Bidsquare Talks Tiffany Studios with David Rago
8 May 2019
Contributed by Jessica Helen Weinberg, Sr. Content Editor at Bidsquare.com
The natural world, and mankind’s place as an instinctive maker in that world, was, for a time, on the verge of being forgotten. During the late Victorian period in England, anxieties surrounding industrialized life triggered a bold reassessment of hand-craftsmanship. The threat of cheap factory labor compelled designers and artists, who saw decorative expertise fading in the background of mechanization, to advocate reform and promote the advancement of the designer as craftsman. This shift, known as the Arts and Crafts movement, sought to create environments that incubated talent and upheld the cultural importance of fine workmanship. Similarly, the American Arts and Crafts movement followed British ideals and resulted in the birth of several utopian communities who cultivated fields such as woodwork, pottery, textiles, and metalwork.
Then, in the 1880s, an outgrowth of the design reform emerged. There was a "New Art" that began wrapping its' sensuous vines around European and American aesthetics - Art Nouveau. This development advocated nature as the triumphant source of all inspiration and branched off to explore a distinct style of its own within all applied arts. All the while, as these design philosophies continued to expand, a man by the name of Louis Comfort Tiffany thrived in running an enterprise of his own, where quality craftsmanship, the Art Nouveau style, and production became flawlessly fused together. Louis Comfort Tiffany, the founder of Tiffany Studios - a design firm producing blown-glass vases, leaded-glass windows and lamps, pottery, jewelry, and more - became America's most acclaimed artist. His studio housed some of the most celebrated artisans in the country and, through revolutionary techniques and a passion for beauty, Tiffany Studios produced breathtaking and iconic decorative artworks of the early 20th century.
On May 18, Rago Auctions' Early 20th C. Design sale will feature an exciting group of Tiffany Studios selections ranging from picture frames and candelabrum's to rare glass lamps. Here to provide us with insights on a few of the upcoming highlights is David Rago, the founder Rago Auctions and an expert appraiser for the PBS series, Antiques Roadshow, where he specializes in decorative ceramics and porcelain.
BSQ: Lot 1107 possesses unusual elements from shade to base. Right away, one notices the motif of heraldic shields that embellish the shades’ panels. Is it safe to assume that this lamp was commissioned as a family heirloom? If so, how often do we see that happen with antique Tiffany Studios lamps?
DR: My understanding is that, while rare, this is a production lamp and not the only such example. With that said, the condition and quality are top notch. The patina, for example, in the base, shade, and heat cap, is rare green and in perfect condition. This is a most unusual lamp and the condition is unassailable.
BSQ: Lot 1270 blends two of the most influential Art Nouveau makers of the early 20th century; Grueby and Tiffany Studios. Can you tell us more about the collaborative designs that united these companies?
DR: Tiffany used Grueby bases for their lamps and I’ve seen original catalogues that specified such arrangements. However, not all of these combinations were original of the period even though both elements were made about the same time. The Arts and Crafts styled shades proved an excellent fit with the organic naturalism espoused by the Grueby Pottery Company.
BSQ: Lot 1100 boasts an iridescent bouquet of twelve, wild stem lilies rising out of a detailed bronze pond. Lily-themed lamps can be seen with as few as two flower sockets in one design. As is the case with real flowers, the more you order from the florist the more expensive the display! Does that logic apply when appraising ‘Lily’ lamps?
DR: More is more. These typically sell for about $1,500 per shade, though the sort of base holding them factors in to some degree. The shades alone, if good examples, can bring about $1,000 each. But yes, the rule of thumb, with an average base and average shades, (remembering that Tiffany didn’t really do average; his production standards even on an off day were world class), are about $1,500 per light.
BSQ: There are three ‘Turtleback’ desk lamps featured in the May 18 catalog; lots 1103, 1101, and 1102 as well as one 'Turtleback' candle lamp (lot 1112). What exactly makes these four lamps part of the ‘Turtleback’ lamp family? We would love to hear more about this particular grouping!
DR: Turtleback refers to the large pieces of iridized glass used in their manufacture. These can be found in gold, green, blue, and red, and their value increases in exactly that order. These can also be found in different sizes, though larger is generally better. These represent an interesting part of Tiffany’s production, part of more Arts and Crafts styled work, though I have definitely seen them augmenting Art Nouveau pieces as well.