| 1 | GUSTAV STICKLEY Eight-leg sideboard with four central drawers having faceted wooden pulls flanked by two paneled cupboard doors with hammered copper rectangular hinges and long tear-drop shaped pulls. Original finish, seam separations to top. Unmarked. 49 3/4" x 69 1/2" x 25" Chips from front left post, scrape to front edge. Handcut dovetails, beautiful hardware. | 15,000 - 20,000 |
| 2 | GUSTAV STICKLEY Chalet desk with a paneled drop-front, lower shelf, and shoe-feet. Very good original finish and condition, small chip from back of gallery. Red decal on back. 46" x 24 1/4" x 16" Wear to leather on drop front, minor stains to top, some restoration to finish. | 2,200 - 2,800 |
| 3 | GUSTAV STICKLEY Early tea table with shaped legs joining a floriform top and lower shelf. Original finish, color added. Unmarked. 23 1/4" x 19" Added angle irons have been professionally removed and screw holes filled and colored. | 5,500 - 8,500 |
| 4 | GUSTAV STICKLEY Morris chair (no. 2342) with flat arms, five slats to the floor, and loose seat and back cushions covered in original, green, laced leather. Original finish, cane deck, and cushions. '02-'04 decal under arm. 40" x 32 3/4" x 36" Wear to finish on arms. Pegs/washers original. Small chips to edges. | 12,000 - 18,000 |
| 5 | GUSTAV STICKLEY Safecraft cabinet with a single drawer over a cabinet door with strap hinges and iron hardware. Good original finish, seam separation to top, original safe intact. Red decal inside leg. 34" x 21" x 21" | 4,000 - 6,000 |
| 6 | GUSTAV STICKLEY Pair of sidechairs with two wide horizontal backslats, front and rear stretchers mortised through the legs, and rush seats. Enhanced original finish, replaced paper rush. Unmarked. 35 1/2" x 17 3/4" x 16" | 1,500 - 2,500 |
| 7 | GUSTAV STICKLEY Book shelf with a trough top, D-shaped cut-out handles, and a lower shelf mortised through the sides with keyed through-tenons. Original finish, minor roughness around feet. Brand on inside under shelf, paper label under bottom. 31" x 30" x 10" Checks to one side from bottom of cut-out. Nice finish, color. Minor scratches on shelf. | 1,500 - 2,000 |
| 8 | GUSTAV STICKLEY Footstool with arched sides and a tacked-on leather deck. Original finish, some wear, original leather. Paper label under deck. 15" x 20" x 16" Some surface loss to finish on one stretcher. | 1,800 - 2,500 |
| 9 | GUSTAV STICKLEY Rare even-arm settee (no. 214) with broad vertical slats and a loose cushion covered in light green fabric. Original finish, good condition. Large red decal. 30 1/2" x 49 1/2" x 26 1/4" Edge weat to left front post, replaced jute decking. A beautiful piece. | 7,000 - 10,000 |
| 10 | GUSTAV STICKLEY Early and rare open bookcase with four fixed shelves, its top and bottom mortised through the sides with keyed through-tenons, and a chamfered back. Original finish, seam separation to left side. Red decal on back. 45" x 39" x 11" Seam sep to left side, minor seam sep to right side, minor edge nicks and scuffs. | 9,000 - 14,000 |
| 11 | GUSTAV STICKLEY Two-door bookcase with mitered mullions, tall gallery, its top and bottom mortised through the sides with keyed through-tenons, and iron hardware. Refinished, excellent condition. Unmarked. 44" x 39" x 12" | 6,000 - 9,000 |
| 12 | L. & J.G. STICKLEY Mousehole trestle table, its lower, up-ended stretcher mortised through the sides with keyed through-tenons. Refinished, excellent condition. "Work of..." decal inside leg. 29" x 60" x 31" | 2,800 - 3,500 |
| 13 | GUSTAV STICKLEY Massive even arm settle with paneled back and sides and loose cushions upholstered in dark brown leather. (Provenance: Zanesville, Ohio Masonic Temple, from 1902 to the current owner.) Original finish with overcoat to sides and front, good condition. Large decal on right rear leg. 41" x 84 3/4" x 33" Wear and fading to leather. | 12,000 - 18,000 |
| 14 | GUSTAV STICKLEY Set of six heavy ladderback sidechairs with horizontal backslats and dark brown tacked-on leather seats. Original finish, leather and tacks. Branded. 37 1/2" x 18 1/2" x 17" Finish is uneven on backs, leather nicely supported underneath with new pieces of masonite. | 9,000 - 12,000 |
| 15 | GUSTAV STICKLEY Two-door china cabinet with eight panes per door, three fixed interior shelves, and hammered copper V-pulls. Original finish. Brand and paper label on back. 64" x 42" x 15" Minor staining to top, chips from left edge. Repair to side above top pane. Piece has good color. | 7,500 - 8,500 |
| 16 | GUSTAV STICKLEY Director's table with a large overhanging top, a broad, canted apron, and massive shoe feet. Original finish with overcoat, several chips. Large red decal under top. 30" x 96" x 48" One chip from leg edge, two from top of base under top. Minor seam separations to shoe feet. Top has been reglued. | 17,000 - 24,000 |
| 17 | GUSTAV STICKLEY Two-door bookcase with six panes per door, keyed through-tenons, two fixed shelves, and iron door pulls. Original finish. Red decal inside left door. 45" x 39" x 12" Bowing to doors. | 5,500 - 7,500 |
| 18 | GUSTAV STICKLEY Wardrobe with a single, paneled door, interior shelf and an oval copper pull. Refinished, replaced hardware. Unmarked. 72" x 35" x 17 1/2" Replaced interior shelf. Interior fitted with cedar shelving unit (removable). Door is warped. | 6,000 - 9,000 |
| 19 | GUSTAV STICKLEY Spindled Morris chair with corbels under flat arms, its drop-in spring seat and loose back cushion covered in medium brown leather. Original finish, color added to chips in arms. Red decal inside left rear leg. 38" x 30 1/4" x 36" edge wear and roughness to front posts, chip from corner of left arm, stains to back cushion. | 7,500 - 9,500 |
| 20 | GUSTAV STICKLEY Footstool with spindled sides and a brown leather deck. Oiginal finish, replaced old leather. Unmarked. 15" x 20" x 16" Recently upholstered in old leather. Color added to edge scuffs, tack holes on sides. | 1,800 - 2,500 |
| 21 | GUSTAV STICKLEY Set of four rare and early chestnut dining room chairs (no. 2602) with four horizontal back slats and an inverted V-shaped crest rail, notched at each side post. Original finish, replaced leather. 36 1/2" x 18 1/2" x 16 1/2" Waxed, minor roughness. | 3,000 - 4,000 |
| 22 | L. & J.G. STICKLEY Trestle table with a large lower shelf mortised through two broad side slats with keyed through-tenons. Refinished, seam separation to top. Unmarked. 29 1/2" x 72" x 45" Impressions in top left from sander | 3,500 - 4,500 |
| 23 | GUSTAV STICKLEY Early server with three drawers, chamfered sides, heavy construction with through-tenons, and large faceted pulls, ca. 1902. Original finish with partial overcoat. Marked "955" in crayon under bottom drawer. 44" x 60" x 23 1/2" Chip from under right rear side, a narrow strip of wood has been added below the upper drawers. | 18,000 - 25,000 |
| 24 | LIMBERT Even-arm settle with broad vertical back slats all around and a drop-in spring cushion with original dark brown leather. Original finish and leather, good condition. Branded on inside of back stretcher, paper label under cushion. 36" x 73" x 30 1/2" | 3,250 - 3,750 |
| 25 | GUSTAV STICKLEY Library table with a leather top, three drawers with hammered iron pulls, interior corbels, and lower stretchers mortised through the sides. Original finish, replaced leather. Early red decal. 30 1/4" x 54" x 32" Minor edge wear to lower legs. | 3,000 - 4,000 |
| 26 | ROYCROFT Secessionist wall sconce designed by Dard Hunter with a copper and silver frame and a cylindrical green and purple leaded glass shade. Short break to one green piece. 14 1/2" x 5 3/4" x 6" | 30,000 - 40,000 |
| 27 | ROYCROFT/STEUBEN Hammered copper and glass table lamp, its hemispherical shade of lustered amber glass with a contrasting band, over a three-socket base with three hammered bands. Fine original patina, some chipping to glass fitting under metal cap. Orb and cross mark on base. 16" x 9 3/4" | 4,500 - 6,500 |
| 28 | VICTOR TOOTHAKER Watercolor, gouache, and ink on paper depicting a mountain landscape with house, 1909. In original mat and frame. Sight: 7 1/4" x 3" Two small tears, one along the top of the paper a few inches outside the painted area, the other a tiny tear on the outermost edge of the painted area. | 750 - 1,000 |
| 29 | ROYCROFT Pair of Secessionist copper and silver candlesticks designed by Dard Hunter, with small squares on circular bases. Dent to one cup, fine original finish. Orb & Cross marks. 8 1/4" x 5" | 5,000 - 7,500 |
| 30 | ROYCROFT Hammered copper vase designed by Dard Hunter with four riveted buttressed handles, alternating with four small silver squares, against a wood grain-pattern ground. (From the collection of David Cathers, this vase was a part of "The Arts and Crafts Movement in America, 1876-1916" Princeton 1972.) Good heavy gauge, original patina. Orb & Cross mark. 7 1/2" x 4 1/2" | 3,750 - 4,750 |
| 31 | ROYCROFT Hammered copper cylindrical vase with silver overlay band. Excellent original patina. Orb and cross mark. 6 1/4" x 3" | 1,200 - 1,600 |
| 32 | ROYCROFT Hammered copper and glass table lamp designed by Dard Hunter, its conical shade made of bright green and purple leaded glass, over a two-socket baluster base with riveted band and two ring handles. (Extremely rare in this more diminutive size.) Fine original patina, customary few short breaks to glass. Orb and cross mark on base. 18 1/2" x 15". | 17,500 - 22,500 |
| 33 | ROYCROFT Copper desk lamp hammered in a wood grain pattern, its helmet shade with four mica panels on a single socket base. Fine original patina and mica. Orb and cross mark. 13 3/4" x 6" | 1,400 - 2,200 |
| 34 | ROYCROFT Pair of hammered copper vases. Excellent original patina. Orb and cross marks. 8 1/4" x 4" | 1,000 - 1,500 |
| 35 | ROYCROFT Small hammered copper American Beauty vase. Fine new patina. Orb & Cross marks. 12" x 5 3/4" | 800 - 1,200 |
| 36 | HANDEL Table lamp, its glass shade obverse-painted and etched with peacocks on prunus branches, over a three-socket classical bronzed base. Very minor 1 1/2" x 1/4" manufacturing imperfection to the inside of shade, gilding in excellent condition. Shade etched 7126, base has cloth label. 24" x 18" | 20,000 - 25,000 |
| 37 | HANDEL Table lamp, its shade of caramel slag glass panels with pierced floral overlay, over a two-socket fluted bronzed base. Shade stamped HANDEL Lamps Patent. 22" x 16" | 2,000 - 3,000 |
| 38 | HANDEL Table lamp, its shade with pierced hammered copper floral pattern on a green slag glass ground, hanging from a double hook over a heavy four-socket hammered copper base. (One of Handel's strongest Arts & Crafts designs.) Fine original patina. Unmarked. 28" x 20" | 6,500 - 8,500 |
| 38A | HANDEL Adjustable table lamp, its cylindrical shade of green and caramel leaded glass on an arced bronzed base. Missing small screw. No visible mark. 15" x 9" | 600 - 800 |
| 39 | HANDEL Table lamp, its etched glass shade reverse-painted with a Venetian harbor scene by John Bailey, over a bulbous three-socket bronzed base. (Exceptional.) Some scratches and unevenness to patina on base. Shade marked HANDEL 6757 and JOHN BAILEY, base stamped HANDEL. 23" x 18" | 20,000 - 30,000 |
| 40 | HANDEL Piano lamp, its leaded glass shade of caramel and green slag glass hanging from a fluted adjustable bronzed base. Fine original patina. Base stamped HANDEL. 9" x 18", shade 7" dia. | 2,000 - 3,000 |
| 41 | HANDEL Table lamp, its acid-etched shade obverse painted with an Arts & Crafts pattern of stylized leaves and blossoms in dark green on a butter yellow ground, atop a three-socket fluted bronzed base. Shade signed HANDEL 5564 patent, base stamped HANDEL. 23 3/4" x 18" | 3,000 - 4,000 |
| 42 | HANDEL Table lamp, its etched glass shade reverse-painted with an Asian inspired scene of cranes flying through tall bamboo, over a three-socket bronzed base with an Asian pattern. Original patina and acorn pulls. Shade stamped HANDEL Lamps with patent no., base unmarked. 23 1/2" x 18" | 9,500 - 12,500 |
| 43 | HANDEL Table lamp, its etched glass shade reverse-painted with an unusual nordic scene on a two-socket bronzed base. A couple of minor nicks to edge of shade. Both components stamped HANDEL, shade also painted 6800. 14" x 22" | 6,000 - 8,000 |
| 44 | FULPER Rare mushroom-shaped lamp covered in a superb Leopard-Skin Crystalline glaze, the shade inset with leaded glass, on a flaring, two-socket base. (Recently discovered in a New York home, these are seldom found in such perfect condition.) Crack to one glass piece, samll reglued chip under base of lamp, small grinding chip. Vertical mark. 17" x 17" | 17,500 - 22,500 |
| 45 | FULPER Large tear-shaped vase covered in an excellent Mirror Black over Copperdust Crystalline glaze. Vertical mark. 12 1/2" x 7" | 2,000 - 3,000 |
| 46 | FULPER Pair of tall candlesticks covered in Cucumber Green and Cat's Eye flambe glaze. Short firing lines to bases. Vertical marks, Vasekraft paper label. 15 1/2" | 1,500 - 2,000 |
| 47 | FULPER Mushroom-shaped table lamp covered in Flemington Green flambe glaze, its shade inset with green and pink and caramel leaded slag glass, over a two-socket base. Restoration to shade. Vertical mark and 21. 17" x 14" | 7,500 - 10,000 |
| 48 | FULPER Large vase covered in a fine Mirror Black to Chinese Blue flambe glaze. Vertical mark. (From the collection of David Cathers.) 12" x 11 1/2" | 1,650 - 2,250 |
| 49 | FULPER Mushroom ikebana vase covered in Elephant's Breath flambe glaze. Vertical mark. 10" x 4 1/2" | 750 - 1,000 |
| 50 | FULPER Buttressed vase covered in an unusual crystalline Cat's Eye flambe glaze. Spiderline to bottom, does not go through. Vertical mark. 8 1/8" x 6" | 750 - 1,000 |
| 51 | FULPER Boudoir lamp covered in Chinese blue flambe glaze, its hemispherical shade inset with leaded slag glass pieces. Three short hairlines between leaded glass and rim of shade. Vertical stamp. 17" x 9 1/4" | 4,500 - 6,500 |
| 52 | FULPER Boudoir lamp covered in Cafe-au-Lait matte glaze, its shade inset with sky blue and cobalt slag glass, over a single-socket candlestick base. Vertical mark and 804. 17 1/4" x 10" | 4,500 - 6,500 |
| 53 | FULPER Tall baluster vase covered in an unusual Flemington Green flambe glaze (a beautiful and unusual version of this glaze). A few scratches, firing line to bottom. Vertical mark. 17" x 8 1/2" | 1,000 - 1,500 |
| 54 | FULPER Tall vase covered in frothy Chinese Blue flambe glaze. Touch-ups to a few grinding chips. Vertical mark and G. 17 1/2" x 7" | 1,000 - 1,500 |
| 55 | ROOKWOOD Large Scenic Vellum plaque painted by E. T. Hurley with a mountainous lake landscape in pink hues, 1946. Mounted in its original ivory-enameled frame, light and sparse crazing. Flame mark/XLVI/ETH. Plaque: 14 1/2" x 12 1/2" | 12,000 - 17,000 |
| 56 | ROOKWOOD/MORGAN (Attrib.) Table lamp with a Rookwood Iris glaze factory lamp base painted by John D. Wareham with vertical panels of cyclamen, 1905. Complete with original converted oil font and topped by a Morgan leaded glass shade of same pattern. (This lamp, originally matched when made, is pictured in "Mosaic Shades," by Paul Crist, 2005, p. 115.) A few short breaks to glass. Shade unmarked, base has flame mark/V/S/1738/J.D.W. To socket: 18" x 16" | 9,000 - 12,000 |
| 57 | ROOKWOOD Iris glaze bulbous vase beautifully decorated by Lenore Asbury with branches of white hollyhocks, 1910. Uncrazed. 12" x 6" | 3,000 - 4,000 |
| 58 | ROOKWOOD Tall Vellum vase painted by Fred Rothenbusch with pink nasturtium blossoms, 1928. Uncrazed. Seconded mark for scaling and pitting at rim. Flame mark/XXVIII/614D/FR/X. 10 1/2" x 5 3/4" | 1,500 - 2,000 |
| 59 | ROOKWOOD Jewel Porcelain vase painted by Arthur Conant with a bird in a peony garden, 1921. A few glaze specks have earned it a seconded mark. Flame mark/XXI/2544/artist's cipher/X. 8" x 4" | 1,400 - 1,900 |
| 60 | ROOKWOOD Vellum vase painted by F. Rothenbusch with nasturtium on a shaded ground, 1907. Some pitting to top. Flame mark/VII/907DD/V/FR. 10 1/2" x 4" | 800 - 1,200 |
| 61 | ROOKWOOD Rare Carved Standard glaze vase by John D. Wareham with red hot pokers in relief against a dark brown ground, 1900. A few short scratches, seconded mark for glaze misses around bottom. Flame mark/732B/JDW/X. 10 1/4" x 5" | 3,000 - 4,000 |
| 62 | ROOKWOOD French Red tall baluster vase painted and carved by Sara Sax with enamel-type orange, blue, and pink flowers on a gunmetal ground, 1921. Restoration to section of base. Flame mark/XXI/2551/artist's cipher. 14" x 6" | 1,500 - 2,000 |
| 63 | ROOKWOOD Vellum vase painted by Sara Sax with peacock feathers, 1915. Opposing hairlines and scaling to rim. Flame mark/XV/932E/V/artist's cipher. 8 1/4" x 3 1/2" | 1,000 - 1,500 |
| 64 | ROOKWOOD Wax Matte vase painted by Mary Helen McDonald and/or Louise Abel with purple nicotina plants on a raspberry ground, 1922. Flame mark/XXII/356D/MHM over circled 'A'. 8" x 4" | 1,200 - 1,500 |
| 65 | ROOKWOOD Wax Matt squat vase painted by Louise Abel with a wreath of jewel toned flowers on purple ground, 1923. Flame mark/XXIII/1929/artist's cipher. 4 1/4" x 7" | 1,250 - 1,750 |
| 66 | ROOKWOOD Carved Matt bowl decorated by William Hentschel with a band of abstracted blossoms in purple, green, and blue, on a rich butterfat brown ground, 1915. 1/2" glaze chip at base. Flame mark/XV/438/WEH. 5 1/4" x 9" | 800 - 1,200 |
| 67 | NEWCOMB COLLEGE Exceptional early vessel carved by Marie de Hoa LeBlanc with five stylized blue and white rabbits, 1902. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no. 48; also shown in a Newcomb sale room photo from the Tulane library). A few firing lines clearly in making. NC/MHL/U/K5X/JM. 7 1/2" x 9 1/2" | 60,000 - 80,000 |
| 68 | NEWCOMB COLLEGE Early tall candlestick carved by Leona Nicholson with three large whimsical blue and green frogs pointing to crescent moons, c. 1902. (Illustrated in "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003. Provenance: Dr. Katharine Havard; Augusta Walmsley King, Cedars Plantation St. Francisville, La.) 1/4" chip to base from firing. LN/H38X. 11 1/2" x 7" | 15,000 - 20,000 |
| 69 | NEWCOMB COLLEGE Early, large three-handled vase carved by Marie de Hoa LeBlanc with yellow crocuses on green stems against an indigo ground, c. 1909. (Exhibited in "A Century of Ceramics in the United States 1878-1978," Everson Museum of Art, Syracuse, New York, 1979; illustrated in "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003.) Firing bubbles under top of handles. NC/MHLB/W/JM/DE8. 8 1/2" x 9 1/2" | 20,000 - 30,000 |
| 70 | NEWCOMB COLLEGE Early breakfast set for two carved by Henrietta Bailey with bands of spiderwort in green, orange, and indigo, comprising a small tea pot, covered sugar bowl, creamer, and two tea cups with saucers, 1907. (Illustrated in "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003. Provenance: Neighbor of Henrietta Bailey. [Complete sets, especially in perfect condition, are extremely rare.]) Firing line to one cup handle. NC/HB/BX/18, 19, 20, 21, 22. Tea pot: 4" x 7" | 9,500 - 12,500 |
| 71 | NEWCOMB COLLEGE Early biscuit jar and cover, carved by Harriet Joor with blue and yellow water lilies, 1903. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no.84; "A Century of Ceramics in the United States, 1878-1978," Everson Art Museum, Syracuse, New York, 1979; illustrated in a Newcomb Pottery sales room photos from the Tulane library, and "America Illustrated," U.S. Government, September 1980). Restored 3/4" chip and 1 1/2" tight hairline to rim of jar. NC/HJ/JM/JJ34/W. 7" x 5" | 15,000 - 20,000 |
| 72 | NEWCOMB COLLEGE Early three-piece desk set painted by Roberta Kennon with stylized blue and green vine design, comprising a quill holder, an inkwell with cover, and a sponge holder, 1902. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cats no. 38, 39, 40.) A wedding gift for Beverly Randolph, a decorator for Newcomb from 1895-1903. This was purchased from family members. Hairline to quill holder and sponge holder. Stamped NC/R.B.K./Q/G'87X, 88X, and 89X. Quill holder: 4 1/4" x 2 1/4" | 8,000 - 10,000 |
| 73 | NEWCOMB COLLEGE Early squat vessel painted by both Marie and Emily de Hoa LeBlanc with a stylized cross section of a seed pod in blue and green, c. 1901. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no. 28) Stamped NEWCOMB COLLEGE JM/EHL/MHL/U. 3 3/4" x 5 1/4" | 7,000 - 10,000 |
| 74 | NEWCOMB COLLEGE Early, large, and squat vessel painted by Ada Lonnegan with blue daffodils on green stems, 1903. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no. 61.) Stamped NC/JM/LONNEGAN/DD33/Q/NO. 5" x 8 1/2" | 18,000 - 22,000 |
| 75 | NEWCOMB COLLEGE Early squat vase painted by Marie de Hoa LeBlanc with blue and orange pointsettia, 1904. (Illustrated in "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003.) Two hairlines from rim, minor colored-in nick to base. NC/MHLB/JM/0048/W. 6" x 8" | 12,000 - 16,000 |
| 76 | NEWCOMB COLLEGE Charger deeply carved by Sabina Wells with large fleshy blue and white magnolias on a white ground, 1903. Features an unusual standing rim and a dark blue back. (Exhibited in "Newcomb Pottery, An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no. 77; "A Century of Ceramics in the United States 1878-1978," Everson Art Museum, Syracuse, New York, 1979; illustrated in "Louisiana's Art Nouveau: The Crafts of the Newcomb Style," by Suzanne Ormond and Mary E. Irvine, 1976; "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003; "America Illustrated," U.S. Government, September 1980.) NC/S.E.WELLS/JM/W/LL74/X. 9 1/4" dia. | 9,000 - 12,000 |
| 77 | NEWCOMB COLLEGE Early charger carved by Sabina Wells with three blue and white fish, 1904. Back pierced for hanging. (Illustrated in "Louisiana's Art Nouveau: The Crafts of the Newcomb Style," by Suzanne Ormond and Mary E. Irvine, 1976.) Small chip to foot ring, and two very tight hairlines from rim. NC/S.E.WELLS/JM/TT73/W. 9 1/2" dia. | 6,000 - 8,000 |
| 78 | NEWCOMB COLLEGE Early bulbous vase carved by Ada Lonnegan with fleshy gardenias on a cobalt ground, 1904. (Exhibited in "A Century of Ceramics in the United States 1878-1978," Everson Art Museum, Syracuse, New York, 1979; illustrated in "Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895-1940," by Joessie Poesch and Sally Main, 2003.) NC/JM/Lonnegan/XX63/Q. 7" x 7" | 10,000 - 15,000 |
| 79 | NEWCOMB COLLEGE Early, tall, cylindrical vase carved by Leona Nicholson with a band of stylized poppy pods in deep teal blue on an orange and ivory ground, 1905. (Exhibited in "Newcomb Pottery: An Enterprise for Southern Women 1895-1940," the Newcomb College of Tulane University and the Smithsonian Institution Traveling Exhibits Services, 1984-87, cat. no. 87.) NC/LN/JM/AL86/Q. 10 1/2" x 5" | 12,000 - 16,000 |
| 80 | NEWCOMB COLLEGE Circular hanging plaque carved by Sadie Irvine with a moonlit bayou scene. Back pierced for hanging. (Exhibited in "American Decorative Tiles 1870-1930," The William Benton Museum of Art, University of Connecticut, Storrs, 1979, cat. no. 130a.) NC/KS/SI. 5" dia. | 3,000 - 4,000 |
| 81 | NEWCOMB COLLEGE Circular hanging plaque carved by Sadie Irvine with a moonlit bayou scene, 1932. (Very crisp). Back pierced for hanging. (Exhibited in "American Decorative Tiles 1870-1930," The William Benton Museum of Art, University of Connecticut, Storrs, 1979, cat. no. 130b). NC/SI/KS/UA2. 5" dia. | 3,750 - 4,750 |
| 82 | GEORGE OHR Straight-walled vessel with folded rim, covered in a superior blood red, yellow, brown, and lime green dripping and mottled leathery matte glaze. (From the collection of Dr. Robert Yoskowitz.) Several short firing lines in crooks of folds, clearly from manufacture. Script signature. 4 3/4" x 5" | 15,000 - 20,000 |
| 83 | GEORGE OHR Flaring vessel with deep asymmetrical fold and pie crust rim, its exterior half covered in solid gunmetal glaze, the other half and interior in mottled green on beige. (From the collection of Dr. Robert Yoskowitz.) G.E.OHR BILOXI. 3 1/4" x 6" | 3,500 - 4,500 |
| 84 | GEORGE OHR Vase with dimpled front and spouted rim, covered in deep teal green mottled and lustered glaze. (From the collection of Dr. Robert Yoskowitz.) Stamped G.E.OHR Biloxi Miss. 5" x 4 1/2" | 4,000 - 6,000 |
| 85 | GEORGE OHR Squat vase of white clay with dimpled shoulder and lobed neck, its exterior covered in a rare brilliant cobalt glaze, its interior in mottled matte lime green glaze. (From the collection of Dr. Robert Yoskowitz.) Stamped G.E. OHR Biloxi Miss. 3 1/2" x 5 1/4" | 5,500 - 7,500 |
| 86 | GEORGE OHR Rare milk can-shaped vase with single curled handle and accordeon snake, covered in green and indigo gunmetal glaze. (From the collection of Dr. Robert Yoskowitz.) Stamped G.E.OHR Biloxi Miss. 6 1/4" x 4 3/4" | 12,000 - 17,000 |
| 87 | GEORGE OHR Open and squashed vessel with folded and rounded rim, covered in a superior raspberry, aquamarine, and indigo speckled and mottled glaze. (From the collection of Dr. Robert Yoskowitz.) Stamped BILOXI, MISS, GEO.E.OHR. 2 1/2" x 4 3/4" | 5,500 - 7,500 |
| 88 | GEORGE OHR Spherical vase with deep in-body twist to shoulder and rim, covered in gunmetal and deep green speckled glaze. (From the collection of Dr. Robert Yoskowitz.) Stamped G.E.OHR Biloxi Miss. 3 1/2" x 3 3/4" | 3,000 - 4,000 |
| 89 | HARTFORD FAIENCE Exceptional architectural tile embossed in high relief with an owl holding an egg, covered in rich matte glazes. Complete with period wooden box frame. (Exhibited in "American Art Tile 1880-1950," David Rago Arts & Crafts Movement Gallery, Lambertville, New Jersey, 1994.) Chip to corner, a few nicks, and two hairlines, probably from firing (this piece is in excellent condition). Stamped THE HARTFORD FAIENCE Co. HARTFORD, CONN 17. 13 1/4" sq. | 5,000 - 7,000 |
| 90 | ROOKWOOD Exceptional and rare pair of tiled panels decorated in cuenca with muses, one holding a lamp and a scroll, the other a pair of cymbals, in polychrome on green ground. Tiles from each panel cemented and grouted in iron frame, gilded wood frame available. Stamped ROOKWOOD FAIENCE 1923Y. Tile panels: 33" x 17" ea. | 12,000 - 16,000 |
| 91 | CECIL JONES Two Art Deco faience tiles en suite, "Diana," "Her Quarry," painted in polychrome crackled glazes. Firing line and minor scaling to base, possible touch up to small area of Diana tile. Diana tile signed CIS JONES. 12" x 8 3/4" | 1,000 - 1,500 |
| 92 | NO LOT | 0 - 0 |
| 93 | AREQUIPA Tall vase from the Frederick Rhead period, decorated in squeezebag with a wreath of spade-shaped leaves in yellow on an active matte green ground. (Recently discovered in a California estate.) A few glaze bubbles. Stamped AREQUIPA CALIFORNIA. 8" x 4" | 9,000 - 12,000 |
| 94 | AREQUIPA Squat vessel from the Frederick Rhead period, decorated in trail slip with a wreath of spade-shaped leaves in brown and green on a frothy deep green ground, 1912. Signed in indigo ink on white medallion, AREQUIPA CALIFORNIA 1912 572 with tree. 2 1/2" x 5 1/2" | 2,500 - 3,500 |
| 95 | AREQUIPA Cabinet vase decorated with stylized brown blossoms on a gray-brown ground. Stamped AREQUIPA CALIFORNIA. 3 1/2" x 3" | 1,500 - 2,000 |
| 96 | TECO Vase with four full-height buttresses, covered in matte buff glaze. Restoration to chip at rim and to one corner. Stamped Teco. 7" x 4 1/4" | 1,400 - 1,900 |
| 97 | TECO Beaker-shaped vase with four buttressed handles covered in matte green glaze. Reglued 1/2" chip, burst glaze bubble at juncture of one handle. Stamped Teco. 7 3/4" x 6" | 2,500 - 3,500 |
| 97A | TECO Large bulbous vessel covered in smooth matte green glaze. Stamped Teco 250. 9 1/4" x 9 1/4" | 1,750 - 2,250 |
| 98 | TECO Massive vessel with four buttressed handles covered in an unusual frothy dark brown glaze. Some overfiring to glaze causing bubbles. Restoration to a couple of base chips. Stamped Teco 175. 14" x 10" | 2,750 - 3,750 |
| 99 | TECO Unusual tapering vase embossed with calla lilies and ferns and covered in smooth matte green glaze. Several small nicks to high points and around foot ring. Stamped Teco 134. 13" x 5 1/2" | 3,000 - 4,000 |
| 100 | TECO Electric lamp base with its original two-socket fixture on a tapered base, gently embossed with full-height leaves and covered in matte green glaze. Stamped Teco. 20 3/4" x 9 1/2" | 3,000 - 4,000 |
| 101 | TECO Wall pocket with circular medallion embossed in an Asian pattern, and covered in matte green glaze. Stamped Teco. 6 1/2" x 5 1/4" | 1,000 - 1,500 |
| 102 | LIMBERT Massive Morris chair with a single, broad slat cut-out with three squares, under each long and flat arm, a drop-in spring seat and loose back cushion newly recovered in dark brown leather. Original finish with light overcoat. Paper label under arm. 37 1/2" x 34 1/2" x 42 1/2" some nicks and scratches to tops of arms. | 9,000 - 14,000 |
| 103 | LIMBERT Library table with an octagonal top over broad legs cut-out with rectangles and squares, and wide stretchers mortised through the legs with shaped tenons and keys. Top refinished, minor repairs to legs. Branded under top. 29 1/4" x 51 3/4" Seam separation to top, splinter from seam separation. Minor edge wear, addition of two of the small side pieces extending from the base of the legs. | 7,500 - 10,000 |
| 104 | LIMBERT Library table with a turtle shaped top, long corbels, and square cut-outs to each side. Original finish with overcoat, good condition. Branded in drawer. 29 1/2" x 48" x 30" Minor seam separation in top. | 2,800 - 3,500 |
| 105 | LIMBERT Single-door bookcase with four interior shelves and a cut-out gallery top. Very good original finish. Paper label on rear. 64" x 32 1/4" x 14" Replaced lock, original glass and shelves. | 5,500 - 7,500 |
| 106 | PLAIL Three-piece parlor set with even arms, curved backs, vertical slats all around and drop-in spring seats recovered in dark brown leather. (This rare company's best set, in excellent condition.) Original finish. Rocker has partial paper label. Chair: 34 1/2" x 24 1/2" x 20", rocker: 32" x 24 1/2" x 20", settee: 34 1/2" x 46 1/2" x 20" Settee has two screw caps missing and is loose. Chair has stains on right side and 3 of 4 screw caps missing, loose. Chip from the end of one rocker and chips/edge wear front right leg. | 10,000 - 12,000 |
| 107 | GUSTAV STICKLEY Split-pedestal dining table (no. 634) with trumpet-shaped stretchers, complete with six leaves. Worn restored finish, runners as-is. Paper label. 28 1/2" x 54" | 7,000 - 10,000 |
| 108 | GUSTAV STICKLEY Early server with chamfered sides, two small drawers over an open shelf and a linen drawer, all with faceted wooden knobs. Original finish, server has been imperceptibly resized. Unmarked. 44" x 49 3/4" x 24" Server was taken apart and made smaller in width. All drawers and plate rail, etc were cut down and put back together (well). | 6,000 - 9,000 |
| 109 | L. & J.G. STICKLEY Double-door china cabinet with three fixed interior shelves over a two-door cupboard with hammered copper strap hinges and hardware. Very nice original finish and condition. "Work of..." decal inside right door. 70 1/4" x 50" x 17" Small nick to right front of top. | 12,000 - 18,000 |
| 110 | GUSTAV STICKLEY Lamp table with a circular top, apron, and lower shelf. Excellent original finish and condition. Red decal inside leg. 29" x 24" small ring on top and on shelf. | 1,800 - 2,500 |
| 111 | GUSTAV STICKLEY Sewing stand with drop sides, two drawers, and round wooden pulls. Original finish on base, top refinished. Decal in top drawer, paper label under bottom. 28" x 18 1/2" x 18", open: 28" x 42 1/2" x 18" Small plug repair to top, stains and finish wear top top. Missing thread tray. | 1,500 - 2,000 |
| 112 | L. & J.G. STICKLEY Trapezoidal magazine stand with four shelves, its top and lower shelves mortised through the sides. Excellent original finish and condition. "Work of..." decal under top. 42" x 20" x 15" Minor scuffs around feet. | 1,800 - 2,500 |
| 113 | L. & J.G. STICKLEY Magazine stand with open sides framed by arched cut-outs, four shelves and an arched toe-kick. Original finish, wear to finish at feet, stains to shelves and top. Unmarked. 45" x 19" x 12" Mop marks around feet, burn and small paint spot to 2nd shelf, stains and wear to top shelf. Tack hole to top of front right post. This piece has a chamfered back. | 1,800 - 2,500 |
| 114 | GUSTAV STICKLEY Rare even-arm crib settle with massive posts, canted sides and back, slats all around, and loose cushions recovered in slate gray mohair. Original finish. Decal on back. 39" x 70 3/4" x 35 1/2" Nice condition. Original finish has been cleaned. Some splits to posts. Replaced rope seat deck. | 20,000 - 30,000 |
| 115 | LIMBERT Three-door bookcase with an overhanging top supported by corbels and canted sides. Original finish. Branded on center back. 57" x 66 1/2" x 14" | 4,000 - 6,000 |
| 116 | GUSTAV STICKLEY Two-door bookcase with twelve panes per door, three fixed interior shelves, iron V-pulls, and its top and bottom mortised with keyed through-tenons. Original finish, minor wear to front. Black stamp inside right, Eastwood label on back. 56 1/4" x 57" x 13" Minor stains, scratches to top, chip from back of gallery. Edge roughness to sides. Back is delaminating. | 6,500 - 9,500 |
| 117 | GUSTAV STICKLEY Triple-door, mitered-mullion bookcase with twelve panes per door, three fixed interior shelves per section, and copper ring-pulls. Original finish with light overcoat, very good condition. Red decal on back. 55 1/2" x 72 1/2" x 12" Chip to right front leg, check to top at left, minot checking on right side. | 14,000 - 18,000 |
| 118 | L. & J.G. STICKLEY Cube settle with drop arms, curved back slats, and a drop-in spring cushion recovered in Morris & Co. fabric. Refinished. "Work of..." brand. 32" x 62" x 26" | 4,000 - 6,000 |
| 119 | L. & J.G. STICKLEY Cube armchair with drop-arms, curved back slats, a drop-in spring cushion. New finish and upholstery. Branded "Work of...". 32" x 27" x 26" | 2,500 - 3,500 |
| 120 | L. & J.G. STICKLEY Cube rocker with drop-arms, curved back slats, and drop-in spring cushions . New finish and upholstery. Branded "Work of...". 31 1/2" x 27" x 25" | 2,500 - 3,500 |
| 121 | GUSTAV STICKLEY Child's wardrobe with two paneled doors, interior drawers and shelves, and hammered copper V-pulls. Original finish, touch up to finish on front, good condition. Red decal inside top drawer, paper label on back. 59 3/4" x 34" x 16 1/2" Minor chipping to top of left rear and right front edge. Black drip stain on right side. | 12,000 - 16,000 |
| 122 | GUSTAV STICKLEY Settee with twelve vertical backslats, a V-shaped crestrail and side posts mortised through the tops of its arms. Original finish, replaced leather. Red decal inside rear leg. 36" x 47 1/4" x 24 1/4" Light scuffs to edges, check to inside left leg. | 2,200 - 2,800 |
| 123 | GUSTAV STICKLEY Book table with tapered legs and two shelves with spindled ends to each side. Original finish with overcoat. Eastwood paper label under bottom. 30" x 24" x 24" Minor stains to top and shelves. Good condition. | 3,500 - 5,500 |
| 124 | GUSTAV STICKLEY Shirt-waist box with dovetailed sides and ornate iron pulls attached with pyramidal screws. Refinished. Paper label under bottom. 17" x 36" x 22 1/4" | 4,000 - 6,000 |
| 125 | GUSTAV STICKLEY Music cabinet with iron hardware, its two upper doors inlaid with various fruitwood in a grapevine design over a single door, all concealing original music compartments. Refinished, good condition. Red decal on back. 47 1/2" x 20" x 17" Repaired seam separation to top. Metal brackets added inside of base. | 15,000 - 20,000 |
| 126 | ROYCROFT Frame with signed photograph of Elbert Hubbard, 1914. Refinished. Photograph copyrighted and stamped with orb and cross mark. Frame: 21 1/2" x 17 1/2" | 850 - 1,250 |
| 127 | ROYCROFT Mullioned frame with six sections, complete with period mottos. Original finish. Burnt-in orb and cross mark. 18 1/4" x 21" | 900 - 1,200 |
| 128 | NO LOT | 0 - 0 |
| 129 | GUSTAV STICKLEY Large ovoid hammered copper tray with riveted handles. Fine original patina. Als Ik Kan stamp. 24" x 11 1/2" | 700 - 1,000 |
| 130 | LIMBERT Hammered copper faceted table lamp, pierced with a pattern of peacocks and roses, and lined in caramel slag glass. Three-socket base also lights up. Two replaced glass panes, perfectly matched. Unmarked. 25" x 21" | 8,000 - 10,000 |
| 131 | OLD MISSION KOPPER KRAFT Large hammered copper and mica table lamp, its four-panel flaring shade atop a four-arm single-socket bulbous base. (Very rare in this size.) Original patina and mica. Stamped mission mark. 20" x 24" | 6,500 - 9,500 |
| 132 | STICKLEY BROTHERS Hammered copper and mica table lamp, its faceted shade over a three-socket, two-handled faceted bulbous base. Original condition, small dent to top of shade and base. Unmarked. 22" x 20" | 2,000 - 3,000 |
| 133 | CHARLES ROHLFS Two tall candlesticks of similar construction, each topped with a broad copper cup. One cup replaced. Stamped R. 15 1/2" and 16" | 1,000 - 1,500 |
| 134 | SAMUEL YELLIN Wrought iron floor lamp with twisted tripod base topped by a period mica shade painted with tall ships. Missing finial. Stamped SAMUEL YELLIN PHILA. PA. 60" x 19" | 4,000 - 6,000 |
| 135 | SAMUEL YELLIN Tall wrought-iron and brass fireplace poker. Some checks to ball and slight dent to handle. Stamped SAMUEL YELLIN. 41" | 2,000 - 3,000 |
| 136 | CHARLES ROHLFS Rare ebonized plate stand, 1901. (From the collection of David Cathers.) Fine original finish. Branded R 1901. 9" x 6" x 5" | 900 - 1,400 |
| 137 | CHARLES ROHLFS Eagle-shaped rustic picture frame, 1904. Some losses to beak, head, top, and edge of wing. Branded R 1904. 11" x 9 3/4" | 1,000 - 1,500 |
| 137A | CHARLES ROHLFS Rustic frame, 1904, complete with an Emma Kaan & Annie Crawford color lithograph. Stamped R 1904. Frame: 12" x 14" | 1,000 - 1,500 |
| 138 | GUSTAV STICKLEY Oak bookends with moulding base. (From the collection of David Cathers.) Original finish, branded Stickley. 5 3/4" x 7" x 2 1/2" | 650 - 950 |
| 139 | JARVIE Pair of Theta brass candlesticks. Missing bobeches. Unmarked. 13 1/2" | 3,500 - 4,500 |
| 140 | SAMUEL YELLIN Extravagant pair of wrought-iron andirons, all twists, globes, and curlycues. Loss of one finial, slight bend to other. Stamped YELLIN. 23" x 17 1/2" x 25" | 9,000 - 12,000 |
| 140 | NO LOT | 0 - 0 |
| 141 | JARVIE Pair of Beta bronze candlesticks. Replaced bobeches, new patina. Stamped Jarvie B. 12 1/2" | 1,500 - 2,000 |
| 142 | ADLER & SULLIVAN Cast iron baluster from the Guaranty Building, Buffalo, New York, executed by the Yale and Towne Manufacturing Co., 1894-96. Some wear to patina. 25 3/4" x 10 3/4" | 1,750 - 2,250 |
| 143 | GUSTAV STICKLEY Pair of rare andirons (no. 314) in a spade motif, covered in their original black enamel. Unmarked. 18 1/2" x 14" x 21" | 2,000 - 3,000 |
| 144 | GUSTAV STICKLEY Chandelier with five lantern drops fastened with riveted hammered copper plates to a square oak plate, each fixture with a light green glass shade (break to one shade). Als ik kan stamp. 21 1/2" x 18" sq. | 5,000 - 7,000 |
| 145 | GUSTAV STICKLEY Hammered copper piano lamp with a weighted base, riveted arm and bell-shaped copper shade (an extremely rare example). Normal wear to patina. Unmarked. 5" x 24" | 7,500 - 10,000 |
| 146 | GUSTAV STICKLEY Boudoir lamp, its four-sided candlestick base ringed in hammered copper and topped with a silk-lined wicker shade. Unmarked. 16" x 9" | 1,200 - 1,800 |
| 147 | GUSTAV STICKLEY Hammered copper table lamp (no. 294), its large two-socket base with cast and riveted handles topped by a period Japanese wicker shade relined in silk. (A rare original electric lamp, this model is typically seen with an oil font.) Normal wear to original patina, shade cap and finial replaced. Stamped Als-ik-kan. 26" x 20" | 5,500 - 6,500 |
| 148 | DIRK VAN ERP Exceptional and extremely rare hammered copper and mica table lamp, its unusual shade lined in parchment over mica, on a four-arm base with electrified oil font. (Provenance: Fern Prairie Lodge, Lackamas Lake, WA.) Excellent original condition, remnants of original hand-painted flowers on parchment. Windmill stamp with DIRK VAN ERP and remnant of D'Arcy Gaw. Shade: 22 1/2", height with chimney: 22 1/2" | 100,000 - 125,000 |
| 149 | DIRK VAN ERP Hammered copper and mica table lamp with a trumpet base with three arms, and three sockets. Supporting conical shade. Pristine original condition. Open box windmill mark. 21" x 17 1/2" | 8,000 - 12,000 |
| 150 | DIRK VAN ERP Hammered copper and mica table lamp, its four panel conical shade atop a two-socket trumpet-shaped base. Original patina and mica. Open box windmill mark. 18" x 17" | 12,500 - 16,500 |
| 151 | DIRK VAN ERP Hammered copper jardiniere in a Warty texture. Fine original patina. Closed box mark. 6 1/4" x 10 1/2" | 5,000 - 7,500 |
| 152 | DIRK VAN ERP Hammered copper and mica table lamp, its three panel shade over a three socket bulbous and riveted base. Some enhancement to original finish. Open box mark. 18" x 18" | 12,000 - 18,000 |
| 152A | DIRK VAN ERP Large hammered copper and mica table lamp, its four-panel shade atop a bulbous, riveted base with four sockets. Replaced shade cap, and arms, new patina, original mica. Unmarked. 22 1/2" x 21" | 8,000 - 12,000 |
| 153 | HEINTZ Sterling-on-Bronze boudoir lamp with poppies, the conical shade lined in mica, mottled brown patina. Original patina, mica possibly replaced, shallow dent to base. Unmarked. 10 3/4" x 8 1/2" | 750 - 950 |
| 154 | HEINTZ Sterling-on-Bronze boudoir lamp with poppies, the conical shade lined in mica, mottled green patina. Original patina, mica possibly replaced. Marked with silver label. 9 3/4" x 8 1/2" | 750 - 950 |
| 155 | LIMBERT Hanging hall mirror with four hammered double hooks and three single hooks. Fine original finish and silver. Stamped mark, 22. 25" x 37 1/2" | 1,000 - 1,500 |
| 156 | SATURDAY EVENING GIRLS Exceptional bowl decorated in cuerda seca with fishing boats on river's edge against an apple green ground. (The first of these we've seen.) Three short tight lines to rim. 157.7.11 SEG IG. 4 1/4" x 10 1/2" | 3,000 - 4,000 |
| 157 | SATURDAY EVENING GIRLS Two breakfast items for Celeste, Her Pitcher and Her Plate, both decorated in cuerda seca with the Tortoise and the Hare, "The race is not to the swift nor the battle to the strong," "Slow but Sure." Chip to spout. S.E.G. JMF 8-17. 4 1/4" and 7 1/2" dia. | 800 - 1,200 |
| 158 | SATURDAY EVENING GIRLS Mug finely decorated in cuerda seca with three fishing boats against a hilly lakeland landscape. Signed AM SEG 8-15. 5" x 6" | 2,000 - 3,000 |
| 159 | SATURDAY EVENING GIRLS Vase decorated in cuerda seca with trees in a landscape against a yellow ground. Signed S. E. G. 4-19. 7 3/4" x 3 1/2" | 2,000 - 3,000 |
| 160 | SATURDAY EVENING GIRLS Center bowl decorated in cuerda seca with two-tone yellow daffodils on a beige, white, and yellow ground. Very tight 2" hairline to bottom, possibly from firing. S. E. G, 6-14 FL. 2 1/2" x 8 1/2" | 1,750 - 2,250 |
| 161 | SATURDAY EVENING GIRLS Vase with closed-in rim painted with puffy trees in a landscape in mustard yellow on a sandy ground, 1917. Small firing inconsistancy to rim. S.E.G./2-17/LS. 5 3/4" x 4 1/2" | 1,000 - 1,500 |
| 162 | SATURDAY EVENING GIRLS Squat vessel decorated in cuerda seca with trees in a hilly landscape on a yellow ground. Y-shaped line from rim. Signed C.B.T. COMPLIMENTS OF THE S.E.G. NEWS EDITORS S.E.G. FL 5-17. 2 1/2" x 6 1/2" | 1,400 - 1,900 |
| 163 | SATURDAY EVENING GIRLS Tile incised with a fox in mustard glaze on a celadon ground. Signed 388.5'10, FR, S.E.G., remnant of rare paper label. 5 1/4" sq. | 1,500 - 2,000 |
| 164 | SATURDAY EVENING GIRLS Three pieces: two bread plates decorated in cuerda seca, one with a Greek key pattern, the other with brown trees on a yellow ground, and a white mug with baby chicks, "Skiffy, Her Mug," (hairline and reglued handle). All marked. Plates: 6 1/2" Mug: 3 1/4" | 850 - 1,250 |
| 165 | MARBLEHEAD Exceptional vase sharply excised by Hannah Tutt with black crouching panthers in front of green stylized trees and an amber sky. Practically imperceptible 1/8" hairline to rim, possibly from firing, glaze thinness near base. Stamped ship mark, HT. 7" x 5" | 15,000 - 20,000 |
| 166 | MARBLEHEAD Vase finely decorated by Hannah Tutt with panels of stylized blossoms in brown and indigo on a green ground. Professional restoration to two opposing chips at rim. Ship mark, HT. 5 1/4" x 6 1/2" | 2,000 - 3,000 |
| 167 | MARBLEHEAD Ovoid vase decorated with an incised and painted stylized foliate pattern in dark brown on an olive green ground. Small nick to rim. Ship mark. 5 1/4" x 3 1/2" | 1,000 - 1,500 |
| 168 | MARBLEHEAD Bulbous vase incised and painted with a stylized decoration in indigo on a green ground. Ship mark. 4" x 4 1/4" | 1,500 - 2,000 |
| 168A | MARBLEHEAD Bulbous vase, painted and incised with green leaves on a matte indigo ground. Ship mark. 6" x 5" | 3,000 - 4,000 |
| 169 | MARBLEHEAD Large vase crisply decorated by Hannah Tutt with branches of yellow fruit and green foliage on a gray ground. Ship mark/HT. 6 3/4" x 5" | 4,000 - 6,000 |
| 170 | MARBLEHEAD Tall and fine cylindrical vase decorated in wax-resist with full-height stylized trees in blue-gray and indigo on a smooth speckled gray ground. Small grinding chip. Ship mark. 8 1/4" x 3 3/4" | 7,000 - 9,000 |
| 171 | MARBLEHEAD Large melon-shaped vase decorated by Arthur Baggs with incised, stylized grape vines in dark blue and browns on a gray speckled ground. A few minor glaze bursts. Impressed ship mark/AB/T. 9 1/2" x 6 1/2" | 6,000 - 9,000 |
| 172 | MARBLEHEAD Corseted vase beautifully decorated by Hannah Tutt in a geometric pattern of brown squares an indigo stems on a green ground. Invisible restoration to hairline. Ship mark, HT, paper label. 8 1/4" x 4 1/4" | 5,000 - 7,500 |
| 173 | GRUEBY/BIGELOW KENNARD Table lamp with a Grueby Kendrick vase with seven handles covered in a fine frothy matte green glaze, signed by Ruth Erickson, and topped by a Bigelow Kennard green leaded glass shade in geometric pattern, over an electrified oil font. (Recently discovered in a Massachusetts estate, this lamp was assembled by Grueby and Bigelow Kennard when made. Original conversions are extremely rare.) Base has paper label, C. P.? 4-7-6, and circular Pottery mark. Shade stamped BIGELOW, KENNARD & CO. BOSTON. Vase: 12 1/2" x 10" Shade: 8" x 20 1/4", and total with chimney: 28" | 50,000 - 70,000 |
| 174 | GRUEBY Vase with two rows of tooled and applied leaves under matte green glaze. Hairline and restored chip to rim. Circular GRUEBY FAIENCE stamp. 8 1/4" x 4 1/2" | 1,400 - 1,900 |
| 175 | GRUEBY/CRANBROOK ACADEMY Experimental squat vase by Ruth Erickson while at Cranbrook, with applied leaves, covered in a superior frothy matte brown glaze. Minute fleck to rim. Incised ER, CA, painted 404E. 4 1/4" x 5 1/4" | 2,500 - 3,500 |
| 176 | GRUEBY Four-sided bowl with tooled and applied rows of leaves under a fine frothy matte green glaze. (From the collection of David Cathers.) A couple of minor nicks to rim. Circular Faience mark. 3 1/2" x 10" | 2,000 - 3,000 |
| 177 | GRUEBY Gourd-shaped Kendrick vase with two rows of tooled and applied leaves under a fine matte green glaze. (Recently discovered in a Montreal home, this vase shows a rare combination of perfect glazing and organic form.) A few nicks to leaf edges and one to base. Circular Pottery stamp 33. 12" x 8" | 10,000 - 15,000 |
| 178 | GRUEBY Tile decorated in cuenca with a tall ship in yellow, mustard, and brown on a curdled green ground. (From the collection of David Cathers.) One burst bubble to sail. Signed PS. 6" sq. | 1,800 - 2,300 |
| 179 | GRUEBY Frieze of three tiles decorated in cuenca with penguins and seagulls on a green sea. Very crisp, and unusual to find three in a series. Restoration to corner of third, a couple of minor nicks. One has artist's signature, one with paper label. Each 4" sq. | 3,000 - 5,000 |
| 179A | GRUEBY Ovoid vase with tooled and applied full-height leaves covered in thick indigo matte glaze. Kiln-kiss to side, restoration to rim. Circular Pottery stamp 180. 8" x 4" | 1,500 - 2,000 |
| 180 | GRUEBY Early tall vase with tooled and applied full-height leaves covered in a superior matte green glaze, alternating with yellow buds. A few nicks to leaf edges and small grinding chip. Grueby Faience circular stamp. 12" x 5 1/4" | 9,000 - 12,000 |
| 181 | HANNAH OVERBECK Ink and watercolor study of marigolds. (From Hannah Overbeck's original portfolio of water colors, descended through the Nixon family.) Matted and framed. Signed HO and titled. Image: 7 3/4" x 5" | 2,000 - 3,000 |
| 182 | OVERBECK Seven figurines forming a marching band, each musician wearing a feathered hat. 1/2" chip to one feather, two small areas of restoration, a few minor nicks overall. Stamped or carved OBK. Tallest, 5 1/2" | 2,750 - 3,750 |
| 182A | OVERBECK Bride and groom figurines covered in polychrome glazes. Line to rear of head on groom. Both marked. 5" each | 1,000 - 1,500 |
| 182B | ELIZABETH BURTON Rare pair of brass bookends embossed with arching trees in a hilly landscape, with rutilated and verdigris patinas. Impressed mark. 4 1/2" x 6 1/2" | 3,000 - 4,000 |
| 183 | OVERBECK Tall vase by Elizabeth and Hannah Overbeck, finely excised with conventionalized pine cones in matte mustard and forest green glazes. (A superior example.) Incised OBK, E, H. 8 3/4" x 4 3/4" | 15,000 - 20,000 |
| 184 | OVERBECK Tall and exceptional vase by Elizabeth and Frances Overbeck, deeply excised with a repeating pattern of white jesters on a turquoise ground. 1/4" bruise with tight hairline to body. Incised OBK EF. 14 1/2" x 6 3/4" | 30,000 - 40,000 |
| 185 | NEWCOMB COLLEGE Large, fine, early vase carved by Mazie Ryan with clusters of wisteria on a pale blue ground, 1904. (A vase by this artist fitting this description and size was exhibited at the Louisiana Purchase Exposition, St.Louis, 1904. Unfortunately, no photograph is available at this time. Please inquire for details.) Tight 3" hairline from rim. NC, M.T.RYAN, 1904, MRYAN, JM NNZ Q. 8 1/2" x 8 1/2" | 45,000 - 55,000 |
| 186 | NEWCOMB COLLEGE Vase carved by Sadie Irvine with branches of pink roses with pink centers, on a deep blue ground, 1928. NC/JH/SI/RG82. 8 1/4" x 4 3/4" | 2,500 - 3,500 |
| 187 | NEWCOMB COLLEGE Vase carved by Sadie Irvine with a cottage in a moonlit bayou scene, 1918. (A charming and unusual depiction). Small firing flaw to shoulder. NC/SI/JM/250/JO7. 8" x 4" | 3,000 - 4,000 |
| 187A | NEWCOMB COLLEGE Cabinet vase carved by A. F. Simpson in the Espanol pattern and covered in glossy blue-green glaze, 1929. Slight overfiring around base. NC/RM/79/15/JH/AFS, paper label. 4 1/2" x 2" | 1,400 - 1,900 |
| 188 | NEWCOMB COLLEGE Squat vessel carved by Sadie Irvine with clusters of purple grapes and green foliage, 1917. NC, artist cipher, JM, JB73 253. 4 1/4" x 7 1/4" | 2,000 - 3,000 |
| 189 | NEWCOMB COLLEGE Transitional pitcher sharply carved by A. F. Simpson with pink freesia, 1917. NC/JM/AFS/IX41. 4" x 5" | 2,000 - 3,000 |
| 190 | NEWCOMB COLLEGE Tall vase crisply decorated by A. F. Simpson with a moonlit bayou scene, 1928. (First rate). NC/RC51/144/AFS/JH. 10 1/2" x 5" | 10,000 - 15,000 |
| 191 | NEWCOMB COLLEGE Fine and rare tile, "Oaks," carved by Sadie Irvine with a large live oak tree dripping with Spanish moss, from behind which peeks a full moon (Newcomb College plaques are exceedingly rare). Mounted in original frame. Stamped NC SI7, artist cipher, Newcomb Pottery paper label, framing shop paper label and written in pencil, "with frame; 10." Plaque; 10" x 7 1/2" | 10,000 - 15,000 |
| 191A | SADIE IRVINE Extremely rare color woodblock print, "Swamp Maple," of trees in a bayou in typical Newcomb College colors, c. 1930. Matted. (Pictured in Arthur Wesley Dow and American Arts & Crafts by Nancy Green and Dr. Jesse Poesch, 1999, p. 31). Pencil titled and signed, original label. Image: 11" x 7" | 2,000 - 3,000 |
| 192 | NEWCOMB COLLEGE Tall Transitional vase carved by Sadie Irvine with tall pines in blues and greens, 1911. (An exceptional example.) NC/SI/K/ET9/JM. 12" x 5". | 9,500 - 12,500 |
| 193 | NEWCOMB COLLEGE Early tapered vase carved by A. F. Simpson with ivory and yellow daffodils on a deep teal blue ground, 1908. NC/JM/FS/CQ-52/Q. 9" x 3 1/2" | 7,750 - 9,750 |
| 194 | NEWCOMB COLLEGE Bulbous Transitional vase carved by May Louise Dunn with pale yellow blossoms on a waxy, bright green ground, 1912. NC/JM/MLD/FH51. 9 1/4" x 3 1/4" | 4,000 - 6,000 |
| 195 | NEWCOMB COLLEGE Baluster vase carved by A. F. Simpson with a moonlit bayou scene, 1919. NC/AFS/JM/194/KL20. 7 1/4" x 4 1/4" | 4,000 - 5,000 |
| 196 | NEWCOMB COLLEGE Large vase carved by Sadie Irvine with pink irises, 1924. Two tight 2" hairlines to rim. NC/SI/JM/157/OF/47. 9 3/4" x 7 1/2" | 3,500 - 4,500 |
| 197 | NEWCOMB COLLEGE Vase carved by A. F. Simpson with tall pines under a moonlit sky, 1919. (Excellent quality). NC/AFS/JM/KC7/133 1/2. 8 1/4" x 3 3/4" | 6,000 - 9,000 |
| 197A | NEWCOMB COLLEGE Early pitcher carved by Marie de Hoa LeBlanc with violets on a green ground, 1905. Interior line typical of Newcomb's early, glossy wares, does not go though. NC/JM/MHLeB/AR43/Q/paper label. 7 1/2" x 4 1/4" | 6,750 - 7,250 |
| 198 | NEWCOMB COLLEGE Large vase carved by Sadie Irvine with a bayou scene with full moon, 1931. Small factory-drilled hole on bottom. NC/JH/SI/TK33/157. 9 3/4" x 6 3/4" | 6,000 - 8,000 |
| 199 | NEWCOMB COLLEGE Large vase carved by Sadie Irvine with deep pink irises on a blue ground, 1924. Bruise and two small chips to base, probably from manufacture. NC/JM/SI/OF65/211. 10 3/4" x 6 1/2". | 4,000 - 6,000 |
| 200 | NEWCOMB COLLEGE Cabinet vase carved by Sadie Irvine with a bayou scene against a pale sky, 1931. NC/JH/SW81/SI/2. 2 1/4" x 2 3/4" | 1,750 - 2,250 |
| 201 | NEWCOMB COLLEGE Bulbous vase carved by Sadie Irvine with a bayou scene with full moon, 1932. NC/JH/SI/TW80/8. 3 1/2" x 4 1/2" | 2,250 - 2,750 |
| 201A | NEWCOMB COLLEGE Tear-shaped vase carved by Henrietta Bailey in the Espanol pattern, 1926. NC/HB/PV49/34. 5 1/4" x 4" | 1,500 - 2,500 |
| 202 | GEORGE OHR Large and unusual bulbous vase and cover, covered in vertical strips of raspberry, yellow, black, and amber glaze, the cover a cup-shape with finial. Base stamped G.E.OHR Biloxi, Miss., cover stamped GEO. E. OHR BILOXI, MISS. 6 1/2" x 5" | 10,000 - 15,000 |
| 203 | GEORGE OHR Vessel with a deep in-body twist on closed-in rim covered in a fine and unusual orange, raspberry, green, and cobalt sponged glaze. Stamped G. E. OHR BILOXI, MISS, incised Mobile Clay. 2 3/4" x 4" | 5,000 - 7,000 |
| 204 | GEORGE OHR Novelty inkwell shaped as a bayou home with picket fence, covered in amber and green glaze (the finest of its kind). Stamped G.E.OHR BILOXI. 3 1/2" x 6" x 4 1/2" | 6,500 - 8,500 |
| 205 | GEORGE OHR Three red and white clay tiles and two plaster tile molds with the portraits of President William Howard Taft and Ms. Taft. Made for the Cotton States Exposition, Atlanta 1895. Some chips to circular Taft tile and to molds. Varied marks on tiles, molds unmarked. Molds: 5" | 3,500 - 4,500 |
| 206 | GEORGE OHR Rare two-handled vase covered in mirrored brown speckled glaze. Restoration to rim. Script signature. 2" x 3 3/4" | 2,000 - 3,000 |
| 207 | GEORGE OHR Vase with pinched corners, covered in gunmetal glaze. Restoration to two small chips at rim. Stamped GEO E OHR BILOXI, MISS. 3" x 5 1/2" | 2,000 - 3,000 |
| 208 | GEORGE OHR Vase with two ribbon handles covered in a gunmetal brown speckled glaze. Incised Biloxi. 4 1/2" x 4" | 3,000 - 4,000 |
| 209 | GEORGE OHR Loving cup covered in bands of amber, indigo, raspberry, green, and gunmetal glazes. Restoration to hairline and handle. Script signature. 4" x 6 1/2" | 6,500 - 9,500 |
| 210 | GEORGE OHR Pinched, notched, and folded vessel with scalloped rim covered in an unusual copper gunmetal glaze with bright orange interior. 2 1/2" hairline. Script signature. 4 1/4" x 5" | 6,500 - 9,500 |
| 211 | GEORGE OHR Pitcher of bisque clay, crisply manipulated with two deep in-body twists and a ribbon handle. Script signature. 5 1/4" x 6 1/4" | 5,500 - 7,500 |
| 212 | GEORGE OHR Bisque vessel of marbleized clays with pinched and folded rim, and notched shoulder. Two flat chips to rim. Script signature and 106. 3 1/4" x 6" | 2,500 - 3,500 |
| 213 | GEORGE OHR Bowl of bisque-fired marbleized clays, pinched and folded and topped with crenelated rim. Restoration to rim. Script signature. 4" x 7 1/2" | 2,750 - 3,750 |
| 214 | GEORGE OHR Tall vase of bisque clay with a long and deep in-body twist. Light wear around rim. Script signature. 6 1/2" x 4 1/4" | 2,500 - 3,500 |
| 215 | VAN BRIGGLE Rare tile grouping consisting of a seven tile frieze depicting a stylized papyrus blossom and twenty ground tiles covered in a rich matte ochre glaze. (Provenance: From the fireplace of the smoking room of the Masonic Lodge, 9 N. Nevada Ave, Colorado Springs, 1908-1974.) A few edge chips, restoration to edge area on top and bottom tiles. Some backs incised LS VB, others have raised VB. Each tile 4 3/4" sq. | 5,000 - 7,000 |
| 216 | VAN BRIGGLE Rare tile decorated in cuenca with a blue bird on a branch. Chip to corner, some wear to high points. Unmarked. 6" sq. | 2,000 - 3,000 |
| 217 | VAN BRIGGLE Rare tile decorated in cuenca with a purple kingfisher on a branch. Unmarked. 6" sq. | 2,000 - 3,000 |
| 218 | VAN BRIGGLE Tile decorated in cuenca with a stylized peacock feather. Restoration to several small chips. Unmarked. 6" sq. | 1,000 - 1,500 |
| 219 | VAN BRIGGLE Rare tile decorated in cuenca with sailboats on a lake. Small flake to corner. Unmarked. 6" sq. | 1,300 - 1,700 |
| 220 | VAN BRIGGLE Early vase embossed with peacock feathers and covered in light blue and sheer white glaze, the clay showing through, 1904. 3" hairline. AA VAN BRIGGLE 1904 III 23. 10 3/4" x 3 3/4" | 1,000 - 1,500 |
| 221 | VAN BRIGGLE Early vase embossed with jonquils and covered in a fine and unusual bright green and rose matte glaze, 1905. AA VAN BRIGGLE/1905/40. 10 1/2" x 4" | 1,500 - 2,000 |
| 222 | VAN BRIGGLE Jardiniere crisply embossed with stylized morning glories, covered in raspberry and mustard glaze, 1905. 3" hairline from rim. AA VAN BRIGGLE/1905/284. 6 1/2" x 8" | 1,000 - 1,500 |
| 222A | VAN BRIGGLE Early Poppy plate covered in blue-green glaze, 1903. Firing line and two burst glaze bubbles to surface. AA VAN BRIGGLE/1903/20/III. 8 1/2" dia. | 1,500 - 2,000 |
| 223 | VAN BRIGGLE Bulbous vase crisply embossed with daffodils under sheer robin's egg blue glaze, the clay showing through, 1908-1911. AA VAN BRIGGLE COLO SPGS and paper label. 10 1/4" x 4" | 1,250 - 1,750 |
| 224 | VAN BRIGGLE Vase of brown clay embossed with peacock feathers and covered in sheer gray-green glaze, 1908-1911. AA VAN BRIGGLE 598. 9 1/4" x 4" | 1,000 - 1,500 |
| 225 | L. & J. G. STICKLEY Prairie settle with paneled sides, its broad and flat top overhanging the back and arms and supported by long corbels, and a drop-in spring cushion covered in dark brown leather. (Provenance: Purchased from Mr. Donald Magner of Brooklyn in 1978; pictured in the periodical "American Bungalow," Fall 2004, pgs. 58-59) Old refinish, some wear to leather. Unmarked. 29" x 84 1/2" x 36 3/4" Very good condition. Leather has scratches and wear. The settle also has extra fabric covered cushions that we felt detracted from its look so they weren't photo'd. | 9,000 - 14,000 |
| 226 | ROYCROFT Tall bookstand with five fixed shelves beneath a small square overhanging top, the first and last being mortised through canted sides with keyed through-tenons, the sides carved with stylized oak leaves. Refinished, seam separation to left side. Carved orb and cross. 64" x 18" x 17 3/4" Reglued split to top. | 6,500 - 9,500 |
| 226A | GUSTAV STICKLEY Cast and hammered copper door knocker, backplate, and doorbell. Normal wear to original patina. Circular Craftsman stamp. Backplate: 6" x 4 3/4" | 2,750 - 3,250 |
| 227 | ROYCROFT Office desk with a typewriter-concealing flip-top lid, two banks of drawers with iron hardware, and a lower stretcher mortised through the sides with keyed through-tenons. Refinished, good condition. Carved orb and cross. 29 3/4" x 56" x 30" | 4,000 - 6,000 |
| 228 | ROYCROFT Bride's chest of plank construction with keyed through-tenons, iron strap-hinges and hasp, with original lock and chain. Original finish with overcoat, seam separations. Carved signature. 21" x 39" x 21" The back is the only part of the piece not overcoated. Edge wear along bottom front edges, chip to back right leg, split to back right side, seam separations to right, left, front and top. Plugs missing from screw holes in top, one is filled with putty. | 11,000 - 14,000 |
| 229 | L. & J.G. STICKLEY Rocker with six slats under each arm, long corbels, and a drop-in spring seat and back cushion newly covered in green vinyl, together with a footstool with its original spring deck. Chair is refinished, footstool has original finish. Chair has "Work of..." decal under arm, footstool has Handcraft decal on stretcher. Chair: 36" x 32 3/4" x 35", footstool, 16" x 20" x 14" Rocker has roughness to right rocker, footstool has chip from one stretcher. | 2,400 - 3,200 |
| 230 | L. & J.G. STICKLEY Rocking Morris chair with loose cushions covered in dark brown leather. Original finish, arms have been refinished. Branded on back. 37" x 31 3/4" x 35" Split from tenon to front of right arm. Needs glue. | 3,000 - 4,000 |
| 231 | L. & J.G. STICKLEY Book table with a square overhanging top over two partially slatted shelves. Refinished. Decal inside shelf. 29" x 27" x 27" Very red finish, small filled chip in top, superficial scratches to top. | 4,000 - 6,000 |
| 232 | L. & J.G. STICKLEY Drink stand with a copper top, broad apron, splayed legs, and arched cross-stretchers. Original finish. Geo. Flint and Co. celluloid tag. 28 1/4" x 18" Finish is dry. Some oxidization and discoloration to copper. | 3,500 - 5,500 |
| 233 | L. & J.G. STICKLEY Bow-arm Morris chair with drop-in spring seat, upholstered in faded tan leather. Original finish has normal wear to arms. Handcraft label. 40" x 33 1/2" x 41" | 7,500 - 10,000 |
| 234 | GUSTAV STICKLEY Pair of children's ladderback rockers with tacked-on seats, one in maroon leather, the other in textured brown naugahyde. Original finish, replaced upholstery. Brand on one, the other has red decal. 25" x 18" x 14" each | 600 - 900 |
| 235 | L. & J.G. STICKLEY Hanging mirror with four double iron hooks and an arched top. Original finish with overcoat. Handcraft decal center back. 27" x 40" Stains and edge wear to lower right hook. | 1,500 - 2,000 |
| 236 | OLD HICKORY Child's settee and armchair with curved backs and woven cane seats and backs. riginal finish and cane, excellent condition. Unmarked. Settee: 24 1/4" x 34" x 17", chair: 24 1/4" X 20 1/4" X 17" | 1,200 - 1,800 |
| 237 | GUSTAV STICKLEY Magazine stand with paneled sides and three fixed shelves beneath an overhanging top. Nice new finish, minor scratches and edge wear. Red decal under top. 35" x 15 1/2" x 15 1/2" Nice condition. | 3,800 - 5,500 |
| 238 | GUSTAV STICKLEY Two-door bookcase with twelve panes per door and iron hardware. Original finish, good condition. Brand on back. 56" x 60" x 13" Some surface restoration to finish on doors and sides. | 7,000 - 9,000 |
| 239 | GUSTAV STICKLEY Two-door bookcase with twelve panes per door, three fixed shelves per side, and iron hardware. Original finish, good condition, crack to one pane. Brand and paper label on back. 56" x 54" x 13" Crack is to lower right corner of one pane and does not go all the way through (it is not broken in two--not loose) | 6,000 - 7,500 |
| 240 | GUSTAV STICKLEY Single-door china cabinet with twelve panes on front, copper V-pulls, and three interior fixed shelves. Original finish, some warping to top. Red decal inside center back. 62 3/4" x 36" x 15" Top is warped and lifting in front, top has uneven finish. Minor edge wear. | 5,000 - 7,000 |
| 241 | GUSTAV STICKLEY Server (no. 818) with three drawers over an open shelf and hammered copper pulls. Original finish, original ooze leather center drawer. Red decal center drawer. 39" x 48" x 20" | 3,000 - 4,000 |
| 242 | GUSTAV STICKLEY Strap-hinge sideboard (no. 814 1/2) with three central drawers flanked by cupboard doors, over one linen drawer, all with iron hardware. Original finish with wear and roughness, plate rail loose. Decal in bottom of second drawer, partial label on back. 47 3/4" x 56 1/4" x 21" GUSTAV STICKLEY Strap-hinge sideboard (no. 814 1/2) with three central drawers flanked by cupborad doors, over one long drawer, all with iron hardware. Original finish with wear and seam separation to top, checking to veneer on doors, veneer lifting on sides small repaired veneer chip, minor edge roughness to bottoms of legs, plate rail loose. Decal in bottom of second drawer, partial label on back. 47 3/4" x 56 1/4" x 21" | 4,000 - 5,000 |
| 243 | GUSTAV STICKLEY Five-leg dining table with trumpeted cross-stretchers mortised through the legs and a single leaf. Original finish. Unmarked. 30 1/4" x 54" Leaf is 11" Roughness to legs at chair seat level and tops of stretchers. | 8,000 - 12,000 |
| 244 | GUSTAV STICKLEY Tall-back spindled armchair with a loose cushion covered in medium brown leather on a sling seat support, its side stretchers mortised through the legs. (Provenance: Collection of David Cathers.) Refinished. Unmarked. 48 3/4" x 27 1/2" x 22" | 3,000 - 5,000 |
| 245 | GUSTAV STICKLEY Tall-back sidechair with spindled back and sides and a sling seat. (Provenance: Colection of David Cathers.) Refinished, replaced leather. Red decal rear stretcher. 45 3/4" x 19 1/4" x 18" Caps to sling seat supports may be newer replacements. | 1,200 - 1,800 |
| 246 | GUSTAV STICKLEY Bungalow trestle table (no. 404), its lower shelf mortised through plank sides with keyed through tenons, ca. 1902. (Provenance: Collection of David Cathers.) Original finish with light overcoat. Early red decal under top. 28" x 36" x 24" small nick from lower shelf, small nicks to top. | 2,500 - 3,500 |
| 247 | GUSTAV STICKLEY Thornden armchair with two broad horizontal backslats, a rush seat and through-tenon joinery. (Provenance: Collection of David Cathers.) Very good original finish, replaced paper rush. Early red decal inside rear leg. 37 1/4" x 21 1/4" x 21 1/2" | 2,000 - 3,000 |
| 248 | ROYCROFT Tall-back sidechair with three vertical backslats and a plank seat. (Provenance: Collection of David Cathers.) Excellent new finish. Marked with Roycroft registration number from the Roycroft Bindery. 46 3/4" x 19" x 18 1/2" Chip to rear of left leg. | 8,000 - 12,000 |
| 249 | GUSTAV STICKLEY Stool with short, flaring legs and a tacked-on leather deck. (Provenance: Collection of David Cathers.) Original finish and leather. Branded and paper label. 4 1/2" x 12 1/2" X 12 1/2" | 1,000 - 2,000 |
| 250 | HANDEL Table lamp, its acid-etched glass shade reverse-painted with a tropical island scene and tall ships over a three-socket fluted bronzed base. Original patina and acorn pulls. Shade marked HANDEL Lamps, Patent No. 63911A. 24" x 18" | 9,500 - 12,500 |
| 251 | HANDEL Table lamp, its acid-etched glass shade reverse-painted with a moonlit lakeland landscape, on a three-socket fluted base with copper finish. 5" crack to middle of shade. Shade signed HANDEL 6524, base marked on side. 23 1/2" x 18" | 4,000 - 6,000 |
| 252 | HANDEL Table lamp, its acid-etched glass shade reverse painted with a river landscape over a bulbous and ribbed three-socket bronzed base. Shade stamped "HANDEL" patent no., base stamped HANDEL. 25 1/2" x 18" | 4,500 - 6,500 |
| 253 | HANDEL Table lamp, its acid-etched shade reverse-painted with a tropical scene with parrots, over a three-socket fluted bronzed base. Some spots to interior of shade. Both the shade and base are stamped, shade also signed HANDEL 6874P. 23" x 18" | 8,000 - 12,000 |
| 254 | HANDEL Floor lamp with a green Steuben glass shade. Original bronzed patina, some verdigris to foot. Unmarked. 55 1/2", shade: 6" x 7 1/2" | 3,000 - 4,000 |
| 255 | HANDEL Floor lamp with harp frame and an acid-etched hemispherical shade in bright yellow with stenciled foliate band. Partly depatinated. No visible mark. 58 1/2" x 13 1/2" | 1,250 - 1,750 |
| 256 | PAIRPOINT Puffy boudoir lamp, its frosted glass shade reverse-painted with roses, sitting on a gilded tree trunk base. Base stamped PAIRPOINT P B3079. 11 1/2" x 6 3/4" | 2,500 - 3,500 |
| 257 | ARTS & CRAFTS Copper lantern with amber leaded glass box, and riveted details on top. (An excellent quality period exterior lantern, each pane individually leaded.) Unmarked. 19" x 11" sq. | 2,000 - 3,000 |
| 258 | HANDEL Table lamp, its six-paneled floriform slag glass shade over a four-sided bronzed metal base. Base impressed HANDEL. 21" x 11 1/2" | 1,000 - 1,500 |
| 258A | CARENCE CRAFTERS Etc. Five Arts & Crafts pins, four of them by Carence Crafters, and an unknown silver bar pin with cabochon. Most Carence Crafters marked. | 800 - 1,200 |
| 259 | PERSIAN KASHAN Carpet with floral central medallion in dark blue centered on a crimson floral ground, and surrounded by elaborate floral border. 9'5" x 13'1" | 700 - 1,000 |
| 260 | SOUMAK Carpet with four repeating diamond medallions in cream and blue on a spice-colored ground, surrounded by repeating geometric border on buff. 7'7" x 9'9" | 900 - 1,200 |
| 261 | WOOL DRUGGET Coffee-colored ground decorated with repeating arrowheads in copper and emerald, surrounded by a cornflower blue border. 8' 10 1/2" x 11' 4" | 800 - 1,200 |
| 262 | PERSIAN Carpet with overall floral design in straw and scarlet on a dark blue ground, surrounded by a floral border. 9'2" x 12'3" | 750 - 1,000 |
| 263 | PERSIAN Carpet with floral center and ground surrounded by a foliate border in tones of indigo and scarlet. Partial border to one side. 6' 10 1/2" x 9'4" | 850 - 1,250 |
| 264 | PERSIAN HERIZ Carpet with elaborate snowflake medallion on a stylized foliate ground, surrounded by a geometric border, in tones of crimson, indigo, and cream. 8'3" x 11'2" | 800 - 1,200 |
| 265 | PERSIAN HERIZ Carpet with elaborate snowflake medallion on a stylized foliate ground, surrounded by a geometric border, in tones of crimson, indigo, and cream. 8' x 10'8" | 700 - 1,000 |
| 266 | WILLIAM MORRIS STYLE Carpet in vine-scroll motif in green and cream on indigo ground, surrounded by oak leaf and rope border on a cinnamon ground. 9' x 12' | 1,100 - 1,400 |
| 267 | KARL SCHMIDT (American, 1890-1962) Oil on board triptych, "Tall Trees of California," in fine gilded frame. Signed. 12" x 24 3/4" overall, center panel 10 1/4" x 12 1/2" hand-carved original frame. Note: framed with gold-tone leather back panels, original hinges. | 20,000 - 30,000 |
| 268 | GUSTAVE BAUMANN Color woodblock print, "Three Pines," matted and framed. Pencil-titled and signed, with original dealer sign on back. Image: 10 1/2" x 9 1/4" | 4,000 - 6,000 |
| 269 | MARGARET PATTERSON Color woodblock print, "Morning Glories," matted and framed, c. 1930. Pencil titled, signed, and No. 61 of 100. Image: 10" x 7 1/4" | 2,000 - 3,000 |
| 270 | PEDRO J. DE LEMOS Pastel on paper, "Castle De Lemos Monforte De Lemos Spain," 1934. Matted and framed. Sight: 12 3/4" x 10" | 1,250 - 1,750 |
| 270A | GUSTAVE BAUMANN Color woodblock print, "Woodland Meadows." Matted and framed. Pencil titled and signed, no. 60/100. 9 1/4" x 11" | 4,500 - 6,500 |
| 270B | GUSTAVE BAUMANN Color woodblock print, "Fox River Farmyard", 1908. Soiled paper, dime-sized stain to lower margin. Matted. Pencil-signed and dated. Image, 6 3/4" x 8 3/4" | 2,000 - 3,000 |
| 271 | ETHEL REED/JOHN STEWARDSON Two color posters, Reed for Albert Morris Bagby's novel, "Miss Traumerei," Boston, 1895, and Stewardson for "The Dragon of Wantley, His Tale," by Owen Wister. Both matted and framed. 21 3/4" x 13 1/2" and sight: 14 1/4" x 10 1/2" | 900 - 1,200 |
| 272 | LOUIS RHEAD Color poster for the Exposition Speciale de Soixante Nouvelles Affiches Inedites de Louis Rhead, Salon des Cent, Paris, 1897. Matted and framed. Sight: 23 1/2" x 14 1/2" | 3,000 - 4,000 |
| 273 | FRANK HAZENPLUG (b. 1873) Color poster for the Chap-Book, "The Red Lady." A few folds. Matted and framed. Signed in stone at lower right, monogrammed FH. Sight: 14 1/4" x 9" | 1,500 - 2,000 |
| 274 | WUANITA SMITH (1866-1959) Color woodblock print, "Snug Harbor-Nantucket." Matted and framed. Pencil titled and signed. Image: 7 1/4" x 6" | 1,500 - 2,000 |
| 275 | MAYNARD DIXON Color poster for the magazine "Overland," July. Matted and framed. Sight: 18 1/2" x 13" | 1,000 - 1,500 |
| 276 | ETHEL REED Color poster for "Folly or Saintliness" by Jose Echegaray, Boston 1895. Framed. Sight: 20 3/4" x 15 1/2" | 1,000 - 1,500 |
| 277 | EVERETT L. BRYANT Pencil and gouache on illustration board depicting a bucolic farm landscape with a homestead and large oak tree, matted. Signed EL Bryant. Board: 20" x 30" | 1,000 - 1,500 |
| 278 | EVERETT L. BRYANT Pencil and gouache on illustration board depicting tall pines in a Rocky Mountain landscape, matted. Unsigned. Board: 20" x 30" | 1,000 - 1,500 |
| 279 | EVERETT L. BRYANT Pencil and gouache on illustration board, "Green Hills," matted. Signed EL Bryant on front and back. Board: 20" x 30" | 1,000 - 1,500 |
| 280 | EVERETT L. BRYANT Pencil and gouache on illustration board depicting a snowy Rocky Mountain scene, matted. Some foxing. Signed EL Bryant. Board: 20" x 30" | 1,000 - 1,500 |
| 280A | JANE BERRY JUDSON Color woodblock print, "Gorge of Genesee River, Lotchworth Hark," minor foxing. Matted and framed. Pencil signed. Sight: 5 3/4" x 7 3/4" | 900 - 1,400 |
| 280B | WILLIAM RICE Etching, "California Foothills." Matted and framed. Pencil titled and signed. Image: 6 3/4" x 8 1/4" | 800 - 1,200 |
| 281 | FRANCIS BRUGIERE Silver print photograph of Bernard Maybeck's Palace of Legion of Honor, San Francisco, 1915. In orginal mat and frame. Signed and dated on photograph and mat. Photo: 13 1/2" x 10 1/2" | 500 - 700 |
| 282 | PRAIRIE SCHOOL Pair of leaded glass windows with a stylized arrow or feather motif in milk and textured clear glass, in mahogany frames. 43" x 15 3/4" | 800 - 1,200 |
| 283 | LEADED GLASS Pair of small windows depicting fruiting trees in polychrome on an opalescent ground. Mounted in original frames, looseness and crack to pane on one. 14 3/4" x 9" each. | 1,500 - 2,000 |
| 283A | LEADED GLASS Large horizontal stained glass window with a stylized red blossom and green foliage against amber slag glass. In original frame, with hooks for hanging. 23" x 60" | 1,400 - 1,900 |
| 284 | JOEL F. HEWES (Boston) Hammered silver covered tazza with curls. Stamped JOEL F HEWS HANDMADE STERLING. 9 1/4" x 7" | 1,200 - 1,600 |
| 285 | SHREVE/LEBOLT Sterling coffee set: Shreve 1 1/2 pts. coffee pot, sugar bowl, creamer, six demitasse cups with Lenox porcelain liners, saucers, and two glass-lined cordials, all monogrammed 'S'; and six fine Lebolt demitasse spoons in assorted floral patterns, in original box. All marked. Cordials 4 1/2" | 1,500 - 2,000 |
| 286 | THEODORE POND Hammered sterling silver cup, inscribed SYLVIA. (A writer, lecturer, educator, craftsman, and museum director, Theodore Pond attended Pratt Institute from 1888 to 1892. He subsequently designed glass for Tiffany Studios, held various academic positions, including teaching at the Rhode Island School of Design, and directed the Pond Applied Arts Studios from 1911 to 1914. Core to his belief was that metalsmiths should be able to execute their pieces from beginning to end. Artsmia.org.) Stamped POND/KWO-NESHE/HAND WROUGHT STERLING. 2 1/2" x 3 1/2" | 600 - 900 |
| 287 | KALO Hand-wrought silver link necklace with embossed blossoms and leaves. Stamped HAND WROUGHT STERLING KALO 953. 17" | 750 - 1,000 |
| 288 | ERNEST GIMSON (English) Pair of brass candlesticks with faceted base and stem, probably manufactured by Alfred Bucknell. Unmarked. 10" | 1,750 - 2,250 |
| 289 | SHEPHEARD & CO. (English) Sterling chalice chased with a latin motto. Hallmarked S & Co., lion, lion's head, and P. 4 1/4" x 4 1/2" | 1,250 - 1,750 |
| 290 | LIBERTY Tudric hammered pewter mantle clock with enameled face in blue and green, and Roman numerals. Small dent to back foot. Stamped MADE IN ENGLAND "TUDRIC" 01319. 6" x 13 1/2" x 3 1/2" | 2,000 - 3,000 |
| 291 | WILLIAM CONNELL (English) Pewter hinged box with heart-shaped and circular cabochons. Stamped PEWTER 02163. 6 1/2" x 7 1/2" | 750 - 1,000 |
| 292 | MARIE ZIMMERMAN Ring of 14k gold with a cushion-cut indicolite tourmaline cabochon, in an enameled Egyptian motif setting. (Provenance: Custom-made as an engagement ring by Zimmerman for the consignor's mother, Ms. Rowena Stewart, also a graduate of Pratt University, according to her specifications and drawings. Copies of the correspondence and drawings available.) Indicolite 15 cts, ring size 5. | 10,000 - 15,000 |
| 293 | MARIE ZIMMERMAN Brooch of 14k gold, cabochon cut amber, pink and blue jelly opals, in a sailor's knot motif. (Provenance: Fram the consignor's mother, Ms. Rowena Stewart.) Stamped artist cipher, 14k. 1 1/2" x 2 1/4" | 10,000 - 15,000 |
| 294 | ANN MACBETH Square textile embroidered with blue pansies and celadon green leaves. Comes with a copy of "Educational Needlecraft" by Margaret Swanson and Ann Macbeth. (An artist of reknown, Macbeth was part of the Glasgow Movement, and an associate of Charles Rennie Mackintosh. She studied at the Glasgow School of Art, and subsquently headed its embroidery department. She published five books on embroidery. Wikipedia.) A few stains. Unmarked. 34" sq. | 1,750 - 2,250 |
| 295 | THE CRAFTSMAN Twenty leather-bound volumes of The Craftsman Magazine, volumes 1 to 24, missing volumes 6, 11, 22, 23. Some wear to bindings, contents apear to be complete. | 2,000 - 3,000 |
| 296 | THE STUDIO Sixteen issues of The Studio magazine, sixteen issues of The International Studio, and a German design portfolio. Some covers missing, some tears and folds. | 500 - 700 |
| 297 | KERAMIC STUDIO Two hundred and sixty five issues, with most years from 1903 to 1922 complete. Also includes over 100 color prints that came with the periodical with works by Rhead, Overbeck, and more, several nicely framed. (A great collection.) Complete provenance and detailed inventory available upon request. | 2,250 - 2,750 |
| 297A | INTERNATIONAL STUDIO Thirty books bound in half-levant comprising thirty-four volumes from 1901 to 1915, Nos. 13-17, 27-31, and 33-56. Some wear to bindings. Complete and in good condition. | 900 - 1,400 |
| 298 | DEDHAM Experimental baluster vase by Hugh Robertson covered in an intensely thick white and beige glaze dripping over a frothy green ground. Incised Dedham Pottery HCR, in ink DP 71B. 8 1/2" x 4 1/2" | 3,000 - 4,000 |
| 299 | DEDHAM Experimental vase by Hugh Robertson covered in a khaki green over blue and green glaze. Incised Dedham Pottery HCR. 7 3/4" x 5" | 2,000 - 3,000 |
| 300 | CHELSEA KERAMIC ART WORKS Baluster vase covered in a superb oxblood glaze with orange peel texture. (Perfectly fired.) Stamped CKAW. 8 3/4" x 4" | 3,000 - 4,000 |
| 301 | DEDHAM POTTERY Experimental vase by Hugh Robertson with a thick emerald green opaque glaze, dripping over a white orange peel ground. Loss to part of one drip, probably from manufacture. Marked Dedham Pottery HCR, in ink DP 23E. 6 1/4" x 4 1/2" | 1,750 - 2,250 |
| 302 | DEDHAM Large experimental vase by Hugh Robertson covered in a mahogany and oxblood flambe glaze. Stabilized firing line to bottom. Incised Dedham Pottery HCR, in ink DP 24A. 8" x 6" | 2,500 - 3,500 |
| 303 | DEDHAM Experimental vase by Hugh Robertson covered in a thick blue-gray and oxblood glaze. Incised Dedham Pottery HCR, in ink DE 23C. 5" x 4" | 1,500 - 2,000 |
| 304 | DEDHAM Experimental vase by Hugh Robertson with a clear green glaze dripping over a white and blue crackleware base. Small loss to end of drip, probably from manufacture. Pressed rabbit mark. 7" x 4" | 1,500 - 2,000 |
| 305 | CHELSEA KERAMIC ART WORKS Experimental cabinet vase by Hugh Robertson covered in a lustered brownish green and oxblood glaze. Stamped CKAW, in cobalt May 6th. 3 1/4" x 3 1/4" | 1,000 - 1,500 |
| 306 | MARY YANCY/IOWA STATE Bulbous vase carved with white bachelors buttons on a celadon green ground, 1930. Carved COMMENCEMENT 1930 CARRIE CHAPMAN CATT ISU AMES Y. 6 1/2" x 6" | 2,500 - 3,500 |
| 307 | IOWA STATE Vase excised with stylized quatrefoils in matte green on a matte blue ground. Incised L Griffis 16. 4 1/4" x 5 1/4" | 1,000 - 1,500 |
| 308 | IOWA STATE Vase with cylindrical neck and flattened base, excised with panels, covered in a good blue-green mottled matte glaze. Incised LLG Griffis. 7 1/4" x 6" | 750 - 1,000 |
| 309 | ZARK Rare bust of a maiden covered in dark blue-green matte glaze. Two hairlines. Inscribed ZARK R.P.R. 8 1/2" x 11 1/2" | 1,000 - 1,500 |
| 310 | ADELAIDE ROBINEAU Squat porcelain vase covered in a fine cobalt blue crystalline glaze. Incised RP'5/481. 4 1/4" x 6" | 4,000 - 6,000 |
| 311 | BROUWER Unusual aladdin oil lamp vessel modeled with a lotus leaf, its twisted stem forming a handle, covered in gold and brown flame-fired glaze. Several firing cracks. Etched whale bone and Brouwer. 3 1/2" x 6 1/2" | 3,500 - 4,500 |
| 312 | W. J. WALLEY Unusual squat vase modeled with two lizards under a fine frothy green and brown semi-matte glaze. Stamped WJW. 3 1/4" x 4 1/4" | 2,500 - 3,500 |
| 312A | WALRATH Tall bulbous vase painted with stylized yellow blossoms and green foliage on a dark green ground. Incised Walrath Pottery. 10 1/2" x 5 1/4" Overcoat, tack holes to apron. | 5,000 - 7,500 |
| 313 | MERRIMAC Ovoid vase covered in an unusual frothy yellow matte glaze. A few glaze nicks at base. Stamped MERRIMAC with fish. 9 1/2" x 4 3/4" | 1,250 - 1,750 |
| 314 | HAMPSHIRE Tall ovoid vase covered in an exceptional active blue and green frothy glaze. Stamped Hampshire Pottery 66. 12 1/4" x 5" | 1,000 - 1,500 |
| 315 | W. J. WALLEY Bottle-shaped vase covered in brown and green matte flambe glaze. Stamped W J W. 7 1/4" x 4 1/4" | 850 - 1,250 |
| 316 | BUFFALO POTTERY Thirty assorted pieces of Deldare Ware, and four framed "Dr. Syntax" prints by Rowlandson: tea pot (chip to inner lid, wear and tiny nicks to pot) and trivet, sugar bowl, creamer, five cups and saucers, three mugs, pitcher, large bowl, three 7 1/4" plates (chips to one), three 8 1/4" plates, three 9 1/4" plates, one 10" plate, and one 13 1/2" charger in various scenes. One mug and plate are from the Emerald Ware line, the mug with small touched-up chip at base. Marked. Image of prints: 4 1/4" x 7 1/2" | 1,000 - 1,500 |
| 317 | ROBERTSON/LOS ANGELES Ovoid vase covered with icy-blue crystals in an ivory and grey flambe glaze. Stamped FHR LOS ANGELES. 17" x 4" | 1,400 - 1,900 |
| 318 | SEVERN Porcelain bottle-shaped vase painted in trail-slip with an Aesthetic movement pattern of blossoms, leaves, and a butterfly, surrounded by an embossed band in Moorish pattern. (Among the rarest of American Aesthetic Movement potteries.) Signed Severn D-2-GHOOLEM. 11 1/2" x 6 1/2" | 800 - 1,200 |
| 319 | NORTH DAKOTA SCHOOL OF MINES Vase painted by M E E Collins with stylized trees in silhouette against an amber ground. Very shallow X-line to bottom, does not go through. Cobalt stamp, incised MEE Collins. 7 3/4" x 4 3/4" | 4,000 - 5,000 |
| 320 | NORTH DAKOTA SCHOOL OF MINES Large vase incised by Flora Huckfield with stylized blossoms in yellow against a matte celadon ground. Cobalt stamp, FLH. 9 1/4" x 5 1/4" | 3,000 - 4,000 |
| 321 | NORTH DAKOTA SCHOOL OF MINES Baluster vase finely carved by S. Mason with irises on an indigo ground, 1935. Cobalt stamp and S Mason 1935. 8" x 5" | 2,000 - 3,000 |
| 322 | NORTH DAKOTA SCHOOL OF MINES Unusual plate incised with a sombrero-clad donkey rider, 1951. Cobalt stamp, incised MEA 4/14/51. 9 1/2" | 800 - 1,200 |
| 322A | ROOKWOOD Scenic Vellum plaque by Lenore Asbury, "The Inlet," with birches by a rocky lake shore, 1914. Mounted in original Arts & Crafts frame. Flame mark/XIV/V/L. A. Plaque: 8 1/2" x 10 3/4" | 7,000 - 9,000 |
| 322B | ROOKWOOD Scenic Vellum plaque, "Evening Glow," painted by Lorinda Epply with a lakeshore landscape in blue-greens, 1922. Mounted in new frame. Several very small burst bubbles. Flame mark/XXII/P/LE. Plaque: 9" x 12" | 6,500 - 9,500 |
| 322C | ROOKWOOD Large Wax Matt vase painted by Elizabeth Lincoln with birds and sunflowers, 1925. Flame mark XXV/324/LNL. 17 1/4" x 8" | 2,500 - 3,500 |
| 323 | ROOKWOOD Jewel Porcelain baluster vase painted in rich enamel colors by E.T. Hurley with birds of paradise perched on blooming trees, 1924. Flame mark/XXIV/2786/E.T.H./4432. 11 1/2" x 6" | 5,000 - 7,000 |
| 324 | ROOKWOOD Rare Vellum bulbous vase painted by E. T. Hurley with swans in yellow on a deep blue ground, 1908 (lovely and unusual decoration). Seconded mark for glaze pooling at base. Flame mark/VIII/1659/E.T.H./X. 11 1/4" x 5" | 1,650 - 2,250 |
| 325 | ROOKWOOD Vellum vase painted by Ed Diers with a band of stylized swans on a water lily pond, 1907. Flame mark/VII/1858/ED/V. 8 3/4" x 4 3/4" | 950 - 1,250 |
| 326 | ROOKWOOD Scenic Vellum vase painted by E. T. Hurley with a lakeshore landscape, 1921. Flame mark/XXI/940D/V/ETH. 10" x 5" | 2,500 - 3,500 |
| 327 | ROOKWOOD Large Scenic Vellum vase painted by E. T. Hurley with an unusual tropical landscape, 1913. Flame mark/XIII/2038C/V/ETH. 12 1/2" x 5 1/2" | 4,500 - 5,500 |
| 328 | ROOKWOOD Scenic vellum vase painted by Lenore Asbury with a lake scene at dusk, 1915. Flame mark/XV/1652D/L.A. 9 3/4" x 4 1/2" | 1,750 - 2,250 |
| 328A | E. T. HURLEY Colored etching of a harbor scene, 1917/18. Matted and framed. Signed and dated in the print and with pencil. Image: 9" x 12 1/2" | 800 - 1,200 |
| 329 | ROOKWOOD Iris vase painted by Sara Sax with autumn leaves on a pale shaded ground, 1902. Flame mark/II/937/W/artist's cipher. 9" x 4" | 1,500 - 2,000 |
| 330 | ROOKWOOD Tall Carved Matt tankard carved by C. S. Todd with branches of apples, 1912. Seconded mark for two small glaze misses at base. Flame mark/XII/10/C.S.T./X. 12" x 7" | 1,000 - 1,500 |
| 331 | ROOKWOOD Vellum vase painted by E. T. Hurley with jasmine blossoms on a pink ground, 1917. Flame mark/XVII/951D/ETH. 9 1/2" x 3 1/2" | 700 - 900 |
| 332 | ROOKWOOD Vellum vase painted by Fred Rothenbusch with pink nasturtium, 1928. Uncrazed. Flame mark/XXVIII/2726/FR/V. 6 1/4" x 4 1/2" | 800 - 1,200 |
| 333 | ROOKWOOD Large Carved Matt squat vessel by William Hentschel in vermillion tones, 1912. Flame mark/XII/1898/WEH. 6 1/2" x 10 3/4" | 1,400 - 1,800 |
| 334 | ROOKWOOD Vellum squat vase painted by E.T. Hurley with branches of cherry blossoms on a pale pink ground, 1928. Uncrazed. Flame mark/XXVIII/E.T.H./V. 3 1/2" x 5 3/4" | 900 - 1,200 |
| 335 | ROOKWOOD Vellum squat vase painted by Elizabeth Lincoln with a band of ginkgo leaves and nuts, 1908. Flame mark/VIII/9191/LNL. 4 1/4" x 4 1/2" | 1,000 - 1,500 |
| 336 | ROOKWOOD Carved Matt bowl with flat rim decorated by Sallie Toohey with a wreath of indigo heart-shaped leaves on a rich brown ground, 1914. Minor flake to rim. Flame mark/XIV/ST/2165. 3 1/2" x 8 3/4" | 1,000 - 1,500 |
| 337 | E. T. HURLEY Pair of bronze figural seahorse candlesticks, 1916. Good original patina. Molded signature ET HURLEY 1916. 13" | 1,500 - 2,000 |
| 338 | ROOKWOOD FAIENCE Rare three-tile frieze decorated in cuenca with a peony in the Chinese taste, on a gray ground. Never mounted. Stamped ROOKWOOD FAIENCE 1752Y. Each tile 6" | 2,000 - 3,000 |
| 339 | PADUCAH Pair of tiles embossed with a pine branch under a caramel and indigo microcrystalline glaze. (From a 1904 residence in Detroit's once posh Boston-Edison district, this is an exceedingly rare pair of Arts & Crafts tiles.) A couple of small chips to one. Both stamped Paducah Tile. 6" sq. | 1,000 - 1,500 |
| 340 | CLAYCRAFT Large tile panel depicting a mission courtyard with fountain, garden pottery, and palm trees, covered in dead-matte glazes and mounted in a fine new Arts and Crafts frame. Restoration to top right corner, abrasion to high points. Possible mark hidden by frame. Tile: 8 1/2" x 16 1/2" | 1,500 - 2,000 |
| 341 | MORAVIAN Large mosaic medallion from the Seasons series, "Autumn," with a young apple picker and basket. Complete with a forged iron stand. A few chips and short lines to yellow border tiles. Stamped MR. Medallion only, 16 3/4" dia. | 3,000 - 4,000 |
| 342 | MUELLER Rare vertical tile decorated in cuerda seca with a farmer sowing seeds. (Provenance: Herman Mueller's family.) A few minor edge nicks. Signed on front MUELLER. 12 1/4" x 6" | 1,500 - 2,000 |
| 343 | OWENS Vertical tile decorated in cuenca with a goose by a pond, against a matte green ground. Some abrasion to cuenca walls, |
