333
Auctions
Estate and General Auction
including the Basha Lipton Collection and the Collection
of Peggy Lewis
Session One – Friday, June 11 2004 (session two)
please click on lot #'s to see photos
|
Lot
|
Description | Estimate |
| Wide bakelite bangle, olive and green marbleized, carved with a scroll and fan design. 38mm x 65mm | 250 - 400 | |
| Two brown bakelite bangles with carved floral design. 29mm x 62mm and 24mm x 62mm | 350 - 450 | |
| Two bakelite bangles, one tan with incised and pierced geometric design, the other black and tan with faceted stripes. 34mm and 20mm | 300 - 500 | |
| Red bakelite bangle with deeply-carved leaf and berry decoration | 300 - 600 | |
| Two bakelite bangles with geometric designs, one tan and one green. 35mm and 26mm | 350 - 600 | |
| Green bakelite bangle with trembling disks in rust, green and olive | 600 - 900 | |
| Hinged bakelite bangle, green with deeply-carved stylized flower and leaf design. | 350 - 450 | |
| Two ivory bakelite bracelets: one with a steeply stepped band, the other with radial incised channels and inset metal band. 25mm and 18mm | 250 - 500 | |
| Three bakelite bangles in either red, black or brown with carved decoration. Each measures 10mm | 200 - 300 | |
| Wide green bakelite bangle deeply-carved with bold tread design. 30mm | 250 - 400 | |
| Two tan bakelite bangles, both with green-tinted carved decoration. 35mm and 28mm | 250 - 450 | |
| Two striped bakelite bangles: one tortoise shell with butterscotch inset, the other marbleized bright green with drab green inset. 30mm and 25mm | 250 - 450 | |
| Hinged bakelite bangle, wide top, carved and having three sucker-cut and tinted circular panels, tapers slightly. 35mm | 450 - 750 | |
| Two bakelite bangles: one red with carved rosette and scroll decoration, the other butterscotch with chamfered profile having symmetrical incised decoration. 23mm and 30mm | 350 - 500 | |
| Three bakelite bangles in either green, brown, or tan, all with incised decorations | 225 - 400 | |
| Black bakelite front-face horse pin with green lariat, applied harness, and yellow eyes. 68mm x 42mm | 250 - 500 | |
| Bakelite horse pin with tooled brass harness, in butterscotch with red glaze. 55mm x 70mm | 250 - 500 | |
| Bakelite double-horse pin in black, double-hinged scarf brooch. 90mm x 38mm | 350 - 650 | |
| Ribbon bow laminated hinged bakelite bangle, black inset with green bow with applied brass trim on black band. 25mm | 800 - 1,200 | |
| Bakelite bow pin, red and black laminated cinched by applied chromed band. 80mm x 40mm | 250 - 450 | |
| Red bakelite hinged ribbon bangle with applied brass detail. 30mm x 22mm | 250 - 500 | |
| Bakelite and wood laminated hinged bangle, deeply-carved apple juice laminated with floral carved wood panel on a hinged chrome bracelet. Panel measures 50mm x 42mm, bracelet tapers | 500 - 800 | |
| Carved marbleized green bakelite hinged bangle with applied brass and bakelite blossoms. 35mm, tapers to 28mm | 350 - 650 | |
| Two deeply-carved bakelite bangles, both in rich brown tones of autumn, with leaf designs. 25mm and 35mm | 350 - 750 | |
| Reverse-carved bakelite bangle, apple juice with deep floral decorations. 23mm | 200 - 350 | |
| Oak leaf and acorn bakelite necklace: acorns, leaves, and logs in amber and autumnal tones dangle from amber celluloid links, with brass findings. 16" | 350 - 650 | |
| Three bakelite bangles: one tan laminated to brown with black lariat; one olive laminated to tan, lobe-carved; one brown with incised carvings, brass inlay and applied brass flowers. 20mm, 18mm, and 25mm | 200 - 300 | |
| Two laminated bakelite brooches: a carved and glazed butterscotch and apple juice sunflower (98mm x 58mm), with a reverse-carved coggled apple juice heart with applied black heart | 300 - 500 | |
| Wide red bakelite bangle carved with broad leaf decoration. 38mm | 250 - 550 | |
| Bakelite fruit pin in brightly-colored orange, apple, and apricot, suspended by green celluloid links from a carved honey-toned branch, with one green celluloid leaf. 60mm x 60mm | 500 - 900 | |
| Red bakelite bangle with similar ear clips, rope twist carved bracelet. Bracelet: 16mm wide, fluted button earrings (dia.): 28mm | 200 - 350 | |
| Black bakelite stretch bracelet with stylized floral panels, sucker-carved, interspersed by chamfered panels. 28mm wide | 450 - 850 | |
| Ivory-toned bakelite bangle with inset brass compass and carved nautical decorations. 24mm | 250 - 450 | |
| Two MARLOWE cosmetic bracelets, Parisienne: bakelite and brass bangles with concealed cosmetic pots, one in black with green enameled brass slide, the other in red with black enameled slide, the bands slide to expose rouge pots | 600 - 900 | |
| Three bakelite pins: one elliptical in tan cut-to-red with amorphic carving (75mm x 50mm); one black of similar size with cross-hatched carving; a green flower brooch (76mm dia.); and a black bakelite dress clip, amorphically-carved with undulating profile, of truncated oval form (45mm x 50mm) | 350 - 650 | |
| Metal-clad bakelite hand brooch with laminated tri-colored kite- form charms in red, tan and black, suspended from red celluloid links. Minor metal damage on reverse of two fingers. Pin: 130mm x 60mm | 250 - 500 | |
| Two black bakelite bangles: one cut deeply to green interior, the other wide with carved geometric design. 25mm and 36mm | 250 - 550 | |
| Five bakelite pieces: laminated red and black buckle (69mm dia.) and buttons (36mm dia.); red chrome-clad clip with black enamel (42mm); and wide carved bangle (26mm) | 250 - 400 | |
| Exceptional wide bakelite bangle, tan with green marbling, and leaf carving. 50mm wide | 400 - 800 | |
| Red hinged bakelite bangle and pin, the bracelet tapered with applied brass hobnails and banding, the brooch composed of interconnecting links with brass banding and beads. 35mm - 23mm and 85mm x 60mm | 400 - 750 | |
| Green bakelite bow pin and hinged bow bracelet set. The softly-translucent pin measures 60mm x 40mm; the experty-carved bracelet, 28mm | 600 - 1,200 | |
|
42
|
No Lot. | |
| Bakelite horse pin in butterscotch with red overdyed glaze-painted decorations, and glass eye. 100mm x 36mm | 200 - 350 | |
| Three deeply-carved bakelite bangles: pair of tan twist-carved, and one green leaf-carved. 15mm and 16mm | 300 - 500 | |
| Two bakelite bangles: one a laminated striped bracelet in red, black and tan, the other a tan buckle-motif bracelet. Both measure 20mm | 300 - 500 | |
| Two pieces: a red and amber bakelite medallion brooch, and a carved red bangle. Brooch: 100mm x 65mm, bracelet (not phenolic): 25mm | 250 - 350 | |
| Hinged bakelite bangle, green marbelized, deeply-carved with a pierced oriental scroll design. 30mm | 450 - 850 | |
| Laminated bakelite and wood bangle, channel-carved wood and apple juice phenolic inset with brass wires. 25mm | 250 - 450 | |
| Pair of carved head profile bracelets, one green and the other ivory-tone | 200 - 300 | |
| Two festoon pins: green bakelite bar with bias-cut tubes dropped from celluloid links; black and turquoise plastic links and beads. 80mm and 100mm | 250 - 350 | |
| Four pieces of Egyptian-revival jewelry: Art Deco celluloid necklace with brass and glass ornaments; carved scarab ring; Revival slide necklace; carved black bakelite bangle with turquoise mosaic inlay. | 250 - 450 | |
| Tan sucker-carved hinged bakelite bangle. 25mm | 250 - 400 | |
| Two pieces: paint-decorated plaid bakelite bangle; red bakelite and chrome necklace, ring and bead design with red rondels. 25mm and 17" | 200 - 350 | |
| Two bakelite carved bangles, tan and brown. Both approx. 25mm wide | 200 - 350 | |
| Three metal-clad bakelite brooches: horse face and pierced heart with rhinestone inset arrow by B. BLUMENTHAL; and a clad and applied tortoise. All 60mm - 80mm | 650 - 1,200 | |
| Banded bakelite stretch bracelet, curved alternating butterscotch and brown links. 30mm | 250 - 400 | |
| Red bakelite bangle, deeply-carved geometric design. 23mm | 200 - 400 | |
| Two pair of bakelite dress clips, reverse-carved and painted bouquets in apple juice laminated to amber, and trapezoidal butterscotch double banding on marbleized dark green panels. All approx. 55mm long | 250 - 550 | |
| Six bakelite pieces: two pair of dress clips, one in black-blue with exceptional leaf carving (55mm), the other in tan with foliate carving (53mm); plus a pair of fan-carved brown and tan laminated buckles (55mm x 55mm) | 250 - 500 | |
| Group of bakelite sparkler and other jewelry, includes: green sparkler bangle (5mm); red cut-to-juice flower sparkler hair pin; black baton pendant earrings; "jet and ruby" spinder pin; and amoeba carved red-glazed amber bakelite bangle (22mm) | 350 - 550 | |
| Lot of bakelite and other jewelry, includes: black mask brooch with brass earrings and ornament; three carved bakelite rings; pair of brown brass-trimmed bakelite bar pins (70mm); reverse-painted palm tree pin; green bakelite laminated on wood palm tree clip; carved green bakelite earrings; thumbprint carved green bangle (25mm); hinged bangle in tortoise and black (30mm) | 400 - 800 | |
| Four bracelets with celestial motifs: aluminum panel link bracelet; and three celluloid tinsel bracelets, two hinged and one fixed. First piece: 8" long x 35mm wide | 200 - 400 | |
| Group of bakelite, celluloid, and other jewelry, includes: eight rings; double-heart pin; twist pin; three necklaces; bangle; chain; pair of buttons; black bakelite link bracelet with chrome inset | 350 - 600 | |
| Five bracelets: blue-green bakelite bangle with carved channels (17mm); green bangle, scored line ornament; set of three laminated black and white stripe-carved bangles (each 10mm) | 250 - 450 | |
| WILLIAM SPRATLING 980-silver belt buckle, circa 1933, rope and fluted design. 2 1/4" x 2 1/4" | 200 - 400 | |
| Two sterling pieces: WILLIAM SPRATLING-SILSON pre-Columbian design eagle pin, circa 1940; and a LOS CASTILLO money clip, serpent motif. Pin: 96mm x 50mm, clip: 70mm x 30mm | 450 - 750 | |
| Two Native American sterling bracelets: one cuff (27mm) and one link with copper half-balls marked PA, 60mm x 7 1/2" long | 300 - 500 | |
| Old TAXCO 980-silver handbuilt link bracelet, "C"-clasp and bar closure, heavy links. 7 1/2" long x 1 1/2" wide | 250 - 450 | |
| Three sterling pieces: pair of GEORG JENSEN round cufflinks with geometric design, and DAVID ANDERSON link bracelet with red and yellow enamel, 1940s Denmark. Cufflinks: 19mm dia., bracelet: 7 1/2" long | 150 - 250 | |
| Lot of Mexican sterling and related jewelry, includes: enameled Star of David cufflinks by MARGOT OF TAXCO; oval red stone and sterling cufflinks, TAXCO; sterling buckle and belt tip set; bezel-set American silver dollar coin, 1879; Mexican copper cuff with applied clay ornament; and METALES, TAXCO sterling cuff with mixed metal and turquoise inlay | 200 - 500 | |
| Chinese Art Deco sterling and rose quartz bracelet, composed of delicate graduating links inset with floral carved panels of translucent pink quartz, with V-spring box clasp. 7" long x 2" graduating to 1 1/4" | 150 - 350 | |
| Four gentleman's watches, includes: ACCUTRON Railroad; approved ACCUTRON with skeletonized face; GRUEN Autowind with radial dials; spaceship-form quartz. | 500 - 800 | |
| Five gentleman's watches, includes: ROLEX Oyster Precision, white face with gold numerals and markers, sweep second hand, stainless case and bracelet; ROLEX Oyster Observatory, black face with radium markers, secondary dial, stainless case; BENRUS Tank, gold-filled with secondary dial; HAMILTON Tank, 10k yellow gold with white face, gold markers; TISSOT Quartz, stainless with sweep second hand, and date window | 1,000 - 2,000 | |
| Three tribal bracelets, includes: 40mm antique tortoise shell cuff from New Guinea with chased designs, possibly used as currency; leather-wrapped cuff with lucite trapped spider ornament; coiled serpent bangle of animal horn | 200 - 500 | |
| Mixed lot of mourning, Victorian, and fraternal jewelry, includes: four gutta percha chains; gutta percha hoof pin, circa 1880 (7 1/2" long); jet and iron arrow motif pin; Eastlake bowling motif watch fob; cigar charm; Indian motif pin (1915); bone and silver "tiger claw" pendant; "Kum-A-Part" snap cufflinks, circa 1923, in the form of nuts and bolts | 400 - 800 | |
| Two pieces: elegant Art Deco festoon necklace in French jet and brass filigree, with a vulpe necessary in original file purse | 250 - 350 | |
| Accessories for a lady, includes: a compact in the form of an "8" ball, in black and white enamel on brass; a fine cylindrical evening bag/necessary by K&K, in brass with white rhinestone-studded black enamel exterior; an oval brass compact with black enamel and rhinestone champagne glass decoration; Le Debut compact by HUDNUT, in brass with green and black enameled Deco decoration | 500 - 800 | |
| Accessories for a lady, includes: music box charm bracelet; Frankfurt souvenir necessary in the form of a camera; ELGIN AMERICAN evening bag, and Masonic compact with six-color enamel decoration; EVANS brass evening bag, and compact with green celluloid top and mesh metal bottom; Statue of Liberty ornamented compact; DJER-KISS double compact with green enameled decoration; Notre Dame compact of French manufacture; sterling rectangular compact with impressed basket weave surface and three-color gold vermeil | 350 - 700 | |
| Five pieces: KENNETH J. LANE wide link bracelet; WEISS black rhinestone brooch with earrings and a large cubic zirconia ring in 18k electroplate. Bracelet: 3" x 7", brooch: 3" sq., earrings: 1" sq. | 300 - 600 | |
| Five good signed costume jewelry pieces, includes SCHIAPARELLI, SANDOR, KRAMER and HASKELL: SCHIAPARELLI link bracelet, five curved oval links with gems in blues and greens with flashing; ornately-encrusted SANDOR hinged cuff; SANDOR four-strand pearl necklace; HASKELL pearl-encrusted brooch with massive orange gemstone; KRAMER hinged bangle | 400 - 700 | |
| Two pieces by DIANNE LOVE for TRIFARI, 1969-70, includes: circle brooch with bust of a youth and inset black glass cabochon (3" dia.), and a Minoan motif medallion on two-tone chain (medallion: 3 1/2" dia., chain: 18" total length) | 350 - 650 | |
| Fourteen pieces of costume jewelry, most TRIFARI, "Gold, diamonds and Pearls", 1940s-1970s | 250 - 450 | |
| Six pieces of whimsical jewelry, most with enamel and/or stones, 6 sterling and siesta brooch in sterling; bouquet pin signed CORO; double-figure bracelet signed TRIFARI | 250 - 450 | |
| Eight pieces of signed costume jewelry, includes: hinged retro TRIFARI bangle (4 3/4"); CASTLECLIFF brooch; CORO CRAFT sterling vermeil poodle brooch; ORIGINAL BY ROBERT circle pin and three figural brooches by TRIFARI; KENNETH J. LANE circle brooch (3 1/4") | 150 - 300 | |
| A group of glitzy jewelry, includes: REGENCY; two LISNER sets with frosted lucite insets; KRAMER; colorful leaf brooch by WEISS; bracelet of flashed ruby gems by SCHIAPARELLI; paste fringe brooch by KANDELL & MARCUS (7" long); good pair of paste dress clips | 300 - 500 | |
| Five unusual pieces for a lady, includes: alligator paw evening bag; large modern sterling cuff made in Taxco; an Art Deco Aztec and Eskimo motif necklace in brass with glass inset; large multi-gem pinwheel brooch by SCHREINER (4"); walrus ivory bolo | 200 - 350 | |
| Four pieces: three bakelite dresser boxes, two oval (one also fluted) with hinged lids, and a covered jar; plus a lucite "bow" hand mirror. 7 1/2" x 3", 2 1/2" tall, and 14 1/2" long | 150 - 300 | |
| Bakelite table lamp, black cylinder with amber banding and base. 18" tall | 400 - 500 | |
| Ten Bakelite napkin rings, nine birds, one rabbit; olive, red and yellow, one missing "beak" | 200 - 300 | |
| Bakelite group: fifteen assorted napkin rings; four pencil sharpeners incl Scottie; two infant toys | 300 - 400 | |
|
90
|
WITHDRAWN | |
| Diamond solitaire ring set in 14K white gold, approx. 1/4 c. diamond wt. | 150 - 250 | |
| Seven gem-set lady's rings: 14K w/ round faceted amethyst approx. 7ct; 14K retro ring w/blue stone; 14K hinged conversion ring w/ diamond cluster, amethyst flanked by diamonds; 14K yg filigree flip ring w/ cameo and tiger's eye; sterling ring w/fancy cut ctirine; 14K ring w/ rose-cut diamond; 14K yg w/ 18mm pearl surrounded by garnets | 400 - 600 | |
| Gold and cameo jewelry w/ polychrome limoge enamel minature w/ chain; 14K shell cameo in a wirework frame set w/ six aventurine cabochons 1 1/4" x 1"; Wedgwood black Jasperware cameo of a muse in 14K frame suspended from 18K and cream enamel bow pin; 14K yg ring w/oval amethyst cameo, 7/8" x 9/16", size 7 1/2 | 350 - 550 | |
| 14K wg and yg ring set with 57 diamonds, approx. 1.5 ct., size 7 1/2 | 350 - 550 | |
| Cameo jewelry with one pendant carving on bone, 9g; 14K bezel-set cameo w/ diamond necklace (1 3/8" x 1 1/8"; shell cameo in gold depicting Penn Station, NYC; gf and shell cameo of Madonna and child; angel skin coral cameo of a woman in gold twist wite pin/pendant mount; Victorian gold shell rectangular cameo of village scene; shell cameo pendant 2" x 1 1/2" | 350 - 550 | |
| Eight gold rings: 14K wg ring w/ 7 diamonds, cluster-mounted approx. .21cts; yg filigree w/ round aqua and channel-set sapphires, calibre-cut; antique yg ring w/ fancy-cut blue stone; 14K marquise-shaped cluster ring set w/ oval green tourmalines; Art Deco w and yg cigar band with rubies, pearls, enamel w/ diamond, 3 pts. | 450 - 750 | |
| Eight pairs of gold and gemstone earrings, two with rose-cut diamonds, opal, amethysts, tourmaline, pearls, blue stones, garnets - all in 14K or 18K mounts | 550 - 800 | |
| Good Antique Jewelry: 14K yg and opal pin/pendant w/ seed pearls, 11.3g, 2" x 2 1/4"; pair of Victorian hinged bangles, gf and gold shell w/ blue cabochons; silver chatelaine-style fob; ivory, rose pin; M-O-P horn pednant; gf cross; Art Deco srystal bob necklace by Louis Roosevelt; 4' sterling necklaces; two sterling and marcasite brooches | 400 - 600 | |
| Diamond solitaire ring, c. 1910, (approx. 1 ct), 14K yellow gold mount | 1,800 - 2,400 | |
| Diamond bypass ring in 14K white gold, c. 1940, with two mine-cut diamonds (approx. 1.40 cts.TW) and fifteen smaller brialliants, (approx. .30 ct TW), size 5 1/2 | 1,200 - 1,600 | |
| American studio jewelry (2): Kalo Shop thistle pin and pierced panel pin | 300 - 400 | |
| Scandinavian sterling jewelry: leaf brooch by A. Michelsen; leaf earclips, Skinger leaf pin; Auran Kultaseppa ring with lapis beads, 1973; Tone Vigeland circle brooch for Norway Design Plus. Six pieces total. | 300 - 400 | |
| Sterling and agate jewelry (2): brooch marked Tendler and massive ring marked X.39/NN. | 150 - 250 | |
| Atlantic City sterling faucet charm, Jelly Belly swordfish (as is), two sterling medallions, trench art fur clip; Danish silver comb; cylindrical purse and beaded purse | 200 - 300 | |
| 20th c. silver or copper jewelry includes two signed Handarbeit pieces; three marked NYE; R. Fletcher sterling pin with cactus; circle pin with vitrious enamel, and copper turtle pin. Eight pieces total. | 200 - 400 | |
| Two pr. sterling cuff links: Russian spaceship-motif with niello links, 1956, Moscow marks; circular cufflinks depicting Taurus bull | 100 - 150 | |
| Mexican sterling, three early pieces: Tobias A. circle brooch, green agate cabochon link bracelet marked J.E., and link bracelet with salamanders | 150 - 250 | |
| Lady's Victorian pocketwatch in original case | 900 - 1,200 | |
| Watch assortment (11) pieces including Swatch, Seiko Final Fantasy, Rossil X-Files | 300 - 500 | |
| Five watches and six fobs: Gruen Verithin; gf Waltham; gf Hunt case; Art Deco wg tank and octagonal watches; Art Deco 18K yg tank; five yg filled Victorian fobs and 800 silver fob | 200 - 400 | |
| Robert Whitley (American, New Hope, 20th c.) walnut music stand/lectern, 1966, sculpted form of bookmatched solid woods. Incised Whitley `66, 42" x 25" x 17" | 2,500 - 3,500 | |
| Toshiko Takeazu (American, b. 1921), Moon Pot, porcelain dipped in purple, teal and ivory with dripping glaze on a lustred black ground, incised TT. 6" x 4" | 800 - 1,200 | |
| Ben Shahn (American,1898-1969) "Blind Botantist," 1961, serigraph (ed. of 100), 40" x 26 1/2" sheet, signed in red with red seal, inscribed "for Peggy" | 500 - 750 | |
| Lloyd Ney, Ben and Fay Badura: three original photographs of New Hope School artists, a sepia-tone portrait of Lloyd Ney by Maurice Dallett, c. 1950; silver gelatin print of Ben and Fay Badura by Jack Rosen, c. 1960; Jack Rosen photograph of Ney and unidentified man playing chest on Mechanic Street, New Hope, c. 1960. | 200 - 400 | |
| Man Ray silver gelatin print portrait of Edmund Schiddel, along with Whitney Lutz (New Hope sculptor) images by Hoban-Gallub and other unidentified black and white photographs, total 14 pieces | 200 - 300 | |
| Victor Macarol (Yugoslavian American), "Interior,", 1980, silver gelatin print; and untitled street scene, both measure 13" x 10 1/2", both initialed and numbered (along with exhibition catalogs from New Jersey State Museum, 1984 and Optique Gallery, Lambertville, 1987) | 200 - 400 | |
| James Carpenter (New Hope, PA) "Delaware Canal-New Hope," 1987, silver gelatin print; and untitled Mexican woman, 1988, both signed and dated, 8" x 10" | 200 - 400 | |
| Eugene Atget (French, 1856-1927) attributed, silver emulsion print mounted on board, 8 1/2" x 6 1/2", reprinted c. 1956 by Bernice Abbott, depicting a vendor on the beach, unsigned, minor edge wear | 400 - 600 | |
| Werner Drewes (American,1899-1985) "Florida Sunset," color woodblock print on rice paper, 11 1/2" x 16", signed and titled, artist's proof | 500 - 750 | |
| Ralph Dubin (American, 1927-1988) "Boy on Fallen Tree," 1951, etching and aquatint, 7 1/4" x 8 3/4", signed lower right, titled, dated | 200 - 400 | |
| Ralph Dubin (American, 1927-1988) "Weekend at Newport," oil on canvas, 24" x 35", signed upper right, titled verso, lined | 400 - 600 | |
| Burton Wasserman (American, 20th c.) two serigraphs, geometric abstracts, both dated 1969/1970, both signed and inscribed; Ann Freidrich, untitled geometric abstract, 1973, mixed media on paper, 12" x 8 1/2", signed and dated | 200 - 300 | |
| Ben Shahn ephemera: Postcard illustration of Ben Shahn's "Bi-Partisan Blues," invitation for the American Labor Party event and postmarked 1948 (signature of Vito Marcantonio) along with ten exhibition catalogs or books incl. signed and dedicated copy of "Once, Dice, Trice," by Alastair Reid, drawings by Ben Shahn; exhibition catalog, 1963, Bezalel National Museum, Jerusalem; 1970 Tokyo exhibition; 1962, Kunsthalle, Baden-Baden, exhibition. | 300 - 500 | |
| Ben Shahn publications: thirteen book about/illustrated by the artist incl. "The Alphabet of Creation," copyright 1954 by Ben Shahn, Roosevelt, New Jersey, in original slip-case. | 250 - 450 | |
| Regional Museum exhibition (30+) catalogs: James A. Michener Museum of Art exhibtion catalogs: Fern Coppedge, Maxo Vanka, The Bucks County Framematching Tradition, William A. Smith; The New Jersey State Musuem exhibition catalogs: Elsie Driggs, Clarence Holbrook Carter, Miriam Beerman; The New Hope Modernist Project catalog; signed and dedicated Lee Gatch catalog from the Staempfli Gallery, New York; and exhibition posters. | 200 - 400 | |
| Maxo Vanka (Croatian American, 1889-1963) blue vase with flowers, pastel on grey paper, 16" x 12 1/2" sight, signed M. Vanka, lower right | 900 - 1,200 | |
| Evsa Model (American 1901-1976), "City Scape," c. 1945, oil on canvas, 18" x 30", signed Model | 300 - 500 | |
| Evsa Model (American 1901-1976), "Forest," c. 1945, oil on canvas, 30" x 30", unsigned | 300 - 500 | |
| Evsa Model (American 1901-1976), "Squares," c. 1945,oil on canvas, 19" x 19", unsigned, Charles the Fourth/New York Gallery stamp (The Lewis's Gallery was in New York was on the corner of 4th ave. and Charles Street, prior to 1949 when they moved to New Hope and established the gallery of the same name on Mechanic Street in New Hope) | 300 - 500 | |
| American abstract (in the style of Lloyd Ney) attributed to Ben Brown, 1947, oil on masonite, 23" x 15 1/2", signed illegibly lower right and dated, 7/`47 | 200 - 300 | |
| Lloyd Ney (American, 1893-1964) "202 North/South", New Hope, PA, watercolor with ink, 12" x 19", signed and dated lower right, 1963. | 900 - 1,200 | |
| Ulfert S. Wilke (German/American, 1907-1987) calligraphic composition, 1967, ink on paper, 30" x 20" sheet, initial and dated lower right; Leonard Baskin (American, 20th c.) lithograph poster, 1970, signed in the plate | 400 - 600 | |
| Karl Hofer (German, 1878-1955) two untitled figurative lithographs, both 8 1/2" x 5 1/2", both signed Hofer in pencil, lower right | 300 - 500 | |
| Danny Gayder (American naive, 20th c.) "Girl in Confusion," acrylic on canvas, 422" x 29", signed Danny Gayder, titled verso | 150 - 300 | |
| Danny Gayder (American naive, 20th c.) "Tree Talk," acrylic on canvas, 28 1/2" x 39 1/2", signed Gayder, titled verso | 150 - 300 | |
| Two contemporary mixed media works: Doernback,"Sunset at Orient Bay," 1984, acrylic on canvas, 14" x 21", signed lower right, signed titled, and dated verso; Silvere Boureau, landscape, gouache on paper, unsigned; | 200 - 400 | |
| Two abstract works c. 1980: mixed media painting, 10 1/2" x 7 1/2" signed Barrigan; and oil on canvas, 8" x 6", initial C.L.S. | 150 - 300 | |
| American abstract, c. 1960, completent cubist-style painting, gouache on paper/board, 15" x 22", no apparent signature | 200 - 300 | |
| Michelangelo Conte (Italian, 20th c.) untitled abstract, 1957, serigraph, 12 1/2" x 18 1/2", signed Conti, dated and number 25/50 | 200 - 400 | |
| Michelangelo Conte (Italian, 20th c.) "Si avvicina l'inverno," 1957, oil on canvas, 18 1/2" x 24", signed Conti, 1957 lower right; signed titled and dated verso | 500 - 750 | |
| Terry (Sir) Frost (British, 1915-2003) "Black Sun," 1984, etching, 7" x 5" image, signed, dated and numbered A/P, titled verso | 250 - 450 | |
| Terry (Sir) Frost (British, 1915-2003) "Spring Sun," color lithograph, 29" x 25" signed and numbered 50/50 | 450 - 650 | |
| Fred Yates (British, Cornwall, b. 1922) large St. Ives beach scene, oil on paper, 18" x 33", unsigned, purchased from the artist | 900 - 1,200 | |
| Terry Whybrow (British, Cornwall, b. 1932) "Painting 135", 1987 acrylic on board mounted, 12 3/4" x 17", signed, titled and dated verso | 300 - 500 | |
| Terry Whybrow (British, Cornwall, b. 1932) "Painting 187", 1986 acrylic on board mounted, 17" x 12", signed, titled and dated verso | 300 - 500 | |
| Terry Whybrow (British, Cornwall, b. 1932) "Painting 269", 1984, acrylic on board, 7" x 7", signed, titled and dated verso | 200 - 300 | |
| Fred Yates (British, Cornwall, b. 1922) "Village North of England," oil on canvas, 12" x 18", signed lower right | 400 - 600 | |
| Fred Yates (British, Cornwall, b. 1922) "The Harbor Plymouth," watercolor on paper, 6 1/2" x 9 1/4", signed lower right and titled | 200 - 400 | |
| Ray Ambrose (British, Cornwall - 20th c.) "St. Marks -Venice," 1987, mixed media painting on board, 11" x 16", initial lower right, dated, and titled | 300 - 500 | |
| Fred Yates (British, Cornwall, b. 1922) "Garden by the Sea," North of England," oil on canvas board, 25" x 21", unsigned, titled verso | 400 - 600 | |
| Terry (Sir) Frost (British, 1915-2003) "Yellow, Red. Blue Suspended Form," 1986, color lithograph, 21" x 29", signed lower left, date `86, and numbered A/P#4 | 450 - 650 | |
| Terry (Sir) Frost (British, 1915-2003) "Newlyn Rhythm," 1995, color lithograph, 21" x 14", signed lower left, date `86, and numbered 75/80 | 450 - 650 | |
| Ian Cooke (British, Cornwall, 20th c.): two etching/aquatints "Cam Galva, 1985, numbered 40/100; and "Men-an-Tol," numbered 42/250, both images 5" x 4", both signed, dated, titled and numbered | 200 - 400 | |
| Bryan Pearce (British, Cornwall, b. 1929) "Two Seagulls and a Fishing Boat" 1985, etching, 6 3/4 x 9 1/4", signed lower right, dated, and numbered 4/75; along with "Bryan Pearce - A Private View, 1985, signed by the artist | 200 - 400 | |
| Fred Yates (British, Cornwall, b. 1922) untitled harbor scene oil on masonite, 10" x 11 1/4", signed lower right | 300 - 500 | |
| Fred Yates (British, Cornwall, b. 1922) "Mousehole" watercolor on paper, 9 1/2" x 11 1/2", signed lower right and titled | 200 - 400 | |
| Breon O'Casey (British, Cornwall, b. 1928) geometric abstraction, 1973, color serigraph, 12" x 17", signed lower right, dated, and number 170/50 | 250 - 450 | |
| Bryan Pearce (British, Cornwall, b. 1929) "Two Fishing Boats," 1983, color serigraph, 13" x 10", signed lower right, dated, and numbered 130/150 | 250 - 450 | |
| Ray Ambrose (British, Cornwall - 20th c.) "Portleven Coast," 1969, color lithograph, 17" x 20", signed lower right, dated, titled and number 7/12 | 250 - 450 | |
| Ray Ambrose (British, Cornwall - 20th c.) "Bird, Dizz & Trane - 52nd Street, 1950," (depicting three famous jazz musicians, watercolor/gouache on paper, 9" x 11" sight, initial and dated`88, and titled | 250 - 450 | |
| Barbara Delagarno (British, Cornwall, 20th c.) "Fun and Game," 1983, oil on canvasboard, 8" x 10", 9 signed, dated, and titled verso | 200 - 400 | |
| Fred Yates (British, Cornwall, b. 1922) "Newlyn," watercolor on paper, 6 1/2" x 9 1/4", signed lower left and titled | 200 - 400 | |
| Mary Strong (British, Cornwall) "Windows," watercolor shadow box, 8 1/2" x 5 1/2"; Renate Lawes (British, Cornwall, 20th c.): two etchings "Storm Clouds," 1987, numbered 8/25; and "King's Rue," 1987, numbered 2/25, 5" x 4" and 6" x 8", both signed, dated, titled and numbered | 100 - 200 | |
| Cornwall, St. Ives artists and catalogs: "St. Ives 1939-1964" (Tate Gallery); Terry Frost (Royal Academy of Arts), with signed and dedicated exhibition catalog (Belgrave Gallery, London); Cedric Morris, Bryan Pearce, Cornwall Potterys and a photograph of The Newlyn Cliffs | 100 - 200 | |
| Giuseppe di Lieto (Italian, 20th c.) "Positano Costa #5" landscape, gouache on paper, 7" x 10", signed lower right | 200 - 400 | |
| Giuseppe di Lieto (Italian, 20th c.) Positano landscape, gouache on paper, 7" x 10", signed lower right | 200 - 400 | |
| Two Italian landscapes: Derek Holland (American, 20th c.) "Minerva," 1987, gouache, 13 1/2" x 20"; George Baik (Italian, 20th c.) "Pink Venetian House," oil, 12" x 18", both signed | 200 - 400 | |
| Vali Myers (Australian, b. 1930, Vali Myers was a self-taught graphic artist. After her career as a modern dancer, she lived in Positano in a neo-primitive enclave where she had her studio in the midst of wild animals. She was tatooed in the Maori-tradition.) - suite of eleven off-set prints, 1979-1985, some hand signed and inscribed, and poster photograph of the artist with a fox. | 300 - 500 | |
| Jeanette Kohn (American, New Jersey,) "Reflections," woodblock print; "Secret Package," mixed media print; untitled, mixed media print (not pictured); and sketch of Peggy Lewis, ink on paper: all signed, largest measures 15" x 18" | 150 - 300 | |
| Rose Kaufman (American, 20th c.) landscape with tree, oil on board, 22" x 18", initialed R.L.K.; vase and flowers, 30" x 15", initialed R.L.K. Estate of the artist. | 200 - 400 | |
| Rose Kaufman (American, 20th c.) Baltimore street scene, watercolor/gouahce on paper, 11" x 16", signed lower right; untitled bathers, mixed media, unsigned. Estate of the artist. | 100 - 200 | |
| Two works on paper: Richard Kemple, "Turn of the Tide," woodblock print, 18" x 24", along with "Bee & Boy" unsigned, mixed media, 9" x 12" | 150 - 300 | |
| Zoltan Buki (Hungarian/American, 20th c., former Curator of Fine Art New Jersey State Museum,) Pop Art figure drawing, 1968, mixed media and graphite, 24" x 18 1/2", signed and dated | 200 - 400 | |
| Joe Kardone (American, Woodstock, 20th c.) two watercolors: "Woodstock" nudes in a landscape, 1966, 6" x 8"; and "Tarleton," 1967, 11" x 8 1/2", both signed, dated, and titled | 250 - 450 | |
| William Entwisle (American, New Jersey, 20th c.) "Knight's Head," ceramic sculpture, 18" | 200 - 400 | |
| Martin Handford (American, 20 th c.) "Military Squares," 1981, intaglio and color etching, 15" x 20", signed, dated, numbered A/P | 150 - 250 | |
| Two modern Japanese prints: Hakumaki, "Poem-u", intaglio, 16" x 16" signed, titled, chop-marked, numbered 3/50: Y. Fumaraka, untitled, serigraph, 1975, 21" x 16", signed, dated and numbered 28/100 | 200 - 400 | |
| Three contemporary prints: Michael Volpe, "Wild Horses," intaglio/etching, 19 1/2" x 28 1/2", signed, titled, numbered 5/125; J. Olhler,"Quartet I," intaglio, signed, titled and numbered 30/200; Jan Richardson-Baughman, "Transformations," lithograph with hand coloring, signed and titled | 150 - 300 | |
| Three contemporary prints: Yuklin, "Another Buzzy-Lizzy," color woodblock, signed dated 1985, and numbered 5/100; Jane Teller (Princeton), off-sett lithograph, signed and dated `71 in the plate; W. Cunningham, geometric abstract, off-set lithograph, signed and numbered 21" x 75" | 100 - 200 | |
| Rose Kaufman (American, 20th c.) landscape, oil on board, c. 1950, 16" x 20", unsigned. Estate of the artist. | 200 - 400 | |
| Rose Kaufman (American, 20th c.) cherry trees, oil on board, 9" x 13", signed lower right; interior, oil on canvas, 10" x 14", signed lower right; unsigned figure study, oil on board, 10" x 7". Estate of the artist. | 200 - 400 | |
| New Jersey/Bucks County memorabilia: 50 different issue of BUCKS COUNTY (LIFE) magazine (1961-1965); 7 different issues of BUCKS COUNTY PANORAMA, 1966; TRENTON magazine, 1967 and other books and publication about the region, c 1960-1990, including exhibtion posters | 100 - 200 | |
| New Hope flood of 1955: original black & white photographs, professional quality, eighteen total number, each 10 1/2" x 13" | 300 - 500 | |
| Six photographs: Georgia O'Keeffe portrait from Alfred Stieglitz Collection National Gallery of Art; unidentified of Martin Luther King, "Mugsy," by Lynn Augeri; and Bernardsville, NJ, c. 1920, all black and white photos, three 8" x 10" | 150 - 250 | |
| Six contemporary photographs: works by David G. Ritchey (3), Larry A. Egan (1), and Carol Santuci(1), one unsigned | 150 - 250 | |
| Lloyd Ney (American, 1893-1964) "T204", geometric abstraction, watercolor on paper, 13 3/4" x 19 3/4", signed lower right, signed dated, 1946, titled and inscribed verso "Ney 46, New Orleans, Jan 28, T204, minor tear to edge on one side | 1,200 - 1,600 | |
| Ludwig Bemelmans (American, 1898-1962) "Seine with the Hotel du France and Notre Dame," ink on vellum, 8" x 10 3/8", artist's cipher lower right with certificate of authenticity from the artist's wife (Belemans was the creator and illustrator of "Madeline".) | 900 - 1,200 | |
| Naomi Savage (American, b. 1927) "Daffodils," solarized photograph mounted on a gessoed board, 12" x 10"; "War Games," 1963, print from a photograph on vellum tissue, 14" x 16" | 250 - 450 | |
| B.J.O. Nordfeldt (American, 1878-1955) "Mexico" figures in a landscape, 1955, watercolor on half-sheet paper, 16" x 20", signed Nordfeldt (twice) lower right, titled and dated | 1,500 - 2,000 | |
| George Greene (American, b. 1908) "Assemblage II, acrylic on canvas, 48" sq. signed and titled verso. Exhibition catolog from the New Jersey State Museum, 1984 | 450 - 650 | |
| Herbert S. Roberts, (American, Naive, 20th c.) "Old Stone Church," Hunterdon County scene, gouache on board, 14" x 22" signed lower right and titled | 150 - 250 | |
| Emily Abbott Nordfeldt (American, 20th c. wife of B.J.O. Nordfeldt) "Mansion on Jefferson St, Lambertville," 1956, gouache on paper, 10 1/2" x 14 1/2", signed E. Abbott, lower right and dated `56 | 200 - 400 | |
| Naomi Savage (American, b. 1927) "Alphabet Soup," 1867, intaglio print, 12" x 9", signed titled and dated; Keble, "My Playmates Were...," intaglio; and owl figure, signed Greenberg, 1968 | 250 - 450 | |
| Emily Abbott Nordfeldt (American, 20th c. wife of B.J.O. Nordfeldt) "Three Geese," gouache on rice paper, 14" x 21", signed E. Abbott, lower right and dated `73 | 200 - 400 | |
| Lloyd Ney (American, 1893-1964) "Etcetera" New Hope, PA, pen and ink drawing, 17" x 22". signed lower left, laid down and glued to the matt, abraided surface. | 200 - 400 | |
| Danny Gayder (American naive, 20th c.) "Soulful Gaze," 1991, acrylic on canvas, 36" x 28", signed Gayder, titled and dated, verso | 150 - 300 | |
| William Entwisle (American, New Jersey, 20th c.) "Head",encaustic panel with mixed media, signed, 14" x 8" | 200 - 400 | |
| William Entwisle (American, New Jersey, 20th c.) assemblage mixed media sculpture, 22" | 200 - 400 | |
| William Entwisle (American, New Jersey, 20th c.) "Domingo Esquedo," cast bronze sculpture free-form with green glass cabochon on a marble base, 16" | 200 - 400 | |
| Three color photographs: Jon Kaplan, "The Words of the Prophets," 1986, 10" x 14" and untitled street scene; Heather Stoddard Barros, "World 8 Both Views,", 1989, two framed together | 150 - 250 | |
| Danny Gayder (American naive, 20th c.) "Gau Gain," 1990, acrylic on canvas, 48" x 36", signed Gayder, titled verso | 150 - 300 | |
| William Entwisle (American, New Jersey, 20th c.) "Head", sculpture of free-form copper on wooden base mount, 29" | 200 - 400 | |
| Danny Gayder, (American, naive, 20th c.) "Three and Four," acrylic on canvas, 20" x 16"; and "Behind the Wall," 1991, 28" x 22", both signed, titled verso | 250 - 450 | |
| "The World of Atget," by Bernice Abbott;Ludwig Belemans "The Best of Times," 1946; two books about B.J.O Nordfeldt, and Aperture monograph on Bernice Abbott (books from the library of Peggy Lewis) | 250 - 450 | |
| William Everson/Brother Antoninus: two monograph poems, signed by Everson, one with inscription to Michael and Peggy dated 1971; two photographs, one by Jerry Uelsman; along with Caresse Crosby Portfolio of poems by The Black Sun Press, 1947; and two folios of poems and lithographs by Ed Coker, Editions du Grusier, 1968 | 200 - 400 | |
| Richard Ederheimer (German, early 20th c.) attributed, portrait of a girl, oil on board, 16" x 12", unsigned. | 250 - 450 | |
| Nicolas Toussiant Charlet (French, 1792-1845), Politicians, pencil drawing on buff paper, 3 1/4" x 4 1/4", signed Charlet, lower right, framed in Paris, late 19th c. with inscription verso and typed notes from the collector. | 150 - 300 | |
| Michail Tkatchenko (Russian, b. 1860), "Barbizon," watercolor on paper, 4 1/2" x 7 1/4" (sight), signed M. Tkatchenko, lower right, and titled; framed in Paris, late 19th c. with typed notes from the collector. | 200 - 400 | |
| Charles Edward Conder (British, 1868-1909) attributed, ink wash on blue paper, minature landscape with lake and castle, 3" x 4 1/2", obscure signature, frame with typed notes of provenance verso | 200 - 400 | |
| Adriaen van Ostade (Dutch 1610-1684) attributed, etching on cream paper, market genre scene, 4 1/2" x 6 3/4", signed av.Ostade.F. lower left, trimmed close to the plate mark, minor foxing, residue of mount on corner verso; along with a French 19th c. steel engraving, unsigned | 600 - 900 | |
| Delaware Canal in New Hope, 1973, color photograph 20" x 32", by Jack Rosen (From the collection of the Ember'Glo, a shop begun in the village in the mid 1950s) | 200 - 300 | |
| Inez McCombs (American, New Hope School, 20th c.), landscape with stream, watercolor on paper, 11" x 8 1/2", signed lower left, some discoloration | 100 - 150 | |
| Mildred Hermann, Point Pleasant (PA) landscape,oil on board, 16" x 20", signed and dated 1957, lower right | 150 - 250 | |
| Clarence K. Xander (American, 20th c.), "Carversville (PA)- Old One Room School House," oil on canvas, 16" x 20", signed Xander lower right, titled verso with exhibition label | 200 - 300 | |
| Della A. Bittner (American, 20th c.) landscape with barns, Phillips Mill (PA), oil on board, 16" x 20", signed lower right | 150 - 250 | |
| Rhonda Bigonet (Gross) was a colorful artist and personality in New Hope during the 1970s and 80s. She was prolific and unbounded in her experimentation with new media and new material surfaces from wall to car body. These are among the first works offered from a private collection. "Mermaid," mixed media drawing, 17" x 12"(from the Collection of David Rago | 1,000 - 1,500 | |
| Rhonda Bigonet (Gross), (New Hope) Aztec Images, mixed media drawing, 10 1/2" x 12", artist's cipher lower right | 500 - 700 | |
| Rhonda Bigonet (Gross), (New Hope) Marijuana Angel, mixed media drawing, 20" x 10" | 1,000 - 1,500 | |
| Rhonda Bigonet (Gross), (New Hope) Aquarian couple, mixed media drawing, 13 1/2" x 9", artist's cipher lower right | 1,000 - 1,500 | |
| Bucks County Playhouse lobby cards, more than fifty pieces from the mid- 1950s through the 1970s | 100 - 200 | |
| New Hope School, mid-century artists: Cortland Butterfield (1904-1977) off-set prints, more than twenty-five, some signed by the artist; Raymond E. Halasy, 1974 suite of seven New Hope scenes, 15" x 21" (Ember'Glo) | 100 - 200 | |
| Marcel Duchamp (French, 1887-1968) in collaboration with Jacques Villon (French, 1875-1963), "The Bride - Mariee," 1934, color aquatint, 19 1/4" x 12", signed by both artists, and numbered 2/200. Provenance: a private collection, Exhibition: Dada Country, Hunterdon Museum of Art, Clinton, NJ, Feb., 1999 | 10,000 - 15,000 | |
