"; Untitled, 1891; Pastel on board (framed); Signed and dated; 8" x 11"; Provenance: Private Collection, New Jersey | 1,000 - 1,500 |
| 15 | | Henry Rankin Poore (American, 1859-1940) Ploughing of the Ephrata Brethren: Another Story in the Settlement of Pennsylvania; Oil on canvas; Signed; 42" x 65"; Exhibition: 68th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, January 16 - February 25, 1899, No.159; Provenance: Private Collection, Trenton, NJ | 4,000 - 6,000 |
| 16 | | John Ramsey Conner (American, 1869-1952) Untitled; Oil on board (framed); Signed; 23 7/8" x 20"; Provenance: Private Collection, New York | 3,000 - 5,000 |
| 17 | | Thomas Rathbone Manley (American, 1853-1938) Untitled; Oil on board (framed); Signed; 11" x 14"; Provenance: Private Collection, New Jersey | 1,500 - 2,500 |
| 18 | | Elizabeth Fisher Washington (American, 1871-1953) In the Harbor at Amsterdam; Pastel on sandpaper (framed); Signed; 4" x 5 3/8" (sight); Provenance: Private Collection, Lambertville, NJ | 500 - 700 |
| 19 | | Nancy Maybin Ferguson (American, 1869-1967) Road in Wellfleet; Oil on board (framed); Signed; 10" x 11 3/4"; Provenance: Private Collection, New York | 2,800 - 3,200 |
| 20 | | Florence Dell Bradway (American, 1897-) Untitled; Oil on canvas (framed); Signed; 26 1/8" x 22"; Provenance: Private Collection, Pennsylvania | 1,000 - 1,500 |
| 21 | | Fern Isabel Coppedge (American, 1883-1951) Fishing Boats, Gloucester; Oil on canvas (framed); Signed; 20" x 24"; Provenance: Jim's of Lambertville, Lambertville, NJ; Private Collection, Solebury, PA; Note: Proceeds from the sale of this work of art will benefit The Aark Wildlife Rehabilitation & Education Center in Newtown, PA. | 45,000 - 55,000 |
| 22 | | Edward Willis Redfield (American, 1869-1965) Brook near Weldon, 1899; Oil on canvas (framed); Signed and dated; 22" x 32"; Exhibition: 68th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, January 16 - February 25, 1899, No. 230; Provenance: Jim's of Lambertville, Lambertville, NJ; Private Collection, Solebury, PA; Note: Proceeds from the sale of this work of art will benefit The Aark Wildlife Rehabilitation & Education Center in Newtown, PA. | 70,000 - 90,000 |
| 23 | | Joseph Pickett (American, 1848-1918) Brenton Reef; Oil on board (framed); Signed; 13" x 22"; Provenance: Harry Worthington, New Hope, PA; Leonardo L. Beans, Trenton, NJ; Dr. Abbey, Pennington, NJ (until 1976); Leonardo L. Beans, Trenton, NJ; Private Collection, Trenton, NJ | 2,500 - 3,500 |
| 24 | | William Trost Richards (American, 1833-1905) Untitled; Gouache on paper (framed); Signed; 7 1/4" x 12 3/8" (sight); Provenance: Private Collection, Cleveland | 1,000 - 2,000 |
| 25 | | Robert Henri (American, 1865-1929) The Gray View, 1909; Oil on board (framed); Signed, dated and titled; 12 3/4" x 15 1/2" (sight); Provenance: Private Collection, Princeton, NJ | 2,000 - 3,000 |
| 26 | | Robert Henri (American, 1865-1929) Child with Jug; Black crayon on paper (framed); 13 3/8" x 10" (sheet); Provenance: The artist (until 1929); Estate of the artist; Private Collection, New York | 400 - 600 |
| 27 | | Matthew Wilson (American, 1814-1892) Portrait of a Gentleman, 1878; Oil on canvas (framed); Signed and dated; 27" x 22"; Exhibition: 49th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, April 22 - June 2, 1878, No.153 (label on verso); Provenance: Mr. Jas. Otterson, Philadelphia; Private Collection, New Hope, PA | 800 - 1,200 |
| 28 | | John R. Grabach (American, 1886-1981) Untitled; Oil on board (framed); Signed; 15 5/8" x 19 3/4" (sight); Provenance: Private Collection, Florida | 1,500 - 2,000 |
| 29 | | John R. Grabach (American, 1886-1981) Two works of art: Of Harsey, Artist; Pencil on paper (framed); Signed and titled; 11 1/4" x 8" (sight); Untitled; Pencil on paper (framed); Signed; 8 3/4" x 6" (sight); Provenance: Private Collection, Hoboken, NJ | 500 - 700 |
| 30 | | William Glackens (American, 1870-1938) Study for Ballet Dancer, ca. 1903; Red and white chalk on paper (framed); 11 3/4" x 9 1/2" (sheet); Provenance: The artist; Collection of Everett Shinn, New York (aquired 1903, notation on verso); Estate of Everett Shinn, New York; James Graham & Sons, New York (label on verso); Collection of Mr. and Mrs. Raymond J. Horowitz, New York; Hirschl & Adler Galleries, Inc., New York | 1,500 - 2,000 |
| 31 | | Everett Shinn (American, 1876-1953) Girl at Dresser, ca. 1904; Red chalk on paper (framed); 12" x 17" (sight); Provenance: Graham Gallery, New York (label on verso); Private Collection, Princeton | 1,200 - 1,800 |
| 32 | | Everett Shinn (American, 1876-1953) Self Portrait; Pastel on board (framed); Signed and inscribed; 10 7/8" x 8 3/8"; Provenance: Collection of Debbie Reynolds; Private Collection, Maryland | 1,800 - 2,400 |
| 33 | | Faye Swengel Badura (American, 1904-1991) Mask from New Guinea; Oil on canvas (framed); Signed and titled; 30 1/2" x 25 1/4"; Provenance: Private Collection, Pennsylvania | 800 - 1,000 |
| 34 | | Bernard Badura (American, 1896-1986) Two frames: 13 5/8" x 16 1/2" and 9 1/2" x 13 5/8"; One with painting by Dorthy Trepanier and other with painting by an unknown artist; Provenance: The artist; Private Collection, New Hope, PA by descent to the present owner | 1,200 - 1,800 |
| 35 | | Antonio Pietro Martino (American, 1902-1993) Bucks Co. Winter, 1931; Oil on canvas (framed); Signed and dated; 32" x 40"; Provenance: Newman Galleries, Philadelphia (label on verso); Private Collecion, New York | 10,000 - 12,000 |
| 36 | | Melville F. Stark (American, 1903-1987) Untitled; Oil on board (framed); Signed; 24 3/8" x 29 5/8" (sight); Provenance: Private Collection, Pennsylvania | 3,000 - 5,000 |
| 37 | | Melville F. Stark (American, 1903-1987) Untitled, 1937; Oil on canvas (framed); Signed and dated; 29 3/4" x 36"; Provenance: Private Collection, Pennsylvania | 2,000 - 3,000 |
| 38 | | Alfred Nunamaker (American, 1915-1988) Mount Ascutney, Vermont; Oil on canvas (framed); Signed; 16" x 24"; Provenance: Newman Galleries, Philadelphia (label on verso); Private Collection, Philadelphia | 12,000 - 15,000 |
| 39 | | William Francis Taylor (Canadian/American, 1883-1970) Train to Trenton; Oil on canvas (framed); 12" x 16"; Provenance: Private Collection, Lambertville, NJ; Note: Accompanied by a letter from the daughter of the artist. | 2,000 - 3,000 |
| 40 | | Walter Emerson Baum (American, 1884-1956) Untitled; Oil on board (framed); Signed; 6" x 7 3/4"; Provenance: Private Collection, New Jersey | 3,000 - 5,000 |
| 41 | | Walter Emerson Baum (American, 1884-1956) Signs of Spring (Southeast of Perkasie), 1942; Oil on board (framed); Signed, dated and titled; 16 1/4" x 20 1/8"; Provenance: Private Collection, PA | 5,000 - 7,000 |
| 42 | | Walter Emerson Baum (American, 1884-1956) Untitled (Allentown), 1954; Oil on board (both sides, framed); Signed and dated; 25" x 27 1/2" (sight); Provenance: Private Collection, Philadelphia | 5,000 - 7,000 |
| 43 | | Bror Julius Olsson Nordfeldt (American, 1878-1955) Cows on Hillside (Lambertville), 1937; Gouache on paper (framed); Signed and dated; 17" x 27 1/2" (sight); Provenance: Private Collection, New York | 3,500 - 4,500 |
| 43A | | Bror Julius Olsson Nordfeldt (American, 1878-1955) Santa Fe Etchings, 1907-1936; Portfolio of eight etchings; Initialed by the wife of the artist, titled and numbered 70/100; 17" x 19 1/2" (sheet) each; Provenance: Private Collection, New York | 1,500 - 2,500 |
| 44 | | Bror Julius Olsson Nordfeldt (Swedish/American, 1878-1955) Untitled; Pastel on paper (framed); Signed; 10 3/4" x 13 3/4"; Provenance: Private Collection, New Hope, PA | 1,200 - 1,800 |
| 45 | | Charles Rosen (American, 1878-1950) Two works of art: Sketch of River Boat; Oil on canvas (framed); Signed and titled; 19 3/8" x 40"; Literature: Peterson, Brian H., Form Radiating Life: The Paintings of Charles Rosen, Doylestown: James A. Michener Art Museum and Philadelphia: University of Pennsylvania Press, 2006 (pg. 141, pl. 65); Exhibition: Pennsylvania Academy of The Fine Arts, Philadelphia (stamp on verso); Carnegie Institute, Pittsburgh (partial labels on verso); "Form Radiating Life: The Paintings of Charles Rosen," James A. Michener Art Museum, Doylestown, PA, October 13, 2006 - January 28, 2007, traveling to the Samuel Dorsky Museum of Art, State University of New York at New Paltz, February 24 - May 13, 2007; Study for River Boat; Oil on canvas; 16" x 32"; Provenance: Private Collection, Chestertown, MD | 8,000 - 10,000 |
| 46 | | Joseph Meierhans (Swiss/American, 1890-1980) Aquaric, 1946; Pastel on paper (artist-made frame); Signed, dated and titled; 10 1/2" x 13 1/4" (sight), 19" x 22 3/4" (frame); Provenance: Private Collection, New York | 1,800 - 2,400 |
| 47 | | Joseph Meierhans (Swiss/American, 1890-1980) Untitled, 1946; Pastel on paper (framed); Signed and dated; 13 1/2" x 14" (sight); Provenance: Private Collection, Lambertville, NJ | 1,000 - 1,500 |
| 48 | | Lloyd Raymond Ney (American, 1893-1965) Untitled, 1962; Mixed media on canvas (framed); Signed and dated; 36" x 24"; Provenance: Private Collection, Pennsylvania | 4,000 - 6,000 |
| 49 | | Lloyd Raymond Ney (American, 1893-1965) Two works of art: Untitled, 1961; Ink and watercolor on paper (framed); Signed and dated; 24 3/8" x 18 3/4" (sight); Untitled, 1961; Ink and watercolor on paper (framed); Signed and dated; 24 3/8" x 18 3/4" (sight); Provenance: Private Collection, Pennsylvania | 1,500 - 2,000 |
| 50 | | Lloyd Raymond Ney (American, 1893-1965) San Miguel de Allende, Mexico (9), 1949; Watercolor and pencil on paper (framed); Signed, dated and titled; 9 1/2" x 13 1/2" (sight); Provenance: DC Moore Gallery, New York; Private Collection, New York | 2,000 - 3,000 |
| 51 | | Lloyd Raymond Ney (American, 1893-1965) Untitled, 1945; Ink on paper; Signed and dated; 11 3/8" x 15 3/4"; Provenance: The artist, by descent to present owner | 1,500 - 2,500 |
| 52 | | Franz Jozef Ponstingl (American, b. 1927) Untitled, 1963; Oil on Masonite (framed); Signed and dated; 20 1/2" x 36"; Provenance: Private Collection, Ontario | 1,000 - 1,500 |
| 53 | | William Hugh Ferguson (American, 1905-1985) Two works of art: Abandoned Flower Cart; Oil on canvas (framed); Signed and titled; 24" x 30"; Untitled; Watercolor and ink on paper (framed); Signed; 14 1/2" x 21 1/4" (sight); Provenance: Private Collection, Pennsylvania | 800 - 1,000 |
| 54 | | Charles Child (American, 1902-1983) Psychedelic Flowers, 1968; Oil and egg tempera on Masonite (framed); Artist's signature device lower right; 24 1/4" x 28"; Provenance: Private Collection, Lambertville, NJ | 600 - 800 |
| 55 | | Charles Child (American, 1902-1983) Shell Forms, 1968; Oil and egg tempera on Masonite (framed); Artist's signature device lower right; 22" x 33"; Provenance: Private Collection, Lambertville, NJ | 600 - 800 |
| 56 | | Lee Gatch (American, 1902-1968) The Pine, 1964; Oil on board (framed); Signed; 5 7/8" x 7"; Provenance: Staempfli Gallery Inc., New York (label on verso); Private Collection, New York | 1,000 - 1,500 |
| 57 | | Josef Zenk (American, 1904-2000) Three works of art: Laugh!; Woodcut (framed); Signed, titled and numbered 5/15; 14 1/4" x 10 5/8" (sight); Untitled; Oil on board (framed); Studio label on verso; 23 1/4" x 19 1/4" (sight); Untitled; Oil on board (framed); 23 5/8" x 17 5/8" (sight); Provenance: The artist, to the family of present owner | 900 - 1,200 |
| 58 | | Leon Kelly (American, 1901-1982) Two works of art: Sea and Sun; Ink on paper; Signed and titled; 5 1/4" x 8 1/2"; Torso of a Beggar; Ink on paper; Signed and titled; 10 3/8" x 7 1/4"; Provenance: Private Collection, New Hope, PA | 900 - 1,200 |
| 59 | | Dimitri Petrov (American, 1919-1986) Untitled, ca. 1978; Six lithographs in colors on Arches; Signed and numbered AP; Approximately 30" x 22" (sheet, each); Provenance: Private Collection, New Hope, PA | 600 - 800 |
| 60 | | Clarence Holbrook Carter (American, 1904-2000) Four works of art: The Ninth Hour, 1978; Screenprint in colors; Signed, dated and numbered 127/200; 40" x 26" (sheet); Balancing Act, 1978; Screenprint in colors; Signed, dated and numbered 70/200; 35" x 26" (sheet); Fiery Furnace, 1978; Screenprint in colors; Signed, dated and numbered 129/200; 35" x 26" (sheet); Nude in Motion, 1978; Screenprint in colors; Signed, dated and numbered 133/200; 40" x 26" (sheet); Provenance: Private Collection, Pennsylvania | 800 - 1,000 |
| 61 | | Lloyd Raymond Ney (American, 1893-1965) Two works of art: Studio, 1963; Mixed media on paper; Signed, dated and titled; 13" x 20" (sheet); Untitled, 1963; Mixed media on paper; Signed and dated; 13" x 20" (sheet); Provenance: The artist, by descent to present owner | 800 - 1,200 |
| 62 | | Lloyd Raymond Ney (American, 1893-1965) Untitled (New Hope), 1960; Eight offset lithographs on paper; Signed and dated (in plate); 16 1/2" x 21 3/4" (sight); Provenance: Private Collection, Pennsylvania | 800 - 1,200 |
| 63 | | Lloyd Raymond Ney (American, 1893-1965) Untitled, 1959; Mixed media on canvas (framed); Signed and dated; 13" x 15 3/4"; Provenance: The artist by descent to present owner | 2,000 - 3,000 |
| 64 | | Lloyd Raymond Ney (American, 1893-1965) Untitled; Mixed media on board (framed); 47 1/2" x 47 1/2" (sight); Provenance: Private Collection, New Hope, PA | 2,500 - 3,500 |
| 65 | | George Papashvily (Georgian/American, 1898-1978) Untitled (Deer Sketch); Limestone; 6 1/4" x 19" x 8"; Provenance: Private Collection, Pennsylvania | 500 - 700 |
| 66 | | George Papashvily (Georgian/American, 1898-1978) Untitled (Bird/Butterfly Sketch); Stone; 3" x 9" x 8 1/2"; Provenance: Private Collection, Pennsylvania | 500 - 700 |
| 67 | | Raymond Granville Barger (American, 1906-2001) Untitled, 1971; Carved wood; Signed and dated; 8" x 26 1/4" x 6 1/4"; Provenance: Private Collection, New York | 600 - 800 |
| 68 | | Barry Snyder (American, 20th C.) Figure 22-1992 (Dark Figure Series), 2003; Wood construction; Signed, dated and titled; 27 1/2" high; Provenance: the artist; Private Collection, New York | 600 - 800 |
| 68A | | Barry Snyder (American, 20th C.) Untitled (Dark Figure Series), 2003; Wood construction; Signed, dated and titled; 21 3/4" high; Provenance: the artist; Private Collection, New York | 600 - 800 |
| 68B | | Barry Snyder (American, 20th C.) Untitled, 2007; Collage on board (both sides); Signed and dated; 8" x 10"; Provenance: The artist; Private Collection, New York | 400 - 600 |
| 69 | | Ranulph Bye (American, 1916-2003) Hunts Mill, Clinton, NJ, 1991; Watercolor on paper (framed); Signed; 13 1/2" x 20 1/2" (sight); Provenance: Private Collection, New Hope, PA | 1,500 - 2,000 |
| 70 | | Charles W. Hargens (American, 1893-1997) Sundown from my Studio Window, Carversville, Bucks County, PA; Gouache on board (framed); Signed and titled; 5 3/4" x 8 3/4" (sheet); Provenance: Private Collection, New Jersey | 500 - 700 |
| 71 | | Andrew Newell Wyeth (American, b. 1917) Ten Paintings Portfolio, 1976; Ten collotypes (three framed) with original portfolio; One signed and each numbered 80/300; Various sizes, 38" x 30 1/2" (largest, sheet); Printer: Triton Press, New York; Publisher: The Metropolitan Museum of Art, New York; Provenance: Private Collection, New Jersey | 8,000 - 12,000 |
| 72 | | Erie Jackson (American, 20th Century) Untitled, 1950; Oil on board (framed); Signed and dated; 15 1/2" x 19 1/2" (sight); Provenance: Private Collection, New Jersey | 800 - 1,200 |
| 73 | | Robert Carlyle Barritt (American, 1898-) Untitled; Oil on canvas (framed); Signed; 18" x 22"; Provenance: Private Collection, Pennsylvania | 700 - 900 |
| 74 | | Clarence Ira Dreisbach (American, 1903-2001) Brodhead Creek, near Pine Knob; Oil on canvasboard (framed); Signed and titled; 11 3/4" x 16"; Provenance: Private Collection, New York | 500 - 700 |
| 75 | | Hugh H. Campbell (American, 20th Century) Untitled; Oil on canvas (framed); Signed; 20" x 24"; Provenance: Private Collection, Lambertville, NJ | 1,500 - 2,000 |
| 76 | | Hugh H. Campbell (American, 20th Century) Untitled, 1939; Oil on Masonite (both sides, framed); Signed and dated; 12" x 18"; Provenance: Private Collection, Lambertville, NJ | 600 - 800 |
| 77 | | Frank C. Herbst (American, 1912-1970) Untitled; Oil on canvasboard (framed); Signed; 8" x 10"; Provenance: Private Collection, Lambertville, NJ | 500 - 700 |
| 78 | | Dorothy Eve Doubble (American, 1886-1974) Untitled; Oil on canvasboard (framed); Signed; 10" x 12"; Provenance: Private Collection, Lambertville, NJ | 500 - 700 |
| 79 | | Mary Pemberton Ginther (American, 1869-1959) Brookside Farm, Springtime; Oil on Masonite (framed); Initialed; 14" x 18"; Provenance: Private Collection, Lambertville, NJ | 600 - 800 |
| 80 | | Sarah Caroline Schaffer (American, 20th Century) Winter Sky; Oil on canvas (framed); Signed and titled; 16" x 20"; Provenance: Private Collection, New York | 700 - 900 |
| 81 | | Joseph Crilley (American, b. 1920) Glen Oak Farm, 1998; Oil on Masonite panel (framed); Signed, titled, and dated; 12" x 18"; Provenance: Private Collection, New Jersey | 1,000 - 1,500 |
| 82 | | Thomas Malloy (American, b. 1921) Carriage House on Greenwood Avenue, 1975; Watercolor on paper (framed); Signed and dated; 14 1/2" x 19 1/4" (sight); Provenance: Private Collection, New Jersey | 500 - 700 |
| 83 | | Alice Browning Doughten (American, 1880-1969) Six works of art: New England Fishing Dock; Oil on canvasboard (framed); Signed; 12" x 16"; Exhibition: Summer Work Show, Plastic Club, Philadelphia, October 1951 (label on verso); Sculling; Oil on canvasboard (framed); Signed and titled; 12" x 16"; Pot of Tulips; Oil on canvasboard (framed); Signed and titled; 13 7/8" x 11 3/4" (sight); View of the Delaware River from the New Jersey Side, near Riverton, NJ; Oil on canvasboard (framed); Signed and titled; 16" x 12"; Family Graveyard; Oil on board (framed); Signed and titled; 14" x 16"; Boats; Oil on canvasboard (framed); Signed and titled; 10" x 14"; Provenance: Private Collection, Pennsylvania | 1,000 - 1,500 |
| 84 | | Henry Asbury Rand (American, 1886-1961) Two works of art: Untitled, 1957; Oil on board (framed); Signed and dated; 12" x 10"; Untitled; Oil on board (framed); 12" x 10"; Provenance: Private Collection, Lambertville, NJ | 1,000 - 1,500 |
| 85 | | Armando Sozio (American, 1897-1966) Untitled, 1959; Oil on Masonite (both sides, framed); Signed and dated; 24" x 30"; Provenance: Private Collection, Lambertville, NJ | 500 - 700 |
| 86 | | Joseph Barrett (American, b. 1936) Canal House, Near Carversville; Oil on canvas (artist-made frame); Signed, dated and titled; 32" x 34", 39 1/4" x 41 1/4" (frame); Provenance: Private Collection, Pennsylvania | 2,000 - 3,000 |
| 87 | | Joseph Barrett (American, b. 1936) Hillside Farm; Oil on canvas (artist-made frame); Signed, dated and titled; 26" x 28", 33 3/8" x 35 3/8" (frame); Provenance: Private Collection, Pennsylvania | 1,500 - 2,000 |
| 88 | | Joseph Barrett (American, b. 1936) Winter Sky: Buckingham Township; Oil on canvas (artist-made frame); Signed, dated and titled; 14" x 14", 21 3/4" x 21 3/4" (frame, irregular); Provenance: Private Collection, Pennsylvania | 800 - 1,200 |
| 89 | | Anthony Michael Autorino (American, b. 1937) Untitled (View of Lambertville), 1984; Oil on board (framed); Signed and dated; 20" x 16"; Provenance: Private Collection, New Jersey | 1,000 - 1,500 |
| 90 | | Glenn D. Harren (American, b. 1952) Jersey Side; Oil on linen (framed); Signed; 50" x 60"; Provenance: Private Collection, Pennsylvania | 3,500 - 4,500 |
| 91 | | Jane Gilday (American, 20th Century) Family at Riverside, 2007; Oil on canvas (artist-made frame); Signed, dated and titled; 20" x 16", 29 1/2" x 25 1/2" (frame); Provenance: Private Collection, Lambertville, NJ | 1,800 - 2,400 |
| 92 | | Robert Beck (American, b. 1950) Northern Bay, 2006; Oil on panel (framed); Signed, dated and titled; 20" x 20"; Provenance: Private Collection, Lambertville, NJ | 2,000 - 2,500 |
| 93 | | Myles Cavanaugh (American, 20th Century) Grackles, 2007; Oil on canvas (framed); Signed, dated and titled; 40" x 40"; Provenance: Private Collection, Lambertville, NJ | 3,000 - 4,000 |
| 94 | | Colette Sexton (American, 20th Century) Autumn on North Union Street, 2007; Oil on board (framed); Signed and dated; 45" x 17 3/4"; Provenance: Private Collection, Lambertville, NJ | 2,500 - 3,000 |
| 95 | | Judy Henn (American, 20th Century) It's Their Summer Place, 2006; Acrylic on board (framed); Signed; 17 1/2" x 21 1/2"; Provenance: Private Collection, New Hope, PA | 500 - 700 |
| 96 | | Bruce Braithwaite (British/American, b. 1950) Grand Central; Oil on canvas (framed); Signed and titled; 36" x 48"; Provenance: Private Collection, New Jersey | 1,500 - 2,000 |
| 97 | | Bruce Braithwaite (British/American, b. 1950) Gathering Point; Oil on canvas (framed); Signed and titled; 40" x 55"; Provenance: Private Collection, New Jersey | 1,500 - 2,000 |
| 98 | | Paul A. Pusecker (American, b. 1932) Children Wading, Lumberville, PA; Oil on canvas (framed); Signed and titled; 16" x 20"; Provenance: Private Collection, New Jersey | 800 - 1,200 |
| 99 | | Paul A. Pusecker (American, b. 1932) Mist and Sun on the Delaware; Oil on canvas (framed); Signed and titled; 24" x 30"; Provenance: Private Collection, New Jersey | 800 - 1,200 |
| 100 | | William Jachwak (American, b. 1954) Kitnersville, Bucks County; Oil on canvas (framed); Signed and titled; 20" x 24"; Provenance: Private Collection, Pennsylvania | 1,000 - 2,000 |
| 101 | | William Jachwak (American, b. 1954) Village of Finesville, New Jersey; Oil on canvas (framed); Signed and titled; 20" x 24"; Provenance: Private Collection, Pennsylvania | 1,000 - 2,000 |
| 102 | | William Jachwak (American, b. 1954) Bridge Street, Lambertville; Oil on canvas (framed); Signed; 12" x 16"; Provenance: Private Collection, Pennsylvania | 800 - 1,000 |
| 103 | | Rudolf Stumpf (German/American, 20th Century) Moonlight on the Delaware; Oil on canvas (handmade frame); Signed; 20" x 24"; Provenance: Private Collection, Lambertville, NJ | 800 - 1,200 |
| 104 | | Rudolf Stumpf (German/American, 20th Century) The Rt. 517 Farm; Oil on board (framed); Signed; 27" x 27"; Exhibition: "The Artist Looks at Hunterdon County," Hunterdon County Cultural & Heritage Commission, The Prallsville Mills, Stockton, NJ, 2006 (label on verso); Provenance: Private Collection, Lambertville, NJ | 800 - 1,200 |
| 105 | | Mike Trovato (American, 20th C.) View Of The Canal, Lambertville; Oil on canvas (framed); Signed; 30" x 40"; Provenance: Private Collection, Pennsylvania | 800 - 1,200 |
| 106 | | David Hahn (American, 20th C.) The Springhouse; Acrylic on canvas (framed); Signed and titled; 20" x 24"; Provenance: Private Collection, Doylestown, PA | 800 - 1,000 |
| 107 | | Jasper Francis Cropsey (American, 1823-1900) Autumn Morning, 1886; Oil on canvas (framed); Signed and dated; 8 1/8" x 11 5/8"; Provenance: Christie's, New York, June 1, 1984, lot 22A; Private Collection, Florida | 10,000 - 15,000 |
| 108 | | Franklin Benjamin DeHaven (American, 1856-1934) Calm Evening; Oil on canvas (framed); Signed; 36 1/4" x 36"; Exhibition: National Academy of Design, New York (label on verso); Provenance: Private Collection, New York | 2,000 - 2,500 |
| 109 | | Worthington Whittredge (American, 1820-1910) Untitled; Ink and watercolor on blue paper; Signed; 9 3/8" x 14 5/8"; Provenance: Private Collection, Wyndmoor, PA | 800 - 1,200 |
| 110 | | Frank Russell Green (American, 1856-1940) Untitled, 1893; Oil on paperboard (framed); Signed and dated; 6 1/8" x 20 5/8"; Provenance: Private Collection, Philadelphia | 500 - 700 |
| 111 | | Charles Courtney Curran (American, 1861-1942) Administration Building of 1893 Columbian Exposition of Chicago at Night, 1893; Oil on canvas; Signed and dated; 8 7/8" x 13"; Provenance: Private Collection, New York | 12,000 - 15,000 |
| 112 | | Charles Courtney Curran (American, 1861-1942) Art Palace of 1893 Columbian Exposition of Chicago, 1893; Oil on canvas; Signed and dated; 12" x 9 1/8"; Provenance: Private Collection, New York | 3,500 - 4,500 |
| 113 | | Max Kuehne (American, 1880-1968) Cliffs, Mallorca, 1922; Oil on wood panel (framed); Signed; 5 3/4" x 8"; Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York | 800 - 1,000 |
| 114 | | Max Kuehne (American, 1880-1968) Spanish Houses; Oil on wood panel (framed); Signed; 8" x 6"; Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York | 1,000 - 1,500 |
| 115 | | Max Kuehne (American, 1880-1968) Four works of art: View of a Street in Toledo, Spain; Etching (framed); Estate stamp on verso; 8" x 9 1/4" (sight); Toledo, January 1915; Pencil on paper (framed); Signed, dated and titled; 4 7/8" x 6 5/8" (sight); Calle San Ildefonso; Etching (framed); Signed and titled; 14 1/2" x 11 1/4" (sight); First Universalist Church - Gloucester; Etching (framed); Titled; 16" x 11 1/4" (sheet); Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York (label on versos) | 2,500 - 3,000 |
| 116 | | Oscar Florianus Bluemner (American, 1867-1938) Huntington Harbor, March 29, 1910; Pencil on paper (framed); Dated and titled; 4 5/8" x 6 7/8" (sight); Provenance: The artist (until 1938); Estate of the artist (until 1968); Hirschl & Adler Galleries, Inc., New York (until 1971); Collection of Mr. and Mrs. Irving P. Kessler, Brookville, New York; Private Collection, New York | 800 - 1,000 |
| 117 | | Oscar Florianus Bluemner (American, 1867-1938) Vauxhall, October 26, 1923; Pencil on paper (framed); Initialed, dated and titled; 5" x 6 3/4" (sheet, irregular); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 118 | | Oscar Florianus Bluemner (American, 1867-1938) Patterson, NJ, Ap 26-20, 1920; Pencil on paper (framed); Initialed, dated and titled; 5 1/8" x 6 7/8" (sheet); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 119 | | Oscar Florianus Bluemner (American, 1867-1938) Providence, May 7, 1926; Pencil on paper (framed); Dated and titled; 4 3/8" x 5 7/8" (sheet, irregular); Provenance: The estate of the artist; Private Collection, New York | 800 - 1,000 |
| 120 | | Johann Berthelsen (American, 1883-1972) Grant's Tomb and St. Paul's Church; Oil on canvas (framed); Signed; 12" x 9 1/4"; Provenance: Private Collection, New York | 5,000 - 7,000 |
| 121 | | Ralph William Holmes (American, 1876-1963) Mountain Lake; Oil on canvasboard (framed); Signed; 18" x 13 7/8"; Provenance: Private Collection, San Diego | 1,200 - 1,800 |
| 122 | | Francis Harvey Cutting (American, 1872-1964) Untitled; Oil on board (framed); Signed; 10" x 13 3/4"; Provenance: Private Collection, San Diego | 400 - 600 |
| 123 | | Hanson Duvall Puthuff (American, 1875-1972) Malibu Hills; Oil on board (framed); Signed; 12" x 15 3/4"; Provenance: Salmagundi Club Auction Sale, New York; Private Collection, New Jersey | 10,000 - 15,000 |
| 124 | | Charles Arthur Fries (American, 1854-1940) Oaks and Hills near Muzzy Grade, 1930; Oil on canvas (framed); Signed, dated and titled; 18" x 24"; Provenance: Private Collection, New Jersey | 3,000 - 5,000 |
| 125 | | Walter Koeniger (American, 1881-1943) After a Rainy Day; Oil on canvas (framed); Signed and titled; 19 1/2" x 25 1/2"; Provenance: Private Collection, New Jersey | 1,200 - 1,800 |
| 126 | | Gustave Weigand (American, 1872-1957) Summer Landscape at Twilight; Oil on board (framed); Signed; 24 1/4" x 36"; Provenance: Private Collection, New York | 1,800 - 2,200 |
| 127 | | Alfred Thompson Bricher (American, 1837-1908) Untitled; Watercolor on paper (framed); Signed; 5 3/8" x 10 7/8" (sight); Provenance: Private Collection, New Jersey | 700 - 900 |
| 128 | | Howard Russell Butler (American, 1856-1934) Desert Sunrise, Galiuro Mountain S.E. Arizona; Oil on canvasboard (framed); Signed; 14" x 20"; Provenance: Collection of Howard Russell Butler, Jr. (until 1981); Private Collection, Princeton | 3,000 - 4,000 |
| 129 | | Howard Russell Butler (American, 1856-1934) Caribbean Sea, Thunderhead with Rainbow Below; Oil on canvasboard (framed); Signed; 14" x 20"; Provenance: Collection of Howard Russell Butler, Jr. (until 1981); Private Collection, Princeton | 2,000 - 3,000 |
| 130 | | Chauncey Foster Ryder (American, 1868-1949) Untitled; Oil on palette (framed); Signed; 11 3/4" x 15 1/2" (sight, irregular); Exhibition: "The Palette Reveals the Artist: Grumbacher Palette Collection," The Long Island Museum, New York, October 30, 2004 - January 30, 2005, traveled to The Butler Institute of American Art, Youngstown, OH March 13 - May 1, 2005, then to The Art Students League of New York, June 1 - 27, 2005 (all labels on verso); Accompanied by a note from the artist; Provenance: Private Collection, Hoboken, NJ | 1,000 - 1,500 |
| 131 | | Clyde Singer (American, 1908-1998) Charlie's Place, 1936; Oil on palette (framed); Signed, dated and titled; 4 3/4" x 8 1/2" (sight, irregular); Exhibition: "The Palette Reveals the Artist: Grumbacher Palette Collection," The Long Island Museum, October 30, 2004 - January 30, 2005, traveled to The Butler Institute of American Art, March 13 - May 1, 2005, then to The Art Students League of New York, June 1 - 27, 2005 (all labels on verso); Provenance: Private Collection, Hoboken, NJ | 900 - 1,200 |
| 132 | | De Scott Evans (American, 1847-1898) Untitled; Oil on canvas (framed); Signed; 24" x 20"; Provenance: The Brownstone Gallery, Brooklyn (label on verso); Private Collection, New York | 3,000 - 5,000 |
| 133 | | Man Ray (Emmanuel Radensky) (American, 1890-1976) Portrait of the Artist Robert Winthrop Chanler (American, 1872-1930); Gelatin silver print; Signed recto, studio stamp verso; 11 3/8" x 8 7/8" (sheet); Provenance: Collection of Robert Winthrop Chanler; Collection of Dr. Timothy F. X. Sullivan; Private Collection, Pennsylvania | 2,000 - 3,000 |
| 134 | | Earl Horter (American, 1881-1940) Nude (after Modigliani), 1936; Ink and gouache on paper (framed); Signed, dated and titled; 12" x 17" (sight); Provenance: Private Collection, New York | 800 - 1,200 |
| 135 | | Julius Delbos (American, 1879-1970) Three works of art: Untitled; Watercolor on paper (framed); Signed; 14" x 16 1/4" (sight); Untitled; Watercolor on paper (framed); Signed; 14" x 16 1/4" (sight); Untitled; Watercolor on paper (framed); Signed; 14" x 16 1/4" (sight); Provenance: Private Collection, Morristown, NJ | 1,000 - 1,500 |
| 136 | | Arthur Bowen Davies (American, 1862-1928) Seated Woman; Pastel on colored paper (framed); Estate stamped signature; 8 1/4" x 11" (sight); Provenance: Graham Gallery, New York (label on verso); Private Collection, Princeton | 800 - 1,200 |
| 137 | | Raphael Soyer (American, 1899-1987) Untitled; Brown ink on paper (framed); Signed; 8" x 10 3/8" (sight); Provenance: Private Collection, Doylestown, PA | 300 - 500 |
| 138 | | Eugene Gauss (American, 1905-1988) Untitled, 1976; Granite; Signed and dated; 14" high; Provenance: Private Collection, New Jersey | 1,200 - 1,800 |
| 139 | | Eugene Gauss (American, 1905-1988) Two works of art: Untitled, 1967; Granite; Signed and dated; 8 1/8" high; Untitled; Mixed media on paper (framed); 12" x 8 3/4" (sight); Provenance: Private Collection, New Jersey | 800 - 1,000 |
| 140 | | Oronzio Maldarelli (Italian/American, 1892-1963) Untitled, 1956; Red conte crayon on paper (framed); Signed and dated; 12" x 18 3/8" (sight); Provenance: Private Collection, New Jersey | 500 - 700 |
| 141 | | William Aiken Walker (American, 1838-1921) Untitled; Oil on board (framed); Signed; 12 1/8" x 6 3/8"; Accompanied by a certificate of authenticity written by John Fowler.; Provenance: Private Collection, Morristown, NJ; Note: This painting will be included in the upcoming William Aiken Walker catalogue raisonne written by John Fowler. | 7,000 - 9,000 |
| 142 | | William Aiken Walker (American, 1838-1921) Untitled; Oil on board (framed); Signed; 8 1/4" x 4"; Accompanied by a certificate of authenticity written by John Fowler.; Provenance: Private Collection, Morristown, NJ; Note: This painting will be included in the upcoming William Aiken Walker catalogue raisonne written by John Fowler. | 4,000 - 6,000 |
| 143 | | Alton Pickens (American, 1917-1991) The Bride, 1958; Oil on canvas (framed); Signed and dated; 46 /4" x 43 1/8"; Provenance: Private Collection, Philadelphia | 800 - 1,200 |
| 144 | | Robert Gwathmey (American, 1903-1988) Untitled; Pencil on paper; Signed; 15 1/4" x 9 1/4" (sight); Provenance: Private Collection, New York | 800 - 1,000 |
| 145 | | Milton Elting Hebald (American, b. 1917) Eve; Bronze; Signed; 14 3/4" high, 16" (with base); Provenance: Christie's, New York (aquired 1982); Private Collection, Florida | 800 - 1,000 |
| 146 | | Joseph Stella (American, 1877-1946) Untitled; Pencil on paper (framed); Signed; 8 1/4" x 9 5/8" (sight, irregular); Provenance: Private Collection, New Jersey | 800 - 1,200 |
| 147 | | John B. Lear (American, b. 1910) Dusk, 1930s; Oil on canvas (framed); Signed; 18" x 28"; The Exhibition: Woodmere Art Gallery, Germantown, PA (label on verso); Provenance: Gallery MSL Contemporary Art, Atlanta (label on verso); Private Collection, Brooklyn, NY | 1,800 - 2,400 |
| 148 | | Frank Wright (American, b. 1932) The Artist In His Studio At Night (The Artist and His Model), 1979; Oil on canvas (framed); Signed; 40" x 48"; Exhibition: "Frank Wright," Corcoran Gallery of Art, Washington D.C., June 13 - July 19, 1981 (label on verso); Provenance: Kennedy Galleries, Inc., New York (label on verso); Private Collection, New Jersey | 1,200 - 1,800 |
| 149 | | Joseph Hirsch (American, 1910-1981) Pagan Fete, 1978; Oil on canvas (framed); Signed; 26" x 26"; Provenance: Kennedy Galleries, Inc., New York; Private Collection, New Jersey | 2,000 - 3,000 |
| 150 | | Joseph Hirsch (American, 1910-1981) Two works of art: Night, 1975; Polymer on canvas (framed); Signed and titled; 10 1/4" diameter (sight); Study for Daniel; Pastel on paper (framed); Signed; 13 1/2" x 17" (sight); Provenance: Kennedy Galleries, Inc., New York (labels on verso); Private Collection, New Jersey | 1,200 - 1,800 |
| 151 | | William Samuel Schwartz (Russian/American, 1896-1977) Two works of art: Woman Ascending; Crayon on paper (framed); Initialed; 14 1/2" x 9 3/4" (sight); Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York; Lithograph #7 (Seated Female Nude), 1928; Lithograph (framed); 14 1/4" 12 3/4" (sight); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 152 | | William Samuel Schwartz (Russian/American, 1896-1977) Two works of art: Day Dreaming; Pastel on paper (framed); Initialed; 11 3/4" x 8" (sight); Provenance: The artist (until 1977); Estate of the artist; Bryce Bannatyne Gallery, Santa Monica (label on verso); Hirschl & Adler Galleries, Inc., New York (label on verso); Private Collection, New York; Lithograph #38 (Distressed Face); Lithograph (framed); 18" x 10 1/2" (sight); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 153 | | Robert Philipp (American, 1895-1981) Rochelle on the Terrace, Sleepy Hollow, New York; Oil on canvas (framed); Signed; 14" x 15"; Provenance: Art Students League, New York; Private Collection, New York | 2,500 - 3,500 |
| 154 | | Pavel Tchelitechew (Russian, 1898-1957) The Farewell: A Figure Study, 1931; Pencil on paper (framed); Signed and dated; 9 1/4" x 7 1/2" (sight); Provenance: Linda Hyman Fine Arts, New York (label on verso); Private Collection, New York | 800 - 1,000 |
| 155 | | Max Kuehne (American, 1880-1968) Pier and Harbor, 1922; Oil on wood panel (framed); Signed and dated on verso; 7" x 8 3/4" (sight); Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York | 2,500 - 3,000 |
| 156 | | Max Kuehne (American, 1880-1968) Gloucester; Oil on wood panel (framed); With estate stamp; 7 1/4" x 9 7/8" (sight); Provenance: Estate of the artist; Hirschl & Adler Galleries, Inc., New York | 2,500 - 3,000 |
| 157 | | Jonas Lie (Norwegian/American, 1880-1940) Untitled; Oil on board (framed); Signed; 7 1/2" x 9 1/2"; Provenance: Private Collection, Princeton; Note: Proceeds from the sale of this work of art will benefit the Arts Council of Princeton. | 2,000 - 3,000 |
| 158 | | Herman D. Rose (American, 1909-) Untitled; Oil on canvasboard (framed); Signed; 9 5/8" x 9 5/8"; Provenance: Private Collection, New Jersey | 700 - 900 |
| 159 | | Oscar Florianus Bluemner (American, 1867-1938) Two works of art: Oaks Pond, East From Canal Bank, August 7, 1920; Pencil on paper (framed); Initialed, dated and titled; 5" x 7" (sheet); Morris Canal, Ridgefield, New Jersey, May 24, 1914; Pencil on paper (framed); Initialed, dated, titled and inscribed; 5 1/8" x 7 7/8" (sheet); Provenance: Private Collection, Princeton | 1,200 - 1,800 |
| 160 | | Oscar Florianus Bluemner (American, 1867-1938) Red Barns, Union, New Jersey, 1923; Pencil on paper (framed); Initialed, dated and titled; 5" x 6 3/4" (sheet); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 161 | | Oscar Florianus Bluemner (American, 1867-1938) Union-Vauxhall St., October 26, 1923; Pencil on paper (framed); Initialed, dated and titled; 5" x 6 3/4" (sheet, irregular); Provenance: Estate of the artist; Private Collection, New York | 800 - 1,000 |
| 162 | | Albert Kenneth Ness (American, 1903-2001) Untitled; Oil on canvas (framed); Signed; 25" x 30 1/4"; Provenance: Private Collection, Lambertville, NJ | 800 - 1,000 |
| 163 | | Two works of art: Louis Lozowick (Russian/American, 1892-1973) Low Tide; Lithograph (framed); Signed, titled and numbered 3/15; 11" x 14 1/2" (sight); Gifford Beal (American, 1879-1956) Pulling in the Nets; Drypoint (framed); Signed and inscribed; 10 1/4" x 13" (sight); Provenance: Private Collection, Hoboken, NJ | 800 - 1,000 |
| 164 | | John Philip Falter (American, 1910-1982) Untitled; Oil on plywood (framed); Signed; 23" x 36"; Provenance: Private Collection, Pennsylvania | 1,500 - 2,000 |
| 165 | | Serge Sedrac (French, 1878-1974) Dans les Alpes francaises (In The French Alps); Oil on canvas (framed); Signed and titled; 18" x 21 3/4"; Provenance: Private Collection, Pennsylvania | 1,500 - 2,500 |
| 166 | | Herman Margulies (Polish/American, 1922-2004) Winter Impressions, 2001; Pastel on museum rag board (framed); Signed; 31" x 39" (sight); Provenance: Private Collection, Hoboken, NJ | 700 - 900 |
| 167 | | Henry Cornelius Balink (Dutch/American, 1882-1963) Untitled; Oil on canvas (framed); Signed; 16 1/4" x 15 1/8"; Provenance: Private Collection, New Jersey | 3,000 - 5,000 |
| 168 | | Henri Le Fauconnier (French, 1881-1946) Still Life with Fish; Oil on canvas (framed); 16" x 21"; Provenance: Collection of Mr. and Mrs. A.B. Konijm; California Palace of the Legion of Honor, San Francisco (label on verso); Private Collection, New Jersey | 1,000 - 2,000 |
| 169 | | Frank Marsden London (American, 1876-1945) Still Life, 1934; Oil on canvas (framed); Signed and dated; 28" x 34"; Exhibition: John Wannamaker Regional Art Exhibition, 1934, New York (label on verso); Provenance: Private Collection, Pennsylvania | 700 - 900 |
| 170 | | Jean-Pierre Alaux (French, b. 1925) Untitled; Oil on canvas (framed); Signed; 24 1/4" x 15"; Provenance: Private Collection, Pennsylvania | 700 - 900 |
| 171 | | Sondra Lipton (American, 20th Century) Four works of art: Lemons in Chinese Vase, 2003; Oil on board (framed); Signed and dated; 4 1/2" x 5 3/4" (sight); Hydrangeas In Stone Urn, 2003; Oil on board (framed); Signed and dated; 5 1/2" x 6 1/2" (sight); Primrose Plant In Niche with Butterflies; Oil on board (framed); Signed; 4" x 4" (sight); Zinnias In Three Baskets, 2003; Oil on board (framed); Signed and dated; 5" x 9" (sight); Provenance: The artist; Private Collection, New York | 2,000 - 2,500 |
| 172 | | Sondra Lipton (American, 20th Century) Three works of art: Hydrangeas Wrapped In Paper, 2005; Oil on board (framed); Signed and dated; 5 7/8" x 4 7/8" (sight); Primrose Plant and American Flag, 2007; Oil on board (framed); Signed and dated; 5 3/8" x 7 1/4" (sight); Peonies In Oriental Vase, 2005; Oil on board (framed); Signed and dated; 5 7/8" x 4 1/2" (sight); Provanance: The artist; Private Collection, New York | 1,500 - 2,000 |
| 173 | | Sondra Lipton (American, 20th Century) Three works of art: Lily of Valley in Japanese Basket, 2005; Oil on board (framed); Signed and dated; 5 1/2" x 6" (sight); Roses In Tall Vase, 2003; Oil on board (framed); Signed and dated; 6" x 4 1/2" (sight); Tulips In Basket; Oil on board (framed); Signed; 5 1/2" x 5 5/8" (sight); Provanance: The artist; Private Collection, New York | 1,500 - 2,000 |
| 174 | | Charles Levier (French/American, 1920-2004) La mappe rose (The Pink Map); Oil on canvas (framed); Signed and titled; 30 1/4" x 40 1/2"; Provenance: Private Collection, New Jersey | 1,200 - 1,800 |
| 175 | | Charles Levier (French/American, 1920-2004) Melon et Vin (Melon and Wine); Oil on canvas (framed); Signed and titled; 48" x 24"; Provenance: Private Collection, New Jersey | 1,200 - 1,800 |
| 176 | | Andre Masson (French, 1896-1987) Une Etoile Craie, 1973; Portfolio of 16 lithographs in colors on Arches with text by Patrick Waldberg and 16 lithographs in colors on Japon nacr‚ signed and numbered "30/101"; Signed by the artist and the author on the page bearing the printed edition number; Printer: Mourlot, Paris; Publisher: Au Pont des Arts and Galerie Lucie Weill, Paris; Provenance: Private Collection, Philadelphia | 2,200 - 2,500 |
| 177 | | Jacques Villon (French, 1875-1963) Humour Poetique; Book with lithograph in colors by Villon; Signed and numbered 33/75; 9" x 5 3/4"; Publisher: La Nef Editions Du Sagittaire, Paris; Provenance: Private Collection, Philadelphia | 700 - 900 |
| 178 | | Mitchell Siporin (American, 1910-1976) Carnival In Venice, 1951; Oil on canvas (framed); Signed and dated; 23" x 33"; Provenance: The Downtown Gallery, New York (label on verso); Private Collection, New Jersey | 1,000 - 1,500 |
| 179 | | Karl Zerbe (German/American, 1903-1972) Malecon, 1947; Oil on canvas (framed); Signed, dated and titled; 18" x 42"; Provenance: Private Collection, New Jersey | 1,000 - 1,500 |
| 180 | | Pierre Henry (French, b. 1924) Untitled, 1959; Oil on board (framed); Signed and dated; 28 1/2" x 21"; Provenance: Private Collection, Pennsylvania | 700 - 900 |
| 181 | | Kenneth L. Callahan (American, 1905-1986) Breathe upon These Slain; Mixed media on paper laid on board (framed); Signed and titled; 17 5/8" x 14 1/4" (sight); Provenance: Maynard Walker, New York; Private Collection, New Jersey | 1,000 - 1,500 |
| 182 | | Marino Marini (Italian, 1901-1980) Miracolo, 1965; Lithograph (framed); Signed and numbered 68/125; 32" x 23" (sight); Printer: Emil Matthieu, Zurich; Publisher: Philadelphia Museum of Art; Provenance: Private Collection, Pennsylvania | 600 - 800 |
| 183 | | Massimo Campigli (Italian, 1895-1971) La Cavallerizza, 1954; Lithograph in colors (framed); Signed, dated and numberd 37/200; 15 3/4" x 19 3/4" (sight); Publisher: L'Oeuvre Gravie, Paris; Provenance: Private Collection, Pennsylvania | 600 - 800 |
| 184 | | De Hirsh Margules (American, 1899-1965) Untitled, 1940; Oil on canvas (framed); Signed and dated; 20" x 29"; Provenance: Private Collection, New Hope, PA | 800 - 1,200 |
| 185 | | Thomas Brownell Eldred (American, 1903-1993) Two works of art: Untitled; Oil on canvas (framed); Signed; 24" x 20"; Untitled; Oil on canvas; Signed; 40" x 30"; Provenance: Private Collection, Pennsylvania | 700 - 900 |
| 186 | | Justin McCarthy (American, 1891-1977) Untitled; Oil on board (framed); Signed; 11 1/8" x 15 1/8" (sight); Provenance: Private Collection, Pennsylvania | 800 - 1,000 |
| 187 | | Adelaide Lawson Gaylor (American, 1889-1986) Untitled; Oil on canvas (framed); Signed; 29 1/4" x 35"; Provenance: Private Collection, Hoboken, NJ | 1,000 - 2,000 |
| 188 | | Adelaide Lawson Gaylor (American, 1889-1986) Untitled; Oil on canvas (framed); Signed; 18" x 29"; Provenance: Private Collection, Hoboken, NJ | 1,000 - 2,000 |
